Cbs Program Book January, 1942
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Philip Morris Playhouse Murder Needs an Artist (May 9, 1950) Synopsis and Critique
Philip Morris Playhouse Murder Needs An Artist (May 9, 1950) Synopsis and critique ''Johnny presents...The Philip Morris Playhouse, produced, edited and directed by William Spier. Tonight's star...Vincent Price.....'' ''Call for Philip Morrr-ees! Call for Philip Morr-ees.'' ''It's a call for...'' ''Philip Morreees.'' ''And now with Vincent Price as star, we bring you Murder Needs An Artist, tonight's production of the Philip Morris Playhouse.'' Vincent Price stars as George Aloysius Hilton. The announcer is 'Johnny.' The other characters (actors uncredited) are: Police Official District Attorney Flophouse man Flophouse voice Christopher Grayson Carol ''Teddy'' Meyers Maggett, Gallery dealer ‘’So you see, D.A., the case just sort of dropped in our laps.’’ The police official pauses, there’s the sound of a match and an intake of breath. ‘’Oh, excuse me, you want a cigarette?’’ The District Attorney, of course, accepts one. [For Philip Morris, sponsor, is a cigarette company.] ‘’You said over the phone there was a confession.’’ ‘’Oh, yeah, yeah, Dogherty took it down only about a half hour ago. Have a look.’’ There’s a rustling sound as the D. A. takes a sheaf of papers and begins to read aloud. ‘’…The whole thing began less than two months ago when I was working on a new novel. It was supposed to be about the gutter life of New York but somehow it lacked believability. In desperation I hit on the idea of spending a couple of days in a Bowery flophouse…’’ The voice of Hilton (Vincent Price) takes over. "…I put on my shabbiest suit, locked my apartment, and decided on the Ritz Arms. -
La Movilidad De Las Músicas Populares En América Latina En Los Años 30 Del Siglo XX
Artículos La movilidad de las músicas populares en América Latina en los años 30 del siglo XX. Las voces al unísono* Mobility of the Popular Musics in Latin America during the 1930s. Voices in Unison A mobilidade das músicas populares na América Latina nos anos 30 do século XX. As vozes em uníssono Hugo Andrei Buitrago-Trujillo a DOI: https://doi.org/10.11144/Javeriana.syp38-74.mmpa Universidad Pontificia Bolivariana, Colombia Redalyc: http://www.redalyc.org/articulo.oa?id=86059657003 [email protected] ORCID: http://orcid.org/0000-0002-9460-5064 Fecha de recepción: 28 Marzo 2018 Fecha de aprobación: 06 Diciembre 2018 Fecha de publicación: 18 Junio 2019 Resumen: Articulando estudios recientes de la música popular en diversos países de América Latina con las indagaciones hechas en publicaciones como cancioneros y revistas de farándula, se hace una pesquisa sobre la movilidad de las músicas populares por varios países de la región, identicando el incremento, presencia y diálogo de las músicas viajantes con las consideradas nacionales, en la década de los años 30 del siglo XX, momento en el que la industria cultural de la radio, el disco y el cine, en un proceso intermedial, se consolidan como los espacios de entretenimiento y difusión que, con excepción del cine, trascienden los espacios públicos, para instalarse, también, en los escenarios privados. Palabras clave: música popular, industria cultural, América Latina, radio, discos, intermedialidad, músicas viajantes. Abstract: Articulating, on one hand, some recent studies on popular music from different Latin-American countries and, on the other hand, some searches in publications like song books, and gossip magazines, a research is conducted about the mobility of popular musics through different countries in the region. -
Tenseniorstobowoutsaturday in Classic Battle With
E3fl Is' N«w Bandma.t.r dham's nd Plans to *» d Al McNqmora Giv« Viawt ns On The New Monthly's Top* •« City— N«w Look- Pag* 3 FORDHAM COLLEGE, NEW~YORK, NOVEMBER 21, 1951 Defense: Fordham's Unit Stars in Drill TenSeniorstoBowOutSaturday As dozens of sirens in the New York area sprung into action and sound- • Bir warning of the practice air raid Wednesday evening Nov. 14, Ford- In Classic Battle with NYU University's Civil Defense Mobile First Aid Unit was stationed at post at Fordham Hospital, waiting to be called into action. By MM JACOBY In the Fordham unit, there were 184 personnel, consisting entirely of In the twenty-ninth renewal of the Fordham-NYU grid rivalry, ten •dents and faculty members of the® TELECAST FROM CHURCH Maroon Seniors will ring down the curtain on their college football armacy School. The unit was or The Fordham University Church careers this Saturday at Randall's Island. Taking the field for the last nized and under the direction o: will be the scene of a series of time will be such defensive stalwarts as end and Captain Chris Campbell, Leonard J. Piccoli, Professor o StudentsConfer nation-wide telecasts over the tackle Art Hickey, end Tom Bourke, halfback Bill Sullivan, end Dick lic Health of the Fordham Col- National Broadcasting Company fMotta, and guard Bill Snyder. The e of Pharmacy. The Medical Di during the month of'December. offensive stars who will bid adieu tor of the aid station is Dr. Josep! With Faculty The NBC television series, include Ed Kozdeba, extra-point s and the Chaplain is Rev. -
THE MONTANA KAIMIN Thursday, Dec
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 12-6-1951 The onM tana Kaimin, December 6, 1951 Associated Students of Montana State University Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of Montana State University, "The onM tana Kaimin, December 6, 1951" (1951). Montana Kaimin, 1898-present. 2746. https://scholarworks.umt.edu/studentnewspaper/2746 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. All-School Opera Gets Nod From C-Board Members THE MONTANA Central board agreed last night and that about nine persons be ;o underwrite an all-school opera, elected from each class to work ‘La Boheme,” with $3,000 from on committees met some disap Students Offered K A 1 M I N lie reserve fund. proval. Montana State University, Missoula, Montana The Budget and Finance commit- Donna Persons, Cheyenne, Wyo., Fellowships ;ee said that any expenses over secretary, said, “Only a handful of Volume L III Z400 Thursday, Dec. 6, 1951 No. 37 hat $3,000 mark would have to people on the campus are really In Math, Sciences ie financed from other sources well known. The ballot would be University students interested in ind that no more funds would cluttered by people few others some phase of scientific study can ;ome from the reserve. -
El Bolero En Colombia, Un Viejo Amor
El bolero en Colombia UN VIEJO AMOR CESAR PAGANO A Marta Madrigal Vendaval sin rumbo por la vereda tropical Agustin Lara, padre del bolero Bogotá, Mayo-Junio 1989 37 MONOGRAFIA___________ ---'f bramos este ensayo con una aseveración atrevida A pero meditada: ningún género de la música popular ha arraigado en tantas personas, ni se ha propagado y conservado con tanta intensidad en el vasto territorio de América, como el Bo- lero. Desde el New York latino, hasta las repúblicas australes y (1856-1918), quien organizó los la mismísima Patagonia se prodi- perfiles esenciales -que no inven- ga el género. Ni el tango pesimis- tó solitario el género-; miles de ta y de laborioso baile, ni la trági- obras alzaron el bolero a la apo- ca y machista ranchera, ni el ale- teosis alcanzada en los tempra- gramación de radio con espacios gre zamba brasilero, ni las caden- nos años 50s. Sus propias limita'- exclusivos dedicados a difundir- cias encendidas de la cumbia ciones y conservadurismo (sensi- lo; en las reediciones discográfi- colombiana,ni el ritmático y reno- blería romanticotalegona, temas cas de antologías; en las evoca- vador mambo cubano; ni siquiera inactuales, machismo recalcitran- ciones y música televisada que ha la invasión contagiosa de la Salsa, te y la repetición de fórmulas ver- suscitado; en la profusión de artí- ganaron nunca tan amplio predi- bales y sonoras), lo estancaron en culos, folletos y libros sobre el camento en nuestro continente. un mundo que no se detiene. El apasionante tema. 1 En el fondo de cada latinoame- surgimiento de la balada europea ricano hay un bolerista dormido aclimatada para latinoamerica- 1. -
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81,9(56,'$'$87Ï120$'(/$&,8'$''(0e;,&2 &2/(*,2'(+80$1,'$'(6<&,(1&,$662&,$/(6 /DYHQDFOiVLFDGHOEROHURURPiQWLFR 48(3$5$2%7(1(5(/7Ë78/2'( /,&(1&,$'2(1$57(<3$75,021,2&8/785$/ 325/$23&,Ï1'(75$%$-25(&(3&,21$/ 3 5 ( 6 ( 1 7$ /8,6(<'(5520È1,%$55$ ',5(&725$ 'UD-XGLWK/RUHQD0pQGH]%DUULRV &LXGDGGH0p[LFRPD\RGH SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores. -
The B-G News February 8, 1952
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-8-1952 The B-G News February 8, 1952 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The B-G News February 8, 1952" (1952). BG News (Student Newspaper). 1043. https://scholarworks.bgsu.edu/bg-news/1043 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Senate Plans Blood Drive Great Success^ On Campus ^j^Veee ***** t*"^$g>»v /fJ>-* ^ A totalA total of of105 106 pints pints of ofblood bio. had Bldg. Opening been collected by 3 p.m. yesterday in the Red Cross blood drive. Of the approximately 280 persons who had pledged to donate, few had been eliminated by the re- By Monday quired physical examinations, of- ficials commented. Tentative Allocations Seven doctors and 14 nurses were aided by Alpha Phi Omega, For Rooms Made national service fraternity, mem- bers and town residents in exam- Work on the new Student Sen- IWfitiq Green State Unitfersvtti ining, registering, scheduling, and ate building li nearly completed. recording donors. Bob Taylor, Senate president, Sponsored on campus by Alpha hopes the various groups will be VoL 36 Official Student Publication, Bowling Green. Ohio. Friday. Fab. 8. 1952 No. 29 Phi Omega, service fraternity, the moved into their new offices by collection was made in order to satisfy the need for blood inKorea. -
Bambuco, Tango and Bolero: Music, Identity, and Class Struggles in Medell´In, Colombia, 1930–1953
BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 by Carolina Santamar¶³aDelgado B.S. in Music (harpsichord), Ponti¯cia Universidad Javeriana, 1997 M.A. in Ethnomusicology, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of the Department of Music in partial ful¯llment of the requirements for the degree of Doctor of Philosophy in Ethnomusicology University of Pittsburgh 2006 BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 Carolina Santamar¶³aDelgado, PhD University of Pittsburgh, 2006 This dissertation explores the articulation of music, identity, and class struggles in the pro- duction, reception, and consumption of sound recordings of popular music in Colombia, 1930- 1953. I analyze practices of cultural consumption involving records in Medell¶³n,Colombia's second largest city and most important industrial center at the time. The study sheds light on some of the complex connections between two simultaneous historical processes during the mid-twentieth century, mass consumption and socio-political strife. Between 1930 and 1953, Colombian society experienced the rise of mass media and mass consumption as well as the outbreak of La Violencia, a turbulent period of social and political strife. Through an analysis of written material, especially the popular press, this work illustrates the use of aesthetic judgments to establish social di®erences in terms of ethnicity, social class, and gender. Another important aspect of the dissertation focuses on the adoption of music gen- res by di®erent groups, not only to demarcate di®erences at the local level, but as a means to inscribe these groups within larger imagined communities. -
The Montana Kaimin, February 14, 1952
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 2-14-1952 The onM tana Kaimin, February 14, 1952 Associated Students of Montana State University Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of Montana State University, "The onM tana Kaimin, February 14, 1952" (1952). Montana Kaimin, 1898-present. 2771. https://scholarworks.umt.edu/studentnewspaper/2771 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. oncert Tonight Gonvo To Mark 59th Year MSU Grad WiU Address THE MONTANA Charter Convo Tomorrow BY BILL GALVIN It has been 59 years since MSU was issued a charter by the third Montana legislative assembly on Feb. 17, 1893. Convoca tion, tomorrow, will mark this occasion with a special program KAJMIN of music by the VarsityChamber band and by speaker William Montana State University, Missoula, Montana M. Allen ’22, president of Boeing Aircraft company. Volume LIII Z400 Thursday, Feb. 14, 1952 No. 63 Mr. Allen, who w as bom in ----------------------------------------------------; Lolo, had been legal counsel -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
Longines Symphonette to Play in Tech Gym
1 I Vol. XXXVI GEORGIA INSTITUTE OF TECHNOLOGY, ATLANTA, GEORGIA, RFIDAY AFTERNOON, JAN. 18, 1952 No. 24 1/ &8kmmmMmmmmm* ••••••••• ^?$mm Longines Symphonette To Play in Tech Gym Notice Mishel Piastro Conducts Students interested in work ing on WTYJ, the proposed World Famous Concert "Campus Broadcasting Sta By Jerry Lavinsky tion" are requested to drop a This Sunday, January 20, at 3 p.m., the famous Longines Sym note in Tech Box 910 stating phonette will present a specially prepared concert at the Georgia Tech their interest. Positions are Gymnasium. The concert will be conducted by the world famous con open in engineering, sales, an ductor, Mishel Piastro. This program, like many others is under the nouncing, and management. sponsorship of the Student Con cert and Lecture Committee. imitators is unquestionable. This Technique Staff Photo High Musical Standard supremacy is based on a concep This house* is the new residence of the Georgia Tech Newman Honorary Society Mishel Piastro, the conductor Club. It is located at 158 Fourth Street, N.W. tion of a symphony orchestra, has played an important part in which over the years has achieved Conducts Initiation developing the high musical stand a unique mastery of tonal quality Tech Newman Club ard1 of the Longines Symphonette. and execution beyond compare. For New Members Mr. Piastro has set these high Large Repertoire Recently, Alpha Pi Mu, the Na standards both in programming Obtains New House Mr. Piastro has programmed tional Industrial Engineering Hon and in performance. When he be with the Symphonette more than By Harvey Hochman orary Society, initiated twenty- gan his career, he became well 1500 different musical composi At ifee Start of this quarter the Newman Club of Georgia Tech four new men into the Georgia known to music lovers throughout Tech Chapter. -
Talbot Brothers of Bermuda Ziggi Talent Marion Talley
TALBOT BROTHERS OF BERMUDA A group of calypso, the Archie brothers (singer, acoustic guitar, harmonica, Autrie acoustic guitar, harmonica, Bryan, tipple, Ross, electric guitar and roy Talbot, bass and cousin Mandy Mandius accordion active years 1942-1980. Lp ABC-156 “Talbet Brothers”, 1956. Calypo Chacha / ch ZIGGI TALENT 88608. 1955 Dec 26888 Cheek to cheek chachacha/ ch MARION TALLEY Nevada, Mississippi 12/20/1906 - 1/3/1983. American operates coloratura soprano. 5/1/30 V BVE 59778 Mirame asi/r ESF THE TARIERS It was a vocal group specialized in folk music. Lp DL-4538 “Gather room of TT”, 1964. Guantanamera / r JF TARRAGANO ORCHESTRA Lp Kapp- ML-7511/MS 7511 “Surprise Party latin style”, 1960. In a little Spanish town chachacha / ch Rockambo / mb Mambo jambo / mb Mama Inez / r MS Tabu / r ML Lp London HA-R-2399/ SAHR 6199 “Surprise Party latin style”, 1960. In a little Spanish town chachacha / ch Rockambo / mb Mambo jambo / mb Mama Inez / r MS Tabu / r ML JUAN BRUNO TARRAZA (cu) Caibarién, Las Villas, 10/6/1917 - México, D.F., 5/23/2001. He had a musical background in the family, and he played other instruments until he sat at the piano, and as a child he played at the Caibarién Yacht Club The trip to Havana occurred in 1935, he played first with the maestro Valdespí's orchestra, in 1937 he went to the Riverside orchestra and shortly afterwards he started working at the CMQ, where he worked with the Mexican singers who brought the Crusellas and company program, such as Tito Guizar, Juan Arvizu and even the temperamental Elvira Ríos, with whom he got along so well that they went on tour for Buenos Aires and Mexico, in 1942.