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FOR IMMEDIATE RELEASE June 23, 2016 CONTACT: Ren Mitchell 832-314-9994 [email protected]
FOR IMMEDIATE RELEASE June 23, 2016 CONTACT: Ren Mitchell 832-314-9994 [email protected] Karen Stokes Dance presents DEEP: Seaspace at Zilkha Hall, Hobby Center for Performing Arts HOUSTON, TX: Karen Stokes Dance presents “DEEP: Seaspace” October 20-22, 2016 at 8:00pm at the Hobby Center for Performing Arts, Zilkha Hall. “DEEP: Seaspace” is the culminating performance of a multi-year initiative inspired by the history and landmarks of the City of Houston. With an original score by composer Bill Ryan played live by nationally recognized musicians, the evening length live performance will explore Houston for two if its defining industries: sea and space. “DEEP: Seaspace” fuses history, landscape, dance, and music through the lens of two iconic Houston enterprises: The Houston Ship Channel and NASA. While Sea speaks to the pioneering spirit of the founding of Houston along the banks of Buffalo Bayou and the formation of the Houston Ship Channel, Space is inspired by Houston’s stronghold in space exploration and human achievement. Celebrating Houston's unique heritage and Texas’ pioneering spirit, “DEEP: Seaspace” investigates the core of human progress, the fundamental spirit of Houston, and the desire to understand the unknown to forge a better tomorrow. In “DEEP: Seaspace,” Stokes explores “launching” and “landing” through a unique blend of quirky and innovative choreographic styles that has become the trademark of her 20 years of work in contemporary dance. Stokes has received regional and national acclaim for her choreography including being name “Best Choreographer in Houston” in both 2014 and 2015 by the Houston Press. Nancy Wozny, of Texas Arts & Culture, wrote: “In Houston, it’s Karen Stokes who comes to mind as an artist tightly tied to Texas. -
Curriculum Vitae
R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Chris Mann, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season. Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include: the Insitut Valencià d’Art Modern, Spain; Haus der elektronischen Künste, Switzerland; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art; Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; PROSPECT.2 New Orleans; and the Aspen Institute. DuBois' work and writing has appeared in print and online in the New York Times, National Geographic, and Esquire Magazine, and he was an invited speaker at the 2016 TED Conference. -
R.Luke Dubois
R. Luke DuBois curriculum vitae Education Graduate School of Arts and Sciences, Columbia University, New York, NY Doctor of Musical Arts, Music Composition. May 2003. Dissertation: Applications of Generative String-Substitution Systems in Computer Music. Composition Studies with Fred Lerdahl and Jonathan Kramer. Specialization in computer music composition and perception systems for interactive control/performance. Development of interface software for real-time signal processing. Graduate School of Arts and Sciences, Columbia University, New York, NY Master of Arts, Music Composition. May 1999. Columbia College, Columbia University, New York, NY Bachelor of Arts, Music / History, May 1997. Teaching Brooklyn Experimental Media Center, Polytechnic Institute of NYU, Brooklyn, Assistant Professor, 2008-present. NY DM2113, Sound Studio I. Instructor. DM2144, Interaction Design. Instructor. DM2186, Algorithmic Composition. Instructor. DM3113, Sound Studio II. Instructor. DM6113, Sound Studio Seminar. Instructor. DM9903, Thesis Research. Instructor. DM9103, Synaesthesia. Instructor. DM9103, Real-Time Multimedia. Instructor. Computer Music Center, Columbia University, New York, NY Staff Researcher, 2004-2008. Adjunct Assistant Professor, 2003-2004. Graduate Teaching Fellow, 1997-2003. R6006, Sound/Image (Fall 2003). Instructor. R6006, Sound/Image (Spring 2003). Co-instructor. G6610, Computer Music (Fall 2002-Spring 2003). Teaching Assistant. G6615, Movement-Sound Interaction (Spring 2001). Co-instructor. V2205, MIDI Music Production Techniques (Summer 1999, Summer 2000, Spring 2001-2002). Instructor. R6505, Interactivity Outside the Box (Spring 2000). Guest lecturer. G6630, Recorded Sound (Spring 1999 to Spring 2001). Teaching Assistant. G6601, Basic Electroacoustics (Fall 1998 to Fall 2000). Teaching Assistant. Interactive Telecommunications Program, Tisch School of the Arts, Adjunct Assistant Professor of Communications, 2003-2009. New York University, New York, NY H79.2422, Live Image Processing and Performance. -
Contemporary Music Ensemble
Suffolk County Community College • Music Department • Ammerman Campus Presents Contemporary Music Ensemble Spring Concert May 11, 2002 7:30 PM Islip Arts Building, Shea Theatre Contemporary Music Ensemble William Ryan, Director ________________________________________________ Electric Counterpoint (1987) Steve Reich (b. 1936) Gerry Rulon-Maxwell, electric guitar Pat Metheny, recorded electric guitars Original Blend (2002) William Ryan (b. 1968) World Premiere Todd Reynolds, violin Michael Lowenstern, bass clarinet Frank Monastero, piano Justin Cunningham, percussion Monkey Forest (2002) Evan Ziporyn (b. 1959) Commissioned by the SCCC Contemporary Music Ensemble Lauren Kasper, flute Brett Colangelo, percussion Anne McInerney, flute Michael Clark, electric guitar Antoinette Blaikie, english horn Keith DeMaio, piano Jennifer Decaneo, clarinet Lisa Casal, violin Lauren Kohler, clarinet Miyo Davis, violin Marissa Sampson, baritone saxophone Malachy Gately, violin Duane Haynes, trumpet Laura Khalil, violin Michael Sarling, trumpet Jamie Carrillo, viola Hector Minaya, trombone Gerry Rulon-Maxwell, electric bass Justin Cunningham, percussion Robert Tavolaro, electric bass featuring special guests Michael Lowenstern, clarinet Todd Reynolds, violin _________________________________________________________________ Special thanks to Chris Kerensky for providing the english horn for Monkey Forest. Guest Performer Biographies Considered the pre-eminent bass clarinetist of his generation, Michael Lowenstern has performed to critical and popular acclaim throughout the Americas and Europe. He has performed, recorded and toured the U.S. and abroad with ensembles of every variety including The Klezmatics, The Steve Reich Ensemble, The Orpheus Chamber Orchestra, and the Chamber Music Society of Lincoln Center, with whom he will be touring throughout the summer and fall of 2001. In September 2000, Lowenstern accepted an appointment with the New Jersey Symphony. -
Guy Klucevsek with Todd Reynolds
Solos and Duos Series Glenn Siegel, Program Director 15 Curry Hicks, 100 Hicks Way (413) 545-2876 University of Massachusetts [email protected] Amherst, MA 01003 www.fineartscenter.com THE 2013 SOLOS & DUOS SERIES PRESENTS: Guy Klucevsek with Todd Reynolds The Solos & Duos Series, produced by the Fine Arts Center at the University of Massachusetts, Amherst, concludes its 12th season with a concert by Guy Klucevsek and Todd Reynolds , Thursday, November 21, 8:00pm, Bezanson Recital Hall . Klucevsek will perform a solo set then be joined by Reynolds. Guy Klucevsek is one of the world’s most versatile and highly-respected accordionists. He has performed and/or recorded with Laurie Anderson, Bang On a Can, Brave Combo, Anthony Braxton, Anthony Coleman, Dave Douglas, Bill Frisell, Rahim al Haj, Robin Holcomb, the Kronos Quartet, Natalie Merchant, Relâche, Zeitgeist, and John Zorn. He is the recipient of a 2010 United States Artists Collins Fellowship, an unrestricted $50,000 award given annually to "America's finest artists." His 1987 project, Polka From the Fringe , a collection of commissioned polkas by Fred Frith, Elliott Sharp, Bobby Previte, Carl Finch and others, toured the world and was released on two cds on the eva label, and were named “best recordings 1992” on WNYC-FM’s “New Sounds” program. In 1996, he founded Accordion Tribe, an international ensemble of composer/accordionists Otto Lechner (Austria), Maria Kalanemi (Finland), Lars Hollmer (Sweden), Bratko Bibic (Slovenia) and himself. They toured internationally from 1996-2009, are the subjects of Stefan Schwietert’s award-winning documentary film, Accordion Tribe: Music Travels, and released on three cds (Intuition) . -
R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY
R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a multidisciplinary artist, whose practice spans visual art, computer programming, musical composition and performance, and record producing. Throughout, he explores the temporal, verbal, and visual structures of cultural ephemera. Recently the subject of the solo exhibition Now, DuBois's work has been exhibited at the Orange County Museum of Art, Newport Beach, CA; San Jose Museum of Art, San Jose, CA; the Aspen Institute, Aspen, CO; Boulder Museum of Contemporary Art, Boulder, CO; National Portrait Gallery, Washington, D.C.; Smithsonian American Art Museum, Washington, D.C.; John and Mable Ringling Museum of Art, Sarasota, FL; Ulrich Museum of Art, Wichita, KS; Bowdoin College Museum of Art, Brunswick, ME; Weisman Art Museum, Minneapolis, MN; Cleveland Museum of Contemporary Art, Cleveland, OH; National Constitution Center, Philadelphia, PA; the Sundance Film Festival, Park City, UT; The Lowry, Manchester, England; The Whitworth Art Gallery, Manchester, England; transmediale, Berlin, Germany; Institut Valencià d'Art Modern, Valencia, Spain; Daelim Museum, Seoul, South Korea; and Haus der elektronischen Künste (HeK), Basel, Switzerland, among other venues. His series Hindsight is Always 20/20 was featured at the 2008 Democratic National Convention in Denver, CO. In February 2016, he participated in TED, presenting a talk on his “Insightful human portraits made from data.” DuBois is the co-author of Jitter, a software suite for the real-time manipulation of matrix data developed by San Francisco- based software company Cycling'74. He appears on nearly twenty-five albums both individually and as part of the avant-garde electronic group The Freight Elevator Quartet. -
R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY
R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Chris Mann, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season. Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include: the Insitut Valencià d’Art Modern, Spain; Haus der elektronischen Künste, Switzerland; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art; Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; PROSPECT.2 New Orleans; and the Aspen Institute. DuBois' work and writing has appeared in print and online in the New York Times, National Geographic, and Esquire Magazine, and he was an invited speaker at the 2016 TED Conference. -
Open Ears 25: the Marathon Concert
presents Open Ears 25: The Marathon Concert March 31, 2004 11:00AM-2:00PM Shea Theatre, Ammerman Campus FREE ADMISSION Open Ears 25: The Marathon Concert Program Premonition (1997)………………………………………..…………………Phil Kline (b. 1953) SCCC Contemporary Music Ensemble Ray Altman Vanessa Laurenti Dan Campbell Michael Macchio Jamie Carrillo Paul Micca Marc David Elona Migirov Joe Ekster Kevin Reidy Frank Gilchriest Kirsy Rosa Nichole Heid David Ruckel Alex Imbo Charles Santangelo Melissa Farrish Dan Sarno Ryan Kaelin Carolyn Track John Kelly Kaitlyn Weeks Megan Kelley Fred Wilson Holly's Tune (2004)……………………………………………………Michael Lipsey (b. 1965) World Premiere Dhumta kaDhum (2004)………………………..………………...River Guerguerian (1967) World Premiere River Guerguerian, percussion Michael Lipsey, percussion Sha (2003)…………………………………………………………Michael Lowenstern (b. 1968) Michael Lowenstern, bass clarinet Postcards from Rio (2002)…..………………………………..……..Perry Goldstein (b. 1952) Justin Comito, trombone Patrick Armann, Marimba Grande Etude Symphonique (2003)……...………………………….……Phil Kline (b. 1953) Todd Reynolds, violin Pattern Transformations (1988)……………...…………………………Lukas Ligeti Shifty (2001)…………………………………………………………..Dennis Desantis (b. 1973) So Percussion Quartet Todd Meehan Douglas Perkins Adam Sliwinsky Jason Treuting Blurred (2003)…..………………………………..……………………....William Ryan (b. 1968) World Premiere Todd Reynolds, violin Ralph Farris, viola Dorothy Lawson, cello Taimur Sullivan, soprano saxophone Stephen Gosling, piano Michael Lowenstern, bass clarinet Todd Meehan, percussion Douglas Perkins, percussion Adam Sliwinsky, percussion Jason Treuting, percussion á.X. (2004)………………………………………..…………………..Daniel Weymouth (b. 1953) World Premiere Stony Brook Contemporary Chamber Players Sarah Wall, oboe Sixxen: Michael Aberback Russell Greenberg Michael McCurdy Brian Pantekoek Antonio Ian Matthew Ward Valentine's Day (2004)…………………..……..……………….…….Todd Reynolds (b. 1964) members of Ethel Todd Reynolds, violin Ralph Farris, viola Dorothy Lawson, cello Sequenza VIIb (1969/93)……………………………………………….Luciano Berio (b. -
ENCORE Is Sponsored By: Altria 2003 ~Ext Wave Eesfulaj'
September / October 2003 BAM 2003 Next Wave Festival Roy Kortick, ear arch with fountain, 2003 BAM 2003 Next Wave Festival ENCORE is sponsored by: Altria 2003 ~ext Wave EesfulaJ'---_ Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents The New Yorkers Michael Gordon, David Lang, Julia Wolfe Approximate BAM Howard Gilman Opera House running time: Oct 22, 24 & 25, 2003 at 7:30pm 2 hours with one intermission Staged by Barry Edelstein Lighti ng design by Jane Cox Projection design by Jan Hartley Associate projection design by Michael Clark Sound design by Andrew Cotton Video by Doug Aitken Pictu re stories by Ben Katchor Fi Ims by Bill Morrison Visuals by Laurie Olinder Text by Lou Reed Video by William Wegman Performers Bang on a Can All-Stars Ethel Michael Gordon Band Thea Bleckmann Production stage manager Lisa Porter Sound engineers Andrew Cotton, Jody Elff Produced by Kenny Savelson, Bang on a Can BAM 2003 Next Wave Festival is sponsored by Altria Group, Inc. The opening night reception is supported by The Brooklyn Brewery. The evening's events: David Lang Cheating, Lying, Stealing performed by Bang on a Can All-Stars video by Jan Hartley Michael Gordon City Walk with film City Walk by Bill Morrison performed by Bang on a Can All-Stars "The Current Occupant" by Ben Katchor Julia Wolfe Early that summer performed by Ethel David Lang Heroin with video by Doug Aitken original words and music by Lou Reed -
Tech & Techno Linernotes FINAL
ORCHESTRA UNDERGROUND: Tech & Techno Edmund Campion: Practice We hope these genre-bending artistic explorations will have you rethinking what an Practice is scored for piccolo, oboe, clarinet (doubling orchestra can be (and can do) in our evolving bass clarinet), contrabassoon, french horn, trumpet, streaming/downloadable sound-world. trombone, tuba, timpani, percussion, harp, strings, synthesizer and electronics. Justin Messina’s Abandon is an orchestral quest for the semiotics of the term, played to Practice opens with cinematic flare; the reconfigured a soundtrack of early 1990s Detroit techno. chamber orchestra competes in a noise-filled scene. Mason Bates uses computer and drum pad with Fleeting and ungainly musical surfaces drown in a sea of the orchestra in Omnivorous Furniture, a piece rehearsing musicians. Old forms of expression wash by heavily influenced by down-tempo electronic as the music erupts into new configurations. The metal music with roots in the British hip-hop of the industrial revolution gives way to the hyper- movement. Neil Rolnick, one of the pioneers metallic noisy bazaar of this contemporary moment. Welcome to Tech & Techno, the fifth installment of electronic music, pairs up with the intrepid The orchestra plays on, and like a terrible alarm, the in American Composers Orchestra’s series violinist Todd Reynolds, creating a new virtual orchestral triangles never fall silent. of Orchestra Underground digital releases instrument for their iFiddle Concerto. Tender that reinvent the orchestra with exciting new Hooks, by Anna Clyne, merges electronics new Secretly bound by technological models, scientific compositions, eclectic influences, unusual and old in a multidisciplinary piece that grew analysis and resynthesis of traditional orchestral instruments, cutting-edge experiments, and out of Playing It UNsafe, ACO’s laboratory triangles, the musicians in Practice are not autonomous.