FRENCH QUARTER FEST for the Music

Total Page:16

File Type:pdf, Size:1020Kb

FRENCH QUARTER FEST for the Music FRENCH QUARTER FEST FOR the music 1. Abita Beer Stage: Joe Krown, Walter “Wolfman” Washington & Russell Batiste (4/11), Alex McMurray (4/12) Kermit Ruffins & the st louis toulousest peterorleansst ann dumainest philipursulinesgov nicholsbarracks Barbecue Swingers (4/13), The Dixie Cups (4/14) ibervillebienville conti 2. Absolut Louis-Louis Pavilion Stage: Susan Cowsill, (4/11) Gal Holiday rampart and the Honky Tonk Revue (4/12), Clockwork Elvis (4/13), Honey Island Swamp Band (4/14) 3. Capital One Bank Riverside Legacy Stage: Soul Rebels (4/11), burgundy Stooges Brass Band (4/12), Hot 8 Brass Band (4/13), Lagniappe Brass Band (4/14) dauphine 4. Chevron Cajun/Zydeco Showcase: Lost Bayou Ramblers (4/13), Beausoleil avec Michael Doucet (4/14) bourbon 5. WWL-TV Stage: Dr. Michael White (4/12), Irvin Mayfield and the Jazz 14 13 16 Playhouse Revue (4/13), Jeremy Davenport (4/14) canal 15 esplanade 6. Ford World Music stage: Debauche (4/12), Los Po-Boy-Citos (4/13), 11 9 8 royal Otra (4/14) st. louis cathederal & 7. House of Blues Stage in the Voodoo Garden: Colin Lake Trio (4/12), chartres Vagabond Swing (4/14) jackson square 8. Advocate Stage: Preservation Hall Jazz Masters (4/12), Jam Session 5 decatur 10 6 featuring Seva Venet (4/13) 7 4 9. BMI Songwriter Stage at Historic New Orleans Collection: Andrew u.s. mint Duhon (4/13), Coyotes (4/14) 10. Cabaret Stage: Debbie Davis (4/13) woldenburg park 12 11. Harrah’s Stage: Helen Gillet’s Wazozo Zorchestra (4/14) 3 2 12. Popeye’s Esplanade in the Shade: Ingrid Lucia (4/12), Rotary 3 2 Downs (4/13), Luke Winslow-King (4/14) 1 13. PJ’s Coffee stage: Miss Sophie Lee (4/13) aquariumaquarium of of 1 14. Rick’s 315 stage: Aurora Nealand and the Royal Roses (4/13) thethe americas americas MississippiMississippi River River 15. Rouses Stage: Washboard Chaz Blues Trio (4/13), Hot Club of New Orleans (4/14) 16. Where Y’at Magazine stage: Fritzel’s New Orleans Jazz Band (4/14) FRENCH QUARTER FEST FOR the experience st ann ibervillebienville conti st louis toulousest peterorleans dumainest philipursulinesgov nicholsbarracks rampart 1. 400 block of Royal: Dancing at Dusk (4/14) 2. French Market Traditional Jazz Stage: Free dance burgundy lessons with NOLA Jitterbugs, Dancing Man 504 and Dance Quarter (4/12, 4/13, 4/14) dauphine 3. Upper and Lower Pontalba buildings on Jackson Square: Opera at Dusk (4/13) 4. 3rd Floor of the Old U.S. Mint: Let Them Talk: 5 bourbon Conversations on Louisiana Music (4/13, 4/14) canal 5. Irvin Mayfield’s Jazz Playhouse at Royal Sonesta: 9 1 royal esplanade Trumpet Summit featuring Leon “Kid” Chocolate Brown and friends, New Orleans Jazz Institute’s st. louis cathederal & chartres Saturday Music School (4/12) jackson square 8 6. United Airlines International Stage (4/12, 4/13, 4/14) 3 7. Cabaret Stage: The New Movement (4/14) decatur 6 2 u.s. mint 8. Classical Music Stage (4/14) 11 7 9. Harrah’s Stage: Battle of the Bands (4/13) 4 woldenburg park 10. Abita Beer Stage: Big Chief Bo Dollis, Jr. & the Wild Magnolias (4/12) 11. Chevron Cajun/Zydeco Showcase: Zydeco Dance with NOLA Zydeco, Cajun Jitterbug with NOLA Jitterbugs (4/12) 10 aquarium of the americas Mississippi River FRENCH QUARTER FEST FOR the food st ann ibervillebienville conti st louis toulousest peterorleans dumainest philipursulinesgov nicholsbarracks rampart burgundy dauphine 1. Jackson Square food area: Jacques-Imo’s, bourbon Galatoire’s, K-Paul’s Louisiana Kitchen, Plum Street Snoballs, Dickie Brennan’s Steakhouse canal esplanade 2. Mint food area: The Joint, Rouses, Dreamy Weenies, royal Three Muses st. louis cathederal & 3. Riverfront food area: Barreca’s, Boucherie, Crescent chartres City Pie and Sausage, Love at First Bite, Bennachin jackson square 4. New food area: WWOZ’s Mango Freeze, Lasyone’s Meat Pie Restaurant 1 decatur 4 u.s. mint 5. Old U.S. Mint: Rouses Crawfish Eating Contest (4/13) 2 woldenburg park 5 3 aquarium of the americas Mississippi River FRENCH QUARTER FEST FOR the family st ann ibervillebienville conti st louis toulousest peterorleans dumainest philipursulinesgov nicholsbarracks rampart burgundy 6 dauphine 1. Kid’s Stage (4/13) 2. WWL-TV Stage: Preservation Hall-Stars (4/11) bourbon 3. Chevron Cajun/Zydeco Showcase: Bruce canal Daigrepont Cajun Band (4/12) 4 royal esplanade 4. 721 St. Philip: Little Red School House Family Fest 7 (4/13 and 4/14) st. louis cathederal & chartres 5. Toulouse Street at the River: Children’s Headquarters jackson square on the Natchez Wharf (4/13 and 4/14) 6. Hermann-Grimma House: Children’s Activities (4/13 2 decatur and 4/14) 3 u.s.7 mint 7. Follow Your NOLA photo booths (4/12, 4/13, 4/14) woldenburg park 1 5 aquarium of the americas Mississippi River.
Recommended publications
  • Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
    Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection.
    [Show full text]
  • City of New Orleans Residential Parking Permit (Rpp) Zones
    DELGADO CITY PARK COMMUNITY COLLEGE FAIR GROUNDS ZONE 17 RACE COURSE ZONE 12 CITY OF NEW ORLEANS RESIDENTIAL PARKING E L Y PERMIT (RPP) ZONES S 10 I ¨¦§ A ES N RPP Zones Boundary Descriptions: PL F A I N E Zone 1: Yellow (Coliseum Square) AD L E D St. Charles Avenue / Pontchartrain Expwy / S AV Mississippi River / Jackson Avenue A T V S Zone 2: Purple (French Quarter) D North Rampart Street / Esplanade Avenue / A Mississippi River / Iberville Street O R TU B LA Zone 3: Blue NE ZONE 11 South Claiborne Avenue / State Street / V AV Willow Street / Broadway Street A C N AN O AL Zone 4: Red (Upper Audubon) T S LL T St. Charles Avenue / Audubon Street / O Leake Avenue / Cherokee Street R R A 10 Zone 5: Orange (Garden District) C ¨¦§ . S St. Charles Avenue / Jackson Avenue / ZONE 2 Constance Street / Louisiana Avenue Zone 6: Pink (Newcomb Blvd/Maple Area) Willow Street / Tulane University / St. Charles Avenue / South Carrollton Avenue Zone 7: Brown (University) Willow Street / State Street / St. Charles Avenue / Calhoun Street / Loyola University ZONE 18 Zone 9: Gold (Touro Bouligny) ZONE 14 St. Charles Avenue / Louisiana Avenue / Magazine Street / Napoleon Avenue ZONE 3 AV Zone 10: Green (Nashville) NE St. Charles Avenue / Arabella Street / ZONE 6 OR Prytania Street / Exposition Blvd IB LA C Zone 11: Raspberry (Faubourg Marigny) S. TULANE St. Claude Avenue / Elysian Fields Avenue / UNIVERSITY ZONE 16 Mississippi River / Esplanade Avenue ZONE 15 Zone 12: White (Faubourg St. John) DeSaix Blvd / St. Bernard Avenue / LOYOLA N North Broad Street / Ursulines Avenue / R UNIVERSITY A Bell Street / Delgado Drive ZONE 7 P O E L Zone 13: Light Green (Elmwood) E AV ZONE 1 Westbank Expwy / Marr Avenue / O ES V General de Gaulle Drive / Florence Avenue / N L ZONE 4 R Donner Road A HA I V .
    [Show full text]
  • 2008 Irvin Mayfield NOJO Sig
    THE SECREST AR T ISTS SERIES PRESENTS IRVI N MAYFIELD & T HE NOJO "NEW ORLEA NS LI VE!" This evening's program will be anno unced from the stage and will be presented without intermission. NOJQ R OSTER [rvin Mayfield, trumpet• Artistic Director Aaron Fletcher, alto sax Evan Christopher, alto sax and clarinet Ed Petersen, tenor sax Derek Douget, tenor sax Jason Marshall, baritone sax Ron Westray, trombone Mitch Butler, trombone Terram:e Taplin, trombone Barney Floyd, trumpet Leon Brown, trumpet Maurice Brown, trumpet Eric Lucero, trumpet Victor Atkins, piano Oavid Pulphus, bass Adonis Rose, drums Matt Dillon .... ........ Tour Manager Masanori Yura ...... ..Sound Engineer David Ampong ..... ..Sound Technician Irvin Mayfield and the NOJO appear by arr angement with Opus 3 Artists 470 Park Avenue South, 9th Floor North, New York NY L0016 www.opus3art ists.com BI OG RA PH Y FOR IR V IN MAYFIELD At only 30 years old, Irvin Mayfield has quickly estab- lished himself as one of the most decorated and re- corded Jazz musi- cians of his genera- tion. Mayfield is a versatile trumpeter, bandleader, cem- poser and arranger, recording artist, a passionate spokesman for the rich history and cultural significance of Jazz and the city that birthed it. Appointed the Cultural Ambassado r of the City of New Orleans in 2003 by the United States Senate, Congress and other governmental agencies, his name has become synonymous with the still-unfolding legacy of America's only indigenous music. Even after Katrina-especially after Katrina, which took the life of his father, Irvin Mayfield, Sr.-this tireless Renaissance man considers Jazz nothing less than the manifestation of all that American democracy represents .
    [Show full text]
  • The Old and the Neutral the Mile-Long Crescent Park in New Orleans Shows Ambitions Meeting Reality
    THE OLD AND THE NEUTRAL THE MILE-LONG CRESCENT PARK IN NEW ORLEANS SHOWS AMBITIONS MEETING REALITY. BY JOHN KING, HONORARY ASLA MANDEVILLE WHARF An elliptical lawn marks the heart of Crescent Park, part of an ambitious project intended to revitalize a rough industrial edge of the Mississippi River in New Orleans. TIMOTHY HURSLEY TIMOTHY 80 / LANDSCAPE ARCHITECTURE MAGAZINE JULY 2018 LANDSCAPE ARCHITECTURE MAGAZINE JULY 2018 / 81 N A LANGUID FRIDAY floodwall roughly 10 feet high as well afternoon in New Orleans, as railbeds where freight cars might the sounds of the French Quar- sit for days between journeys. The Oter Festival spill downriver toward stylized promenade is promoted by Crescent Park. The music is loudest at some as New Orleans’s answer to Mil- the park’s Mandeville Wharf, but the lennium Park or the High Line, one dozen or so visitors seem to pay no with a photogenic bridge designed by notice as they lounge on a raised lawn the architect David Adjaye. Its impact next to remnants of a vast storage on the adjacent Bywater neighbor- shed, or ride scooters in the shade cast hood, where small colorful houses by the new corrugated roof, or lean line streets where the sidewalks come against galvanized steel guardrails and go, can be seen in the condo com- TOP to watch a barge plow through the plexes starting to rise along its edge. The industrial heritage dark waters. Nor can the distant din of the riverfront seen compete with the cries of the seagulls Viewed through a wider lens, Cres- in this 1950s photo is retained in the who have claimed a fenced-off stretch cent Park fits within the constellation forms and materials of the wharf as their own.
    [Show full text]
  • Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans. Michael Eugene Crutcher Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Crutcher, Michael Eugene Jr, "Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans." (2001). LSU Historical Dissertations and Theses. 272. https://digitalcommons.lsu.edu/gradschool_disstheses/272 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Banquettes and Baguettes
    NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Banquettes and Baguettes “In the city’s early days, city blocks were called islands, and they were islands with little banks around them. Logically, the French called the footpaths on the banks, banquettes; and sidewalks are still so called in New Orleans,” wrote John Chase in his immensely entertaining history, “Frenchmen, Desire Good Children…and Other Streets of New Orleans!” This was mostly true in 1949, when Chase’s book was first published, but the word is used less and less today. In A Creole Lexicon: Architecture, Landscape, People by Jay Dearborn Edwards and Nicolas Kariouk Pecquet du Bellay de Verton, one learns that, in New Orleans (instead of the French word trottoir for sidewalk), banquette is used. New Orleans’ historic “banquette cottage (or Creole cottage) is a small single-story house constructed flush with the sidewalk.” According to the authors, “In New Orleans the word banquette (Dim of banc, bench) ‘was applied to the benches that the Creoles of New Orleans placed along the sidewalks, and used in the evenings.’” This is a bit different from Chase’s explanation. Although most New Orleans natives today say sidewalks instead of banquettes, a 2010 article in the Time-Picayune posited that an insider’s knowledge of New Orleans’ time-honored jargon was an important “cultural connection to the city”. The article related how newly sworn-in New Orleans police superintendent, Ronal Serpas, “took pains to re-establish his Big Easy cred.” In his address, Serpas “showed that he's still got a handle on local vernacular, recalling how his grandparents often instructed him to ‘go play on the neutral ground or walk along the banquette.’” A French loan word, it comes to us from the Provençal banqueta, the diminutive of banca, meaning bench or counter, of Germanic origin.
    [Show full text]
  • Empathy, Mood and the Artistic Milieu of New Orleans’ Storyville and French Quarter As Manifest by the Photographs and Lives of E.J
    UNIVERSITY OF CALIFORNIA RIVERSIDE Seeing and Then Seeing Again: Empathy, Mood and the Artistic Milieu of New Orleans’ Storyville and French Quarter as Manifest by the Photographs and Lives of E.J. Bellocq and George Valentine Dureau A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Timothy J. Lithgow December 2019 Thesis Committee: Dr. Johannes Endres, Co-Chairperson Dr. Elizabeth W. Kotz, Co-Chairperson Dr. Keith M. Harris Copyright by Timothy J. Lithgow 2019 The Thesis of Timothy J. Lithgow is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Acknowledgements: Thank you to Keith Harris for discussing George Dureau on the first day of class, and for all his help since then. Thank you to Liz Kotz for conveying her clear love of Art History, contemporary arts and artists. Although not on my committee, thank you to Jeanette Kohl, for her thoughtful and nuanced help whenever asked. And last, but certainly not least, a heartfelt thank you to Johannes Endres who remained calm when people talked out loud during the quiz, who had me be his TA over and over, and who went above and beyond in his role here. iv Dedication: For Anita, Aubrey, Fiona, George, Larry, Lillian, Myrna, Noël and Paul. v Table of Contents Excerpt from Pentimento by Lillian Hellman ......................................................... 1 Introduction ............................................................................................................. 2 Chapter 1: Biographical Information for Dureau and Bellocq .......................... 18 Table 1 ...................................................................................................... 32 Excerpt from One Arm by Tennessee Williams.................................................... 34 Chapter 2: Colonial Foundations of Libertine Tolerance in New Orleans, LA ..
    [Show full text]
  • Rhythm, Dance, and Resistance in the New Orleans Second Line
    UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.
    [Show full text]
  • Pollution and Pandemic
    WITHOUT F EAR OR FAVOUR Nepal’s largest selling English daily Vol XXVIII No. 253 | 8 pages | Rs.5 O O Printed simultaneously in Kathmandu, Biratnagar, Bharatpur and Nepalgunj 31.2 C -0.7 C Monday, November 09, 2020 | 24-07-2077 Biratnagar Jumla As winter sets in, Nepal faces double threat: Pollution and pandemic Studies around the world show the risk of Covid-19 fatality is higher with longer exposure to polluted air which engulfs the country as temperatures plummet. ARJUN POUDEL Kathmandu, relative to other cities in KATHMANDU, NOV 8 respective countries. Prolonged exposure to air pollution Last week, a 15-year-old boy from has been linked to an increased risk of Kathmandu, who was suffering from dying from Covid-19, and for the first Covid-19, was rushed to Bir Hospital, time, a study has estimated the pro- after his condition started deteriorat- portion of deaths from the coronavi- ing. The boy, who was in home isola- rus that could be attributed to the tion after being infected, was first exacerbating effects of air pollution in admitted to the intensive care unit all countries around the world. and later placed on ventilator support. The study, published in “When his condition did not Cardiovascular Research, a journal of improve even after a week on a venti- European Society of Cardiology, esti- lator, we performed an influenza test. mated that about 15 percent of deaths The test came out positive,” Dr Ashesh worldwide from Covid-19 could be Dhungana, a pulmonologist, who is attributed to long-term exposure to air also a critical care physician at Bir pollution.
    [Show full text]
  • Collection Uarterly
    VOLUME XXXVI The Historic New Orleans NUMBERS 2–3 SPRING–SUMMER Collection uarterly 2019 Shop online at www.hnoc.org/shop VIEUX CARRÉ VISION: 520 Royal Street Opens D The Historic New Orleans Collection Quarterly ON THE COVER The newly expanded Historic New Orleans B Collection: A) 533 Royal Street, home of the Williams Residence and Louisiana History Galleries; B) 410 Chartres Street, the Williams Research Center; C) 610 Toulouse Street, home to THNOC’s publications, marketing, and education departments; and D) the new exhibition center at 520 Royal Street, comprising the Seignouret- Brulatour Building and Tricentennial Wing. C D photo credit: ©2019 Jackson Hill A CONTENTS 520 ROYAL STREET /4 Track the six-year planning and construction process of the new exhibition center. Take an illustrated tour of 520 Royal Street. Meet some of the center’s designers, builders, and artisans. ON VIEW/18 THNOC launches its first large-scale contemporary art show. French Quarter history gets a new home at 520 Royal Street. Off-Site FROM THE PRESIDENT AND VICE PRESIDENT COMMUNITY/28 After six years of intensive planning, archaeological exploration, and construction work, On the Job: Three THNOC staff members as well as countless staff hours, our new exhibition center at 520 Royal Street is now share their work on the new exhibition open to the public, marking the latest chapter in The Historic New Orleans Collection’s center. 53-year romance with the French Quarter. Our original complex across the street at 533 Staff News Royal, anchored by the historic Merieult House, remains home to the Williams Residence Become a Member and Louisiana History Galleries.
    [Show full text]
  • Saint Denis in New Orleans
    A SELF-GUIDED WALKING TOUR OF NEW ORLEANS & THE LOCATIONS THAT INSPIRED RED DEAD REDEMPTION 2 1140 Royal St. 403 Royal St. Master Nawak Master Nawak We start at Bastille In the mission “The Joys Next up is the Lemoyne the RDR2 storyline. Saloon, the lavish, of Civilization”, Arthur National Bank, a grand three-storied social Morgan stops here to and impressive In the mission, The Louisiana State Bank epicenter of Saint gather intel on Angelo The infamous LaLaurie representation of the “Banking, The Old serves as a real life mirror Denis, made exclusive Bronte, the notorious Mansion is a haunted largest developed city American Art”, Dutch landmark in the French to its fictitious counterpart to the upper echelons of Italian crime lord of in the country. and Hosea round up the Quarter. Madame LaLaurie in both design and purpose. gang for one last heist, society by its wealthy, Saint Denis. He is was a distinguished Creole According to Wikipedia, “the Established in 1763, a final attempt to well-to-do patrons. cautioned by the wary socialite in the early 1800’s, Louisiana State Bank was bartender to abandon later discovered to be a Saint Denis’ stateliest procure the cash they founded in 1818, and was Will you: play a dangerous waters... serial killer and building is older than need in order to start the first bank established in spirited, high-stakes slave torturer. the country itself. over as new men in a the new state of Louisiana game of poker with a This is also the only When her despicable crimes Heiresses and captains free world.
    [Show full text]
  • Garden District Accommodations Locator
    GARDEN DISTRICT ACCOMMODATIONSJefferson LOCATOR Leontine Octavia BellcastleValmont Duffosat MAP #/PROPERTY/NUMBER OF ROOMS Soniat MAGAZINE Robert GARDEN DISTRICT/UPTOWN STREET LyonsUpperline 1. Avenue Plaza Resort/50 Bordeaux 2. Best Western St. Charles Inn/40 Valence 3. Columns Hotel/20 Cadiz 4. Hampton Inn – Garden District/100 Jena 5. Hotel Indigo New Orleans - Garden District/132 Tchoupitoulas 6. Maison St. Charles Quality Inn & Suites/130 General PershingNapoleonUPTOWN 7. Prytania Park Hotel/90 Marengo Milan Annunciation Laurel Camp Constance GEOGRAPHY ConstantinopleChestnut Coliseum New Orleans encompasses 4,190 square miles or Austerlitz Perrier Gen. Taylor Prytania 10,850 square kilometers and is approximately 90 Pitt Peniston miles from the mouth of the Mississippi River. Carondelet Amelia St.Charles Av Magazine Baronne Antonine CLIMATE Foucher 3 2 New Orleans has a subtropical climate with pleasant Aline 4 year-round temperatures. Temperatures range from Delachaise mid-40°F (7°C) in winter to more than 90°F (32°C) ST. CHARLES in the summer. Rainfall is common in New Orleans, Louisiana with a monthly average of about five inches (12.7 cm) Toledano AVENUE Pleasant of precipitation. 9th Harmony 8th AVERAGE TEMPERATURES AVG. RAINFALL MONTH MAX {°F/°C} MIN {°F/°C} 7th {IN/CM} Camp Jan. 63/17 43/6 4.9/12.4 6th Chestnut Prytania Coliseum Constance Feb. 64/18 45/7 5.2/13.2 Magazine Conery March 72/22 52/11 4.7/11.9 Washington April 79/26 59/15 4.5/11.4 GARDEN 4th May 84/29 64/18 5.1/13.0 June 90/32 72/22 4.6/11.7 DISTRICT 3rd July 91/33 73/23 6.7/17.0 2nd S.
    [Show full text]