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ENGL 279 Course Title: Science Fiction and Dystopic Literature Units
Course name: ENGL 279 Course title: Science Fiction and Dystopic Literature Units: 3 Course Description: This course is designed to increase students’ knowledge of the literary genre known as Science Fiction. Emphasis will be on the study of literature--novels and short fiction--that depicts our future world, visionary scientific endeavor, and conflicts between humans, aliens, and sentient technology. Students will study the history, exciting contemporary trends, and the relevant contemporary issues in Science Fiction, including dystopia vs. utopia, artificial intelligence, current theory concerning technology, cloning and physical science, human psychology in a futuristic environment, and the rise of Cyberpunk and new Alternate Reality literature within the genre. Prerequisites: Completion of ENGL 101 Course Objectives: l. Analyze the role of literature as a means of reflecting and shaping thought and behavior. 2. Recognize and employ literary terminology and the language of literary criticism. 3. Identify, interpret, and compare and contrast specific leitmotifs and character types of the Science Fiction genre. 4. Practice critical reading and writing skills. 5. Conduct research and synthesize material from outside the given text in developing a written or oral project. 6. Recognize the attributes that make literary works universal and timeless, as well as unique to certain genres. 7. Demonstrate the ability to discuss literature using relevant support from the text. 8. Evaluate a literary work objectively, being able to understand and analyze critical responses to the works read. Course Content: I. In discussing the roots of many essential elements of Science Fiction, the instructor will guide students in: A. Distinguishing the important archetypes of Science Fiction. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Other Worldly Words 2019
Other Worldly Words 2019 Thursday, January 31st at 6:45 pm What the Hell Did I Just Read: A Novel of Cosmic Horror by David Wong While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John and Amy realized there might actually be something weird going on. Thursday, February 28th at 6:45 pm The Collapsing Empire by John Scalzi An empire of star systems, connected by an extradimensional conduit called the Flow, is threatened by eventual extinction as it appears to be breaking down. Thursday, March 28th at 6:45 pm The City of Brass by S.A. Chakraborty On the streets of eighteenth-century Cairo, Nahri is a con woman of unsurpassed skill. She makes her living swindling Ottoman nobles, hoping to one day earn enough to change her fortunes. Thursday, April 25th at 6:45 pm Jade City by Fonda Lee Jade is the lifeblood of the island of Kekon. It has been mined, traded, stolen, and killed for -- and for centuries, honorable Green Bone warriors like the Kaul family have used it to enhance their magical abilities and defend the island from foreign invasion. Thursday, May 30th at 6:45 pm Foundryside by Robert Jackson Bennett In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself. Thursday, June 27th at 6:45 pm Tales of the Dying Earth by Jack Vance As a swollen red sun grows ever closer to annihilating the Earth, decadent magicians compete for the technology of an ancient age — a science now known as magic. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Rare[ Moldovan the State of Play: Geektopia in Ready Player One
242 Caietele Echinox, vol. 32, 2017: Images of Community Rare[ Moldovan The State of Play: Geektopia in Ready Player One Abstract: The paper looks at the figure of Back to the Same Future the “geek” in popular culture, and especially in Ernest Cline’s novel Ready Player One, also his article looks forward to a film with a view towards the forthcoming adap- Tthat does not yet exist. We know its tation directed by Steven Spielberg. Tracing release date, the 30th of March, 2018, we the contours of the geek imaginary, the know its director, Steven Spielberg, and we have learned more about what seems to be paper looks at its inscription in popular cul- an inspired cast over the last few months. ture, political economy, it explores nostalgia The book that it adapts, by first time geek as an enabling force, modes of community, writer Ernest Cline, was undoubtedly a sociability and socialization, building toward hit, but I think we can safely assume that the unlikely concept of “geektopia.” when the film is released it will represent Keywords: Cultural Theory; Pop Culture; the pop culture apotheosis of the geek, in Geek; Nerd; 80s; Virtual Communities; Gam- the medium that helped mould and foster ing; Utopia. this cultural icon. It will also signal, with a sort of half-baked irony, a late, reiterated Rareș Moldovan victory and “revenge of the nerds.” Babeș-Bolyai University, Cluj-Napoca, Romania Forged in the bland basement dun- [email protected] geons of Smallville, U. S. A., as well as in DOI: 10.24193/cechinox.2017.32.20 the virtual dungeons ardently imagined by teenagers gathered round to the play the legendary RPG Dungeons and Dragons, the figure of the geek1 has over the past four decades, accrued considerable sta- tus. -
Robert Jordan's “The Wheel of Time” an Unofficial Worldbook for GURPS(Tm) by Aaron Sherman
Robert Jordan's “The Wheel of Time” an unofficial worldbook for GURPS(tm) by Aaron Sherman DRAFT: April 2018 This is an early draft of an unofficial worldbook for the Wheel of Time series. The goal is to provide everything that a commercial-class GURPS worldbook would provide: the magic system, advantages, disads, skills, templates, item and culture write-ups, creatures and ways to tie all of this into your game. If you want to contribute, drop me a line at [email protected]. Please note that this worldbook was originally published in 2000, and has only been lightly updated since. Information from later books and subsequent versions of the GURPS system have not been applied. Table of Contents Acknowledgements Introduction GURPS Magic Terms Aspects of the One Power Mechanics Opening Up Bad Things The Taint Sensing Magic Example Spells Disadvantages Advantages Skills Cultures, Groups and Races Aes Sedai Aiel Asha'man Atha'an Miere Caemlyn / Andor Ebu Dar / Altara Ogier Seanchan Tinkers/Traveling People Creatures gholam Gray Man Myrddraal Trollocs TODO Templates About Templates Aes Sedai Warder Wilder Asha'man Aiel Warrior Aiel Wise Woman Items Other Places tel'aran'rhiod Campaign Ideas Aes Sedai Borderlands Sub-plots The Age of Legends The Dark Side The Kin Asha'man Guidelines Changes Acknowledgements Credit where credit is due: The terms and quotes herein are taken from Robert Jordan (the Wheel of Time source material which comes from all 8 (so far) Wheel of Time books, published by Tor Fantasy) and Steve Jackson Games (the GURPS terms and references). The rest is Copyright 1998 by Aaron Sherman. -
Emergence of Kalacakratantra
CORE Metadata, citation and similar papers at core.ac.uk Provided by Apollo EMERGENCE OF KALACAKRATANTRA -B. Ghosh The characteristics of Tantra/ Agama/Yamala as in important Hindu works are present in the Buddhist Tantras. The Buddhist Tantras are found in three great divisions into which esoteric Buddhism is divided namely, Vajrayana, Sahajayana and Kalacakrayana. Besides these, three other minor yanas with no marked indlviduality, such as, Tantrayana, Mantrayana, Bhadrayana etc. (B. Bhattacharyya, Introduction to Buddhist Esoterism (COS) Varanasi, 1964, pp. 52-)5). The advanced Buddhist Tantras . are Kriyatantra, Caryatantra, Yogatantra and Anuttara tantra. It appears from the following citation from the Mulatantra that Kalacakrayana is the earliest source of all later Buddhist Tantric systems. Naropada/Naropa/ Narotapa flourished about 990 A.D. (B.Bhattacharyya, Sadhanamala Pt. m. In Sekoddesatika (Ed. Merrio E, Carelli, GOS, 1941) while narrating the manifestation of Bhagavan Sri Vajrapani Naropa quotes verses from the Mulatantra: At the outset it should be noted that "Kalacakra" is one of the epithets of Vajri : 19 The Sekoddesatika deaJs with the origin of Vajrayana giving a short account of the Jegend which was the sour<;,e of the doctrine. In Tantric Literature there are several systems, each of which is attributed to a different revela tion. Here it is said that the teachings of Mantrayana (Vajrayana) were given first by Dipankara, the Tathagata Buddha, preceding the historic one. But they had to be adopted to the later age and for the purpose the king Sucandr a, whose real m is loca ted by Sekoddesa in Shambala (bDe-hByung) on the north of river Sita. -
Dark Images of Cyberpunk
Dark Images of Cyberpunk Carlo Savino 29 September 1995 With the publication of seminal works such as Mary Shelly's Frankenstein, science fiction has always contained an appeal to the underground culture. Her gothic visions of human behavior became the inspiration for works such as Ray Bradbury's Fahrenheit 451 and Isaac Asimov's I, Robot series. Though the beginning emphasized utopian societies, science fiction progressed to include a future quite different from the present. Visions of flying ships, lasers, and travels to far off space colonies inundated these works. However, one subset of authors, such as William Gibson, Bruce Sterling, and Lewis Shiner, molded an entirely different genre of science fiction, placing more emphasis on the darker future of life on Earth. This work, later labeled "cyberpunk", brought with it a very bleak view of future societies and culture. The features of their style of writing, which include the masculinization of women, the perversion of technology, the oppressive descriptions of settings and life, and the negative characterizations of people, defined the notion of cyberpunk. Women have a certain status in cyberpunk, one that is very contrary to the current sociological expectations of them. Women in these societies have had to adapt to the environmental pressures put on them. They behave in an unconventional manner, as their sociological role dissolves any need for refinement and they must act and think as men would if they are to survive. Illustrations of this assertion abound. On an emotional level, women are portrayed as being very aggressive, both sexually and physically. One example of this can be found in Tom Maddox's Snake Eyes : Lizzie and George are described as "rubbing up against one another.. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities
Immature Pleasures: Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities by Anna Patricia Wilson A thesis submitted in conformity with the requirements for the degree of PhD in Medieval Studies Centre for Medieval Studies University of Toronto © Copyright by Anna Wilson 2015 ii Immature Pleasures: Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities Anna Patricia Wilson PhD Medieval Studies Centre for Medieval Studies University of Toronto 2015 Abstract This thesis explores the ideological significance of immaturity to several late medieval texts that focus on the conjunction between reading and feeling. Using examples from modern fanfiction to help theorize affective reception (that is, reading and response that privileges feeling), this thesis argues that approaching medieval texts with a ‘fannish hermeneutics’ highlights how ideas of age and temporality structure relationships between reader and text across late medieval reading communities. In particular it examines how Margery Kempe, Petrarch, and Chaucer performed, resisted and played with the idea of immature reading in their texts. For each author, an immature relationship with texts becomes a space of inappropriate desires and emotional excess, ambivalence, anxiety, and subversive power. Although these authors moved in different intellectual communities, all interacted with a shared cultural ideology of immaturity and reading that emerged primarily from monastic theories of reading and worship from the twelfth to fourteenth centuries. This study argues for the centrality of a ‘fannish hermeneutics’ to this reading tradition in Chapters One and Two, and in Chapters Three and Four further argues Petrarch’s debt to this same tradition of affective piety. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
The Drink Tank - the Hugo for Best Novel 2013 the Drink Tank 347 - the Hugo for Best Novel 2013
The Drink Tank - The Hugo for Best Novel 2013 The Drink Tank 347 - The Hugo for Best Novel 2013 Contents Cover by Bryan Little! “Hugo not bound by Space and Time” Page 2 - Table of Contents / Art Credits / This Stuff Captain Vorpatril’s Alliance “Contents” by Lois McMasters Bujold Page 3 On The Shortlist Page 19 - A Very Loosely Related Article by Steve Diamond (of Elitist Book Reviews) By Christopher J Garcia Art from Kurt Erichsen “Yeah, I’ve got nothing.” “I’ve read a lot of books...” Page 20 - A Review by Sara Dickinson “Insofar as suspense goes...” The Throne of the Crescent Moon Page 22 - 2 Reviews - by Saladin Ahmed By Liz Lichtfield Page 5 - A Very Loosely Related Article “This was entirely too funny for words.” by Christopher J Garcia By Kate “...some are hugely important symbols, while “Oh, this was funny...” others are just over-hyped chairs.” Page 6 - A Review by Juan Sanmiguel 2312 “It will be interesting to see were Ahmed will by Kim Stanley Robinson take us next.” Page 23 - A Very Loosely Related Article Page 7 - A Review by Mihir Wanchoo By Christopher J Garcia “The book’s size is definitely on the thinner “In 300 years, I will be 338.” side and this might be going against the norm...” Page 24 - A Review by Anne Charnock Page 10 - A Review by Nadine G. “...Robinson has written a humungous book...” “...just putting things in the desert doesn’t make Page 25 - A Review by Maria Tomchick a great book either.” “...the author could use a good editor...” Page 26 - A Review of Beth Zuckerman Blackout “I recommend this book even though it’s about by Mira Grant terrorism...” Page 11 - A Very Loosely Related Article By Christopher J Garcia Redshirts “...and over the radio system came a name - by John Scalzi Sunil Tripathi.