I Can Do It All Again
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Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Abandoned Love: the Impact of Wyatt V. Stickney on the Intersection
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2011 Abandoned Love: The mpI act of Wyatt .v Stickney on the Intersection between International Human Rights and Domestic Mental Disability Law Michael L. Perlin New York Law School, [email protected] Follow this and additional works at: http://digitalcommons.nyls.edu/fac_articles_chapters Part of the Disability Law Commons, and the Law and Psychology Commons Recommended Citation Law & Psychology Review, Vol. 35, pp. 121-142 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. "ABANDONED LOVE": THE IMPACT OF WYATT V. STICKNEY ON THE INTERSECTION BETWEEN INTERNATIONAL HUMAN RIGHTS AND DOMESTIC MENTAL DISABILITY LAW Michael L. Perlin* INTRODUCTION Wyatt v. Stickney' is the most important institutional rights case liti- gated in the history of domestic mental disability law.2 It spawned copycat litigation in multiple federal district courts and state superior courts ;3 it led directly to the creation of Patients' Bills of Rights in most states;4 and it inspired the creation of the Developmental Disabilities Assistance and Bill of Rights Act,' the Mental Health Systems Act Bill of Rights,6 and the federally-funded Protection and Advocacy System.7 Its direct influence on the development of the right-to-treatment doctrine abated after the Su- preme Court's disinclination, in its 1982 decision in Youngberg v. Romeo,8 to find that right to be constitutionally mandated, but its historic role as a beacon and inspiration has never truly faded. -
Tell Tale Signs
I don't know anybody who's made a record that sounds decent in the past 20 years, really. You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing,… remember when that Napster guy came up across, it was like, ‘Everybody’s gettin’ music for free.’ I was like, ‘Well, why not? It ain’t worth nothing anyway. Bob Dylan 2006 A compilation of bits and Bobs from last 30 years? That'll be $129.99. Sony 2008 --- Introduction: I wrote this very soon after the release of Tell Tale Signs. Although I was presuming ISIS would be delayed in order to allow a more considered take on the release, my own work commitments demanded an early response in any case. I have presented it as a dialogue that highlights – if not exaggerates – trends I have felt in myself and in discussions amongst Dylan fans at large. I have taken the liberty of framing the dialogue in a setting plagiarised brazenly from a classic as Bob does with many an out of copyright source as Dylan Cynic would say or, if you are aligned to Dylan Enthusiast rather than Dylan Cynic, the framework of the dialogue alludes intriguingly to a past literary master in much the same way Dylan binds his own work artistically to Ovid in Modern Times. I won’t mention the play it comes from as the fun is surely always in the searching and then deciding if it is just rip-off or a deeply thought allusion that adds to the whole. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Abandoned Love Bob Dylan
https://www.kirbyscovers.com (or) https://www.kirbysguitarlessons.com Abandoned Love Bob Dylan Intro - G C G D G But my heart is a-tellin' me - I love you still D Em I can see the turning of the key C G D I've been deceived by the clown inside of me Bm C I thought that he was righteous but he's vain G C G D G Oh, something's a-telling me - I wear the ball and chain D Em My patron saint is a-fighting with a ghost C G D He's always off somewhere when I need him most Bm C The Spanish moon is rising on the hill G C G D G But my heart is a-tellin' me - I love you still D Em I come back to the town from the flaming moon C G D I see you in the streets I begin to swoon Bm C I love to see you dress before the mirror G C G D G Won't you let me in your room one time before I finally disappear? D Em Everybody's wearing a disguise C G D To hide what they've got left behind their eyes Bm C But me I can't cover what I am G C G D G Wherever the children go - I'll follow them https://www.kirbyscovers.com (or) https://www.kirbysguitarlessons.com https://www.kirbyscovers.com (or) https://www.kirbysguitarlessons.com Break - G-D-Em .. C-G-D … Bm-C …. G-C-G-D …. -
Songs of the Underground Rolling Thunder Revue
Songs of the Underground Rolling Thunder Revue (a collectors guide to the Rolling Thunder Revue 1975-1976) Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 © Les Kokay 2000 All rights Reserved. This text may be reproduced, re-transmitted and redistributed provided that it is not altered in any way and the author is acknowledged.. Any corrections, additions and enhancements welcome. I may be contacted at [email protected] for any corrections or enhancements, but I am unable to provide any details on obtaining any tapes, CDs or Bootlegs, or items that would infringe the artists copyright. © Les Kokay 2003 2 All rights Reserved. Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 Contents Dedication ...............................................................................................................................................5 Acknowledgents and thanks.....................................................................................................................5 Introduction to RTR 1975...........................................................................................7 Rolling Thunder Revue Rehearsals Oct 75............................................................................................12 Plymouth, Massachusetts, War Memorial Auditorium, 30 Oct 75 ........................................................13 North Dartmouth, Massachusetts, South Eastern University, 1 Nov 75................................................18 -
The Bob Cats Newsletter 2018-07-06
THE BOB CATS NEWSLETTER JULY 6, 2018. CELEBRATING THE ART AND THE MANY LIVES OF BOB DYLAN • NOBEL PRIZE LAUREATE SONG & DANCE MAN. INSPIRED BY THEME TIME RADIO HOUR AND THE SPIRIT IN WHICH IT WAS MADE. ESTABLISHED 2006 BY PETER HOLST • 11 YEARS AND RUNNING. HTTPS://THEBOBCATSNEWSLETTER.WORDPRESS.COM Welcome to another edition of the Bob Cats Newsletter. It's night time in the big city and the party on the roof terrace of the Hohner Building is in full swing in the hot transparent summer night. El Toro del Garden, camera crew member on his night off, Caruso Corizzo and Mandus Hinderstam swings to the rythm of the blues trio, Los Pachucos, cheering the ladies of Gladstone Production and affiliates. He cracked actor sips burgundy on a bench by the all observing the still waters gleaming under a turquoise sky, weeping willows on the waters end as Big Mama Pergoliandero keeps the customers satisfied with wine from the old country, Margaritas and stuff from the impressive Italian buffet. Down on Main Street a streetcar named Sylvania segues slowly ahead in heat and in streams of light and the sun never seems to set. ••• NEWS FLASHES REVISITED EXPECTING RAIN.COM http://expectingrain.com/ THE NEW BOB DYLAN MUSEUM MAKES A PLAY TO BE THE NEXT NASHVILLE. https://quartzy.qz.com/1317353/with-its-new-bob-dylan-museum-tulsa-makes-a-play-to-be-the-next-nashville/ ••• THE CONCERTS BOB DYLAN & ERIC CLAPTON • MADISON SQUARE GARDEN • NEW YORK CITY NY • JUNE 30, 1999. http://alldylan.com/bob-dylan-eric-clapton/ SAINT JAMES PARK NEWCASTLE ENGLAND • JULY 5, 1984. -
(Pensumlisten Til «Bob Dylan» Ligger Nedenfor) 200-Nivået
ALLMENN LITTERATURVITENSKAP Valg av seminar og emnekode 200-nivå (Pensumlisten til «Bob Dylan» ligger nedenfor) 200-nivået: Studentene på bachelorprogrammet i litteraturvitenskap må ta ett litteraturteoretisk emne og ett litterært emne på 200-nivået. Litteraturteoretisk emne: ALLV201/ALLV251/KVIK201 Litterært emne: ALLV202/ALLV252/KVIK203/ANT202 For mer informasjon se: Studieplan for Bachelorprogram i litteraturvitenskap. Ett av emnene på 200-nivået må ha bacheloroppgave som eksamensform (ALLV251, ALLV252). Hvis studenter har tatt deler av 200-nivået tidligere i studiet, må vi se i hvert enkelt tilfelle hvilke 200-emner den enkelte må ta. Kontakt studiekonsulent. Seminar høsten 2017: ALLV201/ALLV251 (litteraturteori). Tema: «Lesning av litteratur hinsides mistenksomhetens hermeneutikk» ALLV202/ALLV252 (litterært) Tema: «Bob Dylan» NB! Studenter som ikke ønsker å ta «Lesning av litteratur hinsides mistenksomhetens hermeneutikk» eller «Bob Dylan», kan legge opp et individuelt pensum på ALLV201/202/251/252 i samråd med aktuell faglærer. BOB DYLANS SANGLYRIKK (ALLV202/252/303/304) Kursbeskrivelse Dette er det første kurset ved UiB som utelukkende er viet sangskriveren og sangeren Bob Dylan. Kurset skal gi et innblikk i og overblikk over (utvalgte deler av) hele hans sangverk – og det primære pensum vil bestå av ca. 200 sider sanglyrikk. Sanglyrikk er en lyrisk kunstart, og kursets hovedmål er diktanalytisk: Sangdikt skal analyseres og fortolkes – som litterære kunstverk i seg selv, og også som krysningspunkter av lyriske og musikalske referanser til annen kunst og sanglyrikk. Typiske sanglyriske trekk skal fremheves – ikke minst sangstemmen og andre orallitterære særtrekk. Det er også et mål å lese denne lyrikken i et historisk, ideologisk og sosialt perspektiv, og sekundærlitteraturen (artikler og utdrag svarende til ca. -
Still on the Road: 2013 Europe Fall Tour
STILL ON THE ROAD 2013 EUROPE FALL TOUR OCTOBER 10 Oslo, Norway Spektrum 12 Stockholm, Sweden Stockholm Waterfront Auditorium 13 Stockholm, Sweden Stockholm Waterfront Auditorium 15 Copenhagen, Denmark Falconer Salen 16 Copenhagen, Denmark Falconer Salen 18 Hannover, Germany Swiss Life Hall 19 Hamburg, Germany Congress Center Hamburg 20 Hamburg, Germany Congress Center Hamburg 22 Düsseldorf, Germany Mitsubishi Electric Halle 24 Berlin, Germany Tempodrom 25 Berlin, Germany Tempodrom 26 Berlin, Germany Tempodrom 28 Geneva, Switzerland Geneva Arena 30 Amsterdam, The Netherlands Heineken Music Hall 31 Amsterdam, The Netherlands Heineken Music Hall NOVEMBER 2 Milan, Italy Teatro degli Arcimboldi 3 Milan, Italy Teatro degli Arcimboldi 4 Milan, Italy Teatro degli Arcimboldi 6 Rome, Italy Atlantico 7 Rome, Italy Atlantico 8 Padova, Italy Gran Teatro Geox 10 Brussels, Belgium Vorst Nationaal 12 Paris, France Le Grand Rex 13 Paris, France Le Grand Rex 14 Paris, France Le Grand Rex 16 Esch-sur-Alzette, Luxembourg Rockhal 18 Glasgow, Scotland Clyde Auditorium 19 Glasgow, Scotland Clyde Auditorium 20 Glasgow, Scotland Clyde Auditorium 22 Blackpool, England Opera House Theatre 23 Blackpool, England Opera House Theatre 24 Blackpool, England Opera House Theatre 26 London, England Royal Albert Hall 27 London, England Royal Albert Hall 28 London, England Royal Albert Hall Bob Dylan: Still On The Road – 2013 Europe Fall Tour Bob Dylan: Still On The Road – 2013 Europe Fall Tour 35160 Spektrum Oslo, Norway 10 October 2013 1. Things Have Changed 2. She Belongs To Me 3. Beyond Here Lies Nothin' (Bob Dylan-Robert Hunter/Bob Dylan) 4. What Good Am I? 5. Pay In Blood 6. -
Gonna Buy Me a Barrel of Whiskey
GONNA BUY ME A BARREL OF WHISKEY BOB DYLAN 2018 by Olof Björner and Daniel Mackay A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, EXHIBITIONS & BOOKS. © 2020 by Olof Björner and Daniel Mackay All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Gonna Buy Me a Barrel of Whiskey — Bob Dylan 2018 page 2 of 47 CONTENT 1 INTRODUCTION .................................................................................................................................... 4 2 2018 AT A GLANCE ............................................................................................................................... 4 3 THE 2018 CALENDAR ........................................................................................................................... 5 4 NEW RELEASES ..................................................................................................................................... 7 4.1 United We Swing: Best of Jazz at The Lincoln Center Galas ............................................................ 7 4.2 Universal Love – Wedding Songs Reimagined ................................................................................. 7 4.3 Live 1962-1966: Rare Performances from the Copyright Collections ............................................... 8 4.4 Bootleg Series Vol. 14: More Blood, More Tracks ........................................................................... 8 4.4.1 Description -
2017 Yale Invitational
The 22nd Annual Yale Invitational December 2-3, 2017 || New Haven, Connecticut Bob Dylan Division Round 1 Round 2 Round 3 Round 4 Summary π v. Baylor Δ v. Fordham LC A π v. UMBC A Δ v. Columbia A 4-4-0 American WLT W W W L W L L L CS: 21 OCS: 65.5 Jolene PD +6 +9 +1 -4 +6 -8 -1 -3 PD: 6 π v. Northwestern Δ v. Yale A Δ v. Emory π v. Brown 4-4-0 Arizona WLT L L L L W W W W CS: 18 OCS: 64 Autumn Leaves PD -2 -4 -6 -2 +4 +6 +9 +8 PD: 13 Δ v. American π v. Emory π v. Kentucky Δ v. Illinois 3-5-0 Baylor WLT L L W L W W L L CS: 12 OCS: 70.5 Summer Days PD -6 -9 +4 -2 +15 +2 -3 -2 PD: -1 π v. Brown Δ v. Rochester A π v. Wesleyan A Δ v. Michigan A 0-8-0 Boston College WLT L L L L L L L L CS: 14.5 OCS: 51.5 Drifter's Escape PD -1 -1 -8 -14 -19 -23 -6 -22 PD: -94 Δ v. Boston College π v. NYU A π v. Illinois Δ v. Arizona 3-5-0 Brown WLT W W L L L W L L CS: 10.5 OCS: 67 All Along The Watchtower PD +1+1-29-2-5+5-9-8 PD: -46 Δ v. Rochester B π v. Yale B π v.