R.Luke Dubois
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Johan Östman CV 2020.Pdf
Johan Östman — CV — 2020 Current: • Norbergfestival, Anrikningsverket; Stockholm, 2011-present —Artistic director since 2018, program director of Norbergfestival contemporary music festival since 2012 • Up Node; Nordic festival network, Copenhagen, 2017-present —Co-founder, co-director Prior: • Ableton Loop; summit for music makers, Ableton AG, Berlin, 2017-2020 —Creative producer; event strategy, curation and production • Surefire Agency; music booking agency, Berlin, 2015-2016 —Account assistant, booking assistant • Voltfestivalen; electronic music festival, Uppsala Concert & Congress, Uppsala, 2010-2015 —Co-curator, creative producer • Samlingen; club & DJ collective, Stockholm & Uppsala, 2008-2014 —Founder, curator Freelance + curatorial: • Night clubs & festivals in Sweden and Europe; 2008-present —DJ • Up Node nights; MeetFactory, Prague, 2019 —Co-curator, showcase nights for Nordic contemporary music • Sound of Stockholm 2019; contemporary music festival, Stockholm —Co-producer • Norbergfestival x Proton; Mayhem, Copenhagen, 2019 —Guest curator, festival showcase night • CTM Festival 2019; contemporary music festival, Berlin —Co-curator, showcase for Nordic contemporary music, by Up Node • Intonal x Norbergfestival x Up Node; Inkonst, Malmö, 2018 —Curator, showcase festival for Nordic contemporary music • Resonans; Moderna Museet & ArkDes, Stockholm, 2018 —Event series for contemporary music & performing arts, curated by Anrikningsverket • Under Bron & Trädgården nightclubs; Stockholm, 2013-2017 —Guest curator, resident DJ • Sound -
FOR IMMEDIATE RELEASE June 23, 2016 CONTACT: Ren Mitchell 832-314-9994 [email protected]
FOR IMMEDIATE RELEASE June 23, 2016 CONTACT: Ren Mitchell 832-314-9994 [email protected] Karen Stokes Dance presents DEEP: Seaspace at Zilkha Hall, Hobby Center for Performing Arts HOUSTON, TX: Karen Stokes Dance presents “DEEP: Seaspace” October 20-22, 2016 at 8:00pm at the Hobby Center for Performing Arts, Zilkha Hall. “DEEP: Seaspace” is the culminating performance of a multi-year initiative inspired by the history and landmarks of the City of Houston. With an original score by composer Bill Ryan played live by nationally recognized musicians, the evening length live performance will explore Houston for two if its defining industries: sea and space. “DEEP: Seaspace” fuses history, landscape, dance, and music through the lens of two iconic Houston enterprises: The Houston Ship Channel and NASA. While Sea speaks to the pioneering spirit of the founding of Houston along the banks of Buffalo Bayou and the formation of the Houston Ship Channel, Space is inspired by Houston’s stronghold in space exploration and human achievement. Celebrating Houston's unique heritage and Texas’ pioneering spirit, “DEEP: Seaspace” investigates the core of human progress, the fundamental spirit of Houston, and the desire to understand the unknown to forge a better tomorrow. In “DEEP: Seaspace,” Stokes explores “launching” and “landing” through a unique blend of quirky and innovative choreographic styles that has become the trademark of her 20 years of work in contemporary dance. Stokes has received regional and national acclaim for her choreography including being name “Best Choreographer in Houston” in both 2014 and 2015 by the Houston Press. Nancy Wozny, of Texas Arts & Culture, wrote: “In Houston, it’s Karen Stokes who comes to mind as an artist tightly tied to Texas. -
Curriculum Vitae
R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Chris Mann, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season. Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include: the Insitut Valencià d’Art Modern, Spain; Haus der elektronischen Künste, Switzerland; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art; Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; PROSPECT.2 New Orleans; and the Aspen Institute. DuBois' work and writing has appeared in print and online in the New York Times, National Geographic, and Esquire Magazine, and he was an invited speaker at the 2016 TED Conference. -
International Computer Music Conference (ICMC/SMC)
Conference Program 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Music Technology Meets Philosophy: From digital echos to virtual ethos ICMC | SMC |2014 14-20 September 2014, Athens, Greece ICMC|SMC|2014 14-20 September 2014, Athens, Greece Programme of the ICMC | SMC | 2014 Conference 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Editor: Kostas Moschos PuBlished By: x The National anD KapoDistrian University of Athens Music Department anD Department of Informatics & Telecommunications Panepistimioupolis, Ilissia, GR-15784, Athens, Greece x The Institute for Research on Music & Acoustics http://www.iema.gr/ ADrianou 105, GR-10558, Athens, Greece IEMA ISBN: 978-960-7313-25-6 UOA ISBN: 978-960-466-133-6 Ξ^ĞƉƚĞŵďĞƌϮϬϭϰʹ All copyrights reserved 2 ICMC|SMC|2014 14-20 September 2014, Athens, Greece Contents Contents ..................................................................................................................................................... 3 Sponsors ..................................................................................................................................................... 4 Preface ....................................................................................................................................................... 5 Summer School ....................................................................................................................................... -
News Release
news release FOR IMMEDIATE RELEASE PRESS CONTACT: Maggie Stapleton, Jensen Artists September 25, 2019 646.536.7864 x2; [email protected] American Composers Orchestra Announces 2019-2020 Season Derek Bermel, Artistic Director & George Manahan, Music Director Two Concerts presented by Carnegie Hall New England Echoes on November 13, 2019 & The Natural Order on April 2, 2020 at Zankel Hall Premieres by Mark Adamo, John Luther Adams, Matthew Aucoin, Hilary Purrington, & Nina C. Young Featuring soloists Jamie Barton, mezzo-soprano; JIJI, guitar; David Tinervia, baritone & Jeffrey Zeigler, cello The 29th Annual Underwood New Music Readings March 12 & 13, 2020 at Aaron Davis Hall at The City College of New York ACO’s annual roundup of the country’s brightest young and emerging composers EarShot Readings January 28 & 29, 2020 with Buffalo Philharmonic Orchestra May 5 & 6, 2020 with Houston Symphony Third Annual Commission Club with composer Mark Adamo to support the creation of Last Year ACO Gala 2020 honoring Anthony Roth Constanzo, Jesse Rosen, & Yolanda Wyns March 4, 2020 at Bryant Park Grill www.americancomposers.org New York, NY – American Composers Orchestra (ACO) announces its full 2019-2020 season of performances and engagements, under the leadership of Artistic Director Derek Bermel, Music Director George Manahan, and President Edward Yim. ACO continues its commitment to the creation, performance, preservation, and promotion of music by 1 American Composers Orchestra – 2019-2020 Season Overview American composers with programming that sparks curiosity and reflects geographic, stylistic, racial and gender diversity. ACO’s concerts at Carnegie Hall on November 13, 2019 and April 2, 2020 include major premieres by 2015 Rome Prize winner Mark Adamo, 2014 Pulitzer Prize winner John Luther Adams, 2018 MacArthur Fellow Matthew Aucoin, 2017 ACO Underwood Commission winner Hilary Purrington, and 2013 ACO Underwood Audience Choice Award winner Nina C. -
Contemporary Music Ensemble
Suffolk County Community College • Music Department • Ammerman Campus Presents Contemporary Music Ensemble Spring Concert May 11, 2002 7:30 PM Islip Arts Building, Shea Theatre Contemporary Music Ensemble William Ryan, Director ________________________________________________ Electric Counterpoint (1987) Steve Reich (b. 1936) Gerry Rulon-Maxwell, electric guitar Pat Metheny, recorded electric guitars Original Blend (2002) William Ryan (b. 1968) World Premiere Todd Reynolds, violin Michael Lowenstern, bass clarinet Frank Monastero, piano Justin Cunningham, percussion Monkey Forest (2002) Evan Ziporyn (b. 1959) Commissioned by the SCCC Contemporary Music Ensemble Lauren Kasper, flute Brett Colangelo, percussion Anne McInerney, flute Michael Clark, electric guitar Antoinette Blaikie, english horn Keith DeMaio, piano Jennifer Decaneo, clarinet Lisa Casal, violin Lauren Kohler, clarinet Miyo Davis, violin Marissa Sampson, baritone saxophone Malachy Gately, violin Duane Haynes, trumpet Laura Khalil, violin Michael Sarling, trumpet Jamie Carrillo, viola Hector Minaya, trombone Gerry Rulon-Maxwell, electric bass Justin Cunningham, percussion Robert Tavolaro, electric bass featuring special guests Michael Lowenstern, clarinet Todd Reynolds, violin _________________________________________________________________ Special thanks to Chris Kerensky for providing the english horn for Monkey Forest. Guest Performer Biographies Considered the pre-eminent bass clarinetist of his generation, Michael Lowenstern has performed to critical and popular acclaim throughout the Americas and Europe. He has performed, recorded and toured the U.S. and abroad with ensembles of every variety including The Klezmatics, The Steve Reich Ensemble, The Orpheus Chamber Orchestra, and the Chamber Music Society of Lincoln Center, with whom he will be touring throughout the summer and fall of 2001. In September 2000, Lowenstern accepted an appointment with the New Jersey Symphony. -
Guy Klucevsek with Todd Reynolds
Solos and Duos Series Glenn Siegel, Program Director 15 Curry Hicks, 100 Hicks Way (413) 545-2876 University of Massachusetts [email protected] Amherst, MA 01003 www.fineartscenter.com THE 2013 SOLOS & DUOS SERIES PRESENTS: Guy Klucevsek with Todd Reynolds The Solos & Duos Series, produced by the Fine Arts Center at the University of Massachusetts, Amherst, concludes its 12th season with a concert by Guy Klucevsek and Todd Reynolds , Thursday, November 21, 8:00pm, Bezanson Recital Hall . Klucevsek will perform a solo set then be joined by Reynolds. Guy Klucevsek is one of the world’s most versatile and highly-respected accordionists. He has performed and/or recorded with Laurie Anderson, Bang On a Can, Brave Combo, Anthony Braxton, Anthony Coleman, Dave Douglas, Bill Frisell, Rahim al Haj, Robin Holcomb, the Kronos Quartet, Natalie Merchant, Relâche, Zeitgeist, and John Zorn. He is the recipient of a 2010 United States Artists Collins Fellowship, an unrestricted $50,000 award given annually to "America's finest artists." His 1987 project, Polka From the Fringe , a collection of commissioned polkas by Fred Frith, Elliott Sharp, Bobby Previte, Carl Finch and others, toured the world and was released on two cds on the eva label, and were named “best recordings 1992” on WNYC-FM’s “New Sounds” program. In 1996, he founded Accordion Tribe, an international ensemble of composer/accordionists Otto Lechner (Austria), Maria Kalanemi (Finland), Lars Hollmer (Sweden), Bratko Bibic (Slovenia) and himself. They toured internationally from 1996-2009, are the subjects of Stefan Schwietert’s award-winning documentary film, Accordion Tribe: Music Travels, and released on three cds (Intuition) . -
R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY
R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a multidisciplinary artist, whose practice spans visual art, computer programming, musical composition and performance, and record producing. Throughout, he explores the temporal, verbal, and visual structures of cultural ephemera. Recently the subject of the solo exhibition Now, DuBois's work has been exhibited at the Orange County Museum of Art, Newport Beach, CA; San Jose Museum of Art, San Jose, CA; the Aspen Institute, Aspen, CO; Boulder Museum of Contemporary Art, Boulder, CO; National Portrait Gallery, Washington, D.C.; Smithsonian American Art Museum, Washington, D.C.; John and Mable Ringling Museum of Art, Sarasota, FL; Ulrich Museum of Art, Wichita, KS; Bowdoin College Museum of Art, Brunswick, ME; Weisman Art Museum, Minneapolis, MN; Cleveland Museum of Contemporary Art, Cleveland, OH; National Constitution Center, Philadelphia, PA; the Sundance Film Festival, Park City, UT; The Lowry, Manchester, England; The Whitworth Art Gallery, Manchester, England; transmediale, Berlin, Germany; Institut Valencià d'Art Modern, Valencia, Spain; Daelim Museum, Seoul, South Korea; and Haus der elektronischen Künste (HeK), Basel, Switzerland, among other venues. His series Hindsight is Always 20/20 was featured at the 2008 Democratic National Convention in Denver, CO. In February 2016, he participated in TED, presenting a talk on his “Insightful human portraits made from data.” DuBois is the co-author of Jitter, a software suite for the real-time manipulation of matrix data developed by San Francisco- based software company Cycling'74. He appears on nearly twenty-five albums both individually and as part of the avant-garde electronic group The Freight Elevator Quartet. -
New York City Electroacoustic Music Festival – April 2–6, 2013 –
NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL – APRIL 2–6, 2013 – nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 FESTIVAL SCHEDULE 6 COMMITTEE & STAFF 8 PROGRAMS & NOTES 9 INSTALLATIONS 43 COMPOSERS & PERFORMERS 45 SUPPORT 72 ACKNOWLEDGEMENTS – Special thanks to the Doctoral Student Council of Graduate Center CUNY for their support. Additional thanks to: 4 DIRECTOR’s WELCOME Welcome to NYCEMF 2013! On behalf of the Steering Committee, it is my great pleasure to welcome you to the New York City Electroacoustic Music Festival this year. We have planned an exciting program of 21 concerts in many different locations throughout New York City, and we hope that you will enjoy all of them. I would like first to acknowledge the assistance and support of the many people who have helped make this event possible: – Dr. David Olan, Executive Director of the Ph.D./D.M.A. programs in Music at the City University Graduate Center, and Kelli Kathman, manager of the concert office, for their assistance in organizing our use of Elebash and Segal Halls. – Brian Fennelly, Louis Karchin, and Elizabeth Hoffman of New York University, for the inclusion of our first concert as part of their Washington Square Contemporary Music series. – Fractured Atlas/RocketHub for their support in our fund-raising program, and all the donors who contributed to our campaign. – The Doctoral Students’ Council of the Graduate Center, for their support in contributing to the printing of the program book. – The Steering Committee, who met for many hours in planning the events and who single-handedly selected all the music for the festival. -
R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY
R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Chris Mann, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season. Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include: the Insitut Valencià d’Art Modern, Spain; Haus der elektronischen Künste, Switzerland; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art; Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; PROSPECT.2 New Orleans; and the Aspen Institute. DuBois' work and writing has appeared in print and online in the New York Times, National Geographic, and Esquire Magazine, and he was an invited speaker at the 2016 TED Conference. -
2013 DL Art Science Conference Program.Pdf
Across Boundaries, Across Abilities Deep Listening Institute, Ltd. 77 Cornell St, Suite 303 PO Box 1956 Kingston, NY 12401 www.deeplistening.org [email protected] facebook.com/deep.listener Twitter @DeepListening What is Deep Listening? There’s more to listening than meets the ear. Pauline Oliveros describes Deep Listening as “listening in every possible way to everything possible to hear no matter what one is doing.” Basically Deep Listening, as developed by Oliveros, explores the difference between the involuntary nature of hearing and the voluntary, selective nature – exclusive and inclusive -- of listening. The practice includes bodywork, sonic meditations, interactive performance, listening to the sounds of daily life, nature, one’s own thoughts, imagination and dreams, and listening to listening itself. It cultivates a heightened awareness of the sonic environment, both external and internal, and promotes experimentation, improvisation, collaboration, playfulness and other creative skills vital to personal and community growth. ; 2 Experimental Media and Performing Arts Center (EMPAC) Troy, New York My hope is to inspire scientific inquiry and research on listening as well as to bring the world community together to share ideas and practice Deep Listening. --Pauline Oliveros, Founder of Deep Listening Institute Dear Conference Attendees, I am extremely pleased to welcome you to Deep Listening: Art/Science, the First International Conference on Deep Listening! This three-day event will feature an amazing array of lectures, workshops, posters and experience-focused presentations on a number of topics related to the art and science of listening. This includes many distinguished and long-time members of the Deep Listening community as well as a host of scholars and creators who approach listening from unique perspectives. -
Brochure Design: Kevin Leomo Sound Thought Signal Logo: Alessio Wagner SOUND THOUGHT
FESTIVAL OF MUSIC AND SOUND RESEARCH, COMPOSITION, AND PERFORMANCE CCA, GLASGOW NOV 15-18, 2018 S O U N D T H O U G H T 2 0 1 8 Installations (Thursday-Sunday) Leslie Deere Flotsam Kleepool James Davoll Bound CCA3 CCA2 ___flow___ Andante Novella Desmond Clarke CCA3 Amanda Sutton CLUBROOM THURSDAY, NOVEMBER 15 FRIDAY, NOVEMBER 16 Session 1 Cinema, 1-2pm Session 3 Cinema, 1-2pm Linfeng Wang THE SOUL No Person Should Starve in a Good, AUDIOVISUAL WORK Pete Falconer Compssionate Country ACOUSMATIC WORK Rushaniya Navigator ACOUSMATIC WORK Paulina Łuciuk Zahrozlyva vesnianka Nizamutdinova ACOUSMATIC WORK in excess New Year’s Eve Robert McClure ACOUSMATIC WORK Sarah Dew ACOUSMATIC WORK Crazytown Naufrage David Jason Snow AUDIOVISUAL WORK Cara Haxo AUDIOVISUAL WORK Le porte del tempo What Momentum? Domina Acusmatica ACOUSMATIC WORK Mark Flynn ACOUSMATIC WORK Session 2 Cinema, 3-4pm Session 4 Cinema, 3-4pm Elizabeth Horseman Emotional Bangage Tushar Das A day in the life AUDIOVISUAL WORK ACOUSMATIC WORK Encapsulation The Message Christopher Whiter ACOUSMATIC WORK Julius Bucsis ACOUSMATIC WORK ATMAN Galatea Leo Cicala ACOUSMATIC WORK Mansoor Hosseini AUDIOVISUAL WORK David Sonic Subscape Project No. 1 Prescott-Steed AUDIOVISUAL WORK Mengmeng Wang ACOUSMATIC WORK NOMADE Julian Scordato Constellations Marie Rose ACOUSMATIC WORK AUDIOVISUAL WORK Concert I CCA3, 8.30-10pm Arran Tenzin Noise Machine Bradstock IMPROVISED PERFORMANCE Modern Conjuring for Amateurs Leslie Deere AUDIOVISUAL PERFORMANCE / GESTURE SOUND Hiding, Reticent, Blowy and Nice Nate