November 2014 • Vol. 6 No. 2 2
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WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
Stallings Book 4 Print.Pdf (3.603Mb)
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
David Bowie Early Years Mp3, Flac, Wma
David Bowie Early Years mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Early Years Country: Europe Released: 1985 Style: Glam, Classic Rock MP3 version RAR size: 1710 mb FLAC version RAR size: 1222 mb WMA version RAR size: 1574 mb Rating: 4.3 Votes: 303 Other Formats: AAC RA DTS AA VQF WAV DMF Tracklist Hide Credits Aladdin Sane Watch That Man (New York) (R.H.M.S."Ellinis") A1 4:30 Written-By – Bowie* Aladdin Sane (1913-1938-197?) A2 5:15 Written-By – Bowie* Drive-In Saturday (Seattle-Phoenix) A3 4:38 Written-By – Bowie* Panic In Detroit (Detroit) A4 4:30 Written-By – Bowie* Cracked Actor (Los Angeles) A5 3:01 Written-By – Bowie* Time (New Orleans) B1 5:10 Written-By – Bowie* The Prettiest Star (Gloucester Road) B2 3:28 Written-By – Bowie* Let`s Spend The Night Together B3 3:10 Written-By – Jagger/Richards* The Jean Genie (Detroit And New York) B4 4:06 Written-By – Bowie* Lady Grinning Soul (London) B5 3:53 Written-By – Bowie* The Man Who Sold The World The Width Of A Circle C1 8:07 Written-By – David Bowie All The Madmen C2 5:34 Written-By – David Bowie Black Country Rock C3 3:33 Written-By – David Bowie After All C4 3:52 Written-By – David Bowie Running Gun Blues D1 3:12 Written-By – David Bowie Saviour Machine D2 4:27 Written-By – David Bowie She Shook Me Cold D3 4:13 Written-By – David Bowie The Man Who Sold The World D4 3:58 Written-By – David Bowie The Supermen D5 3:39 Written-By – David Bowie Hunky Dory Changes E1 3:34 Written-By – David Bowie Oh Your Pretty Things E2 3:11 Written-By – David Bowie Eight Line Poem E3 2:53 Written-By – David Bowie Life On Mars? E4 3:45 Written-By – David Bowie Kooks E5 2:45 Written-By – David Bowie Quicksand E6 5:03 Written-By – David Bowie Fill Your Heart F1 3:07 Written-By – Rose*, Williams* Andy Warhol F2 3:53 Written-By – David Bowie Song For Bob Dylan F3 4:10 Written-By – David Bowie Queen Bitch F4 3:14 Written-By – David Bowie The Bewlay Brothers F5 5:21 Written-By – David Bowie Companies, etc. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
Magazin Ausgabe 08-2003
2 Oldie Markt 08/03 Plattenbörsen Oldie Markt 08/03 3 Plattenbörsen 2003 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teu- ren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher, Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 2. August Saarbrücken Nauwieser Platz (Open Air) Nauwieser Platz (01 75) 568 68 73 3. August Köln Open Air am Rhein Blue Velvet (02 71) 33 44 51 28. August Berlin Statthaus Böcklerpark Kurt Wehrs (030) 425 03 00 30. August Berlin Berlin Arena First & Last (03 41) 699 56 80 31. August Braunschweig Uni Mensa Jürgen Schwarz (05 31) 35 18 92 Die Veröffentlichung von Veranstaltungshinweisen auf Schallplattenbörsen ist eine kostenlose Service-Leistung von Oldie-Markt. Ein Anspruch auf Veröffentlichung in obenstehendem Kalender besteht nicht. 2 Oldie Markt 08/03 News Oldie Markt 08/03 3 News • News • News • News • News • News • News * Ozzy Osbourne hat mit seiner Tochter Euro kosten. als bester R&B-Vokalist ausgezeichnet Kelly den alten Black Sabbath-Song Chan- * Rod Stewart, die Scheidung, Teil 2: Nun worden. ges im Duett aufgenommen (er erschien hat sich seine Noch-Frau Rachel Hunter * Jethro Tull eröffneten am 4. Juli das Mon- zuerst auf dem Album Volume 4). Das doch dazu entschlossen, die Scheidung zu- treux Jazz Festival, auf dem in diesem Jahr Duett soll auch auf seinem nächsten Album rückzuziehen. -
"So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 11-19-2008 "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis Mary Larken McCord Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McCord, Mary Larken, ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." Thesis, Georgia State University, 2008. https://scholarworks.gsu.edu/wsi_theses/13 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SO VERY,” “SO FETCH”: CONSTRUCTING GIRLS ON FILM IN THE ERA OF GIRL POWER AND GIRLS IN CRISIS by MARY LARKEN MCCORD Under the Direction of Amira Jarmakani ABSTRACT In the mid-1990s, two discourses of girlhood emerged in both the popular and academic spheres. Consolidated as the girl power discourse and girls in crisis discourse, the tension between these two intertwined discourses created a space for new narratives of female adolescence in the decade between 1995 and 2005. As sites of cultural construction and representation, teen films reveal the narratives of girlhood. The films under consideration serve as useful exemplars for an examination of how such discourses become mainstreamed, pervading society’s image of female adolescence. -
Five Essential David Bowie Guitar Riffs, by Pete Farrugia BA (Hons), Dipmus, Diplcm
Five Essential David Bowie Guitar Riffs, by Pete Farrugia BA (Hons), DipMus, DipLCM While he’s not often regarded as a guitarist himself, David Bowie has always written songs with strong guitar riffs, and has always collaborated with a series of superb guitarists. One of these deserves particular attention, and that is Mick Ronson, who was Bowie’s lead guitarist throughout his Ziggy Stardust period. There are so many great Bowie guitar riffs to choose from, but here are five of my favourites. Let’s start our five essential Bowie riffs with the one that kicks off the song Ziggy Stardust? Ziggy Stardust (1971) – Guitarist: Mick Ronson The song is in the key of G Major, and the version I’m going to play is from the original studio recording. This is a riff that lends itself to variation, and both Mick Ronson himself, as well as other Bowie guitarists over the years have added slight differences, and alternative fingerings. Next, the riff that opens the Man Who Sold The World album, from the song The Width Of A Circle. The Width Of A Circle (1970) – Guitarist: Mick Ronson The riff was enhanced on the recording by overdubbed guitars playing harmonies, first octaves and then tenths. I’ve arranged it so that it can be played on a single guitar. Some of you may not have discovered tenths yet, so I’ll explain. The riff comes from the E Mixolydian modal scale. This contains the same notes as the E major scale except that the seventh is a semitone lower. -
Guitarist Magazine
WIN! A JACKSON QUILT-TOP SOLOIST ELECTR IC INSIDE Issue 404 MARCH 2016 COLLE C TOR’S E DITION The Stories Behind The Riffs FEATURING FIRST PLAY CARLOS ALOMAR MICK RONSON A ‘Real’ Gretsch NILE RODGERS for under £400? EARL SLICK p98 & MORE... Recording His Final Album Future Publishing Limited, Quay House, The Ambury, Bath, BA1 1UA Telephone 01225 442244 Email [email protected] Online www.guitarist.co.uk Changes Like many others, I think everyone at Guitarist had more or less considered David Bowie to be immortal. Likewise, Lemmy seemed too much a part of rock’s scenery to leave us so soon. As we went to press with this issue, we also learned the sad news that Eagles co-founder Glenn Frey had passed (look out for a full tribute next month), making this winter the worst in memory for losing legends. The only very slight consolation for all this is that it prompted us to listen again to the music that made them household names. In the case of Bowie, it was a reminder of the astonishing breadth and ambition of his music-making (see cover feature, p76). Rightly regarded as classic now, Bowie’s music must have been sensational when he was starting out – and I’m sure not everyone ‘got it’ at the time. Passing years have a habit of making the new and strange in music feel comfortably familiar, and finally classic. That thought has been a reminder of the importance of seeking out uncommon sounds, and not just sticking to your comfort zone of old favourites. -
RCA Consolidated Series, Continued
RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry -
MICHIGAN • 76 PAGES • SEVENTY-FIVE CENTS ' ©View Itw Ho—Town Camuiilmrtom: N«L Werfc , Inc
wfmm^v^^*rT*^^^j^^*j*Bim mmmmm'mmmmmmmmmmmmmm&m&m infant simulator teaches about parenthood, B4 HomeTown I OMM1 JM< ATHINH MHWIIH' Putting you In touch Sunday with your world M$y 16,1999 Serving the Westland Community for 34 years 4> VOLUME 34 NUMBER 99 WESTLAND, MICHIGAN • 76 PAGES • http://observer-cccontric.coni SEVENTY-FIVE CENTS ' ©view ItW Ho—Town CamuiilMrtoM: N«l werfc , Inc. notorec vote There's gotta be a better way! Mayor Robert Thomas is opposed to a vote on East, west, north and south - wher ever you look in Westland, road con construction of a new recreation center and struction is under way. It's tough to City Hall in Westland. Councilman Glenn get to work, to school and in some Anderson had recently suggested taking the cases the grocery store and shopping issue to the voters, malls. BY DARRELL CLEM ballot for city voters to decide. The Those of you behind the wheel on I- STAFF WRITER . 275 between Five Mile and 1-696 or [email protected] mayor was out of town when Anderson on Newburgh dodging orange barrels unveiled his plan earlier this month. know that's true. , Mayor Robert Thomas said he is City officials are considering building against asking Westland voters to a new recreation center and City Hall Complaining does no good. We want decide the fate of a new recreation cen with revenues already being collected to know what you're doing about it. ter and City Hall. in a special taxing district north of Have you found alternate routes? Ford Road.