Lightseven 'Til Midnight, Or Rather, the Hours

Total Page:16

File Type:pdf, Size:1020Kb

Lightseven 'Til Midnight, Or Rather, the Hours Spot Spot SEDUCTION Seven ‘til Midnight, or rather, the hours that conjure up titillating fantasies lightand mischievous rendezvous, is when the fun begins. The sensual aesthetics of Old Hollywood established that a woman with curves can be a sexy seductress. Seven ‘til Midnight’s 2021 collection reimagines classic silhouettes from this Golden Age with luxurious fabrics, sparkling details, and lustrous colors in daring cuts. Embrace the art of seduction by playing the role of the passionate leading lady in lace, the mysterious temptress in lamé, or the glamorous vixen in strappy ensembles. The bedroom is her theater and she is the ultimate scene stealer. STYLE & SUSTAINABILITY Seven ‘til Midnight continues to be an innovator in style and sustainability. In keeping with Seven ‘til Midnight’s environmental initiative, we are committed to making an impact and change in the growing global problem of environmental pollution and waste. We will do our part by making a switch to new eco-friendly packaging that consists of recycled paper and biodegradable polybags. In light of the ever growing green awareness movement, we will continue to look into new technologies and challenge ourselves in an effort to do better. Contents NON PACKAGED GLAMOUR GIRL (Hanging Lingerie) 6 LEADING LADY (Hanging Lingerie) 48 GOLDEN AGETABLE (Hanging OF Lingerie) CONTENTS 74 STARSTRUCK (Loungerie) 84 FLASHING LIGHTS (Hanging Lingerie) 94 PACKAGED SUPERSTAR (Boxed Lingerie) 110 CAMERA READY (Boxed Lingerie) 126 SPOTLIGHT (Boxed Lingerie) 134 ROLEPLAY (Bedroom Costumes) 150 MIDNIGHT MUST HAVES LOVE SCENE (Panties) 159 SCENE STEALER (Panties) 180 TIGHT SHOT (Garters) 201 BODY LANGUAGE (Bodystockings & Legwear) 208 EXTRA EXTRA (Accessories) 226 SALES TOOLS 244 PAGE MARGIN COLOR KEY NON PACKAGED LINGERIE - GOLD PACKAGED LINGERIE - RED MIDNIGHT MUST HAVES - BLUE 4 Add more leaves & extend background 5 glamour GIRL 6 glamour GIRL Three piece bra set. Lace and mesh long line bra Teal, Black 11203, 11203X with underwire, picot trim, front lace-up detail, gold S, M, L, XL, 1X/2X, 3X/4X GLAMOUR GIRL hardware, garter belt, and g-string 7 Two piece bustier set. Eyelash lace bustier with Black, Blue 11318, 11318X molded cups, underwire, hook and eye back closure, satin elastic belt, gold hardware, removable S, M, L, XL, 1X/2X, 3X/4X FLAWLESS garters, and panty 8 Three piece bra set. Eyelash lace bra with underwire, Red, Blue adjustable straps, gold hardware, garter skirt with 11273, 11273X S, M, L, XL, 1X/2X, 3X/4X FLAWLESS hook and eye back, and g-string 9 Two piece camidoll set. Eyelash lace and mesh Red, Blue 11272, 11272X camidoll with underwire, hook and eye back, S, M, L, XL, 1X/2X, 3X/4X FLAWLESS adjustable straps, gold hardware, and panty 10 Two piece bustier set. Eyelash lace bustier with Blue, Red 11274, 11274X underwire, front keyhole, hook and eye back, lace S, M, L, XL, 1X/2X, 3X/4X FLAWLESS skirt, back satin bow, attached garters, and g-string 11 Three piece bra set. Lace overlay bra with underwire, Blue 11093, 11093X plunging “V” detail, hook ane eye closure, gold S, M, L, XL, 1X/2X, 3X/4X RADIANCE hardware, garter belt, and thong 12 Floral lace and contrast microfiber teddy with Blue 11095, 11095X underwire, keyhole front detail, adjustable straps, S, M, L, XL, 1X/2X, 3X/4X hook and eye back, gold hardware, removable RADIANCE garters, and snap crotch 13 Two piece cami set. Floral lace and contrast microfiber Blue 11094, 11094X cami with underwire, keyhole front detail, adjustable S, M, L, XL, 1X/2X, 3X/4X straps, hook and eye back, gold hardware, removable RADIANCE garters, and panty 14 Floral lace romper with fitted bodice, underwire, Black 11096, 11096X hook and eye back closure, and flowy leg opening S, M, L, XL, 1X/2X, 3X/4X RADIANCE 15 Two piece bustier set. Lace overlay bustier, underwire Hot Pink, White, Pink, 9103, 9103X molded cups, lace and ribbon trim, adjustable removable straps, hook and eye back closure, eyelash Blue, Red, Teal VICTORIAN LACE lace ruffled hem, removable garters, and thong S, M, L, XL, 1X/2X, 3X/4X 16 Hot Pink, White, Pink, Blue, Red, Teal 17 Two piece chemise set. Eyelash & floral lace chemise Black, Wine 11282, 11282X with adjustable straps, hook and eye back, gold S, M, L, XL, 1X/2X, 3X/4X LEGENDARY hardware, removable garters, and g-string 18 Eyelash & floral lace teddy with adjustable straps, Wine, Black gold hardware, and thong back 11280, 11280X S, M, L, XL, 1X/2X, 3X/4X LEGENDARY 19 Three piece bra set. Chevron lace bra with underwire, Black, Wine 11120, 11120X front keyhole, hook and eye closure, gold hardware, S, M, L, XL, 1X/2X, 3X/4X SEDUCTION garter belt, and panty 20 Two piece babydoll set. Lace and mesh babydoll Wine, Black 10972, 10972X with open cups, lace off the shoulder detail, S, M, L, XL, 1X/2X, 3X/4X flyaway back, underwire, adjustable straps, and FEMME FATALE cheeky panty 21 Three piece bra set. Netting bra with lace appliqué Black, Wine 10921, 10921X overlay, velvet elastic, adjustable straps, underwire, hook and eye back closure, and gold hardware. S, M, L, XL, 1X/2X, 3X/4X NOTHING Strappy garter belt with back hook and eye closure and thong with front lace appliqué 22 BUT NET 10784, 10784X 10785, 10785X Wine, Black BIANCA BIANCA S, M, L, XL, 1X/2X, 3X/4X Rose galloon lace bralette with lattice back Rose galloon lace panty with lattice back detail and picot elastic trim detail and picot elastic trim 23 Two piece babydoll set. Cross-dye lace and mesh Black, Red 11207, 11207X babydoll with strappy front rhinestone O-ring detail, S, M, L, XL, 1X/2X, 3X/4X hook and eye back, gold hardware, adjustable straps, TIDE OF satin ribbon trim, and g-string with strappy back detail 24 PASSION Two piece chemise set. Eyelash lace and mesh chemise Blue, Black 11099, 11099X with underwire, shiny elastic belt, satin ribbon bow S, M, L, XL, 1X/2X, 3X/4X CROSS MY with rhinestone charm, attached garters, and g-string HEART 25 Two piece babydoll set. Floral galloon lace babydoll Navy, Fuschia, Red, Black 10672, 10672X with plunging neckline, satin ribbon trim, adjustable S/M, L/XL, 1X/2X, 3X/4X WONDEROUS straps, satin ribbon bow, silver hardware, and panty 26 27 Two piece bustier set. Embroidered mesh bustier Pink, Black 11284, 11284X with underwire, front lace-up, satin ribbon bow with S, M, L, XL, 1X/2X, 3X/4X gold charm, hook and eye back closure, removable LOVE SCENE garters, and panty 28 Three piece bra set. Embroidered mesh bra with Black, Pink 11283, 11283X underwire, satin ribbon bow with gold charm, hook and eye back, adjustable straps, garter S, M, L, XL, 1X/2X, 3X/4X LOVE SCENE belt, and panty 29 Two piece babydoll set. Embroidered mesh babydoll Pink, Black 11285, 11285X with triangle cups, satin ribbon bow with attached gold charm, flyaway back, adjustable straps, lace S, M, L, XL, 1X/2X, 3X/4X LOVE SCENE trim, and panty 30 Three piece bra set. Satin and lace bra with Black, Pink 11297, 11297X adjustable halter neck, underwire, removable S, M, L, XL, 1X/2X, 3X/4X shoulder straps, satin ribbon bows, gold hardware, DRAMA QUEEN garter belt, and g-string 31 Two piece babydoll set. Lace and mesh babydoll Wine, Black 11294, 11294X with underwire, adjustable halter neck, removable S, M, L, XL, 1X/2X, 3X/4X DRAMA QUEEN shoulder straps, flyaway back, and g-string 32 Lace and mesh teddy with underwire, adjustable Black, Wine halter neck, gold hardware, removable shoulder 11295, 11295X S, M, L, XL, 1X/2X, 3X/4X DRAMA QUEEN straps, high cut leg opening, and attached garters 33 Lace long sleeve teddy with plunging neckline, satin 11078, 11078X elastic waist, removable garters, and snap crotch Black, Navy SECRET AFFAIR S, M, L, XL, 1X/2X, 3X/4X 34 Two piece bra set. Lace bralette with adjustable Navy, Black, Blush 11077, 11077X straps, hook and eye closure, gold hardware, and S, M, L, XL, 1X/2X, 3X/4X SECRET AFFAIR high waist panty with removable garters 35 Two piece babydoll set. Embroidered mesh Blue 11276, 11276X babydoll with underwire, hook and eye back, ruffle S, M, L, XL, 1X/2X, 3X/4X FLORALLY YOURS hem, satin ribbon bows, and g-string 36 Two piece long line bra set. Embroidered mesh long Blue 11277, 11277X line bra with open cups, hook and eye back, mesh S, M, L, XL, 1X/2X, 3X/4X FLORALLY YOURS ruffles, satin ribbon bows, and panty 37 Lace and mesh teddy with underwire, grommet Mauve 11066, 11066X lace-up front, hook and eye back, removable S, M, L, XL, 1X/2X, 3X/4X LACED WITH LOVE garters, and snap crotch 38 Two piece bra set. Lace and mesh long line bra with Mauve 11065, 11065X underwire, grommet lace-up front, hook and eye back, and high waist panty with removable garters S, M, L, XL, 1X/2X, 3X/4X LACED WITH LOVE and lace-up back 39 11062, 11062X Two piece cami set. Lace and mesh cami with strappy Black, Lavender details, hook and eye closure, gold hardware, lace S, M, L, XL, 1X/2X, 3X/4X INDECENT trim, removable garters, and g-string 40 DESIRES 11064, 11064X Two piece babydoll set. Lace and mesh babydoll Lavender, Black with strappy details, hook and eye closure, gold S, M, L, XL, 1X/2X, 3X/4X INDECENT hardware, lace trim, and panty DESIRES 41 Two piece bra set. Lace bra with high neck, underwire, hook and eye back, gold hardware, Teal 11076 S, M, L, XL BEYOND strappy detail, and thong with removable garters 42 INNOCENT Lace and mesh babydoll with high neck, strappy Teal, Black, Red, White Teal waist detail, flyaway back, and panty with criss- S, M, L, XL 10867, 10867X S, M, L, XL, 1X/2X, 3X/4X SEDUCTRESS cross waistband 43 Two piece bra set.
Recommended publications
  • 1, 2, 3 Sew: Build Your Skills with 33 Simple Sewing Projects
    Text copyright © 2011 by Ellen Luckett Baker. Photographs copyright © 2011 by Laura Malek. Illustrations copyright © 2011 by Ellen Luckett Baker. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher. ISBN 978-1-4521-0481-2 The Library of Congress has previously cataloged this title under ISBN 978-0-8118-7649-0 Designed by Vivien Sung Typesetting by Melinda Macfadden Photo styling by Ellen Luckett Baker Chronicle Books LLC 680 Second Street San Francisco, CA 94107 www.chroniclebooks.com Contents Introduction Getting Started Choosing Fabric 15 Essential Tools CHAPTER 1: DINING AND DISHES Fruit Tea Towels Hooked on Napkins Set the Table Runner CHAPTER 2: PILLOWS Skyline Pillow Concentric Squares Pillow Circles Floor Pillow CHAPTER 3: ORGANIZERS Pencil Holder Storage Cube Craft Caddy CHAPTER 4: QUILTED KITCHEN Ticking Stripe Hot Pad Plaid Coasters Rippled Place Mats CHAPTER 5: TOTES Market Tote Doodle Bag Lunch Sack CHAPTER 6: POUCHES Grid Glasses Case Polka Dot Pouch Lawn Cosmetic Bag CHAPTER 7: HANDBAGS Pintuck Clutch Tiered Bag Pleated Satchel CHAPTER 8: ACCESSORIES Eyelet Headband Tea Towel Apron Yo-yo Scarf CHAPTER 9: REVERSIBLE FOR KIDS Play Your Way Cape Change Your Mind Skirt Mix It Up Smock CHAPTER 10: FOR BABY Sampler Burp Cloths Initial Blanket Sunshine Bib CHAPTER 11: BLOCKHEAD ANIMALS Mouse Pincushion Blockhead Puppets Bunny Softie Basic Embroidery Stitches Patterns Sewing Glossary Resources Acknowledgments Index SPECIAL BONUS PROJECT Available online! Visit www.chroniclebooks.com/123Sew for the instructions INTRODUCTION I started sewing eight years ago. Before then I never considered myself a crafty person, though I always had an interest in art and design.
    [Show full text]
  • Pattern # 179 Dolly Molly Page 1 of 15
    Pattern # 179 Dolly Molly Page 1 of 15 http://www.thesimplelifecompany.com 02/09/2017 Version ©Simple Life Pattern Company 2017 Pattern # 179 Dolly Molly Page 2 of 15 Size Charts 14" 18" Chest 7" 12” Waist 7" 12” Finished Length top shoulder to hem 14" 18" Top 5” 6.5” Dress 7” 8.5” Maxi 11” 12.5” Fabric Requirements (Yards – based on 44/45” fabric) Bodice & Pintuck Size Top Dress Maxi Collar Bias Placket Lining Placket 14" 1/8" ¼" ¼" ¼" 4" square 1/8" 4” square 18" 1/8" ¼" ¼" ¼" 4" square 1/8" 4” square Additional Notions Needed • 1 Kam Snap or small fastener for back closure • Buttons for embellishing the pleated placket (optional) • Fabric Marker/chalk (optional) http://www.thesimplelifecompany.com 02/09/2017 Version ©Simple Life Pattern Company 2017 Pattern # 179 Dolly Molly Page 3 of 15 Tips & Notes: • Please read through the entire pattern before beginning. • All seam allowances are 1/4”, unless otherwise stated. • For a professional look, press your garment when instructed. • When instructed, topstitch your garment. This will give you professional results. TIP: I always increase my stitch length to 3.0 – I feel a longer topstitch length looks better. If you do this, be sure to put your stitch length back to 2.5 for regular sewing. • Gathering can be tedious - I find it easiest to turn my tension to the highest tension and my stitch length to the longest stitch. Before you start sewing, pull up the bobbin thread and pull the top thread and bobbin thread out so you have about a 5” tail before you sew.
    [Show full text]
  • United States Patent 19 11, 3,977,025 Horan (45) Aug
    United States Patent 19 11, 3,977,025 Horan (45) Aug. 31, 1976 54) BELT CLOSURE FOR STERILE BACK SURGICAL GOWN OR THE LIKE Primary Examiner-Werner H. Schroeder 75 Inventor: Robert T. Horan, Tucson, Ariz. Attorney, Agent, or Firm-Quarles & Brady 73). Assignee: Will Ross, Inc., Milwaukee, Wis. 57 ABSTRACT 22 Filed: Dec. 24, 1975 A sterile back surgical gown is closed by side and back (21 Appl. No.: 644,045 belts tied at the user's side. The back belt is designed to be passed to the wearer without loss of sterility; and is stored in a pocket with its free end in an envelope (52) U.S. Cl............ 2/114; 2/51; that extends into the pocket and is deadfolded to re 2/DIG. 7, 206/440 main in proper position, and that has an exposed 51 Int. CI.'................ A41D 13/00 transparent side so that an assistant can see the belt 58) Field of Search..................... 2/51, 114, DIG. 7; end. The fixed end of the back belt and one end of an 206/278, 439, 440 inner tie are anchored by respective parts of a snap closure that releasably holds a closure panel in open (56) References Cited position. The side belt is in a storage sleeve with a free UNITED STATES PATENTs end projecting forwardly and a loop extending rear 3,259,913 7/1966 Tames..................................... 21114 wardly, and there is a Y-reinforcing strip connected 3,594,818 7/1971 Planner................................... 21114 between the side belt and gown to allow the belt to be 3,648,290 3/1972 Hartigan...
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • News You Can Use
    News You Can Use LivingSoft Subscriber Newsletter | Volume 13 Dress Shop 7 Released! Become a Fashion Designer at home! With Dress Shop 7, you too can be a fashion designer, starting with a pattern that fits and making something extraordinary to wear! On October 20, 2006, Dress Shop 7 was released, exactly two years after Dress The NEW Design Elements in Dress Shop 7 Shop 6 was released. Dress Shop 7 includes more patterns, more tools, more The Dress Shop 7 upgrade necklines, more collars, more sleeves, includes many new features, but and more closure options than ever this article will address only the before. And, upgrading is a bargain. If new design elements: necklines, you do not yet own the Dress Shop collars, closures, sleeves, waist Fashion Design tools, upgrading to Dress Shop 7 gives offset and Pattern Conversion you over $200 worth of design tools for just the $60 tools. Dress Shop 7 Pro also upgrade price. And, you get more than a hundred additional includes ALL of the fashion patterns, plus the new necklines, collars, closures, and design tools as well. sleeves to boot. Necklines: Some necklines were added to Dress Shop If you do own any of the prior tool products, you get a for just one or 2 named patterns. The Cami neck for discount on the upgrade for each tool you own. Either way, instance was available only for the Camisole and you you win! could use it on just that one pattern from the Lingerie category. Now, this neckline may be used on fitted Upgrading from Dress Shop 6 to Dress Shop 7 costs $60, shirts, shells, sheaths, and jumpers for a wide less $10 for each Dress Shop Tool product you own assortment of garment designs.
    [Show full text]
  • The Shape of Women: Corsets, Crinolines & Bustles
    The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth.
    [Show full text]
  • GEROMED 01 Mobile Knee Brace Code: SRT 318
    GEROMED 01 Mobile knee brace Code: SRT 318 Indications It is used in the crick, luxation, post-fracture, lateral instability of the knee, inflammatory processes. Recommended both as orthopedic treatment and postoperative. Description Open at the back, made of textile, provided with: • 4 spring-type metal splints, 2 on each side • patellar support (polyethylene foam). Hook and loop fastening on the backside. Length: 26 cm. The orthosis is a support for the knee joint, the 4 spring-type metal splints, 2 for each side providing stability and safety in use. Due to its particular shape, it can be used also in case of a deformed knee. The compression can be adjusted by the back closure system. Composition The orthosis is made of a three-layer laminated textile: • Velutino - The polyamide fiber has a high resistance to chemical and biological agents, resists abrasion and does not absorb water. Product details • Moltopren (MTP) - air-permeable open-cell polyurethane foam (airflow in both directions is inversely proportional to foam density) with high moisture • open orthosis on the absorbing properties. backside • Jersey cotone SOFT - 100% cotton or cotton with spandex - elastane (for • hook and loop fastener increased elasticity). SOFT The code for the balsamic treatment of the cotton fabric to provide softness to the touch and to avoid skin irritation. Properties of the fabric The laminated ensemble behaves like a moisture regulator: it keeps the body dry by transferring sweat to the exterior via the PU foam. • patellar support made of polyethylene foam • spring-type metal splints airflow water transfer Available sizes Sizes 1 2 3 4 5 Knee circumference (cm) 33-36 36-39 39-42 42-45 45-49 Code SRT318M1 SRT318M2 SRT318M3 SRT318M4 SRT318M5 The circumference of the knee is measured at the middle of the knee cap www.triamed.ro TRIAMED Technology for your health.
    [Show full text]
  • Clothing of Pioneer Women of Dakota Territory, 1861-1889
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1978 Clothing of Pioneer Women of Dakota Territory, 1861-1889 Joyce Marie Larson Follow this and additional works at: https://openprairie.sdstate.edu/etd Part of the Fiber, Textile, and Weaving Arts Commons, and the Interior Design Commons Recommended Citation Larson, Joyce Marie, "Clothing of Pioneer Women of Dakota Territory, 1861-1889" (1978). Electronic Theses and Dissertations. 5565. https://openprairie.sdstate.edu/etd/5565 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. CWTHIFG OF PIONEER WOMEN OF DAKOTA TERRI'IORY, 1861-1889 BY JOYCE MARIE LARSON A thesis submitted in partial fulfillment of the requirements for the degree Haster of Science, Najor in Textiles, Clothing and Interior Design, South Dakota State University 1978 CLO'IHING OF PIONEER WOHEU OF DAKOTA TERRITORY, 1861-1889 This thesis is approved as a creditable and independent investigation by a candidate for the degree, Master of Science, and is acceptable for meeting the thesis requirements for this degree. Acceptance of this thesis does not imply that the conclusions reached by the candidate are necessarily the conclusions of the major department. Merlene Lyman� Thlsis Adviser Date Ardyce Gilbffet, Dean Date College of �ome Economics ACKNOWLEDGEr1ENTS The author wishes to express her warm and sincere appre­ ciation to the entire Textiles, Clothing and Interior Design staff for their assistance and cooperation during this research.
    [Show full text]
  • On Köhler's 14Th Century Chemise. by Ffride Wlffsdotter / Rebecca Lucas
    On Köhler©s 14th century Chemise. By ffride wlffsdotter / Rebecca Lucas Carl Köhler's “A History of Costume” seems to be a staple of the costumer's library, and although the line drawings for some garment patterns may be outdated, and the black and white photos are passe compared to full-colour glossy books, it is still often a typical reference. But looking beyond the front cover of our well-thumbed, 1963 Dover edition, the situation seems much more complex: Dover had reprinted a 1928 work (now in the public domain, incidentally including colour plates), which was apparently a compilation of Köhler's 1870s works “Die Trachten der Völker im Bild und Schnitt” [The costumes of the people, in image and cut] (1871) and “Die Entwickelung der Tracht in Deutschland während des Mittelalters und der Neuzeit”[The development of the costume in Germany during the Middle Ages and Modern Times] (1877), with new photos and text included by Emma von Sichart. This was then published in 1926 as “Praktische Kostümkunde” [Practical Costume Design]. The entire work was then translated from the German by Alexander Dallas. So items mentioned in the 1928/1963 English editions may never have originated with Köhler at all! One such item that is closely associated with Köhler, is a black and white photo captioned “Chemise of the Fourteenth Century” (Köhler, 1963; 177), with the additional cryptic subtitle “Heyne. Thuringia, Burg Rhanis” in the list of illustrations (Köhler, 1963; 23). (The photo, from the now Public Domain 1930 edition of “A History of Costume” can be seen at right.) However, at the beginning of this list, it says (Köhler, 1963; 11): “The names in italic indicate the source of the illustrations (fuller details of this are given in the Bibliography) or the owner of the originals.
    [Show full text]
  • Style Set 2 for Garment Designer
    Style Set 2 for Garment Designer Welcome to Style Set 2. This set provides you with 50+ additional style elements that will mix and match with the original Garment Designer & Style Set 1 styles . Key to Style Information/Illustrations Red Lines/Curves: Show you new points involved in the style, plus the segments (either straight or curved) that exist with the style. Use this information to assist you in choosing styles for custom design ideas. Black/Red Lines: Show you the pattern built through the combination of style menus. Combination: The style menu options chosen for the style shown. Use these as inspiration. Illustration: Further inspiration. Comments: Helpful information about the style. Thanks to Jon Balcalski, Mesa College (San Diego) student, who assisted with the illustrations as part of his Honors Computer Fashion course. Style Set 2 © 2002, All Rights Reserved Susan Lazear, Cochenille Design Studio Encinitas, CA 92023-4276 www.cochenille.com [email protected] 1 Installation: Double-click on the StyleSet2Installer file found on the CD you have received with this package. The installa- tion will happen automatically. Various files will be updated in your Garment Designer folder. Note: 1. The Style Set 2 installation will update your Garment Designer application file. It will also update your Style Set 1 (SS1) file, should you have SS1 installed. 2. It is highly recommended that you only have one copy of Garment Designer on your computer. This will avoid confusing the Installer. 3. With the millions of combinations now available in Garment Designer (with Style Set 1 and Style Set 2), it is likely that there is a style combination that simply cannot work, or doesn’t work properly.
    [Show full text]
  • Tudors History W2
    The Tudors: History Worksheet 2A Name: _____________________________ Date: ____________________ Tudor Fashion Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2B Name: _____________________________ Date: ____________________ There are lots of differences in the way you dress today and the way we used to dress in Tudor times. Have a look at some of the outfits we used to wear and find as many differences between Tudor fashion and today’s fashion as you can. Tudor Fashion Modern Fashion Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2C Name: _____________________________ Date: ____________________ Tudor Fashion Glossary Can you find out what each of these words relating to Tudor fashion mean? Te r m Meaning Bodice Bombast Breeches Chemise Coif Corset Doublet Farthingale Headdress Hose Kirtle Mantle Patten Petticoat Robe Ruff Stomacher Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2D Name: _____________________________ Date: ____________________ Can you design an outfit for a Tudor woman? Remember, the Tudors loved to show-off with their clothes so make it as elaborate and detailed as you can. Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2E Name: _____________________________ Date: ____________________ Can you design an outfit for a Tudor man? Remember, the Tudors loved to show-off with their clothes so make it as elaborate and detailed as you can. Copyright © PlanBee Resources Ltd 2016
    [Show full text]
  • Cliff : the Automatized Zipper
    Cliff : the automatized zipper Citation for published version (APA): Baharom, M. Z., Toeters, M. J., Delbressine, F. L. M., Bangaru, C., & Feijs, L. M. G. (2016). Cliff : the automatized zipper. In GFC - Global Fashion Conference 2016, 20-21 October 2016, Stockholm, Sweden Document license: Unspecified Document status and date: Published: 20/10/2016 Document Version: Typeset version in publisher’s lay-out, without final page, issue and volume numbers Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal.
    [Show full text]