Downloadable Outreach Materials and Registration Forms
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mla Style Guide for Bibliographical Citations
American School of Valencia Library MLA STYLE GUIDE FOR BIBLIOGRAPHICAL CITATIONS Used primarily for: Liberal Arts and Humanities. Some general things to know: MLA calls the list of bibliographical citations at the end of a paper the “Works Cited” page, and not a bibliography. Also, like APA, MLA style does not use bibliographical footnotes, favoring instead in-text citations. Footnotes and endnotes are only used for the purposes of authorial commentary. For full entries, titles of books are italicized*, and in-text citations tend to be as brief as possible. See some common examples below. If you don’t see an example that fits the kind of source you have, consult an MLA style guide in the Library, or ask the Librarian. Every line after the first is indented in the full citation. And remember, pay close attention to the examples. Punctuation is very important. * (This reflects a change made in 2009. All information provided in this document is based on the 7th edition of the MLA Handbook for Writers of Research Papers, available in the Library) For all examples below, the information following “Works Cited:” is what goes into your Works Cited page. The information following “In-Text:” is what goes at the end of your sentence that includes a citation. A BOOK: Author’s last name, First name. Title of the book. City: Publisher, year. Medium (Print). (Example) Works Cited: Smith, John G. When citation is almost too much fun. Trenton: Nice People Publications, 2007. Print. In-Text: (Smith 13) or (13) *if it’s obvious in the sentence’s context that you’re talking about Smith+ or (Smith, Citation 9-13) [to differentiate from another book written by the same Smith in your Works Cited] [If a book has more than one author, invert the names of the first author, but keep the remaining author names as they are. -
Allison Goes Head-To-Head Against Another Psychic in a Murder Trial, on “Medium,” Monday, October 22
ALLISON GOES HEAD-TO-HEAD AGAINST ANOTHER PSYCHIC IN A MURDER TRIAL, ON “MEDIUM,” MONDAY, OCTOBER 22 “Dead Aim“ #022–A dream of a gunman in the DA’s office causes Allison to fear for the safety of her colleagues. Meanwhile, tension runs high in the office as she helps Devalos with a high-profile case immediately prior to the mayoral election, On MEDIUM, Monday, October 22, 2005 (10:00-11:00 PM, ET/PT) on NBC. Richard Pearce directed the episode written by Melinda Hsu. When Joe takes Bridgette to work, she becomes convinced that his company is making a bomb. When her vision proves to be true, Joe is faced with the dilemma of whether or not he should quit his job. Meanwhile, when Allison discovers that the psychic hired by the defense is a phony, she must figure out how the defense is gaining private information about the prosecution’s witnesses. CAST GUEST STARRING Allison Dubois .................. PATRICIA ARQUETTE Larry Watt ..........................CONOR O’FARRELL Joe Dubois ..................................... JAKE WEBER Lynn Dinovi/Mayor’s Liason......TINA DIJOSEPH DA Devalos .........................MIGUEL SANDOVAL Devalos Assistant ..................... KENDAHL KING Ariel Dubois...........................SOFIA VASSILIEVA Amanda Staley....................... JEANETTE BROX Bridgette Dubois...............................MARIA LARK Andrew Stam ....................... HARRY GROENER Lee Scanlon ................................. DAVID CUBITT Chand Sooran.............................HARI DHILLON Randy Pilgrim...................HAYES MACARTHUR -
Nature Information Re
Press Contacts: Chelsey Saatkamp, WNET: [email protected], 212.560.4905 Gab Toriello, Grand Communications for WNET: [email protected], 917-312-2832 Press Materials: pbs.org/pressroom or thirteen.org/pressroom Nature’s Favorite Spy Cam Creatures Return, Delving Deeper into the Animal Kingdom to Capture Rarely Seen Behavior in Season 38 Finale Spy in the Wild 2 Travel the globe with more than 50 animatronic spy creatures in a new four-part miniseries, premiering Wednesdays, April 29 – May 20 at 8 p.m. on PBS Nature’s spies are back undercover. Their mission? To go deeper into the animal world than ever thought possible. From the hot and humid tropics to the freezing poles, the sequel to 2017’s popular Nature: Spy in the Wild miniseries places even more spy creatures in the middle of some of nature’s greatest events. Season 38 finale, Nature: Spy in the Wild 2, premieres nationwide Wednesdays, April 29 – May 20 at 8 p.m. on PBS (check local listings), pbs.org/spyinthewild and the PBS Video app. John Downer Productions created more than 50 realistic animatronic spy creatures for the new miniseries, including a gorilla, Komodo dragon, hummingbird, King penguin, Pygmy elephant, koala, quokka, seal and polar bear. Each spy creature looks like the animals they film and behaves like them too. Accepted by animal families, these robotic lookalikes can not only film from an intimate perspective but also interact with the animals, gaining revelatory insights into their worlds as they feed, breed and fight. The spy cams even go beyond the animal kingdom, using innovative camera technology that allows a spy turtle to lay robot eggs, a spy squirrel to gather robot nuts, monkeys to play with a spy snowball and more. -
201201-Kakm-Early Morning
schedule available online: January 2012: Early Morning alaskapublic.org Midnight 12:301:00 1:30 2:00 2:303:00 3:30 4:00 4:30 Coldplay Frontline: Independent Lens: Washington Need To Sun 1/1 Live! Beale Street on New Year's Eve (start 11pm) The Undertaking These Amazing Shadows Week Know Masterpiece Classic: Great Performances: From Vienna: Live From Lincoln Center: Mon 1/2 Downton Abbey - Part 4 The New Year's Celebration 2012 Bernstein and Gershwin Martin Luther: Antiques Roadshow: Masterpiece Classic: Great Performances: Tue 1/3 Sky Island Driven to Defiance Tulsa, OK - Hour 1 Downton Abbey - Part 4 Hugh Laurie: Let Them Talk Frontline: Egypt's Golden Empire: Egypt's Golden Empire: Martin Luther: Antiques Roadshow: Wed 1/4 Opium Brides The Warrior Pharaohs Pharaohs Of The Sun Driven to Defiance Tulsa, OK - Hour 1 Nature: NOVA: NOVA: Egypt's Golden Empire: Egypt's Golden Empire: Thu 1/5 Birds of the Gods Deadliest Volcanoes Deadliest Earthquakes The Warrior Pharaohs Pharaohs Of The Sun Independent Lens: Frontline: NOVA: Nature: Fri 1/6 This Old House Hour Taking Root Opium Brides Deadliest Volcanoes Birds of the Gods Washington Need To Great Performances: Tavis Smiley Reports: Antiques Roadshow: Sat 1/7 This Old House Hour Week Know Celebrate Gershwin Dudamel Tulsa, OK - Hour 1 NOVA: Frontline: Independent Lens: Great Performances: Washington Need To Sun 1/8 Deadliest Volcanoes Opium Brides Taking Root Celebrate Gershwin Week Know Masterpiece Classic: Tavis Smiley Reports: Great Performances: Antiques Roadshow: Nature: Mon 1/9 Downton -
Heretics Proposal.Pdf
A New Feature Film Directed by Joan Braderman Produced by Crescent Diamond OVERVIEW ry in the first person because, in 1975, when we started meeting, I was one of 21 women who THE HERETICS is a feature-length experimental founded it. We did worldwide outreach through documentary film about the Women’s Art Move- the developing channels of the Women’s Move- ment of the 70’s in the USA, specifically, at the ment, commissioning new art and writing by center of the art world at that time, New York women from Chile to Australia. City. We began production in August of 2006 and expect to finish shooting by the end of June One of the three youngest women in the earliest 2007. The finish date is projected for June incarnation of the HERESIES collective, I remem- 2008. ber the tremendous admiration I had for these accomplished women who gathered every week The Women’s Movement is one of the largest in each others’ lofts and apartments. While the political movement in US history. Why then, founding collective oversaw the journal’s mis- are there still so few strong independent films sion and sustained it financially, a series of rela- about the many specific ways it worked? Why tively autonomous collectives of women created are there so few movies of what the world felt every aspect of each individual themed issue. As like to feminists when the Movement was going a result, hundreds of women were part of the strong? In order to represent both that history HERESIES project. We all learned how to do lay- and that charged emotional experience, we out, paste-ups and mechanicals, assembling the are making a film that will focus on one group magazines on the floors and walls of members’ in one segment of the larger living spaces. -
(Nhris) and Regional Human Rights Institutions
HUMAN RIGHTS INSTITUTIONS AS MEDIUM: NATIONAL HUMAN RIGHTS INSTITUTIONS (NHRIS) AND REGIONAL HUMAN RIGHTS INSTITUTIONS (RHRIS) IN ASIAN HUMAN RIGHTS CONTEXT A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of the Science of Law by Buhm Suk Baek August 2011 © 2011 Buhm Suk Baek HUMAN RIGHTS INSTITUTIONS AS MEDIUM: NATIONAL HUMAN RIGHTS INSTITUTIONS (NHRIS) AND REGIONAL HUMAN RIGHTS INSTITUTIONS (RHRIS) IN ASIAN HUMAN RIGHTS CONTEXT Buhm Suk Baek, J.S.D. Cornell University 2011 The purpose of my dissertation is to examine whether and how national human rights institutions (NHRIs) can be a driving force for the establishment of regional human rights institutions (RHRIs) in the Asia-Pacific region, which remains the only region without such institutions in contrast to Europe, the Americas, and Africa. I first explore the issue of whether RHRIs are desirable in this region, and argue that such a system is desirable. Then I examine the reasons why RHRIs have not emerged in this region. I located these reasons in part by examining the reception of human rights in Asia and issues like the emergence of international human rights law from the Western cultural heritage, and the problematic question of what the Asian way of human rights means. The analysis of the obstacles that have hampered the creation of RHRIs leads me to focus on NHRIs. By reviewing the role that NHRIs can play in addressing the concerns and inhibitions of Asian states, while furthering the aims of international human rights law, I maintain that the way in which NHRIs collaborate demonstrates that they can be eminent actors toward the establishment of RHRIs. -
Chain Reaction
Chain Reaction GRADE LEVEL : 9-11 TIME ALLOTMENT: Three 45-minute periods OVERVIEW: This inquiry-based lesson plan will challenge students to design and conduct scientifically valid experiments to evaluate hypotheses regarding an animal’s expected behavior in response to changes in its environment. Students will first view and analyze video segments from the NATURE film “Earth Navigators” as they begin to think about animal behavior as a response to stimulus in the environment. The video clips feature many different animal species reacting to changes in the environment by migrating from one part of the earth to another. Students will predict the reasons for these migrations and will determine the stimuli that actually trigger the animals to migrate. Following the video exploration, students will conduct reading and research to learn about isopods (commonly known as pill bugs or roly polies). The students will use the information they gather to formulate research questions having to do with the isopods’ expected response to environmental stimulus. The students will design experiments that can be conducted in the classroom to test their hypotheses. They will conduct the student-designed experiments, collecting data and reporting their findings and conclusions. They will also make suggestions for future improvements in the experimental protocol. SUBJECT MATTER: Living Environment/Biology LEARNING OBJECTIVES : Students will be able to: • Draw connections between the migratory behavior of different animals and seasonal changes on Earth; • Describe migration as an instance of behavioral response to stimulus; • Using anatomical and environmental information, create a research question about an isopod’s behavior in response to environmental stimulus; • Create a hypothesis that addresses the research question; • Design and conduct an experiment to evaluate the hypothesis; • Collect data from the experiment, describe results, and evaluate conclusions. -
Gagosian Gallery
WSJ. Magazine April 25, 2013 GAGOSIAN GALLERY Now, Voyager Born and raised in Rhode Island, with studios in New York and Rotterdam, the artist Ellen Gallagher—now celebrated with simultaneous exhibitions on either side of the Atlantic—draws upon fact, fantasy and traces of her own meandering life. By Julie L. Belcove Photography by James Mollison BLUE HEAVEN | Gallagher in her studio in Rotterdam, the Netherlands, with an untitled work in progress. The painting will be part of an exhibition of the artist's work at the New Museum in New York, opening in June. IT WOULD BE EASY to connect the dots of Ellen Gallagher's biography and come up with two different but equally inspiring story lines. In one account, Gallagher, the biracial daughter of an Irish-American mother and an African-American father, grows up to make art about the subtle but profound ways racial stereotypes pervade our culture. Another version has Gallagher, born and raised in Providence, Rhode Island, a maritime city where whaling once thrived, shipping out aboard an Alaskan commercial fishing boat and later spending a college term living on a schooner, studying tiny water snails. Dividing her time between studios in New York and Rotterdam, another port city, she makes art that frequently takes the ocean and its centuries-old link to human migration, as a prime subject. Both plots lead to great critical acclaim, representation by the powerhouse Gagosian Gallery and exhibitions at some of the world's foremost museums, including the Whitney Museum of American Art and the Museum of Modern Art. -
Media Release
MEDIA RELEASE The Studio Museum in Harlem 144 West 125th Street New York, NY 10027 studiomuseum.org/press Preview: Wednesday, November 13, 2013, 6 to 7pm Contact: Liz Gwinn, Communications Manager [email protected] 646.214.2142 This Fall, the Studio Museum presents The Shadows Took Shape, an exhibition with more than 60 works by 29 artists examining Afrofuturism from a global perspective Left: Cyrus Kabiru, Nairobian Baboon (from C-Stunners series), 2012. Courtesy the artist. Photo: Amunga Eshuchi. Right: The Otolith Group, Hydra Decapita (film still), 2010. Courtesy the artists New York, NY, July 9, 2013—This fall, The Studio Museum in Harlem is thrilled to present The Shadows Took Shape, a dynamic interdisciplinary exhibition exploring contemporary art through the lens of Afrofuturist aesthetics. Coined in 1994 by writer Mark Dery in his essay “Black to the Future,” the term “Afrofuturism” refers to a creative and intellectual genre that emerged as a strategy to explore science fiction, fantasy, magical realism and pan-Africanism. With roots in the avant-garde musical stylings of sonic innovator Sun Ra (born Herman Poole Blount, 1914–1993), Afrofuturism has been used by artists, writers and theorists as a way to prophesize the future, redefine the present and reconceptualize the past. The Shadows Took Shape will be one of the few major museum exhibitions to explore the ways in which this form of creative expression has been adopted internationally and highlight the range of work made over the past twenty-five years. On view at The Studio Museum in Harlem from November 14, 2013 to March 9, 2014, the exhibition draws its title from an obscure Sun Ra poem and a posthumously released series of recordings. -
Direct Democracy, 2013, Curated By
DIRECT DEMOCRACY 1 2 DIRECT DEMOCRACY DIRECT DEMOCRACY Laylah Ali Hany Armanious Natalie Bookchin A Centre for Everything DAMP Destiny Deacon Alicia Frankovich Will French Gail Hastings Alex Martinis Roe Andrew McQualter John Miller Alex Monteith Raquel Ormella Mike Parr Simon Perry Carl Scrase Milica Tomić Kostis Velonis Jemima Wyman Curator: Geraldine Barlow Monash University Museum of Art | MUMA 26 April – 6 July 2013 7 Milica Tomic cover, back cover and pages 2-9 ‘One Day, Instead of One Night, a Burst of Machine-Gun Fire Will Flash, if Light Cannot Come Otherwise’ (Oskar Davico – fragment from a poem). Dedicated to the members of the Anarcho-Syndicalist Initiative – Belgrade, 3 September 2009 2009 8 9 10 11 12 13 John Miller pages 10-15 Tour scrums: Protesting black and blue 2007 14 15 16 17 18 19 Jemima Wyman page 16 Combat 02 2008 page 19 Combat 06 2008 page 20 Combat 08 2008 page 21 Combat drag 2008 20 21 22 23 24 25 Alicia Frankovich page 22 Slow dance 2011 page 23 Girl with a pomegranate 2012 pages 24-27 Bisons 2010 26 27 28 29 30 Kostis Velonis page 28 detail of hammers collected for Who might rebuild 2013 page 30 A sea of troubles (sail the red ship to the south) 2012 page 31 Untitled (life without tragedy) 2009 31 32 33 34 35 Hany Armanious pages 33, 35, 37 Mystery of the plinth 2010 36 37 38 39 40 A Centre for Everything (Will Foster & Gabrielle de Vietri) page 38 event documentation: Neighbourhood mapping, pesto and La révolution surréaliste 2013, top Show & tell, Ethiopian cuisine and verbal geography 2013, middle Bat talk, -
Boston Symphony Orchestra Concert Programs, Summer
SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. -
Mediating Internet Art Curatorial Modes in Tangible and Virtual Domains
MEDIATING INTERNET ART CURATORIAL MODES IN TANGIBLE AND VIRTUAL DOMAINS Jonathon Austin Lourenço Pereira Dissertação de Mestrado em Estudos Artísticos apresentada à Faculdade de Belas Artes da Universidade do Porto Orientadora: Profª. Doutora Catarina Carneiro de Sousa Porto, 2018 MEDIATING INTERNET ART CURATORIAL MODES IN TANGIBLE AND VIRTUAL DOMAINS by Jonathon Austin Lourenço Pereira A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art Studies at the Faculty of Fine Arts of the University of Porto Supervised by Catarina Carneiro de Sousa Porto, 2018 ABSTRACT This dissertation examines Internet Art and its mediation efforts. As a practice with now more than 20 years of existence, Internet Art is still greatly marginalized from art institutional settings for its inferior status in comparison with tangible auratic artworks. The curatorial field of knowledge has been hardly handling the discussion of how technology has been transforming modes of production and mediation of art. The central aim here is to understand how Internet Art has been and can be mediated in online and tangible settings. The Literature Review has surveyed a broad range of writings about New Media Art and Internet Art in combination with direct engagement with artworks. This had the purpose of gaining insight into what Internet Art consists in, its behaviors and construction. To explore how Internet Art has been exhibited, preserved, and distributed, the research followed a multiple case studies method. It delved into five cases of mediation efforts related to Internet Art in both online and tangible settings. These have been surveyed qualitatively based on direct observation and engagement and secondary sources, such as exhibition reviews, curator statements, and audience input.