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The Antonine Wall, the Roman Frontier in Scotland, Was the Most and Northerly Frontier of the Roman Empire for a Generation from AD 142
Breeze The Antonine Wall, the Roman frontier in Scotland, was the most and northerly frontier of the Roman Empire for a generation from AD 142. Hanson It is a World Heritage Site and Scotland’s largest ancient monument. The Antonine Wall Today, it cuts across the densely populated central belt between Forth (eds) and Clyde. In The Antonine Wall: Papers in Honour of Professor Lawrence Keppie, Papers in honour of nearly 40 archaeologists, historians and heritage managers present their researches on the Antonine Wall in recognition of the work Professor Lawrence Keppie of Lawrence Keppie, formerly Professor of Roman History and Wall Antonine The Archaeology at the Hunterian Museum, Glasgow University, who spent edited by much of his academic career recording and studying the Wall. The 32 papers cover a wide variety of aspects, embracing the environmental and prehistoric background to the Wall, its structure, planning and David J. Breeze and William S. Hanson construction, military deployment on its line, associated artefacts and inscriptions, the logistics of its supply, as well as new insights into the study of its history. Due attention is paid to the people of the Wall, not just the ofcers and soldiers, but their womenfolk and children. Important aspects of the book are new developments in the recording, interpretation and presentation of the Antonine Wall to today’s visitors. Considerable use is also made of modern scientifc techniques, from pollen, soil and spectrographic analysis to geophysical survey and airborne laser scanning. In short, the papers embody present- day cutting edge research on, and summarise the most up-to-date understanding of, Rome’s shortest-lived frontier. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
2007 Conference Papers
Volume19 Journalof the NumismaticAs soc ratron of Austraha 2007Conference Papers Images in the Roman world Hugh Preston The role of the visual in establishing, themselves as Roman. The use of imagery reinforcing and transforming Roman seems to have created a significant degree culture is sometimes overlooked in of cohesion, and that surely was one of the traditional historical accounts. It is perhaps reasons that the Empire lasted for centuries. no surprise that the visual receives more Images reinforced cultural and attention in art history. Thus, art historian political identity. The same or similar Jas Elsner, in Imperial Rome and Christian images were used across the Empire and Triumph, wrote ‘In several significant were reused over hundreds of years, ways the Roman world was a visual although the use of imagery became more culture’ and ‘With the vast majority of the sophisticated with time as its propaganda empire’s inhabitants illiterate and often value was increasingly appreciated. unable to speak the dominant languages of The vast visual heritage left by the the elite, which were Greek in the East and Romans is an important source of infor- Latin in the West, the most direct way of mation to complement the written word, communicating was through images.’1,2 and to illuminate the vision we have of their The Roman state was immense and world. While it is important to recognize lasted for centuries. It comprised a host of visual and pictorial imagery as legitimate different ethnic groups and geophysical sources of historical information, care environments. Figure 1 shows the Empire should be taken not to rely exclusively on at its greatest extent. -
Medway Archives and Local Studies Centre
GB 1204 Ch 46 Medway Archives and Local Studies Centre This catalogue was digitised by The National Archives as part of the National Register of Archives digitisation project NRA 22324 ! National Arc F Kent Archives Offic Ch 46 Watts Charity MSS., 1579-1972 Deposited by Mr. Chinnery, Clerk to the Charity, Rochester, 1st May 1974, and 5th February, 1976 Catalogued by Alison Revell, June 1978 INTRODUCTION For information concerning the establishment of Watts's Charity, under Richard Watts of Rochester's will, in 1579 and its subsequent history, The Report of Commissioners for Inquiring Concerning Charities - Kent, 1815-39 Pp. 504-9, provides most of the basic facts. Other Rochester Charities are dealt with in the same Report (see pages 55-57, and 500-513). The Report also deals with various early legal cases concerning the Charity, and the uses to which its funds should be put, most notably the cases of the parishes of St. Margaret 's Rochester, and Strood, against the parishioners of St. Nicholas in 1680, and of the parishioners of Chatham against the Trustees of the Charity in 1808 (see L1-4B in this catalogue). The original will of Richard Watts, drawn up in 1579 and proved in the following year in the Consistory Court of Rochester, is kept in this Office under the catalogue mark, DRb PW12 (1579), with a registered copy in the volume of registered wills, DRb PWr 16 (ffl05-107). A copy is also catalogued in this collection as Ch46 L1A. Further Watts Charity material is found in the Dean and Chapter of Rochester MSS, under the KAO catalogue number, DRc Cl/1-65, and consists mainly of accounts of the Providers of the Poor of Rochester, between the years 1699 and 1819. -
Centurions, Quarries, and the Emperor
Comp. by: C. Vijayakumar Stage : Revises1 ChapterID: 0002507155 Date:5/5/15 Time:11:37:24 Filepath://ppdys1122/BgPr/OUP_CAP/IN/Process/0002507155.3d View metadata,Dictionary : OUP_UKdictionarycitation and similar 289 papers at core.ac.uk brought to you by CORE OUP UNCORRECTED PROOF – REVISES, 5/5/2015,provided SPi by University of Liverpool Repository 16 Centurions, Quarries, and the Emperor Alfred M. Hirt INTRODUCTION The impact of Rome on the exploitation of natural resources remains highly visible in the many ancient stone and marble quarries dotting the landscape of the former empire. Not only do they reveal the techniques employed in separating the marble or granite from the rock face, the distribution of their output can still be traced. The progressively more scientific determination of type and origin of these stones used in sacred and profane architecture of the Roman Empire reveals an increasingly detailed image of the distributive patterns of coloured stones. Even so, the analysis of these patterns stays vexed: the written sources are frightfully mute on the core issues, expressly on the emperor’s role in the quarrying industry and his impact on the marble trade. Scholarly discourse has oscillated between two positions: John Ward- Perkins argued that by the mid-first century AD all ‘principal’ quarries were ‘nationalized’, i.e. put under imperial control and leased out to contractors for rent; the quarries were a source of revenue for the emperor, the distribution of its output driven by commercial factors.1 Clayton Fant, however, offered a different view: the emperor monopolized the use of coloured and white marbles and their sources not for profit, but for ‘prestige’, consolidating his position as unchallenged patron and benefactor of the empire. -
Untitled Report in Bulletin Archéologique Du Comité Des Travaux Historiques, 282–4
ROME’S IMPERIAL ECONOMY This page intentionally left blank Rome’s Imperial Economy Twelve Essays W. V. HARRIS 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © W. V. Harris 2011 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Library of Congress Control Number 2010943332 Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–959516–7 13579108642 to my Columbia students This page intentionally left blank Contents Preface ix List of Maps xi Abbreviations xii Introduction 1 PART I. -
27 Stolen Coins
27 STOLEN COINS GREEK : Lycia, Lycian Dynasts. Mithrapata. Silver Stater (9.87g), c. 390-370 BC. Mildenberg 6 (O3/R5); Podalia 60 (A3/P5); SNG Copenhagen Suppl. 472. Nearly Mint State. Ex Dr. Busso Pues Nachfolger 401, 3 November 2010, lot 398, Ex Ira & Goldberg Sale 104, Lot 3065. Seleukid Kingdom, Alexander I Balas, 150-155 BC. Silver Didrachm (6.99g). Tyre, dated SE 163 (150-149 BC). SC 1836.1. HGC 9, 885. Mint State. Ex Stacks Bowers New York, 6 January 2012, lot 297, Ex Ira & Goldberg Sale 104, Lot 3076. ROMAN : Mn. Cordius Rufus. Silver denarius (3.74g), 46 BC. Rome. Crawford 463/3; Mint State. Ex Jesus Vico 150, Lot 437 and Ira & Goldberg 104, Lot 3223. L. Aemilius Lepidus Paullus. Silver Denarius (3.93g), 62 BC. Rome. Crawford 415/1; Nearly Mint State. Ex Ira & Goldberg Sale 104, Lot 3228. Q. Pompeius Rufus. Silver Denarius (3.79g), 54 BC. Rome. Crawford 434/2. Nearly Mint State. EX Jesus Vico 150, Lot 574, and Ira & Golberg 104, lot 3237. Q.Servilius Caepio Brutus. Silver Denarius (3.55 g), 54 BC. Rome. Crawford 433/2; Sydenham 907; Superb Extremely Fine. Ex CNG TRITON XXI, Lot 645. Mark Antony. Silver Denarius (3.82g), 32-31 BC. Reverse: LEG XXI, Crawford 544/37; Nearly Extremely Fine. Ex Ira & Goldberg sale 104, lot 3258. Augustus. Silver Denarius (3.85 g), 27 BC-AD 14. Lugdunum, 15-13 BC. Rev: IMP X , ACT in exergue, RIC 171a; Mint state. Ex Ira & Goldberg Sale 104, Lot 3275. Augustus. Silver Denarius (3.77 g), 27 BC-AD 14. -
Epigraphical Index
EPIGRAPHICALINDEX NAMES OF MEN AND WOMEN ['Ay]ao[-- -], prytanis ca. 180 A.D., 181 (85 30) ['Apwt Tt'OV 'AptO[- - -], prytanis ca. 180 A.D., 181 'A [y] aOoKX[ijs] llEptLy&[ovs] MAL[utoso], on a (859) tombstone of the first century B.C., 173 (71) 'Apturo'&-/o-, toxotes in an ephebe decree of CAyvo/G[Eo Aim] OTt'VOw3'Atk8v[atof], on a dedi- 243/2, 159 (53 11) cation of the second century B.C., 162 (60 i) 'Aptoro'Xas, archon 161/0, 166 (64 26); ['A.], 165 (64i) 'AO?7v[- - -] ('Avayvppatog) in a catalogue of Erechtheis ca. 180 A.D., 180 (84 B 10) 'AptUTo4,axo [s] (Illav8tov`8o), ca 255 B.C., father of AEwo&a4a, 186 (92 12) 'AO[r] vatos 'A[0potouov] (YTiEtptiEv), prytanis A.D. 150-190, 176 (7813) ['Apt] Uro/A'Srg 'PaAvovatl [os], in a decree of AZ(X) t [- -] ('Avayvpacutos), in a catalogue 161/0, 166 (64 34-35) 'ApKE'48rjpiIos] of Erechtheis ca. 180 A.D., 180 (84 B 5) ('EkEovutog), ca. 152 A.D., father of 182 (86 3) AhtXpa[{os], in a poletai record of ca. 250 B.C., 4JXo'rEt/l[os], [4Xa. 'Ap7raXtav0i]s archon A.D., 157 (51 49) EetpEvs, ca. 170 179 (81 2) 'AK[---], in a decree of 161/0, 166 (64 34) 'AppLa[~~]vo [At] KtV 'Appta [vo's] (fapy'riT-os)), 'AX av[opos], archon in 173/2, 191 (95 1) prytanisca. 180 A.D., 178 (79 B 10) 'AXKKErr7[At] OViUiV K [,0tnEv1], ephebos of 'AprTEI[---], prytanis ca. 180 A.D., 181 (85 22) Erechtheis ca. -
Dancing with Decorum
http://www.diva-portal.org This is the published version of a paper published in Opuscula: Annual of the Swedish Institutes at Athens and Rome. Citation for the original published paper (version of record): Habetzeder, J. (2012) Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture Opuscula: Annual of the Swedish Institutes at Athens and Rome, 5: 7-47 https://doi.org/10.30549/opathrom-05-02 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274655 JULIA HABETZEDER • DaNCING WITH DECORUM • 7 JULIA HABETZEDER Dancing with decorum The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture Abstract* Kalathiskos dancers constituted an established motif This article examines two groups of motifs in Roman visual culture: fe- within Roman visual culture1 at least from the age of Augus- males modelled on kalathiskos dancers, and males modelled on pyrrhic tus, on into the 2nd century AD. During the same time-span, dancers. Eclecticism is emphasized as a strategy which was used to intro- the iconography of such dancers was also used for depictions duce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were of the goddess Victoria (Table 4). The armed males modelled both changed in an eclectic manner and this resulted in motifs repre- on pyrrhic dancers, on the other hand, are only depicted senting the goddess Victoria, and the curetes respectively. -
Paying the Roman Soldiers in the East (1St-2Nd Century AD)
Paying the Roman soldiers in the East (1st-2nd century AD) Johan van Heesch Arrian of Nicomedia, the governor (legatus pro praetore) of the province of Cappadocia, made his inspection tour by ship around the military outposts of the Roman army around the eastern shores of the Black Sea in AD 131-132. In Apsarus where five cohorts were stationed, as well as in Sebastopolis, he not only inspected the arms, the construction of the camp and the provisions of food, but also – and special mention is made of this – distributed the soldiers’ pay (misthophora) 1. Which coins were actually used when paying soldiers? Where they of gold, of silver or of bronze, and did the Roman authorities in the East use mainly local coin issues, or coins minted in Rome, or both? This study concerns the Eastern part of the Roman Empire (Anatolia, the Levant and Egypt) from the first to the second centuries AD (Augustus to Commodus), mainly because we already know some of the answers for the republican era and for the third century and can refer to that knowledge 2. My focus will be on precious metal coinages though bronze coins were essential for daily transactions. It will be argued that Roman aurei and denarii minted in the West (Rome) were the main currencies for the pay of the armies in the East, probably with the exception of Egypt. Local (or regional) silver series were supplementary only; they were of prime importance in providing the former client kingdoms with a (traditional) currency of their own, and may originally have been designed to pay the soldiers of the former client kings who had been absorbed in the Roman army. -
Ashmolean Non-Monumental Latin Inscriptions
30-Apr-19 Ashmolean Non-Monumental Latin Inscriptions BRICKSTAMPS AshLI 178 TN1864 Brickstamp Description A large complete rectangular brick, with a stamp in hollowed retrograde letters on two lines. Dimensions • Letters: line 1, h., 0.027; line 2, h., 0.025 • Brick: h., 0.223; w., 0.233; d., 0.038 Text VIN PAN SVL/ PI Vin(ici) Pan(tagathi) Sul(picianum)/Pi(---) Translation ‘Sulpician product of Vinicius Pantagathus. Pi(---)’ Photograph • ASHLI Apparatus Date • AD c.120 (Steinby 1974-75: p.91) Collection history This stamp has a temporary accession number (and object barcode ODS9-3396), and is found in storage box CDS9-345. No further information about its provenance is available. Historical notes This stamp belongs to the same series as CIL XV 565, stamps from the figlianae Sulpicianae. In other examples, the second line of the stamp contains the initials of one of his workmen: PI is otherwise unknown. Bibliography Editions Unpublished. Works cited • Steinby, M. (1974-75) ‘La cronologia delle figlinae doliari urbane’, Bullettino della commissione archeologica comunale di Roma 84: 25-132 1 30-Apr-19 AshLI 179 1872.1482(1) (no.364) Brickstamp, Portus Description A circular, orbicular stamp, slightly damaged, with a large orbiculus extending into the central section of the stamp. There is one line of text around the edge of the stamp, and in the centre is a canine animal (interpreted by Dressel 1891 as a wolf, whilst Lanciani 1868: p.174 considered it to be a dog), walking to the right, with one front paw raised. It seems likely that it should be viewed as a wolf (lupus), punning upon the name of its producer (Bodel 2005). -
Missions History of the Early Church
Scholars Crossing History of Global Missions Center for Global Ministries 2009 Missions History of the Early Church Don Fanning Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/cgm_hist Part of the Religion Commons Recommended Citation Fanning, Don, "Missions History of the Early Church" (2009). History of Global Missions. 2. https://digitalcommons.liberty.edu/cgm_hist/2 This Article is brought to you for free and open access by the Center for Global Ministries at Scholars Crossing. It has been accepted for inclusion in History of Global Missions by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Early Church Missions A.D. 100-500 1 2 Missions History of the Early Church A.D. 100 – 500 After the last Apostle John died the Church was left with the final inspired written record of the revealed will of God. There was no other infallible recourse for the Church and many views and different doctrines were introduced. The lack of careful exegesis and agreed upon method of biblical interpretation resulted in a freedom to interpret the revelation in a way that made sense to the interpreter, in stead of coming to the conviction of what the original author and Holy Spirit meant at the time of writing the inspired text. It became more important what it meant to the interpreter, or worse, the text was twisted to prove doctrines not taught in the text at all (i.e. the divine powers of the saints and Mary). By the early 2nd century doctrines such as baptismal regeneration, … were already essential to the faith.