Dress Base Fdiii121 Table of Content
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Londa Rohlfing - Memory T-Shirt
Londa Rohlfing - Memory T-Shirt Londa digs in, filters, and combines men’s collared polo knit shirts and seven dress shirts into strikingly artistic tops so the men in your life better lock their closets! Mannequin 1: The Khaki/Black Shirt Interesting collar edge - how it flows over the shoulder to the back 1. Asymmetrical/Informal Balance - accented with woven striped shirt set in from behind to fill in low neckline. 2. Combination of textures - couched edges for ‘finish’ - more on how to couch later. Yarn ‘connects’ everything, finishes edges. 3. Light hand stitching as center of interest - also on back, and sleeves 4. Bound neckline using knit fabric 5. Even Daddy’s ‘spot’ is OK! 6. Original uneven hemline - bound slits at side seams Mannequin 2: The Periwinkle Shirt 1. Symmetrical/Formal balance 2. Curved line of inset check knit shirt flows over the shoulder/sleeve seam - had to stitch shoulder seams, insert sleeves before working the check shirt ‘fill-in’ at the chest. 3. Reason for lower yoke, to cover up the logo embroidery at left chest. 4. Wider at shoulders always makes hips look slimmer 5. Use of polo collar - wrong side as ‘outside’ to not show ‘worn’ folded edge of collar. 6. Bias is ALWAYS better/more flattering - check shirt inset. 7. ALWAYS stay-stitch neckline edges. 8. Bound neckline finished with bias tie fabric. 9. Bias cut 2 layer ‘Fabric Fur’ + yarn = the trim. 10. Somewhat wild eye-attracting ‘hairy’ Couched yarn connects everything and adds some ‘pizazz. 11. Sleeves - tie label covers insignia at sleeve, bias Fabric Fur + yarn trim connects with rest of the shirt. -
Islander Sewing Systems: Tuesdays at Two with Janet Pray and Jessica
Islander Sewing Systems: Tuesdays at Two With Janet Pray and Jessica Johnson Index Through June 2019 Subject Type Topics Video Date Alterations Charge at least $10 to hem a pair of pants October 2, 2018 Alterations Tip If asked to hem pants or sew on a button, show the person who asked how October 2, 2018 Alterations Learn how to do alterations for any figure "flaws" and make it a priority for April 9, 2019 one's sewing education Alterations One can just say no to requests for alterations. Give the person who asks for October 2, 2018 alterations a high price; the individual will accept or say no. If one accepts alterations, do it under your conditions Batting Tip Use two layers of Insulbrite or similar batting with a silver backing, not one December 18, 2018 layer. Temporarily adher fabric to back, quilt top, and then put on the binding Bias Tape Maker Demo Make bias tape strip twice as wide as needed using iron and Simplicity Bias July 10, 2018 Tape Maker Books & DVDs Connie Crawford's Patternmaking Made Easy is a textbook, but filled with 3/27/18 & 11/13/2018 good information Books & DVDs Easy Zipper class is available online or on DVD and includes five different 4/24/18 & 8/28/2018 zipper techniques. The class is also on SewBetter.com Books & DVDs Fitting and Pattern Alteration by Elizabeth Leichty and Judith Rasband is an 5/15/2018 & 5/30/18 excellent resource, or take a class from Lorraine Henry Books & DVDs Gail Yellen's It's All About Embelishments is a good resource for decorative April 24, 2018 serger techniques. -
2013 Proceedings New Orleans, Louisiana 70 Years of Fashion In
New Orleans, Louisiana 2013 Proceedings 70 Years of Fashion in the Chinese Dress—Exploring Sociocultural influences on Chinese Qipao’s Hemline Height and Waistline Fit in 1920s-1980s Lushan Sun, University of Missouri, USA Melody LeHew, Kansas State University, USA Keywords: Chinese, qipao, hemline, waistline The evolving dynasties and periods in Chinese history have always been accompanied with unique changes in its dress. Under the globalized society today, Chinese fashion has also left its footprint in the international fashion industry through which the world gains further understanding of the Chinese culture. The Chinese dress for woman, qipao or cheongsam in Cantonese, has evolved through a variety of silhouettes and styles under the quick changing cultural environment in the 1900s. Today, it has been accepted and internationally recognized as the distinctive national dress for the Chinese woman. According to the principle of historical continuity, “each new fashion is an outgrowth or elaboration of the previously existing fashion” (Sproles, 1981, p.117). Qipao may be traced back as early as Shang dynasty (1600-1046 B.C.) in a form of long robe, and it has flourished through different cultures and dynasties and periods in China (Liu, 2009). Its most commonly known origin lies in Qing dynasty (1644-1911) in the Chinese feudal society. Elements of both Manchu and Han ethnic dresses contributed in shaping the original qipao style during this time. The Republican Era (1911-1949), a transitional time from the feudal to modern Chinese society, accompanied with revolutionary changes in qipao styles. During this period, qipao was the main site of woman’s fashion and became “a stage for debates about sex, gender roles, aesthetics, the economy, and the nation” (Finanne, 2007, p.141). -
1, 2, 3 Sew: Build Your Skills with 33 Simple Sewing Projects
Text copyright © 2011 by Ellen Luckett Baker. Photographs copyright © 2011 by Laura Malek. Illustrations copyright © 2011 by Ellen Luckett Baker. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher. ISBN 978-1-4521-0481-2 The Library of Congress has previously cataloged this title under ISBN 978-0-8118-7649-0 Designed by Vivien Sung Typesetting by Melinda Macfadden Photo styling by Ellen Luckett Baker Chronicle Books LLC 680 Second Street San Francisco, CA 94107 www.chroniclebooks.com Contents Introduction Getting Started Choosing Fabric 15 Essential Tools CHAPTER 1: DINING AND DISHES Fruit Tea Towels Hooked on Napkins Set the Table Runner CHAPTER 2: PILLOWS Skyline Pillow Concentric Squares Pillow Circles Floor Pillow CHAPTER 3: ORGANIZERS Pencil Holder Storage Cube Craft Caddy CHAPTER 4: QUILTED KITCHEN Ticking Stripe Hot Pad Plaid Coasters Rippled Place Mats CHAPTER 5: TOTES Market Tote Doodle Bag Lunch Sack CHAPTER 6: POUCHES Grid Glasses Case Polka Dot Pouch Lawn Cosmetic Bag CHAPTER 7: HANDBAGS Pintuck Clutch Tiered Bag Pleated Satchel CHAPTER 8: ACCESSORIES Eyelet Headband Tea Towel Apron Yo-yo Scarf CHAPTER 9: REVERSIBLE FOR KIDS Play Your Way Cape Change Your Mind Skirt Mix It Up Smock CHAPTER 10: FOR BABY Sampler Burp Cloths Initial Blanket Sunshine Bib CHAPTER 11: BLOCKHEAD ANIMALS Mouse Pincushion Blockhead Puppets Bunny Softie Basic Embroidery Stitches Patterns Sewing Glossary Resources Acknowledgments Index SPECIAL BONUS PROJECT Available online! Visit www.chroniclebooks.com/123Sew for the instructions INTRODUCTION I started sewing eight years ago. Before then I never considered myself a crafty person, though I always had an interest in art and design. -
Pattern # 179 Dolly Molly Page 1 of 15
Pattern # 179 Dolly Molly Page 1 of 15 http://www.thesimplelifecompany.com 02/09/2017 Version ©Simple Life Pattern Company 2017 Pattern # 179 Dolly Molly Page 2 of 15 Size Charts 14" 18" Chest 7" 12” Waist 7" 12” Finished Length top shoulder to hem 14" 18" Top 5” 6.5” Dress 7” 8.5” Maxi 11” 12.5” Fabric Requirements (Yards – based on 44/45” fabric) Bodice & Pintuck Size Top Dress Maxi Collar Bias Placket Lining Placket 14" 1/8" ¼" ¼" ¼" 4" square 1/8" 4” square 18" 1/8" ¼" ¼" ¼" 4" square 1/8" 4” square Additional Notions Needed • 1 Kam Snap or small fastener for back closure • Buttons for embellishing the pleated placket (optional) • Fabric Marker/chalk (optional) http://www.thesimplelifecompany.com 02/09/2017 Version ©Simple Life Pattern Company 2017 Pattern # 179 Dolly Molly Page 3 of 15 Tips & Notes: • Please read through the entire pattern before beginning. • All seam allowances are 1/4”, unless otherwise stated. • For a professional look, press your garment when instructed. • When instructed, topstitch your garment. This will give you professional results. TIP: I always increase my stitch length to 3.0 – I feel a longer topstitch length looks better. If you do this, be sure to put your stitch length back to 2.5 for regular sewing. • Gathering can be tedious - I find it easiest to turn my tension to the highest tension and my stitch length to the longest stitch. Before you start sewing, pull up the bobbin thread and pull the top thread and bobbin thread out so you have about a 5” tail before you sew. -
Tonbi) LACMA Costume and Textiles Pattern Project
UNDERTAKING THE MAKING: REIGNING MEN Man’s Overcoat (Tonbi) LACMA Costume and Textiles Pattern Project Man’s Overcoat (Tonbi) during the Taisho¯ (–) and . The beaver fur collar is slightly Japan, Taisho¯ period (–) early Sho¯wa (–) periods among padded and underlined with black to Sho¯wa period (–); intellectuals, professionals, and the wool plain weave, full finish, with – wealthy, who often added a Western- horizontal stitches at the collar stand Wool plain weave, full finish, and style hat and walking stick or umbrella and broad zigzag stitches at the top beaver fur, sheared and dyed to their kimono ensemble. The con- of the collar fall. A felt under-collar Gift of B. Rich cealed center-front button closures melton is attached along the edge. M... and sweeping construction created . The armscye openings are long a fluid silhouette that was more Western to accommodate kimono sleeves; The Inverness coat, a sleeveless overcoat in make but Japanese in aesthetic. the interior front edges are bound with a hip-length shoulder cape, was in black silk velvet. The hip-length introduced to Japan during the late Edo NOTES: shoulder cape sleeves are raglan period (–). There, it was modi- . Fabric grain follows vertical lines in construction with back edges sewn fied with enlarged armscye openings of graph paper. along the back of the deep armscye. from the shoulderline to the waistline . Pattern pieces are drawn without The bottom edges are folded under. to accommodate the wide sleeves of seam allowance. Narrow double-welt slash pockets a kimono. From the front, the shoulder . The center-front closes with five are at each side-front. -
United States Patent 19 11, 3,977,025 Horan (45) Aug
United States Patent 19 11, 3,977,025 Horan (45) Aug. 31, 1976 54) BELT CLOSURE FOR STERILE BACK SURGICAL GOWN OR THE LIKE Primary Examiner-Werner H. Schroeder 75 Inventor: Robert T. Horan, Tucson, Ariz. Attorney, Agent, or Firm-Quarles & Brady 73). Assignee: Will Ross, Inc., Milwaukee, Wis. 57 ABSTRACT 22 Filed: Dec. 24, 1975 A sterile back surgical gown is closed by side and back (21 Appl. No.: 644,045 belts tied at the user's side. The back belt is designed to be passed to the wearer without loss of sterility; and is stored in a pocket with its free end in an envelope (52) U.S. Cl............ 2/114; 2/51; that extends into the pocket and is deadfolded to re 2/DIG. 7, 206/440 main in proper position, and that has an exposed 51 Int. CI.'................ A41D 13/00 transparent side so that an assistant can see the belt 58) Field of Search..................... 2/51, 114, DIG. 7; end. The fixed end of the back belt and one end of an 206/278, 439, 440 inner tie are anchored by respective parts of a snap closure that releasably holds a closure panel in open (56) References Cited position. The side belt is in a storage sleeve with a free UNITED STATES PATENTs end projecting forwardly and a loop extending rear 3,259,913 7/1966 Tames..................................... 21114 wardly, and there is a Y-reinforcing strip connected 3,594,818 7/1971 Planner................................... 21114 between the side belt and gown to allow the belt to be 3,648,290 3/1972 Hartigan... -
Carli Coatigan ______
Carli Coatigan _______________________________________ Ladies XXS to 5XL What’s Inside ____________________ Getting Started 4 Printing Your Pattern 5 Settings 5 How to Print Only the Size You Need (Using Layers) 6 Printing the Instructions 6 Carli Coatigan 7 Size Chart 7 Finished Garment Measurements 8 Materials & Tools 9 Cutting Instructions 10 Fabric Tips 11 Tips for Sewing with Knit Fabrics 11 Quick-Glance Cheat Sheet 12 Sewing Instructions 13 Preparation 13 STEP 1 – Back Darts 13 STEP 2 – OPTIONAL Pockets 16 STEP 3 – Back Seam 19 STEP 4 – Shoulder and Back Neck Seam 21 STEP 5 – Sleeves 23 STEP 6 – OPTIONAL Belt 25 STEP 7 – OPTIONAL Hemming 29 Pattern Pieces 33 Website rebecca-page.com Facebook Page facebook.com/rebeccapageofficial Facebook Group facebook.com/groups/mummykinsandme Instagram instagram.com/rebeccajpage #rebeccajpage Pinterest pinterest.com/rebeccajpage Twitter twitter.com/rebecca_page Newsletter rebecca-page.com/newsletter Email [email protected] YouTube youtube.com/user/rebeccapage1 Product Sales & Licensing Information ____________________ This pattern is copyrighted 2019 to Rebecca Page by rebecca-page.com. Please feel free to make garments from this pattern to sell. If you do, we’d love you to include a credit to rebecca-page.com as the pattern designer, but it’s up to you. The finished product may only be sold by crafters. It may not be mass produced. You can only sell the finished product; you cannot sell the pattern or these instructions. Best of luck and happy sewing! Getting Started ____________________ Need help? Have a question? Join our Facebook Group at https://www.facebook.com/groups/mummykinsandme/ You can get help, ask questions, share your tips and shortcuts and share your creations! We’re a friendly bunch and we love helping out and seeing what you’ve made. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
JICMS Uniform Dress Code
JICMS Uniform Dress Code Approved Uniform Items The following items have been selected as the acceptable uniforms for students at JICMS. All items may be worn year-round as appropriate. Acceptable uniform items may be purchased from various stores such as French Toast, Old Navy, and Land’s End. Please contact the middle school administration for clarification before purchasing uniform items. ACCEPTABLE TOPS: UNACCEPTABLE TOPS: -POLOS -POLOS o Solid in color o Form-fitting or see through tops o White polo with undershirt/tank top o Button down dress shirts o Loose fitting, modest in cut and style o Stripes, prints, or other designs o Must have functional buttons up to the collar o Sleeves that extend past the wrist o Logos or emblems that are smaller than the size o Black polo in combination with black pants except of a quarter when band students need to dress up o Only have the top button undone o Thumb holes o Long or short sleeved o Pockets o Must be tucked in at all times -SWEATERS AND SWEATSHIRTS -SWEATERS AND SWEATSHIRTS o Sweaters, sweater vests, and sweatshirts worn o Hoodies, of any kind over tucked in polos o Ponchos, fleece, or fleece-type materials o Uniform style sweaters or sweater vests that are o Stripes, prints, or other designs solid navy blue, gray, or white in color o Wearing sweaters/sweatshirts backwards, just over o JICMS school sweatshirts-navy blue or gray the arms, or tied around the waist o Solid plain navy blue or gray sweatshirts o Sleeves that extend past the wrist o Must come to hip level and worn properly -
News You Can Use
News You Can Use LivingSoft Subscriber Newsletter | Volume 13 Dress Shop 7 Released! Become a Fashion Designer at home! With Dress Shop 7, you too can be a fashion designer, starting with a pattern that fits and making something extraordinary to wear! On October 20, 2006, Dress Shop 7 was released, exactly two years after Dress The NEW Design Elements in Dress Shop 7 Shop 6 was released. Dress Shop 7 includes more patterns, more tools, more The Dress Shop 7 upgrade necklines, more collars, more sleeves, includes many new features, but and more closure options than ever this article will address only the before. And, upgrading is a bargain. If new design elements: necklines, you do not yet own the Dress Shop collars, closures, sleeves, waist Fashion Design tools, upgrading to Dress Shop 7 gives offset and Pattern Conversion you over $200 worth of design tools for just the $60 tools. Dress Shop 7 Pro also upgrade price. And, you get more than a hundred additional includes ALL of the fashion patterns, plus the new necklines, collars, closures, and design tools as well. sleeves to boot. Necklines: Some necklines were added to Dress Shop If you do own any of the prior tool products, you get a for just one or 2 named patterns. The Cami neck for discount on the upgrade for each tool you own. Either way, instance was available only for the Camisole and you you win! could use it on just that one pattern from the Lingerie category. Now, this neckline may be used on fitted Upgrading from Dress Shop 6 to Dress Shop 7 costs $60, shirts, shells, sheaths, and jumpers for a wide less $10 for each Dress Shop Tool product you own assortment of garment designs. -
3 Meter Hemline (1) 1 386 380 383 2 2 3 3 4 4 1 7 8 5 6 6 7 5 10 11 11
3 METER HEMLINE (1) 1 1 2 381 252 251 259 255 256 258 285 285.W 287 2 3 380 383 3 386 4 4 5 5 150 260 253 253.XL 161 130.M 130.S 131.M 155 6 6 7 7 233 230 236.P 8 8 235 159 120.14 120.28 120.04 120.13 120.07 120.01 9 9 141 140 145 10 10 203. 232 203.20 203.22 203.24 203.26 100.60 100.70 100.75 100.80 100.90 100.100 18 11 203.1822 11 12 12 237 204.15 204.39 200.39 200.510 200.7 200.8 100.99 100.991 100.992 103.90 103.99 109.80 160 158 13 13 14 14 190 200.9 216.48 217.37 208.51 206.510 105.99 101.99 106.80 104.99 108.99 102.99 15 205.1822 15 16 16 207. 676 702 701 706 703 679 707 668.200 222.S 222.M 222.L 214 39 201.39 17 17 213 18 204.1418 18 712 708 700 209.101 218 215.7 210.50 212 211 211.A 210.25 210.30 19 19 20 20 21 21 414.AC 415.99 410.0 410.1 410.2 410.3 705 228 713 711 670. 600 704 22 22 412 411 23 410.99. 23 413 410.99 419.00 414.00 414.99 246 64 249 668 669.S 669 24 24 25 419.00.