Music Line-Up Team List

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team list music line-up with pig pens friday, june 4 a22 #famousoninstaham b8 pork fiction michelob ultra stage a26 2nd hand smokers a24 pork funk all stars a7 aporkalypse now a10 porkchopitoulas 5:30pm early james c9 bayou krewe b11 porkings 7:00pm boyfriend a36 blue oak bbq b31 river pork pilots b29 boy’s meat world b7 rugaroux q 8:30pm robert randolph & the family band a34 captain porkenhenimer b24 seersucker & swine featuring the soul rebels and a8 central city bbq a12 silence of da hams brandon “taz” niederauer b4 chew forks farms a23 sir-pork-a-lot c2 chits & piggles b23 smoke dem if ya got dem phelps dunbar stage c13 deadpork a37 smokeshow cook squad a14 deswine intervention b9 smokey & the bacon 4:30pm jonathon “boogie” long a1 deuce pigalow pork gigolo b18 smokey ridge bbq 6:00pm the iceman special a32 electric pigaloo b21 sport porkin’ b19 fat harry’s fatbacks a27 squeal team 6 7:45pm anders osborne a38 fleur de que b28 squeals of justice a35 foxeria del sol b6 sweet swine o’mine a15 frey smoked meats co a16 swine & dine a18 gooteeque b27 swine and stein saturday, june 5 a6 hog dat nation a17 swine krewe c3 hogdigitty b10 swine spectators a31 hoggystyle a5 swineaux michelob ultra stage b17 hogjammin’ b14 swinel richie b12 hogwatch c11 t&r barbecue co 1:00pm travers brothership a20 house of hogs c12 team stabbin’ 2:30pm molly tuttle a21 hupigs b1 team valero 4:15pm andy frasco & the un b13 irish brew bbq a3 the boar’s nest a9 lard and in charge a33 the hogfather 6:00pm old crow medicine show a39 march of the pigs a2 the pig lebowski b30 mazant national b2 the porkyard phelps dunbar stage b15 moe’s original bar b que a13 ubons bbq of yazoo b5 mr. pig stuff a30 unleaded bbq 12:00pm honey island swamp band a4 mr. pigglesworth a25 wet wet 1:30pm stooges brass band a29 ms bacon association b22 nu pigs on the block 3:15pm sweet crude a11 pig latin 5:00pm dragon smoke a19 piggy stardust c4 piglit event map phelps vip tito’s key b30 b31 b29 a27 b28 beer only booth first aid a26 bar merchandise a25 B c13 B b27 c12 phelps dunbar stage box office restrooms b25 a29 a24 b24 a30 customer service wine bar c11 a31 a23 c9 a32 a22 c3 c4 a21 c10 b23 b22 a33 a20 b21 a34 b19 a35 thanks to our sponsors b18 a36 b17 a19 bulleit a37 a18 a17 seagrams a38 b15 judges b14 a16 a39 a15 don a3 b13 julio b12 children’s a14 hospital blue plate luzianne a13 michelob ultra stage a12 b11 a1 b10 b9 a2 a11 b6 a10 b5 b8 B b7 a9 c2 entrance b1 b4 b2 a8 a5 a4 a7 a6.

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Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.
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Pollution and Pandemic
WITHOUT F EAR OR FAVOUR Nepal’s largest selling English daily Vol XXVIII No. 253 | 8 pages | Rs.5 O O Printed simultaneously in Kathmandu, Biratnagar, Bharatpur and Nepalgunj 31.2 C -0.7 C Monday, November 09, 2020 | 24-07-2077 Biratnagar Jumla As winter sets in, Nepal faces double threat: Pollution and pandemic Studies around the world show the risk of Covid-19 fatality is higher with longer exposure to polluted air which engulfs the country as temperatures plummet. ARJUN POUDEL Kathmandu, relative to other cities in KATHMANDU, NOV 8 respective countries. Prolonged exposure to air pollution Last week, a 15-year-old boy from has been linked to an increased risk of Kathmandu, who was suffering from dying from Covid-19, and for the first Covid-19, was rushed to Bir Hospital, time, a study has estimated the pro- after his condition started deteriorat- portion of deaths from the coronavi- ing. The boy, who was in home isola- rus that could be attributed to the tion after being infected, was first exacerbating effects of air pollution in admitted to the intensive care unit all countries around the world. and later placed on ventilator support. The study, published in “When his condition did not Cardiovascular Research, a journal of improve even after a week on a venti- European Society of Cardiology, esti- lator, we performed an influenza test. mated that about 15 percent of deaths The test came out positive,” Dr Ashesh worldwide from Covid-19 could be Dhungana, a pulmonologist, who is attributed to long-term exposure to air also a critical care physician at Bir pollution.
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2013 R&B Festival at Metrotech Kicks Off A
2013 R&B Festival at MetroTech kicks off a summer of free live funk, dub, Afrobeat, brass band, West African, blues, and soul Thursdays (except Avery*Sunshine on Wednesday, July 3) Jun 6—Aug 8, 12—2pm MetroTech Commons June 6: Mint Condition June 13: Bobby Rush June 20: Kaleta & ZoZo Afrobeat June 27: Stooges Brass Band July 3: Avery*Sunshine July 11: Sly & Robbie featuring Bunny Rugs from Third World July 18: Fatoumata Diawara July 25: Bombino Aug 1: Sheila E. Aug 8: Shuggie Otis First New York Partners is the Presenting Sponsor of the 2013 R&B Festival at MetroTech. Brooklyn, NY/May 2, 2012—BAM announces the 2013 BAM R&B Festival at MetroTech. Now in its 19th year, the festival continues to feature R&B legends alongside vibrant and groundbreaking newcomers with 10 free outdoor concerts from June 6 through August 8. Event producer Danny Kapilian said, "With this year's 19th annual BAM R&B Festival, the total number of artists who have graced our stage reaches 202! (Booker T & the MG's remains the only act to perform twice). Classic stars making their MetroTech debuts in 2013 include the Twin City funk/pop legends Mint Condition (opening on June 6th), Chicago's timeless star Bobby Rush bandleader, percussionist, and Prince alumnus Sheila E and Mr. "Strawberry Letter 23" himself Shuggie Otis (closing on August 8th). New Orleans funk returns with the fabulous Stooges Brass Band, and contemporary soul diva Avery*Sunshine spreads her love and music on July 3rd (the season's only Wednesday afternoon concert, due to the holiday).
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Make a Joyful Noise: a Brief History of Modern New
MAKE A JOYFUL NOISE A BRIEF HISTORy of—AND TUTORIAl on— MODERN NEW ORLEANS BRASS-BAND ARRANGING By Jennifer Odell 48 JAZZTIMES • EDUCATION GUIDE 2014/2015 ← Caption goes here and here and here. Caption on one line here. Maybe to here. CREDIT HERE hen the Stooges Brass Band For Stooges bandleader Walter “Whoadie” performs Paul Barbarin’s classic Ramsey, an alumnus of the prestigious music pro- homage to New Orleans street gram at the New Orleans Center for Creative Arts parades, it doesn’t take long for (NOCCA), arranging usually involves embellishing things to get loose. A trombone the basic structure of a traditional brass-band tune Wgrowls out a raw bottom note, mid-intro. A trumpet with ideas drawn from his experience studying the sidesteps the melody, weaving circular improvisa- wider jazz paradigm. “With ‘Paul Barbarin,’ we were tions weaned on bop. A percussionist taps out trip- able to add some of our bebop elements and feelings lets that swoop over and under the main rhythm, just to make it swing. We added different types of as seemingly weightless as dancers in a second-line backgrounds than what you’d regularly hear when parade. they originally recorded that,” says Ramsey. While the tune retains enough of its original “The Stooges took elements of hip-hop and form to maintain its identity as “(Paul Barbarin’s) bebop, jazz and R&B and modernized it in a brass- The Second Line,” the Stooges’ arrangement reflects band form, so you’re gonna get a lot of different the looser, more updated style that’s overtaken New chord changes and progressions than just a regular Orleans brass-band culture since Barbarin recorded I-IV-V progression.
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Key of Funk Right Now!
MUSIC Your plumbing SAME DAY SERVICE Fixed Right, Key of funk Right Now! (530) 826-6931 LICENSE #1026898 Big Sam’s Funky Nation Big Sam’s big New Orleans sound ig Sam Williams has not put the How has your sound changed for Songs Orleans rhythms—second-line, funk, Btraditions of New Orleans jazz in the Key of Funk? bounce, etc.—and make them all work and R&B behind him. Far from Well, with this album, I wanted together, what would you say? it. The music, and the culture to represent the band the way that I’ll say this: It’s all related, 648 W. 5th St, Chico surrounding it, we should have been represented and they’re all syncopated. With (530) 924-3171 by always will be all of these years. When you listen bounce, you have the hand claps ILikeIkesPlace.com Bill Forman part of him. How to it, you can hear a heavy Gap going like nonstop, all eighth could it not be? Band influence—or Morris Day notes—or quarter notes, depending Williams was and The Time—but then you’ll also how you want to think of it. And Preview: born and raised then with second line, you got that Big Sam’s Funky hear those little hidden rhythms in Nation performs in the Crescent the background that are more like back beat. And with funk, you just Friday, Aug. 9, at City and learned the Neville Brothers, The Meters kind of cut that back a little bit. So 9 p.m. Sounds Good to play trombone and Allen Toussaint.
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November 2, 2005 (Download PDF)
Volume 50 – Number 7 Wednesday – November 2, 2005 TechTalk S ERVING T HE M I T C OMMUNITY Researchers map genetic variation Researchers at the Broad Institute of MIT and Har- vard and colleagues published new papers last week that bring scientists closer to their ultimate goal — to grasp the core mechanisms of human biology and disease — by developing a comprehensive catalog of the genetic diversity in the human genome sequence across human populations. The first step toward grasping those core mechanisms was realized in 2001, with the completion of the human genome sequence. The new Broad papers describe both the content PHOTOS / DONNA COVENEY and uses of a comprehensive genomic catalog, known Toast of New Orleans as HapMap, that maps common human The music of New Orleans was heard around campus DNA sequence variations, enabling as Donald Harrison (at left on sax) and Marva Wright systematic testing of genetic variants put their soul into song at the Bayou Bash on Sunday for their association with disease and night, Oct. 30. Below, members of the Wild Magnolias their place in human evolutionary (in costume) parade across campus, Mardi-Gras style, history. with members of the Stooges Brass Band. Both groups HapMap gets its name from also performed Sunday at Kresge Auditorium. “haplotypes” — collectively inherited groups of human genet- ic variants that are located physi- cally close to one another in the genome. “Built upon the foundation laid by the human genome sequence, the HapMap is a powerful new tool for exploring the root causes of com- mon diseases. We absolutely require such a resource so that we can develop new and much-needed approaches to understand these diseases, such as diabetes, bipolar disorder, [and] cancer,” said David Altshuler, direc- tor of the Broad’s Program in Medical and Population Genetics and an associate professor at Massachusetts General Hospital and Harvard Medical School.
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Towards an Informed Pedagogy of Modern New Orleans Style Music Matthew .D Leder
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-6-2016 Towards an Informed Pedagogy of Modern New Orleans Style Music Matthew .D Leder Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Leder, Matthew D., "Towards an Informed Pedagogy of Modern New Orleans Style Music" (2016). Dissertations. Paper 336. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2016 MATTHEW D. LEDER ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School TOWARDS AN INFORMED PEDAGOGY OF MODERN NEW ORLEANS STYLE MUSIC A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Matthew D. Leder College of Performing and Visual Arts School of Music Music Education May 2016 This Dissertation by: Matthew D. Leder Entitled: Towards an Informed Pedagogy of Modern New Orleans Style Music has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in School of Music, Program of Music Education Accepted by the Doctoral Committee Mark Montemayor, Ph.D., Research Advisor Socrates Garcia, D.A., Committee Member Nancy Glen, D.A., Committee Member Kathleen Fahey, Ph.D., Faculty Representative Date of Dissertation Defense ________________________________________________ Accepted by the Graduate School ________________________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Leder, Matthew D.
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2021—03 March Program Guide
The John Sinclair Foundation Presents RADIO FREE AMSTERDAM 2021 BLUES, JAZZ & REEFER—KEEPING THE MUSIC ALIVE Mondays The John Sinclair Radio Show plus Fly By Night with Steve The Fly Tuesdays The Blues Show with Bruce Pingree plus Blues From the Red Rooster Lounge with Cary Wolfson Wednesdays BluesTime International with Roger White plus Blues Edition with Leslie Keros Thursdays Face The Music with arwulf arwulf plus The Groove Yard with George Klein Fridays Ancestor Worship with John Sinclair plus Sounds of Blue with Bob Putignano Saturdays Big City Blues Cruise with Martino D’Lorenzo plus The Soul Lucille Show with Lucille DJ Sundays Jazz at Daybreak with Leslie Keros plus Jazz Lunatique with David Kunian * Our internet radio station airs two hours of original programming every day and offers a continuous flow of music on the 24/7 stream on our website, just like a real radio station. This month the John Sinclair Radio Show passes Episode 900 with a pair of shows (899-900) that made up the WWOZ 1994 Mardi Gras Music Special hosted by Dr. John, recently rebroadcast by WWOZ for Mardi Gras 2021, Episode 901 is dedicated to sampler #29 from Big City Rhythm & Blues magazine, and 902 is a 1995 concert at the Funky Butt Café in honor of the passing of the great Robert Palmer, thanks to Manny Lander. All of our programmers and production staff contribute their work to this important project of the John Sinclair Foundation, offered free to the public throughout the universe for the past fifteen years, since the formation of Radio Free Amsterdam on January 1, 2005.
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What's New at the 2020 French Quarter
French Quarter Festivals, Inc. 400 North Peters, Suite 205 New Orleans, LA 70130 Contact: Rebecca Sell phone: 504-522-5730 cell: 504-343-5559 email: [email protected] __________________________________________________________________________________________ FOR IMMEDIATE RELEASE French Quarter Festival presented by Chevron Brings Live Music, Arts, Culture to New Orleans’ Oldest Neighborhood April 16-19 Largest Free Festival Featuring Louisiana Music & Culture to Showcase 1700+ Musicians New Orleans (Feb 4, 2020)—The non-profit French Quarter Festivals, Inc. (FQFI) is excited to announce details of the 37th Annual French Quarter Festival presented by Chevron. The largest free festival and showcase of Louisiana music, food, and culture, French Quarter Festival takes place April 16–19 across venues and stages in the French Quarter neighborhood. This year’s festival will bring regional cuisine from more than 60 local restaurants, 1,700+ Louisiana musicians on 25 stages, and special events that celebrate New Orleans’ diverse, unique culture. The festival will operate from 11 a.m. until 8 p.m. each day of the event. “"As a nonprofit committed to celebrating New Orleans' musical heritage we’re proud to welcome our community and guests to the French Quarter,” said Emily Madero, President & CEO of FQFI. “Part of what makes French Quarter Fest so special is that there are no fences or fees -- we produce this festival in a public neighborhood open for all to enjoy. There’s really no other festival like it, especially in a city full of celebrations.” More than 300 Performances on 25 Stages Over 30 debuts including Loose Cattle, Rickie Lee Jones, and Givers In 2019, French Quarter Festival was once again voted a ‘local favorite’ while attracting a tremendous out-of-town audience.
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Beth Landry, 504.427.5551, [email protected] Gwynn Torres, 504.481.4124, [email protected]
New Orleans Artists Against Hunger & Homelessness Loyola University New Orleans ~ Campus Box 12 ~ New Orleans, LA 70118 504.481.0331 ~ fax 504.456.2217 ~ [email protected] Contacts: Sandra Cordray, 504.782.8907, [email protected] Beth Landry, 504.427.5551, [email protected] Gwynn Torres, 504.481.4124, [email protected] FOR IMMEDIATE RELEASE August 11, 2011 NOAAHH Benefit Concert with Shamarr Allen, The Stooges Brass Band, Khris Royal • Saturday, September 10 • The Parish, House of Blues New Orleans – New Orleans Artists Against Hunger and Homelessness (NOAAHH) will present a benefit concert featuring Shamarr Allen and the Underdawgs, The Stooges Brass Band, Khris Royal & Dark Matter. The event will be Saturday, September 10. Doors open 8:00 p.m. at The Parish @ House of Blues, 229 Decatur Street. Tickets are $25 and can be purchased online at www.HouseofBlues.com. Major underwriting for the concert is by the Rittvo Family Foundation. Trumpeter and vocalist Shamarr Allen with the Underdawgs rap, rock and jazz their way through multiple musical genres. They’ve toured with Willie Nelson, Leon Russell and R.E.M. and performed for President Barack Obama. The Stooges Brass Band synthesizes a contemporary urban beat with traditional New Orleans Jazz. They’ve performed with such notable artists as Jessica Simpson and Jadakiss and toured in three continents. Khris Royal, a dynamic saxophonist with talent honed by NOCCA and Berklee College of Music, has shared a stage with Lettuce, George Porter Jr., Trombone Shorty and "Big Sam" Williams. He leads Dark Matter in blending New Orleans funk with sophisticated jazz.
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Improvised Dance As Dissenting Mobility in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA RIVERSIDE Footwork! Improvised Dance as Dissenting Mobility in the New Orleans Second Line A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Rachel Carrico June 2015 Dissertation Committee: Dr. Priya Srinivasan, Chairperson Dr. Anthea Kraut Dr. Marta Savigliano Copyright by Rachel Carrico 2015 The Dissertation of Rachel Carrico is approved: _________________________________________________ _________________________________________________ _________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments The completion of this dissertation would not have been possible without the support, guidance, and generosity of numerous individuals and organizations. Financial support from several sources facilitated the research and writing process, including a Graduate Student Mentorship Program fellowship and a Dissertation Research Grant from the University of California, Riverside (UCR); a Humanities Graduate Student Research Grant from UCR’s Center for Ideas and Society; a grant from the University of California Center for New Racial Studies; a Global South Fellowship from the New Orleans Center for the Gulf South at Tulane University; and the University of California’s President’s Dissertation Year Fellowship. Awards from the Society of Dance History Scholars, the Popular Culture Association / American Culture Association, and the UCR Graduate Student Association facilitated travel to national conferences, where I was able to develop many of the ideas presented in these pages. I also owe significant thanks to the Department of Dance and the Gluck Fellows Program in the Arts at UCR, both of which provided valuable support, financial and otherwise, during my graduate work. Many of the stories, ideas, and points of view presented in the following chapters belong to the incredible people who generously agreed to share their time and knowledge with me.
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MIT Alum Nominated to Head Fed
Volume 50 – Number 6 Wednesday – October 26, 2005 TechTalk S ERVING T HE M I T C OMMUNITY Engineering education workshop draws nat’l leaders Elizabeth A. Thomson low number of domestic engineering students. News Office MIT President Susan Hockfield said that when she learned of the workshop, she was very excited because “MIT is committed to innovations in engineering educa- President Bush’s science advisor, the head of the tion, and that’s really what this workshop is about.” National Science Foundation and other top scientists and She noted fundamental challenges that must be engineers from around the country gathered at MIT last addressed, such as the “challenge of interest.” “Kids and Thursday, Oct. 20, to push forward a national conversation Americans today fail to be inspired by engineering, by on engineering education in the 21st century and the chal- science, and by mathematics,” she said, noting that only lenges, both here and abroad, that will affect it. 17 percent of U.S. bachelors’ degrees are in science and “One of the reasons I am here is to let you know that engineering compared to 68 percent in Singapore. we are listening — my office, and [that of] the president,” She also stressed that to move engineering forward we said John H. Marburger, science advisor to the president must “recruit aggressively” women and minorities in this and director of the Office of Science and Technology Pol- country. “Engineering can’t continue to be dominated pre- icy. dominantly by men — by white men.” PHOTO / DONNA COVENEY The one-day workshop at MIT grew from issues dis- The United States continues to lead the world in sci- MIT President Susan Hockfield chats with John Marburger, cussed in the recent National Academy of Engineering ence and technology.
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