EC57-1125 How to Make Slip Covers Magdalene Pfister

Total Page:16

File Type:pdf, Size:1020Kb

EC57-1125 How to Make Slip Covers Magdalene Pfister University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska- Extension Lincoln Extension 11-1957 EC57-1125 How to Make Slip Covers Magdalene Pfister Follow this and additional works at: http://digitalcommons.unl.edu/extensionhist Pfister, Magdalene, "EC57-1125 How to Make Slip Covers" (1957). Historical Materials from University of Nebraska-Lincoln Extension. 3388. http://digitalcommons.unl.edu/extensionhist/3388 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. s 85 E7 '"II~S' (!_ _j b Novem er 1957 E.C. 57-1125 EXTENSION SERVICE UNIVERSITY OF NEBRASKA COllEGE OF AGRICUlTURE AND U.S. DEPARTMENT OF AGRICUlTURE COOPERATING W. V. lAMBERT, DIRECTOR CONTENTS Page Basic steps . 2 Make cover in sections 3 BASIC STEPS Cut or tear blocks . 3 Slip cover making is not a com­ Cover cord ..... 3 Make and cut continuous plicated process, but does require bias .... 3 careful work organization, proce­ Sew cording . dure and construction methods. 4 These are the usual steps: Pin fit carefully . 4 Anchor~ pinning 4 1. Raise the chair on saw hor­ Perpen-dicular pinning . 4 ses or boxes for easier fitting. Complete one section at a time ..... 4 2. Measure length and widthof each part of the chair, allowing 1 Back section 5 inch for seams, 6 inches for tuck­ Fit inside back 5 in and 2 inches to turn under at bot­ For channel back chairs 6 tom of chair. (See E. C. 57-1124) Add boxing or wing 6 ~pply outside back 6 3. Make scaled blocks of each Front section . 7 part and layout to determine accur­ For chairs with separate t ately the amount of material needed cushion ..... 7 and as a cutting guide. For chairs with "Tt.r cushion ....... 7 . 4. Tear or cut rectangles from For chair without c'Ushi.an 8 ~ kb.ric for each part. Pin labels on For chair with open arfP..s 8 each for future identification. Arm section .• ~:~; . .. ·;... 8 ' l 5-. Cut continuous bias and Make front ,piece . • .. 8 cove~ allcordjngatone time. Fit inside arJU piece. • ; 8 Add outside.arm ...• !3 6. Anchor ~a piece right side Fit outside and inside arm' out as it is fitted on the chair so to front . ...•.. 9 that length;vis.&.and crosswise thr­ Make closure to join arm eads are stf'aight. sections to back section . 9 For chairs with open arms 9 7. Pin fit, placing pins perpen­ Cushion ...... 10 dicular t o chair on stitching line Fit the cord to the of cord or on folded edge such as cushion .... 10 dart. It may be preferable some­ Join cord ends . 10 times to chalk the shape and then Fit the boxing. 10 stitch cording on chalked llne. 1. To apply zipper 10 2. To apply snap tape . 11 8. Stitchandtrimseamsto 5/8 3. Join front and back inch. boxing ... 11 Complete cushion . 11 9. Complete the construction 11 of each piece before going on to Flounce ..... another section. Attach slipcover . 12 10. P lace the sections on the You have done a good j ob if 12 chair. 2 HOW turn under at bottom of chair. Pin name and dimensio:ts on each. Be TO MAKE SLIP COVERS sure the length measurements go lengthwise on the material. ·cover cord by MAGDALENE PFISTER Cording is used on all seams to Extension Specialist in Home add strength, insure a tight fit and Furnishings give a tailored effect. It usually looks best when made of the same fabric as the cover. Slip covers can give a new look Cut a continous bias and cover to furniture as well as offer protec­ all cord at one time. It will take tion from dust and wear. about 1 /2 yard of 48" material to cover the 15 yards of cord that an Most upholstered pieces can be average chair will require. A cord­ successfully slip covered. How­ ing or zipper foot i.s necessary for ever, a chair with much wood trim stitching. around the back or one in which the padding and springs are badly out of Make and Cut Continuous Bias place may better be re - upholstered. Start with any square or rec­ tangular piece of material -- cut Make cover in sections straight with lengthwise or cross­ You can make a slip cover with wise threads on all four sides . the smooth fit of upholstery. This can be most easily done by making Fold up corner C to get bias the cover in s e c t ions which are edge BE. (Fig. 1) tacked to chair. The s e c tiona l A B cover is easier to make and launder than a one-piece cover, but it takes c more time to put on and r em o v e from the chair. The sections you will have: Back - consisting of the inside ~---~-- _ __ _! back, outside back and 0 E FOLD FICJ .I wing or boxing, if any Cut through fold BE. J oin Arm - shaped front piece, in­ straight e dge s B C and A D. P ress s ide and outside a r m seam open. (Fig. 2) Front or apron BA B Cus hion Flounce i f desired. I Cut or tear blocks ---'I Cut or tear fabric blocks for c each part of the ch air, allowing 1 " FIG.2. for s e ams , 6" for tuck- ins and 2" 3 Turn fabric wrong side up. Lay With ruler and tailor's chalk, one edge of square on bias edge of draw lines connecting marks you fabric. Now mark entire piece the have just made. Now join the two width bias should be cut. straight edges. Begin by bringing B to join A. (Fig. 4) This allows To de t e r mine width the bias a width of the bias to extend on both should be cut, roll bias edge of fab­ sides of a cylinder piece. (Fig. 5) ric over cord with a 5 I 8" extension Stitch and press seam open. Cut of raw edge on each side of the cord­ bias -:>n lines drawn. ing. Now measure width you will need to cut bias. This will be a Sew Cording 1ittle more or less than 2 inches. (Fig. 3) Fold the bias strip, right side out over cord, and stitch cord in center of bias strip using cording foot on machine. Pin fit carefully To assure a smooth, perfectly fitted slip cover, the pieces cut and labeled should be fitted and pin­ ned directly on the chair with the right side of the fabric out. See FJC:. 3 that the fabric lies snugly against chair without wrinkles. A good slip cover does not slip. Check carefully to keep length­ wise thread grain perpendicular to the floor and crosswise grain par­ allel to floor. Part of the ease in fitting and making the slip cover depends on the method of pinning. These .meth­ are helpful: Anchor Pinning is done with "T" FIG·4 pins or corsage pins to hold the mat­ erial on grain as snugly as you wish the slip cover to fit when finished. Perpendicular Pinning is done with heavy pins wh!Ch are jabbed perpendicular or at right angles into upholstery on the stitching line of the cord, or on the folded edges of darts. This enables one to lift the fitted piece from the chair with pins remaining so that it can be basted or machine stitched. Complete one section FIG.S at a time 4 Com p 1 e t e the construction of one section before going on to an­ other. Seams are stitched securely close to cording and trimmed to 5/ 8". Bias extension or tuck- in tabs are attached after cording is stitched to _seam line. All edges oftuck-ins are turned up and stitch­ ed. Back stitching at the endof every row of machine stitching will help make the seams rip-proof. FIG.& Back section Remove cushion from chair. Mark center on both inside and out­ side back of chair with chalk. Fit Inside Back Fold the rectangle of fabric for inside back piece lengthwise to lo­ cate center and cut a notch at top and bottom to indicate center. FIG. 7 Place piece on chair, right side out with center marks matching and 1 11 allowed at top for seam . (Fig. 6) Smooth so lengthwise and cross­ wise threads are straight. Anchor pin securely. (Fig. 7) To fit around curve of arm rest the first finger of the left hand on arm against chair. Start clip­ ping near middle of arm curve. Use scissors with sharp point. Clip to first joint of left finger. Move 11 left finger down toward seat 1 • Always keep this finger on arm and against back· of chair when clipping to prevent cutting too close to the pins on the edge of the fold. Both chair body. Now at point where sides of the chair should be fitted clipping began, cut toward seat or alike. (Fig. 9A) 11 parallel to left finger 1 • Then cut perpendicular to finger joint 1" Apply cord to snipped curved again. This forms a 1 11 tab. (Fig. 8) edge. Bringcordtochairseat. Let Continue cutting as many tabs as cord rest against inside back Qf the necessary to make material lie flat. chair with the seam forward. Place pins straight down through the cord­ At top of chair ease fullness or ing and chair, pulling the tabs slight­ pin a dart on each corner.
Recommended publications
  • 1, 2, 3 Sew: Build Your Skills with 33 Simple Sewing Projects
    Text copyright © 2011 by Ellen Luckett Baker. Photographs copyright © 2011 by Laura Malek. Illustrations copyright © 2011 by Ellen Luckett Baker. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher. ISBN 978-1-4521-0481-2 The Library of Congress has previously cataloged this title under ISBN 978-0-8118-7649-0 Designed by Vivien Sung Typesetting by Melinda Macfadden Photo styling by Ellen Luckett Baker Chronicle Books LLC 680 Second Street San Francisco, CA 94107 www.chroniclebooks.com Contents Introduction Getting Started Choosing Fabric 15 Essential Tools CHAPTER 1: DINING AND DISHES Fruit Tea Towels Hooked on Napkins Set the Table Runner CHAPTER 2: PILLOWS Skyline Pillow Concentric Squares Pillow Circles Floor Pillow CHAPTER 3: ORGANIZERS Pencil Holder Storage Cube Craft Caddy CHAPTER 4: QUILTED KITCHEN Ticking Stripe Hot Pad Plaid Coasters Rippled Place Mats CHAPTER 5: TOTES Market Tote Doodle Bag Lunch Sack CHAPTER 6: POUCHES Grid Glasses Case Polka Dot Pouch Lawn Cosmetic Bag CHAPTER 7: HANDBAGS Pintuck Clutch Tiered Bag Pleated Satchel CHAPTER 8: ACCESSORIES Eyelet Headband Tea Towel Apron Yo-yo Scarf CHAPTER 9: REVERSIBLE FOR KIDS Play Your Way Cape Change Your Mind Skirt Mix It Up Smock CHAPTER 10: FOR BABY Sampler Burp Cloths Initial Blanket Sunshine Bib CHAPTER 11: BLOCKHEAD ANIMALS Mouse Pincushion Blockhead Puppets Bunny Softie Basic Embroidery Stitches Patterns Sewing Glossary Resources Acknowledgments Index SPECIAL BONUS PROJECT Available online! Visit www.chroniclebooks.com/123Sew for the instructions INTRODUCTION I started sewing eight years ago. Before then I never considered myself a crafty person, though I always had an interest in art and design.
    [Show full text]
  • Pattern # 179 Dolly Molly Page 1 of 15
    Pattern # 179 Dolly Molly Page 1 of 15 http://www.thesimplelifecompany.com 02/09/2017 Version ©Simple Life Pattern Company 2017 Pattern # 179 Dolly Molly Page 2 of 15 Size Charts 14" 18" Chest 7" 12” Waist 7" 12” Finished Length top shoulder to hem 14" 18" Top 5” 6.5” Dress 7” 8.5” Maxi 11” 12.5” Fabric Requirements (Yards – based on 44/45” fabric) Bodice & Pintuck Size Top Dress Maxi Collar Bias Placket Lining Placket 14" 1/8" ¼" ¼" ¼" 4" square 1/8" 4” square 18" 1/8" ¼" ¼" ¼" 4" square 1/8" 4” square Additional Notions Needed • 1 Kam Snap or small fastener for back closure • Buttons for embellishing the pleated placket (optional) • Fabric Marker/chalk (optional) http://www.thesimplelifecompany.com 02/09/2017 Version ©Simple Life Pattern Company 2017 Pattern # 179 Dolly Molly Page 3 of 15 Tips & Notes: • Please read through the entire pattern before beginning. • All seam allowances are 1/4”, unless otherwise stated. • For a professional look, press your garment when instructed. • When instructed, topstitch your garment. This will give you professional results. TIP: I always increase my stitch length to 3.0 – I feel a longer topstitch length looks better. If you do this, be sure to put your stitch length back to 2.5 for regular sewing. • Gathering can be tedious - I find it easiest to turn my tension to the highest tension and my stitch length to the longest stitch. Before you start sewing, pull up the bobbin thread and pull the top thread and bobbin thread out so you have about a 5” tail before you sew.
    [Show full text]
  • United States Patent 19 11, 3,977,025 Horan (45) Aug
    United States Patent 19 11, 3,977,025 Horan (45) Aug. 31, 1976 54) BELT CLOSURE FOR STERILE BACK SURGICAL GOWN OR THE LIKE Primary Examiner-Werner H. Schroeder 75 Inventor: Robert T. Horan, Tucson, Ariz. Attorney, Agent, or Firm-Quarles & Brady 73). Assignee: Will Ross, Inc., Milwaukee, Wis. 57 ABSTRACT 22 Filed: Dec. 24, 1975 A sterile back surgical gown is closed by side and back (21 Appl. No.: 644,045 belts tied at the user's side. The back belt is designed to be passed to the wearer without loss of sterility; and is stored in a pocket with its free end in an envelope (52) U.S. Cl............ 2/114; 2/51; that extends into the pocket and is deadfolded to re 2/DIG. 7, 206/440 main in proper position, and that has an exposed 51 Int. CI.'................ A41D 13/00 transparent side so that an assistant can see the belt 58) Field of Search..................... 2/51, 114, DIG. 7; end. The fixed end of the back belt and one end of an 206/278, 439, 440 inner tie are anchored by respective parts of a snap closure that releasably holds a closure panel in open (56) References Cited position. The side belt is in a storage sleeve with a free UNITED STATES PATENTs end projecting forwardly and a loop extending rear 3,259,913 7/1966 Tames..................................... 21114 wardly, and there is a Y-reinforcing strip connected 3,594,818 7/1971 Planner................................... 21114 between the side belt and gown to allow the belt to be 3,648,290 3/1972 Hartigan...
    [Show full text]
  • News You Can Use
    News You Can Use LivingSoft Subscriber Newsletter | Volume 13 Dress Shop 7 Released! Become a Fashion Designer at home! With Dress Shop 7, you too can be a fashion designer, starting with a pattern that fits and making something extraordinary to wear! On October 20, 2006, Dress Shop 7 was released, exactly two years after Dress The NEW Design Elements in Dress Shop 7 Shop 6 was released. Dress Shop 7 includes more patterns, more tools, more The Dress Shop 7 upgrade necklines, more collars, more sleeves, includes many new features, but and more closure options than ever this article will address only the before. And, upgrading is a bargain. If new design elements: necklines, you do not yet own the Dress Shop collars, closures, sleeves, waist Fashion Design tools, upgrading to Dress Shop 7 gives offset and Pattern Conversion you over $200 worth of design tools for just the $60 tools. Dress Shop 7 Pro also upgrade price. And, you get more than a hundred additional includes ALL of the fashion patterns, plus the new necklines, collars, closures, and design tools as well. sleeves to boot. Necklines: Some necklines were added to Dress Shop If you do own any of the prior tool products, you get a for just one or 2 named patterns. The Cami neck for discount on the upgrade for each tool you own. Either way, instance was available only for the Camisole and you you win! could use it on just that one pattern from the Lingerie category. Now, this neckline may be used on fitted Upgrading from Dress Shop 6 to Dress Shop 7 costs $60, shirts, shells, sheaths, and jumpers for a wide less $10 for each Dress Shop Tool product you own assortment of garment designs.
    [Show full text]
  • GEROMED 01 Mobile Knee Brace Code: SRT 318
    GEROMED 01 Mobile knee brace Code: SRT 318 Indications It is used in the crick, luxation, post-fracture, lateral instability of the knee, inflammatory processes. Recommended both as orthopedic treatment and postoperative. Description Open at the back, made of textile, provided with: • 4 spring-type metal splints, 2 on each side • patellar support (polyethylene foam). Hook and loop fastening on the backside. Length: 26 cm. The orthosis is a support for the knee joint, the 4 spring-type metal splints, 2 for each side providing stability and safety in use. Due to its particular shape, it can be used also in case of a deformed knee. The compression can be adjusted by the back closure system. Composition The orthosis is made of a three-layer laminated textile: • Velutino - The polyamide fiber has a high resistance to chemical and biological agents, resists abrasion and does not absorb water. Product details • Moltopren (MTP) - air-permeable open-cell polyurethane foam (airflow in both directions is inversely proportional to foam density) with high moisture • open orthosis on the absorbing properties. backside • Jersey cotone SOFT - 100% cotton or cotton with spandex - elastane (for • hook and loop fastener increased elasticity). SOFT The code for the balsamic treatment of the cotton fabric to provide softness to the touch and to avoid skin irritation. Properties of the fabric The laminated ensemble behaves like a moisture regulator: it keeps the body dry by transferring sweat to the exterior via the PU foam. • patellar support made of polyethylene foam • spring-type metal splints airflow water transfer Available sizes Sizes 1 2 3 4 5 Knee circumference (cm) 33-36 36-39 39-42 42-45 45-49 Code SRT318M1 SRT318M2 SRT318M3 SRT318M4 SRT318M5 The circumference of the knee is measured at the middle of the knee cap www.triamed.ro TRIAMED Technology for your health.
    [Show full text]
  • Clothing of Pioneer Women of Dakota Territory, 1861-1889
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1978 Clothing of Pioneer Women of Dakota Territory, 1861-1889 Joyce Marie Larson Follow this and additional works at: https://openprairie.sdstate.edu/etd Part of the Fiber, Textile, and Weaving Arts Commons, and the Interior Design Commons Recommended Citation Larson, Joyce Marie, "Clothing of Pioneer Women of Dakota Territory, 1861-1889" (1978). Electronic Theses and Dissertations. 5565. https://openprairie.sdstate.edu/etd/5565 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. CWTHIFG OF PIONEER WOMEN OF DAKOTA TERRI'IORY, 1861-1889 BY JOYCE MARIE LARSON A thesis submitted in partial fulfillment of the requirements for the degree Haster of Science, Najor in Textiles, Clothing and Interior Design, South Dakota State University 1978 CLO'IHING OF PIONEER WOHEU OF DAKOTA TERRITORY, 1861-1889 This thesis is approved as a creditable and independent investigation by a candidate for the degree, Master of Science, and is acceptable for meeting the thesis requirements for this degree. Acceptance of this thesis does not imply that the conclusions reached by the candidate are necessarily the conclusions of the major department. Merlene Lyman� Thlsis Adviser Date Ardyce Gilbffet, Dean Date College of �ome Economics ACKNOWLEDGEr1ENTS The author wishes to express her warm and sincere appre­ ciation to the entire Textiles, Clothing and Interior Design staff for their assistance and cooperation during this research.
    [Show full text]
  • Style Set 2 for Garment Designer
    Style Set 2 for Garment Designer Welcome to Style Set 2. This set provides you with 50+ additional style elements that will mix and match with the original Garment Designer & Style Set 1 styles . Key to Style Information/Illustrations Red Lines/Curves: Show you new points involved in the style, plus the segments (either straight or curved) that exist with the style. Use this information to assist you in choosing styles for custom design ideas. Black/Red Lines: Show you the pattern built through the combination of style menus. Combination: The style menu options chosen for the style shown. Use these as inspiration. Illustration: Further inspiration. Comments: Helpful information about the style. Thanks to Jon Balcalski, Mesa College (San Diego) student, who assisted with the illustrations as part of his Honors Computer Fashion course. Style Set 2 © 2002, All Rights Reserved Susan Lazear, Cochenille Design Studio Encinitas, CA 92023-4276 www.cochenille.com [email protected] 1 Installation: Double-click on the StyleSet2Installer file found on the CD you have received with this package. The installa- tion will happen automatically. Various files will be updated in your Garment Designer folder. Note: 1. The Style Set 2 installation will update your Garment Designer application file. It will also update your Style Set 1 (SS1) file, should you have SS1 installed. 2. It is highly recommended that you only have one copy of Garment Designer on your computer. This will avoid confusing the Installer. 3. With the millions of combinations now available in Garment Designer (with Style Set 1 and Style Set 2), it is likely that there is a style combination that simply cannot work, or doesn’t work properly.
    [Show full text]
  • Cliff : the Automatized Zipper
    Cliff : the automatized zipper Citation for published version (APA): Baharom, M. Z., Toeters, M. J., Delbressine, F. L. M., Bangaru, C., & Feijs, L. M. G. (2016). Cliff : the automatized zipper. In GFC - Global Fashion Conference 2016, 20-21 October 2016, Stockholm, Sweden Document license: Unspecified Document status and date: Published: 20/10/2016 Document Version: Typeset version in publisher’s lay-out, without final page, issue and volume numbers Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal.
    [Show full text]
  • Lightseven 'Til Midnight, Or Rather, the Hours
    Spot Spot SEDUCTION Seven ‘til Midnight, or rather, the hours that conjure up titillating fantasies lightand mischievous rendezvous, is when the fun begins. The sensual aesthetics of Old Hollywood established that a woman with curves can be a sexy seductress. Seven ‘til Midnight’s 2021 collection reimagines classic silhouettes from this Golden Age with luxurious fabrics, sparkling details, and lustrous colors in daring cuts. Embrace the art of seduction by playing the role of the passionate leading lady in lace, the mysterious temptress in lamé, or the glamorous vixen in strappy ensembles. The bedroom is her theater and she is the ultimate scene stealer. STYLE & SUSTAINABILITY Seven ‘til Midnight continues to be an innovator in style and sustainability. In keeping with Seven ‘til Midnight’s environmental initiative, we are committed to making an impact and change in the growing global problem of environmental pollution and waste. We will do our part by making a switch to new eco-friendly packaging that consists of recycled paper and biodegradable polybags. In light of the ever growing green awareness movement, we will continue to look into new technologies and challenge ourselves in an effort to do better. Contents NON PACKAGED GLAMOUR GIRL (Hanging Lingerie) 6 LEADING LADY (Hanging Lingerie) 48 GOLDEN AGETABLE (Hanging OF Lingerie) CONTENTS 74 STARSTRUCK (Loungerie) 84 FLASHING LIGHTS (Hanging Lingerie) 94 PACKAGED SUPERSTAR (Boxed Lingerie) 110 CAMERA READY (Boxed Lingerie) 126 SPOTLIGHT (Boxed Lingerie) 134 ROLEPLAY (Bedroom Costumes) 150 MIDNIGHT MUST HAVES LOVE SCENE (Panties) 159 SCENE STEALER (Panties) 180 TIGHT SHOT (Garters) 201 BODY LANGUAGE (Bodystockings & Legwear) 208 EXTRA EXTRA (Accessories) 226 SALES TOOLS 244 PAGE MARGIN COLOR KEY NON PACKAGED LINGERIE - GOLD PACKAGED LINGERIE - RED MIDNIGHT MUST HAVES - BLUE 4 Add more leaves & extend background 5 glamour GIRL 6 glamour GIRL Three piece bra set.
    [Show full text]
  • Stormtech Spring 2020
    SPRING 2020 NEW STYLE GUIDE WWW.STORMTECHUSA.COM SPRING 2020 URBAN COLLECTION COMMUTING ESSENTIALS BUSHWICK QUILTED JACKET BLUERIDGE DENIM SHIRT TORCELLO CREW NECK TEE DARWIN HAT BXQ-1 | BXQ-1W SFD -1 | SFD-1W TG-1 | TG-1W BRC-3 ROAD WARRIOR COMPUTER PACK CUPERTINO RFID PASSPORT WALLET CMT-3 PWX-1 BUSHWICK QUILTED JACKET BXQ-1 | BXQ-1W When the temperature unexpectedly dips, this quilted polyfill jacket with a snap closure center front zipper and zippered hand warmer pockets is guaranteed to keep you warm and protected from chills. When the clouds close in, go undercover with the adjustable attached hood and draw the adjustable waist in on the women’s style. Center Front Zipper with Snap Closure Placket For clean styling and top to bottom secure fit Diamond Quilted Internal Chest Pocket Polyfill Allows for the secure Diamond construction and practical storage of designed to secure smaller personal items polyfill in place while staying on trend 3/4 Length Offers added protection BXQ-1: Earth from the elements in variable conditions BXQ-1W: Indigo (Women’s) NEW BUSHWICK QUILTED JACKET BXQ-1 | BXQ-1W MSRP $160.00 FEATURES: • Internal Chest Pocket • Diamond Quilted Polyfill • Cuff Plackets with Button Closure • Center Front Zipper and Snap Closure Placket • Flapped Chest Pockets with Snap Closures (M’s) • Hand Warmer Pockets (M’s) • ¾ Length (W’s) • Zippered Hand Warmer Pockets (W’s) • Kick Pleat (W’s) • Adjustable Attached Hood (W’s) • Decoration Access • Adjustable Waist (W’s) TECHNOLOGY: DECORATIONS: +10˚C (50˚F) COLD TO -10˚C (14˚F) FABRICATION:
    [Show full text]
  • PDF Document
    Brownsville ISD Purchasing Bid Information Contact Information Ship to Information Bid Owner Connie Alvear Senior Buyer Address 1900 Price Road Address 3760 Robindale Rd Email [email protected] Phone Brownsville, TX 78521 Brownsville, TX 78526 Fax Contact Connie Alvear Senior Buyer Contact Department Department Bid Number 19-023 Building Building Title Student Uniforms for Floor/Room 107 Floor/Room Career/Technology & Instructional Telephone (956) 548-8361 Telephone (956) 548-8375 Program District-Wide Fax Fax Bid Type BID Email [email protected] Email Issue Date 02/17/2019 Close Date 3/21/2019 10:00:00 AM (CT) Supplier Information Supplier Notes Company Name Contact Name Address Telephone Fax Email By submitting your response, you certify that you are authorized to represent and bind your company. Signature Date / / Bid Notes Bid Activities Bid Messages Bid Attachments The following attachments are associated with this opportunity and will need to be retrieved separately # Filename Description Header 2019 required documents.pdf REQUIRED DOCUMENTS/MUST BE SUBMITTED WITH BID/PROPOSAL Bid Attachments Requested The following attachments are requested with this opportunity # Required Specified Attachment 1 YES Form 1295 : Form 1295 must be signed and submitted. 2 YES Required documents must be submitted with this solicitation : Please upload the required documents with all signatures. 19-023 - Page 1 of 12 Bid Attributes Please review the following and respond where necessary 19-023 - Page 2 of 12 Line Items # Qty UOM Description Response 1 1 EA Scrub - Unisex scrub V-neck top. Reversible. Breast pocket on both sides. Longer length. 65% poly/35% cotton with soil release.
    [Show full text]
  • It's All in the Details: Making an Early 19Th Century Ball Gown by Hope Greenberg
    It's All in the Details: Making an early 19th Century Ball Gown By Hope Greenberg In 1775, the year of Jane Austen’s birth, women wore gowns with a fitted bodice, the waist at or below the natural waistline, and full skirts over a visible, often ornate, petticoat. They were made in a variety of heavy silks, cotton or wool. By the time she had reached her late teens the ornate gowns were being replaced by simple, lightweight, often sheer cotton or silk gowns that reflected the ideals of classicism. This guide provides images and details to consider when creating an early 19th century ballgown. The examples provide a general guide, not an exact historic timeline. Fashion is flexible: styles evolve and are adopted at a different pace depending on the wearer's age, location, and economic or social status. These examples focus on evening or ball gowns. Day dresses, walking dresses, and carriage dresses, while following the same basic silhouettes, have their own particular design details. Even evening gowns or opera gowns can usually be distinguished from ball gowns which, after all, must be designed for dancing! By focusing on the details we can see both the evolution of fashion for this period and how best to re-create it. What is the cut of the bodice, the sleeve length, or the height of the bustline? How full is the skirt, and where is that fullness? What colors are used? What type of fabric? Is there trim? If so, how much, what kind, and where is it placed? Based on the shape of the gown, what can we tell about the foundation garments? Paying attention to all these details will help you create a gown that is historically informed as well as beautiful.
    [Show full text]