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R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY

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R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Chris Mann, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season. Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include: the Insitut Valencià d’Art Modern, Spain; Haus der elektronischen Künste, Switzerland; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art; Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; PROSPECT.2 New Orleans; and the Aspen Institute. DuBois' work and writing has appeared in print and online in the New York Times, National Geographic, and Esquire Magazine, and he was an invited speaker at the 2016 TED Conference. A major survey of his work, NOW, received its premiere at the Ringling Museum of Art in 2014, with a catalogue published by Scala Art & Heritage Publishers. An active visual and musical collaborator, DuBois is the co-author of Jitter, a software suite for the real-time manipulation of matrix data developed by San Francisco-based software company Cycling'74. He appears on nearly twenty-five albums both individually and as part of the avant-garde electronic group The Freight Elevator Quartet. He currently performs as part of Bioluminescence, a duo with vocalist Lesley Flanigan that explores the modality of the human voice, and in Fair Use, a trio with Zach Layton and Matthew Ostrowski, that looks at our accelerating culture through electronic performance and remixing of cinema. DuBois has lived for the last twenty-eight years in New York City. He is the research director of the programs in Integrated Design & Media at the NYU Tandon School of Engineering, and a founding co-director of the NYU Ability Project. He is on the Board of Directors of the ISSUE Project Room and Eyebeam. His records are available on Caipirinha/Sire, Liquid Sky, C74, and Cantaloupe Music. His artwork is represented by bitforms gallery in New York City. EDUCATION 2003 D.M.A. Columbia University, Music Composition 1999 M.A. Columbia University, Music Composition 1997 B.A. Columbia University, History/Religion, Music TEACHING New York University, New York / Brooklyn, NY 2014- Associate Professor of Integrated Digital Media (Tandon), Music Technology (Steinhardt), and Interactive Telecommunications (Tisch); Co-Director, Integrated Digital Media; Director, Brooklyn Experimental Media Center; Co-Director, NYU Ability Project 2013 Assistant Professor of Integrated Digital Media (NYU-Poly), Music Technology (Steinhardt), and Interactive Telecommunications (Tisch); Director, Brooklyn Experimental Media Center 2009 Assistant Professor of Integrated Digital Media (NYU-Poly) 2008 Visiting Assistant Professor of Integrated Digital Media (NYU-Poly) 2003 Adjunct Faculty, ITP, Tisch School of the Arts 2001 Adjunct Faculty, Music Technology, Steinhardt School Columbia University, New York, NY 2004 Staff Researcher, Computer Music Center 2003 Adjunct Assistant Professor, Visual Arts 1997 Graduate Teaching Fellow Princeton University, Princeton, NJ 2007 Visiting Lecturer in Music School of Visual Arts, New York, NY 2003 Faculty, MFA Computer Art OTHER EMPLOYMENT Cycling’74, San Francisco, CA 2005-9 Product Manager, Max/MSP/Jitter 2000-5 Consultant Engineer, Max/MSP/Jitter SOLO EXHIBITIONS & PROJECTS (selected) 2018 Music into Data: Data Into Music, Beall Center, Irvine, CA R. Luke DuBois: A More Perfect Union, SITE, Santa Fe, NM Love in the Time of Data, National Academy of Sciences, Washington, DC 2017 Hindsight Is Always 20/20, National Portrait Gallery, Washington, DC 2016 The Choice Is Yours, bitforms gallery, New York, NY Now, Bowdoin College Museum of Art, Brunswick, ME 2015 Now, Orange County Museum of Art, Newport Beach, CA In Real Time, Zilkha Gallery, Wesleyan University, Middletown, CT Portraits and Landscapes, Samek Gallery, Bucknell University, Lewisburg, PA Guns in the Hands of Artists, Des Lee Gallery, St. Louis, MO 2014 Portraits, bitforms gallery, New York Now, John and Mable Ringling Museum of Art, Sarasota, FL 2013 The Public Private, Parsons School of Design, New York, NY 2012 Hindsight is Always 20/20, NYC Parks Dept, Waterfront Park in D.U.M.B.O., Brooklyn, NY Hindsight is Always 20/20, Lawrence Arts Center, Lawrence, KS 2011 The Marigny Parade. Prospect.2 art biennial, New Orleans, LA A More Perfect Union, bitforms gallery, New York, NY Big Screen Project, New York, NY 2010 Hindsight Is Always 20/20, Ulrich Museum of Art, Wichita, KS Hindsight is Always 20/20, Second Street Gallery, Charlottesville, VA 2009 Hindsight is Always 20/20, Chrysler Museum, Norfolk, VA Hindsight is Always 20/20, Scottsdale Public Art Program, Scottsdale, AZ Hard Data, musical score for amplified string quartet, Issue Project Room, Brooklyn, NY 2008 Hindsight is Always 20/20, The UnConvention, Weisman Art Museum, Minneapolis, MN Hindsight is Always 20/20, National Constitution Center, Philadelphia, PA Politics As Usual, bitforms gallery, New York, NY GROUP EXHIBITIONS (selected) 2020 Machines of Futility: Unproductive Technologies, Telfair Museum, Savannah, GA 2019 Face Values: Exploring Artificial Intelligence, Cooper Hewitt Smithsonian National Design Museum, New York, NY Who We Are, Museum of the City of New York, New York, NY 2018 London Design Biennale, London, UK 2016 Fifteen-Year Anniversary Exhibition, Minnesota Street Project, San Francisco, CA Pop Stars! 21C Museum Hotel, Bentonville, AK On Another Note, the Intersection of Art and Music, Yale School of Art, New Haven, CT 2015 #self, Art Souterrain, Montreal, Canada Little Sister (is watching you, too), Pratt Manhattan Gallery, New York, NY Right Here, Right Now, The Lowry, Manchester, England Eye Pop: the Celebrity GaZe, National Portrait Gallery, Washington, D.C. Self Reflection, The Clay Center, Charleston, West Virginia Poetics and Politics of Data, Haus für electronische Künste, Basel, Switzerland Amour Fou, New Media Gallery, Anvil Centre, Vancouver, NB, Canada 2014 Love Songs, Instituto Tomie Ohtake, São Paulo, Brazil Guns in the Hands of Artists, Jonathan Ferrara Gallery, New Orleans, LA The Art of Data II, Museum of Contemporary Art, Boulder, CO 2013 The Art of Data, The Resnick Gallery, Doerr-Hosier Center, Aspen, CO The Public Private, Parsons School of Design, New York, NY Multiplicity, Patty & Jay Baker Naples Museum of Art, Naples, FL Datascape, The Block, Queensland University of Technology, Brisbane, Australia 2012 I Don’t Have Time for this Sh&t!, QF Gallery, East Hampton, NY Born Digital, CAM Raleigh, Raleigh, NC 2011 Multiplicity, Smithsonian American Art Museum, Washington, D.C. Dark Matters, The Whitworth Art Gallery, Manchester, England Bring to Light: Nuit Blanche New York, Brooklyn, NY Transmediale, Berlin, Germany (with Fair Use Trio) 2010 Data Mining, A + D Gallery, Columbia College, Chicago, IL Common Sense: Art and the Quotidian, Weisman Art Museum, Minneapolis, MN Never Can Say Goodbye, No Longer Empty, New York, NY Stand Clear of the Closing Doors, Pandemic Gallery, Brooklyn, NY 2009 SpaZialismo, bitforms gallery, New York, NY Hindsight is Always 20/20, Pier 40, New York, NY Superlight: Selections from the 2nd Biennial 01SJ, MOCA Cleveland, OH tech-no-tech, Martin-Mullen Gallery, SUNY Oneonta, NY Just What Are They Saying, Jonathan Ferrara Gallery, New Orleans, LA Quint Gallery – Three Decades of Contemporary Art, CCA, Escondido, CA Turbulence@PaceDigitalGallery, Pace University Gallery, New York, NY Made in USA: Recent American Video, Laznia Center, Gdańsk, Poland 2008 Dialog:City, Democratic National Convention, Denver, CO Dialog:Denver, Robischon Gallery, Denver, CO 01SJ Biennial, San Jose Museum of Art, San Jose, CA DigitalArt.LA, Los Angeles Center for Digital Art, Los Angeles, CA 2007 Sydney Film Festival, Sydney, Australia Speed 3, IVAM, Valencia, Spain New Frontier, Sundance Film Festival, Park City, UT 2006 Cybernetic Sensibility, Daelim Museum, Seoul, South Korea Heavy Light, Quint Contemporary Art, La Jolla, CA NY Premiere: DuBois/Schülke, two-person exhibition, bitforms gallery, New York, NY Elevator Music 7, Tang Museum, Saratoga Springs, NY 2005 LEMUR, League of Electronic Musical Urban Robots, Beall Center, Irvine, CA CATALOGS (selected) 2014 R. Luke DuBois: Now, John and Mable Ringling Museum of Art, Scala Art & Heritage Publishers. Essays by Matthew McLendon, DanCameron, Anne Collins Goodyear, and Matthew Ritchie. 2008 Dietz, Steve. Superlight, 01SJ Biennial, San Jose Museum of Art and Cleveland MoCA. de Woody, Beth. Just What Are They Saying, Jonathan Ferrara
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