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2015-2016 ANNUAL REPORT 4 6 8 MESSAGE FROM MESSAGE FROM THE PRESIDENT COLLECTION AND THE CHAIR OF THE BOARD AND CHIEF EXECUTIVE OFFICER ACQUISITIONS

14 16 18 KNOWLEDGE AND CONSERVATION EXHIBITIONS RESEARCH

28 36 40 EDUCATIONAL AND MARKETING AND McCORD MUSEUM CULTURAL MISSION COMMUNICATIONS FOUNDATION

44 49 FINANCIAL STATEMENTS – MUSEUM DONORS AND PARTNERS FINANCIAL STATEMENTS – FOUNDATION 2015-2016 BOARD OF TRUSTEES MUSEUM TEAM M MISSION ACCOMPLISHED! M –– c E C Three years after the McCord and Stewart museums began the merger S O process, we are proud to say: mission accomplished! Thanks to the hard S work and good will of both museum staffs, we have successfully integrated R A our personnel and programs. Both institutions have benefited from this D G stimulating synergy and the Museum has, once again, finished the fiscal year with a balanced budget. S E With new exhibitions that highlight its impressive collection using T a contemporary approach, the Stewart Museum is attracting more and E F more visitors to St. Helen’s Island, while the McCord Museum is constantly W enhancing its dynamic programming and innovative educational and cul- A R tural programs. The new McCord Stewart Museum is, first and foremost, R O a museum devoted to history; it therefore has an important educational T M role to play. The constraints imposed by our current buildings and locations unfortunately prevent us from fulfilling this role as fully as we would like. At MONIQUE JÉRÔME-FORGET M CHAIR OF THE BOARD the moment, the space available for learning activities can accommodate U T McCORD STEWART MUSEUM approximately 20,000 children. However, if we want to properly meet the S H demand, this capacity should be at least three times higher. E E Advances achieved since the merger have shown that it is important U to combine the two museums into a single, easily accessible location as M soon as possible and significantly expand the floor space available for C displaying our collections and accommodating our public. The McCord H Stewart Museum is one of Montreal’s major tourist attractions; as such, it is crucial to make it more accessible and more emblematic of its unique A treasures. Combining our collections in a single, larger and more functional I location would be more efficient and enable us to exhibit a more represen- tative proportion of what we hold in storage. It would also save money on R 4 administrative costs. The Government of Québec and the Ministère de la – Culture et des Communications have clearly understood this; consequently, 5 O they have given us a grant to create the operating and technical program F for our proposed new museum. On behalf of my colleagues on the Board and everyone on the McCord Stewart Museum team, I would like to thank them for making it possible for us to take this first step towards realizing T our vision for the future. I would also like to thank the Conseil des arts de H Montréal for its encouragement and unwavering support. E Our highly professional President and Chief Executive Officer and her team have once again done a tremendous job; Suzanne Sauvage, a dedicated, exceptional manager, is supported by a team of outstanding 2 B professionals and all contribute enormously to the success of the McCord 0 O Stewart Museum. I would like to thank them wholeheartedly for the hard work and resourcefulness they have shown in implementing the merger 1 A of the two institutions. Thanks to them, our exhibitions have been both 5 R critical and popular successes, attracting media interest and thus further - D enhancing the Museum’s public profile. 2 Finally, I would like to express my appreciation to the members of our 0 Board of Trustees, who do such remarkable work, often behind the scenes. 1 François Duffar has moved to the board of the McCord Museum Founda- 6 tion, while four other trustees left the board during the past year: Salvatore Iacono, Christena Keon Sirsly, Alexandra Schwartz and Frederick Sneider. A All deserve our sincere thanks for their dedication and vital contributions N to the success of the McCord Stewart Museum, a museum that truly has, N as the expression goes, the wind in its sails. U A L

R David W. Marvin, E Mural painters, downtown, about 1969-1970 Gift of Mrs. David W. Marvin, P MP-1978.186.1.3748 © McCord Museum O –– R T M CONGRATULATIONS ON A JOB WELL DONE M E –– c C S The merger of the McCord and Stewart museums was not only a stimulat- O S ing challenge, it also provided numerous opportunities to clarify the new museum’s mission and take steps to ensure that it is seen as emblematic R A D G of our city’s rich history by Montrealers and visitors alike. The McCord E Stewart Museum has become a major player in the Montreal cultural scene, as illustrated by its high-profile exhibitions and growing attendance. S In fact, the Museum welcomed a record number of visitors to its two sites T F in 2015-2016. Furthermore, the quality and diversity of the sixteen exhibi- E R tions presented over the past year were recognized and praised by both W O the public and our peers across Canada and around the world. Several of A M these exhibitions were especially successful, namely Horst: Photographer R of Style, which attracted over 70,000 visitors at the Museum. Other exhi- T T bitions that made 2015-2016 such a banner year were Montreal Through the Eyes of Vittorio: 50 Years of City Life and Graphic Design, devoted to SUZANNE SAUVAGE M H the work of renowned Montreal poster designer Vittorio Fiorucci, and E PRESIDENT AND CHIEF EXECUTIVE OFFICER, U McCORD STEWART MUSEUM D’Artagnan, Al Capone and the Others – Weapons and Legends at the S Stewart Museum, which featured 25 legendary characters, both real and E P fictional, and the weapons associated with them. U R The Museum’s ongoing commitment to innovation led it to develop M E citizenship programs that adequately reflect Montreal’s cultural and S social diversity; to this end, it participated in the citizen-led 25,000 I Tuques Project, in co-operation with the Red Cross, to knit hats for Syrian refugees. The Museum donated a total of 8,000 knitted hats created on D site or dropped off at the Museum. We also took part in an ephemeral E museum pilot project at Viger Square, the Maison du Père and Accueil N Bonneau, an initiative that gave many homeless people an opportunity 6 to discover the history of their city. In addition, working with the Centre T – hospitalier de l’Université de Montréal (CHUM university hospital), we 7 A continued our intergenerational program Sharing our Memories, our N Stories, which enables young people to meet with seniors and develop D singular, productive relationships with them. The Museum acquired over 7,000 artefacts and more than 10 linear metres of textual archives in 2015-2016. Since our storage space is C already filled to capacity, the need for a larger facility is only becoming H more obvious. Thanks to the support of the Quebec government, we I are working on an operational and technical program to clearly define the needs to be addressed when developing our proposal for a new E 2 Museum site. F 0 The competence and expertise of our curators and conservators means they are invited to publish across Canada and internationally. We 1 E are proud of their renown and achievements, particularly the publication, 5 X in co-operation with the Université du Québec à Montréal (UQAM), of the - E proceedings of Collecting Knowledge: New Dialogues on McCord Museum 2 C Collections, a 2013 colloquium that involved all of our curators. 0 U I would like to express my sincere appreciation to all the members of 1 T our team for their dedication and commitment; in particular, I would like 6 I to thank those who worked on updating our Website, which was awarded V a prize for best site, arts and culture, in the Boomerang digital competi- A E tion organized by Infopresse. Finally, many thanks to the members of our N Board of Trustees for their unwavering support and trust. N The year 2017 will mark the 375th anniversary of the founding of U O Montreal. We look forward to this celebration with confidence, convinced A F that our programming for this occasion will make Montrealers prouder L F than ever of their museum. I R C Horst directing fashion shoot E with Lisa Fonssagrives, 1949. E Photo by Roy Stevens / P Time&Life Pictures/Getty Images O R –– R T C NEW ACQUISITIONS M O The McCord Stewart Museum collection is one of Canada’s largest c sources of documents and artefacts for historical research. In 2015- C L 2016, this collection was enhanced by 145 donations, for a total of O L 7,037 artefacts and 10.08 linear metres of textual documents. R E D

C S T CATEGORIES DONATIONS ARTEFACTS/DOCUMENTS T I E ICONOGRAPHIC ARCHIVES 12 1,868 O (CARICATURES) W A PHOTOGRAPHIC ARCHIVES 12 3,476 N R T TEXTUAL ARCHIVES 4 10.08 LINEAR METRES A N DECORATIVE ARTS 23 284 M D U COSTUME AND TEXTILES 30 785 S E A ETHNOLOGY AND ARCHAEOLOGY 3 40 U C M PAINTINGS, PRINTS AND DRAWINGS 13 557 Q U INTERCOLLECTIONS 44 (SET OUT ABOVE) I STEWART COLLECTION 4 27 S I TOTAL 145 7,037 ARTEFACTS AND 10.08 LINEAR METRES 8 T – I 9

O NEW ACQUISITION N S

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A N N Notman & Sandham, Princess Louise Dragoon Guards, U Ottawa, 1879, composite photograph. Gift of Mrs. Diane Bourdeau, M2015.79.1 © McCord Museum A –– L

R Le Conseiller des Dames et des Demoiselles. E Journal d’économie domestique et de travaux à l’aiguille, vol. 5, Paris, 1852. RB-2203 © McCord Museum P –– O R T C CULTURAL PROPERTY CANADELLE WONDERBRA COLLECTION, M GIFT OF CANADELLE LIMITED PARTNERSHIP O During the year 2015-2016, nine donations were c L recognized by the Canadian Cultural Property In 2015, the McCord Museum received an C L Export Review Board as being of outstanding exceptional donation: a large collection of O E significance and national importance. These Wonderbra samples from the Canadelle R C donations included five paintings by Jack Beder company in Montreal. The Museum selected D T (1909-1987), one of the most established members 442 undergarments and bathing suits from I of a group of artists called “Jewish Painters of among over 2,400 articles illustrating the history S and evolution of women’s undergarments in O Montreal” who depicted the social realism of T the 20th century. N Montreal during the 1930s and 1940s. E W A A N R

D Cultural property: T Jack Beder, Sherbrooke Street East, Montreal, 1939. Gift of André Valiquette, A M2015.51.5 © McCord Museum M C –– U Q S U E I U S M I T

I Dream Lift push-up bra, O Wonderbra, 1963. Gift of Canadelle Limited Partnership N M2012.92.X © CNW Group/Wonderbra S –– 10 –

SEVERAL REMARKABLE DONATIONS 11

2 0 1 5 - 2 0 Montreal, Montreal, Montreal, Charles C. Gurd, Sugar bowl, Phoebe Seaton, 1 Sheet music by Willie Eckstein, 1945. 1475 des Pins Avenue West, Montreal, 1974. Burlington Glass Works, 1875-1909. Saint Helen’s Island, 1831-1832. Gift of the Estate of Paul Viau Gift of Charles C. Gurd, Gift of the Estate of Léonard Dupuis Gift of Eryll Fabian, 6 P767/B3,2 © McCord Museum M2015.36.355P2 © McCord Museum M2015.120.34.1-2 © McCord Museum M2015.48.1.77 © McCord Museum –– –– –– –– A FONDS WILLIE AND KITTY ECKSTEIN, PHOTOGRAPHS FROM THE “MONTREAL MANSIONS A COLLECTION OF CANADIAN GLASSWARE, SEATON ALBUM, N GIFT OF THE ESTATE OF PAUL VIAU PROJECT,” GIFT OF CHARLES C. GURD GIFT OF THE ESTATE OF LÉONARD DUPUIS GIFT OF MRS. ERYLL FABIAN N William Eckstein (1888-1963) was a prominent Taken in 1974, these photographs by Charles This array of 50 pieces of pressed glass was This album was a gift from Tunbridge Wells, U pianist on Montreal’s cultural scene during the Gurd document the architecture, furnishings and selected from among nearly 1,000 objects collected England. The vast majority of its 120 watercolours A first half of the 20th century. A pioneering musician, décor of several prestigious Montreal mansions by Léonard Dupuis in Quebec and Ontario over more and drawings were created by the donor’s great- L he was very influential in his time. The documents that, from 1900 to 1930, were home to prominent, than thirty years. For his collection, Mr. Dupuis great-grandmother, Phoebe Seaton, during a stay preserved in this fonds provide a record of the influential individuals associated with the history of focussed on objects representative of the Canadian on St. Helen’s Island from 1830 to 1832. Phoebe professional activities of this pianist born in Canada and Montreal. This gift includes over 2,000 pressed glass industry and oil lamp production. was accompanying her husband, Thomas Seaton, R Point St. Charles, his colleagues, his concerts and images in the form of original prints, modern prints, who was working as the doctor for the British army E achievements, as well as his personal life. negatives and digital images. troop stationed on the island. P O R T C M O c L C L O E R C D T I S O T N E W A A N R D T

A M C U Q S U E I U S M I T I O N S 12 Object loaned to the Sherbrooke Fusiliers regimental museum: Object loaned to the Agnes Etherington Art Centre: “Opera” section of the exhibition Montreal Through the Eyes of Vittorio: Cuirassier helmet of Lt. Col. Charles Westley MacLean, 13th Scottish Nunavimiut doll, 1945-1950, Purchase of the Canadian Guild of 50 Years of City Life and Graphic Design. – Light Dragoons, 1904-1936, 1970.100.9 © Stewart Museum Crafts, ACC5919.1-2 © McCord Museum –– –– 13 –– LOANS TO OTHER MUSEUMS BORROWED OBJECTS The McCord Museum made or renewed 10 loans in 2015-2016, for a For the presentation of the exhibitions Montréal – Points of View, total of 34 objects in circulation. Among the museums to benefit were Wearing Our Identity - The First Peoples Collection, Love in Fine the Canadian Museum of History in Gatineau, the Agnes Etherington Fashion, Camp Fires: The Queer Baroque of Léopold Foulem, Paul Art Centre in Kingston and the Confederation Centre of the Arts Mathieu and Richard Milette, Montreal Through the Eyes of Vittorio: in Charlottetown. 50 years of city life and graphic Design, Mister Rabbit’s Circus, Decolonial Gestures or Doing it Wrong? Refaire le chemin and the For its part, the Stewart Museum made or renewed 16 loans, for a upcoming Notman – A Visionary Photographer, the McCord Museum 2 total of 72 objects in circulation. Several institutions, including the borrowed 272 objects over the year 2015-2016. The exhibition devoted 0 Montreal Museum of Fine Arts, the Château Ramezay, the Musée de to poster designer Vittorio required the Museum to process 162 1 la civilisation, the Sherbrooke Fusiliers regimental museum and the borrowed objects, posters and documents. 5 Marguerite-Bourgeoys Museum, have displayed these loans. - 2 0 1 6

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R E P O R T K THE ARCHIVES AND DOCUMENTATION CENTRE et impératif événementiel / The Convulsive M PROVIDES ACCESS TO THE McCORD STEWART Collections, held at the Musée d’Art de Joliette c MUSEUM’S COMBINED COLLECTIONS N on March 19, 2016. C O The McCord Stewart Museum’s Archives and Cynthia Cooper, Head, Collections and O W Documentation Centre is an essential reference Research, and Curator, Costume and Textiles, R presented a paper entitled “Love in Fine Fashion: for researchers from many fields. This wealth D L of information can be accessed in two ways: A Fresh Approach to an Exhibition of Wedding by consulting the online database or by using the Dresses,” at the ICOM Costume Committee E S D computerized catalogue available on-site at the Annual Meeting, on the theme Exhibitions and Museum, which is even more complete. Users Interpretation, held in Toronto September 8 to 13, T G of the Archives and Documentation Centre also 2015. Following the Toronto event, the Museum E E have access to a library of 9,000 reference works, hosted a post-conference tour on September W specialized periodicals and the 2,300 or so titles 15 for fifteen international attendees, featuring A in its rare book collection. In addition, researchers presentations and workshops by several R A can consult more than 780 archival fonds and members of the Collections and Research and T N collections comprising more than 285 linear Conservation staff. D metres of textual documents and over 1.3 million M photographic archives. Scholarly Publications U The Museum’s Archives Centre is certified by The Museum published the proceedings of the S the Bibliothèque et Archives nationales du Québec colloquium Collecting Knowledge: New Dialogues R E (BAnQ); as such, it receives an annual grant to on McCord Museum Collections held in 2013. Seven U E support its efforts to develop archival collections members of the Museum’s staff contributed to this S and make them accessible to a wide public. publication, which was edited by Joanne Burgess, M E Over the year 2015-2016, the Centre’s staff Cynthia Cooper, Céline Widmer and Natasha welcomed 425 researchers on-site for a total Zwarich, and published by Éditions Multimondes. A of nearly 600 research visits and answered Anne MacKay, Head, Conservation, in February R approximately 1,750 requests by telephone, email 2016 published an article entitled “The Frame in C or mail. The staff also led several guided tours Context: The Seagram Cities of Canada Collection of the Centre and made its resources available at the McCord Museum” in The Journal of Canadian H to a number of researchers, notably from Art History, Vol. XXXV: 2. 14 universities, First Nations communities and the Céline Widmer, Curator, History and Archives, – local community. co-authored an article with Nicolas Bednarz 15 entitled “Archives au pluriel : le Montréal de SHARING OUR EXPERTISE 1914-1918. L’expérience d’une création PUBLICATIONS, PRESENTATIONS AND PARTNERSHIPS collaborative et multidisciplinaire,” in Lemay, Y. The McCord Museum is always proud to share its and Klein, A. (eds.), 2015, Archives et créations : knowledge and expertise with other institutions nouvelles perspectives sur l’archivistique. and the public. Staff from the Collections and Cahier 2, Montreal, QC: Université de Montréal, Research and Conservation departments publish École de bibliothéconomie et des sciences de articles, present scholarly papers at colloquia and l’information (EBSI). workshops, and collaborate with academic and Christian Vachon, Curator, Paintings, Prints other communities. and Drawings, selected the illustrations and wrote 2 the preface for Cinquante ans de caricatures en 0 Selected Presentations environnement, a book published by Éditions 1 Christian Vachon, Curator, Paintings, Prints and Écosociété and launched at the McCord Museum 5 Drawings, presented a paper entitled “La collection on April 16, 2015. - de caricatures politiques du Musée McCord : 2 accès et valorisation” at a one-day discussion Other Publications 0 forum entitled Le patrimoine politique du Québec Book Montreal Through the Eyes of Vittorio 1 : un état des lieux des traces documentaires This work by Marc Choko, curator of the 6 organized by BAnQ and the Société du patrimoine exhibition Montreal Through the Eyes of Vittorio: politique du Québec (SOPPOQ) on May 22, 2015. 50 Years of City Life and Graphic Design and A Hélène Samson, Curator, Notman Photographic Professor Emeritus, UQAM School of Design, Archives, presented a paper entitled “Artiste en was co-produced with the Museum’s teams to N résidence au Musée McCord : le cas de Kent mark the exhibition. It can be purchased at the N Monkman,” at the colloquium Collections: Museum Boutique. Montreal, Éditions de U They’re Back!, organized by the Groupe de l’Homme, 2015. A recherche et réflexion CIÉCO : Collections L

R Aislin, E Mount Royal Cross, The Gazette, March 13, 2008. P Gift of Terry Mosher, O M2016.28.5 © McCord Museum R –– T C M c O C N O S R E D

R S V T A E T W A I R O T N M During treatment After treatment U –– Pierre Granche, S Totem urbain – Histoire en dentelles, 1992. E Art and architecture integration policy, Government of Quebec, U M992.112.1.1-2 © Pierre Granche Estate / SODRAC - M Photo credit: McCord Museum

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CONSERVATION The Conservation Department is critical to the Museum’s mandate because its mission is to preserve the collections and maintain the highest environmental standards for the storage, handling and transport of museum objects. In addition, the Department’s conservators undertake treatment on objects from the Museum’s collections and conduct scientific research on conservation issues. During the summer of 2015, the Department supervised major restoration work on Totem Urbain : Histoire en Dentelles, a public art sculpture created in 1992 by Pierre 2 Granche. Nestled in an exterior bay on the west side of the Museum, it had been 0 damaged by falling ice in the early spring. The treatment, carried out by conservation 1 company CSMO (Conservation of Sculpture, Monuments and Objects), restored the work 5 to its original splendour while improving its overall stability and the system for securing - its component parts. 2 As it does every year, the Conservation Department also lent its expertise to the 0 planning and mounting of the Museum’s various exhibitions, treating more than 400 objects for the exhibitions Montreal - Points of view, Mister Rabbit’s Circus, Decolonial 1 Gestures or Doing it Wrong? / Refaire le chemin and Wearing Our Identity - The First 6 Peoples Collection. In the case of Wearing Our Identity - The First Peoples Collection, several ethnological objects taken out of storage for the first time underwent major A treatment; this vital operation contributed a great deal to the understanding of these N objects, thanks to the specific conservation techniques used. N U A L

R Purse (detail) E Métis, 1880-1890. Gift of Julien F. Gaudet, P ME988.136.6 © McCord Museum O –– R T E EXHIBITIONS AT THE McCORD MUSEUM M c MONTREAL – POINTS OF VIEW X C PERMANENT EXHIBITION – SINCE SEPTEMBER 2011 H O I Montreal - Points of View explores ten different facets R of Montreal’s history, from its earliest residents (before D B the arrival of Europeans) to the city of today with its metro and skyscrapers. Visitors are invited to discover I S iconic districts, pivotal moments in the city’s history T T and the people who marked its development. The I exhibition makes use of new media, incorporating E O touch screens, listening stations and podcasts that W N provide visitors with access to additional content on A Folding fan, some of the objects on display. In short, it offers a R S 1850-1875. contemporary look at a fascinating multi-faceted city. T Gift of Esther Kerry, M976.45.2 © McCord Museum A work created by internationally renowned –– contemporary artist Kent Monkman as part of the M Museum’s 2013 Artist in Residence program has been U added to the exhibition. This contemporary work was S inspired by images in the McCord Museum’s Notman E Photographic Archives collection. U –– M

WEARING OUR IDENTITY. THE FIRST PEOPLES COLLECTION PERMANENT EXHIBITION – SINCE MAY 2013

Created in a close partnership with First Nations communities, this exhibition invites visitors to reflect on clothing as a means of identity affirmation. For 18 the First Nations, Métis and Inuit, dress does not – serve solely utilitarian purposes; it also helps quickly 19 differentiate between allies and enemies and keep the latter at bay, demonstrate the power of spiritual leaders like shamans and, in the case of finely decorated clothing, express the respect that hunters have for the animals that enable their families to survive. A major symbol of the First Nations, Métis and Inuit, clothing contributes to the development, preservation and communication of their social, cultural, political and spiritual identities. Contemporary works are added to the exhibition 2 twice a year. Chosen by curator Nadia Myre, a member 0 of the Algonquin Nation in the Kitigan Zibi Anishinabeg 1 community, these works enable First Peoples to 5 demonstrate their desire to preserve and revive their - ancestral cultural values while continuing to create 2 and innovate. This year, contemporary artists Rebecca 0 Belmore and Scott Benesiinaabandan both presented 1 works of identity art. 6 Rebecca Belmore, a renowned Canadian artist, has been drawing inspiration since 1987 from the social and political situations—both past and A present—facing Aboriginal peoples. Working across N photography, video, documented performance and N Bandolier bag, Anishinaabe,1900-1919. printmaking, Scott Benesiinaabandan addresses ideas U Gift of C. S. Rackstraw, of reclamation, sovereignty and global Indigeneity as A ME954.1.24 © McCord Museum –– expressed through cultural crisis/conflict and political L manifestations. –– R Vittorio, E Viva Pedro, 1976. Judith Adams Collection, P photo credit: Richard Max-Tremblay O –– R T E HORST: PHOTOGRAPHER OF STYLE M X MAY 14 TO AUGUST 23, 2015 c C H Produced by London’s Victoria and Albert Museum, I this travelling exhibition was the first major O B retrospective of the works of Horst P. Horst (1906- R I 1999), a legendary artist and recognized master D T of light, form and composition. Working mainly I in Paris and New York, he was one of the most S O influential fashion and portrait photographers T th N of the 20 century. Horst’s photos appeared in E countless issues of Vogue magazine. S W The exhibition featured more than 250 A vintage shots that transcend time. In addition A R to the photographs, the retrospective displayed T T sketchbooks, a short film, archival footage, contact sheets and magazines, as well as eight T haute couture dresses from celebrated designers M H like Chanel, Molyneux, Lanvin, Schiaparelli, U E Maggy Rouff and Vionnet. Also included were a S number of less well-known aspects of Horst’s work: E M nude studies, travel shots from the Middle East, U c patterns created from natural forms, interiors and M portraits. Finally, the exhibition chronicled his C creative process and artistic influences. A North O American exclusive. R –– D

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Muriel Maxwell, 6 American Vogue cover, Horst P. Horst, 1 July 1939 © Condé Nast / Horst Estate A –– N N U A L

R E P O R T E M X c H C I O B R I D T I S O T N E S W A A R T T

T M CAMP FIRES: THE QUEER BAROQUE OF LÉOPOLD L. FOULEM, MONTREAL THROUGH THE EYES OF VITTORIO: H PAUL MATHIEU AND RICHARD MILETTE 50 YEARS OF CITY LIFE AND GRAPHIC DESIGN U E APRIL 10 TO AUGUST 16, 2015 SEPTEMBER 25, 2015, TO APRIL 10, 2016 S E This provocative exhibition brought together some 60 works by three Richard Milette, The works of internationally celebrated Italian-born poster artist Vittorio, M Guasparre, 2000. Italian Film Week, 1964. U internationally renowned Francophone ceramic artists from Montreal, Collection of the artist, Vittorio Fiorucci (1932-2008), who helped brand the landscape of Judith Adams Collection, c united by their common experience and a critical discourse on gay photo credit: © Richard Milette Montreal for generations, bear witness to almost a half century of photo credit: Richard Max-Tremblay M –– –– C identity. The three ceramic artists share a post-modern predilection Léopold L. Foulem life in his adopted city. Vittorio’s highly distinctive art is defined by his Vittorio, O for humour, appropriation and pastiche as well as social and cultural Bicycle Seat Blue and Yellow, 1977. simple shapes, vibrant colours, enigmatic characters and playfulness. Women’s Lib, 1976. Collection of the artist, Judith Adams Collection, R criticism. For more than 30 years, they have explored the theme photo credit: © Toni Hakenscheid More than 125 posters, photos, illustrations and comic strips took photo credit: Richard Max-Tremblay D of “camp,” an artistic sensibility that emerged in the 20th century –– visitors on a journey through the cultural and social milestones of our –– th Lucien Ménard, alongside queer exuberance. city from the 1960s to the end of the 20 century. Right up to the end Vittorio, 1970. © Lucien Ménard M –– of his life, Vittorio continued to work in a variety of fields—culture, art, economics, commerce, values and lifestyle—leaving behind a major –– U 22 body of work. S – –– E 23 U M

R A2 P0 P1 O5 R- 2T 0 A1 N6 AFTER FACEBØØK: IN LOVING MEMORY <3 MISTER RABBIT’S CIRCUS N SEPTEMBER 10, 2015, TO JANUARY 10, 2016 NOVEMBER 1, 2015, TO APRIL 17, 2016 UA th As part of its 14 edition, whose theme was The Post-Photographic After Faceb00k, For this exhibition inspired by the popular children’s book series © Geneviève Després NE Condition, Le Mois de la Photo à Montréal presented, in partnership In Loving Memory <3, 2015 Monsieur Lapin, published by Éditions Les 400 coups, children ages –– Installation of Mois de la Photo à Montréal © Geneviève Després NL with the Museum, an installation created by two young artists using © McCord Museum 3 to 9 could indulge their sense of adventure in a search that led them –– U images from Facebook to explore the continuity of life after death on –– through some 200 toys and objects from the Museum’s collections. © McCord Museum –– A2 Facebook. This project focussed on the economic, political and social Some props disappeared the evening of the big circus premiere, so L0 issues associated with sharing images on Facebook as well as the Mister Rabbit asked the children to help him find the missing items paradigm shift in contemporary photography with the rise of social along with the thief. 1 media. –– R5 –– E- P2 O0 R1 6T E M X c H C I O B R I D T I S O © Nadia Myre T –– N E S W A A R T T

T DECOLONIAL GESTURES OR DOING IT WRONG? OUTDOOR EXHIBITION M H REFAIRE LE CHEMIN DAVID W. MARVIN: STREET CHRONICLES – 1965-1975 U E FEBRUARY 18 TO MAY 29, 2016 McGILL COLLEGE AVENUE BETWEEN DE MAISONNEUVE AND S PRESIDENT-KENNEDY, JUNE 12 TO OCTOBER 19, 2015 E For this year’s Artist in Residence program, the of the instructions the artist heard. Several M David Wallace Marvin (1930-1975) captured the Montreal of David W. Marvin, U Museum hosted Algonquin multidisciplinary artist original Victorian women’s magazines were also Women and children outside grocery, c Nadia Myre, who drew inspiration from textual displayed in the exhibition so visitors could read the 1960s and 1970s when the city was undergoing a major De La Gauchetière Street West, Chinatown, M transformation in terms of both architecture and urban planning. about 1968. C archives in the collection to create her work. some descriptions of Aboriginal-inspired objects, Gift of Mrs. David W. Marvin, O Instructions for the creation of four Aboriginal- along with a series of small photographs from The exhibition displayed street scenes in the downtown area and in MP-1978.186.1.1371 © McCord Museum working-class neighbourhoods like Griffintown. Offering glimpses of –– R inspired objects, taken from Victorian (1837-1901) the Museum’s Photographic Archives collection David W. Marvin, day-to-day life, decaying buildings juxtaposed against skyscrapers, D women’s periodicals, were read aloud to the illustrating women from the Victorian era wearing Kids from Pointe-Saint-Charles, Centre Street, artist, who followed them with no prior knowledge or using these items. Visitors could therefore humorous notes or sometimes surprising images, each photo was a about 1971. Gift of Mrs. David W. Marvin, of what they described. The resulting works discover both the creations of Nadia Myre and the story of a street as told by one of its residents. MP-1978.186.1.2821 © McCord Museum M were exhibited next to objects drawn from the ethnological objects behind their design. –– –– U 24 Museum’s ethnological collection. In addition, the –– S – public had access to four tablets with recordings E 25 U M

2 0 1 5 - 2 0 1 6 STUDENT POSTERS FROM THE SOCIÉTÉ DES DESIGNERS TRAVELLING EXHIBITION GRAPHIQUES DU QUÉBEC DESIGN COMPETITION HAIDA – LIFE. SPIRIT. ART. MARCH 16 TO APRIL 3, 2016 ARCHAEOLOGICAL MUSEUM OF THESSALONIKI IN GREECE, A OCTOBER 26, 2015, TO APRIL 20, 2016 N The 16 posters in this exhibition were selected from among the © McCord Museum –– submissions to the second edition of the Société des designers In 2006, working with renowned Haida artist Robert Davidson, N the McCord produced and circulated the exhibition Haida Art: Mapping Haida Art, Mapping an Ancient Language, U graphiques du Québec (SDGQ) design competition for the Marc H. ceremonial staff, masks and rattles, Choko Scholarships. This competition is open to students registered an Ancient Language. Featuring over 80 masterpieces from the 19th century. A McCord’s collection, this travelling exhibition explored the culture © McCord Museum L in a Quebec CEGEP or university graphic design program; its aim is to –– develop their skills and interest in poster design, while at the same and visual vocabulary of the Haida. In recognition of the Museum’s time promoting a cause for the common good. This year’s theme, unique contribution, the Canadian Museum of History joined forces R with the McCord and the Haida Gwaii Museum to design an exhibition mental health and artistic expression, was presented in collaboration E aimed at an international audience. Haida – Life. Spirit. Art. is the with Les Impatients, a support organization. P product of this partnership, providing an overview of the Haida –– O experience of today as well as Haida art, both past and present. –– R T E Billfold (detail), about 1690, D’ARTAGNAN, AL CAPONE AND THE OTHERS – M The Lake St. Louis Historical Society Collection, WEAPONS AND LEGENDS X 1983.6 © Stewart Museum c H –– FEBRUARY 25 TO NOVEMBER 1, 2015 C I This exhibition was designed to display the O B Museum’s incredible collection of weapons. R I Organized around emblematic characters, D T it enabled visitors to understand or question I the importance of weapons in our society. This S entertaining exhibition featured characters inspired O T by the collective imagination, accompanied by N E some one hundred weapons and objects from the S W Museum’s collection. Historical figures and fictional characters from both classic and contemporary A A literature like Don Quixote, Lucky Luke, Blackbeard, R T James Bond and Che Guevara were called into T action to offer a different perspective on their T HISTORY AND MEMORY Cup hilt rapier (detail), about 1600. weapons of choice. The weapons selected, several M The Lake St. Louis Historical Society Collection, of which were exhibited for the first time, are H PERMANENT EXHIBITION – SINCE 2011 1974.23.50 © Stewart Museum U E –– veritable timeless works of art. S Created in 2011, the permanent exhibition History and Memory –– E encompasses over 500 artefacts, images, archival documents, rare S U books and old maps from the Museum’s vast collection. From the T M voyages of exploration to the Lower Canada Rebellion, the exhibition SANTAS ARE TAKING OVER THE STEWART MUSEUM E illustrates key moments in our history and demonstrates the NOVEMBER 14, 2015, TO JANUARY 4, 2016 W tremendous influence of European civilizations in New France and A North America. This holiday exhibition featured some 40 Santa figurines, handmade by Canadian and American R –– artists, in a variety of settings. The exhibition was D accompanied by crafts, storytelling and films and

featured a doll house entitled The Castle Ball. 26 M Created in 1975 in Germany by Rudolf Szálasi, – U this richly decorated fairy tale castle replicates 27 S the Baroque interiors found in 18th-century E German palaces. U W. Scheuer, –– The Island Park – A family party M under the trees (detail), Canadian Illustrated News, August 5, 1876. 1970.586 © Stewart Museum ––

Carole Landreville, A Canadian St. Nicholas, 2002. 2 Liliane M. Stewart Collection © Stewart Museum –– 0 1 THE HALL OF GAMES 5 FEBRUARY 10, 2016, TO MARCH 22, 2017 - 2 Just like people, games have a story to tell and this 0 playful space offers a snapshot of their history. 1 Artefacts of our ancestors’ leisure pursuits, they 6 OUTDOOR EXHIBITION reflect the human need for amusement. According ST. HELEN’S ISLAND – ILLUSTRATED CHRONICLES to Friedrich Schiller, author of the legendary theory JUNE 20 TO OCTOBER 12, 2015 of play in 1794, “A person is only ever fully a human A being when he [or she] plays.” From that moment N For the first time in its history, the Stewart sports and play. Taken from the Stewart Museum’s on, games were seen as an essential freedom in the N Museum offered visitors an outdoor exhibition in collection, the 16 prints in the exhibition originally societies in which they were played. the Museum’s courtyard. This exhibition of vintage appeared in period newspapers such as Canadian U The History and Memory exhibition features a prints recounted the various functions of St. Helen’s Illustrated News, The Dominion Illustrated and A very special display case of old toys and games and Island, which, thanks to its strategic location, has L’Opinion publique and depict the incredible vitality L the Hall of Games invites both children and adults played an important role in the history of Quebec. of this unique site in the midst of the St. Lawrence. to play with reproductions of old-fashioned games. Originally occupied by Aboriginals, over the years –– R –– it has been a family estate, a military fort and, for E the past 140 years, a park for residents of Greater Robert Bonnart, P Montreal. A peaceful haven since the last quarter The three Royal Princes of France playing trictrac, about 1693. O of the 19th century, it offers a piece of the country in The Lake St. Louis Historical Society Collection, R the heart of the city for picnics, festivals, strolling, 1981.116.29 © Stewart Museum –– T E M c D C U O C R A D

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L © McCord Museum © McCord Museum T –– –– M A McCORD MUSEUM U Family Activities N EDUCATIONAL PROGRAMS The Adventure at the Museum, presented by Hydro- S D Facing a drop in the number of school groups due Québec and motherforlife.com, remains a key draw E to the teachers’ union boycott of cultural activities for Montreal families, who are given backpacks U C in 2015-2016, the Education Program team decided filled with materials to enhance their Museum visit. M to broaden its clientele by focussing on community In the past year, approximately 500 school day care U activities and special projects. This strategy proved students from underprivileged neighbourhoods L successful and the Education team worked with participated in Museum activities free of charge, T 18,999 visitors at the museum and through its thanks to the support of our sponsors. Sunday outreach programs. Workshops attracted 2,659 individuals and the U 2015 summer day camp welcomed 204 campers School Programs during its two thematic weeks (The Rhythms of R 28 The Museum develops fun, interactive school First Peoples and Photo Fun). Some 318 children – A programs aimed at elementary, high school, college celebrated at birthday parties held at the Museum. 29 L and university students. Montreal Soundscape, Parents and Tots, the monthly get-together for an audio game played on a digital device (iPad) parents of children 18 months and younger, has become increasingly popular with students enabled young parents to share a special moment M in Grades 5 to 11. Children ages 5 to 9 years old at the Museum with their little ones. The 2015 I enjoyed activities designed especially for them, spring break activities were inspired by the S notably Mister Rabbit’s Circus, a visit that included exhibitions Mister Rabbit’s Circus and Wearing fun events, a treasure hunt and stories featuring Our Identity - The First Peoples Collection; 2,443 S the adventures of the beloved hero of the book participants took part in storytelling, treasure I series published by Les 400 coups. The Museum hunts, crafts and a chance to play vintage board O also continued its joint initiative with École games as part of the Festival Montréal Joue. 2 montréalaise pour tous, working on three cultural 0 mediation projects. The Museum has been able N Citizenship Programs 1 to maintain its school programs thanks to the In collaboration with the Red Cross, the Museum 5 financial support of two loyal donors, the J. Armand participated in the citizen-led 25,000 Tuques - Bombardier Foundation and the Great-West Life, Project to knit hats for Syrian refugees. In addition 2 London Life and Canada Life group. to hosting over 134 knitters, the Museum was a drop-off site for donated hats and collected a 0 Outreach Programs: Promising Growth total of some 8,000 knitted hats. The Museum 1 The intergenerational project Partageons notre also updated its guided tours adapted for visitors 6 mémoire et nos histoires, which now includes learning French, a growing clientele. additional neighbourhoods, enabled nearly Moreover, the Museum delivered a number A 80 enthusiastic teen volunteers to meet with of civic activities to groups with specific needs, N 527 French- and English-speaking seniors. notably an ephemeral museum pilot project in Viger N The project benefits from the valuable assistance Square and four on-site workshops at the Maison U of several Montreal residences and the Little du Père and Accueil Bonneau; these activities, A Brothers organization, as well as support from which attracted 174 participants, were organized L the Centre hospitalier de l’Université de Montréal with the help of the Native Friendship Centre of (CHUM university hospital) and funding from Montreal and EXEKO, an organization specialized in the Foundation of Greater Montréal and the the management of socio-cultural projects. R Raye Copelan, Drummond Foundation. E Clown puppet, about 1950, Peter Puppet Playthings Inc. P Gift of Susan Jane Lustgarten, O M985.156.4.1-3 © McCord Museum –– R T E M D c U C C O A R T D I O S N T A E L W A A R N T D M C U U S L E T U U M R A L

M I S 30 S – I 31 O CULTURAL ACTIVITIES © McCord Museum Fashion at the Museum © McCord Museum N –– The Horst: Photographer of Style exhibition was the subject of a –– Cultural programming at the McCord Museum was enhanced by panel discussion, film screenings and a lecture on the legendary new partnerships, notably with the Schulich School of Music, Black photographer. History Month and the multidisciplinary show Archives au plural. Our long-standing partnerships with Heritage Montreal (City Talks Tea at the McCord series), the Blue Metropolis International Literary Festival, the Four meetings of Tea at the McCord were presented in International Festival of Films on Art, the Fantasia International 2015-2016, including two about recent acquisitions: the Film Festival, the Festival Montréal Joue and Les Belles Soirées de 2 fonds of pianist-composer Willie Eckstein and the Canadelle l’Université de Montréal were once again highly successful. Wonderbra collection. 0 1 5 LECTURES /CONCERTS / FILM SCREENINGS SPECIAL EVENTS - Schulich@McCord: The Next Generation of Chamber Musicians Archives au pluriel: le Montréal de 1914-1918 2 Some of today’s most promising young musicians performed at four Presented on two evenings in May 2015, this multidisciplinary 0 concerts organized by McGill University’s prestigious school of music. show about the First World War was produced by the Museum, 1 Exhibition-related lectures in collaboration with the City of Montreal Archives. The author, 6 As part of the lecture series featuring curators and/or guest artists, musicians, actors and director worked in concert with city archivists the After Faceb00k collective discussed its creative process during and members of the Museum to bring archival materials to life in a A a panel discussion led by the curator and attended by journalist new way. N Fabien Deglise. In addition, Susanna Brown of the Victoria & Albert N The Urban Forest 2015 Museum and curator of the Horst: Photographer of Style exhibition U Festooned in blue and pink and augmented with new activities came to Montreal to give a lecture, and Marc Choko discussed A the preparatory work required to put together the exhibition Montreal (namely eight concerts in partnership with Pop Montréal and a th L Through the Eyes of Vittorio: 50 years of city life and graphic Design. yogathon), the 5 edition of the Urban Forest, created with the help of In association with the latter exhibition, a panel discussion of the landscape architect firm WANTED, attracted over 200,000 visitors. R 1950s Montreal arts scene was organized in collaboration with the National Film Board. Nuit Blanche 2016 - Night Comes to Life: Music at the Museum E Participants in this annual event visited the Museum to hear live P performances by emerging artists that were linked to exhibition O themes. Beatrice Deer, The Handclaps, Jeffrey Piton and VoxA4 shared R their inspiration with nearly 1,700 visitors. T E M D c U C C O A R T D I O S N T A E L W A A R N T D STEWART MUSEUM Claude Roy photographie M C © Stewart Museum U EDUCATIONAL PROGRAMS –– U © Stewart Museum S L The Stewart Museum continued to enhance its educational programs –– E T by organizing original activities and entering into new partnerships, U U while maintaining quality and increasing its promotional efforts. M R It continued its joint initiatives with Parc Jean-Drapeau, Les Belles Soirées de l’Université de Montréal, Montreal Museums Day and Les A Journées de la culture, and entered into a new partnership with the L Québec Intercultural Storytelling Festival to offer visitors an even

more enriching experience. M I S SCHOOL PROGRAMS 32 – S The Museum streamlined its school programs by organizing four 33 I activities for preschool and elementary students (Grades 1 to 6), O three for high school and college students, and one for students N learning French. Educational activities also included a tour of the exhibition D’Artagnan, Al Capone and the Others – Weapons and Legends, a new tour called 1940-1943, Montréal lieu de captivité that examined the use of St. Helen’s Island as an internment camp during the Second World War, and three winter activities (curling, snowshoeing and a Christmas activity). Each tour highlighted the Museum’s collection or the heritage of St. Helen’s Island. The Museum also entered into a partnership with boat operator 2 Le Petit Navire to enable students to travel to the Museum via 0 the river, as well as with Montreal on Wheels, a company that will 1 offer a bike tour on the history of St. Helen’s Island. The agreement 5 between the Stewart Museum and École montréalaise pour tous was - also extended for the presentation of Voyages historiques et contes 2 fantastiques, a project for students from disadvantaged areas. 0

ACTIVITIES FOR THE GENERAL PUBLIC 1 6 © Stewart Museum The Museum’s courtyard activities change with the seasons: –– in the summer, it hosts outdoor exhibitions and offers places to A relax and picnic, while during the winter, it features a curling rink. N

Activities for day camps N Thanks to a partnership with the Aquatic Complex of Parc U Jean-Drapeau, nearly 2,000 young campers took advantage of A a museum-pool summer package, which has been renewed for L the year 2016-2017. R E P O R T E M D c U C C O A R T D I O S N T A E L W A A R N T D M C U U S L E T U U M R A L

M I S 34 S – I 35 O Activities and self-guided tours for families © Stewart Museum The Métis Meet the Mi’kmaq © Stewart Museum N The Museum designed two self-guided tours for families to –– Mi’Kmaq storyteller Robert Seven Crows sat down with Métis –– complement visits to the exhibitions Santas Are Taking Over the storyteller Ron Evans to trade stories, myths and personal Stewart Museum and D’Artagnan, Al Capone and the Others – experiences as part of the Québec Intercultural Storytelling Festival. Weapons and Legends. Storytelling and craft activities were also presented on weekends and during the winter school break in Ghosts of the Museum the Hall of Games, a new play area that opened in February 2016. D’Artagnan and Halloween: this flashlight tour of the exhibition was Families greatly appreciated the outdoor activities like curling and enhanced by the sound of cannon fire, stories about ghosts that have 2 snowshoeing offered on winter weekends. haunted the Fort, a lantern-lit walk and a story. 0

Guided tours/Talks D’Artagnan and the Others Celebrate Halloween 1 The Museum offers year-round guided group tours of its exhibitions, On Halloween weekend, children were invited to dress up as their 5 St. Helen’s Island and the military depot, upon reservation. Talks favourite hero. All participants enjoyed storytelling and a mask- - entitled Chapters of our history are also presented to the general making workshop. 2 public on weekends, as part of the permanent exhibition. 0 Santas are Taking Over the Stewart Museum 1 Cultural activities Various activities to complement this exhibition were organized, 6 Throughout the year 2015-2016, the Stewart Museum organized notably a craft activity, storytelling and an observation game to help a number of cultural activities in association with its exhibitions, children discover more about the characters. A notably programming dedicated to the temporary exhibition N D’Artagnan, Al Capone and the Others – Weapons and Legends. Playing at the Museum Families were invited to come and play at the Museum during the N Insurrection at the Stewart Museum week of spring break; activities included old-fashioned curling, U This thematic tour to mark National Patriots Day enabled the Museum snowshoeing and access to the Hall of Games. A to showcase its extensive collection of artefacts associated with the L 1837-1838 Lower Canada Rebellion. R Crossing swords at the Stewart Museum E For Les Journées de la culture, fencing master Jean-François Gagnon, P a choreographer for stage and screen, led a participatory workshop on O choreographed sword fighting. R T M M c A C O R R K D

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RECORD ATTENDANCE © McCord Museum M A –– U The year 2015-2016 was noteworthy for a marked increase in the © McCord Museum –– S N number of visitors, with both museums surpassing their annual © Stewart Museum E attendance goals by 25%. The McCord Museum welcomed 155,000 –– D U visitors, an all-time high, while the Stewart Museum had 22,500. M C TICKET SALES, BOUTIQUES AND ROOM RENTALS The McCord Museum’s ticket revenues were lower than anticipated, O due to a decrease in average revenue per visitor. Measures have been M taken to remedy the situation in the coming year. For its part, the Stewart Museum surpassed its ticket revenue objectives, M doubling its revenues compared to the preceding year. The gift shops in both museums generated good revenues, as 36 U did room rentals. The McCord Museum boutique experienced one of – N its strongest years ever, with revenues of nearly $300,000 and good 37 profitability. Meanwhile, in its first full year of operation, the Stewart I Museum gift shop outperformed its sales and room rental objectives C by 300%. A MEMBERSHIP The number of Museum members remained stable, but the T breakdown of the membership changed significantly: Young McCord I members now make up 20% of all members, while they only represented 4% in 2013. 2 O 0 COMMUNICATIONS N 1 The large number of visitors recorded for the year can be explained, 5 S in part, by the exhibitions Horst: Photographer of Style and D’Artagnan, - Al Capone and the Others – Weapons and Legends, as well as the 2 popular After Hours at the McCord. These initiatives were supported 0 by major communication campaigns as were the exhibitions 1 Montreal Through the Eyes of Vittorio: 50 years of city life and graphic 6 Design, Mister Rabbit’s Circus and Santas Are Taking Over the Stewart Museum. Both museums also increased their focus on digital A communications: the McCord Museum launched a brand-new N Website in July 2015 while the Stewart Museum adapted its site N for mobile platforms. U A L

R Léopold L. Foulem, E So Many Men So Little Time, 1993-1997. Collection of the artist, photo credit: © Richard Milette P –– O R T M DIGITAL PLATFORMS M A Over 2.75 million interactions were recorded c R across the various digital platforms. C K O E R T D I McCORD MUSEUM STEWART MUSEUM

N MUSEUM WEBSITE 1,233,489 VISITS 107,040 VISITS S G T NEWSLETTER 16,000 SUBSCRIBERS 1,517 SUBSCRIBERS E

A FACEBOOK 12,000 FOLLOWERS 2,322 FOLLOWERS W N A TWITTER 24,000 FOLLOWERS 1,007 FOLLOWERS D R INSTAGRAM 1,800 FOLLOWERS N/A T

C PINTEREST 199 FOLLOWERS N/A O © The Rear Mirror Photography M M FLICKR 1,075,520 VIEWS N/A –– U © The Rear Mirror Photography M YOUTUBE CHANNEL 81,213 VIEWS 2,549 VIEWS –– S U © Elias Touil E –– TRIPADVISOR RATED 38 OUT OF 338 ATTRACTIONS IN RATED 120 OUT OF 338 ACTIVITIES IN N MONTREAL | RATING OF 4 OUT OF 5 | MONTREAL | RATING OF 4 OUT OF 5 | U I CERTIFICATE OF EXCELLENCE M

C MTL URBAN MUSEUM APP 3,647 VISITS AND 1,981 DOWNLOADS N/A A T I O MEDIA PARTNERSHIPS N S The McCord Museum and Stewart Museum’s media profile and visibility have increased 38 significantly, thanks to the following valuable media partners: Le Journal 24 h, – The Gazette, Le Devoir, motherforlife.com, Cogeco Métromédia, Vie des Arts, La Vitrine, 39 Urbania, Zoom Media, Fugues, Tourisme Montréal, Bell Media and Astral Media. McCORD AFTER HOURS AWARDS AND HONOURS For its second year, After Hours at the McCord The Museum won a number of prestigious awards SPONSORSHIPS offered a revamped format that proved very last year: Boomerang Award for Website or popular. Presented by the National Bank, these application, arts and culture category, 2015; McCORD MUSEUM events combining cocktails and culture attracted Coup d’Éclat Award for Website and strategy,

HYDRO-QUÉBEC (PRESENTING SPONSOR), THE ADVENTURE AT THE MUSEUM 2,092 attendees in 2015-2016 and became Société des Attractions Touristiques du Québec, MOTHERFORLIFE.COM (COLLABORATING SPONSOR) self-financing. 2015; 2015 Certificate of Excellence, TripAdvisor;

NATIONAL BANK (PRESENTING SPONSOR), DIGITAL SPRING, INVASION AFTER HOURS AT THE MCCORD Certificates of Typographic Excellence from 2 COCKTAIL, LA FACE CACHÉE DE LA POMME, RAPHAËL BISTROT BAR À VINS, TOURISM DEVELOPMENT the Type Directors Club awarded to Paprika DA PONTE TRAITEUR, COMMUNAUTIQUE, LEBOOTH 0 The McCord Museum was a featured stop last Communications for the posters and invitations 1 IVANHOÉ CAMBRIDGE (COLLABORATING SPONSOR) MTL URBAN MUSEUM (APPLICATION) summer on a new Gray Line city tour. It also raised of the exhibition Montreal Through the Eyes of 5 Vittorio: 50 Years of City Life and Graphic Design, DESTINATION CENTRE-VILLE, ARRONDISSEMENT VILLE-MARIE, URBAN FOREST ON VICTORIA STREET its profile at the downtown tourist information - FIRST CAPITAL REALTY, PAPILLON RIBBONS 2015; and Grafika Awards to recognize the best office. Thanks to funding from Tourisme Montréal, 2 Quebec graphic design projects of the year: awards FUGUES (PRESENTING SPONSOR), MONTREAL PRIDE, ALTERHEROS EXHIBITION CAMP FIRES the exhibitions Horst: Photographer of Style and 0 Mister Rabbit’s Circus were promoted in markets for Mister Rabbit’s Circus (Cossette) and Montreal CHANEL, ELLE QUÉBEC, LOEWS HÔTEL VOGUE, OGILVY, FUGUES, EXHIBITION HORST: PHOTOGRAPHER OF STYLE 1 STM, FESTIVAL MODE&DESIGN, BOLLINGER, RODEO STUDIO, outside the province. In addition, the McCord Through the Eyes of Vittorio: 50 Years of City Life 6 TOURISME MONTRÉAL Museum joined the new Golden Square Mile and Graphic Design (Paprika), with the latter also BMO FINANCIAL GROUP (PRESENTING SPONSOR), ANNUAL EXHIBITION ON McGILL COLLEGE Tourism Development Society. winning a Grand Prize, February 2016. ASTRAL MEDIA (COLLABORATING SPONSOR), A ARRONDISSEMENT VILLE-MARIE, BUSAC, THE GAZETTE SUSTAINABLE DEVELOPMENT N ASTRAL MEDIA, INFOPRESSE, PANORAM’ITALIA, STM, ITALIAN EXHIBITION MONTREAL THROUGH THE EYES OF VITTORIO: N CULTURAL INSTITUTE, CENTRE LEONARDO DA VINCI, NATIONAL 50 YEARS OF CITY LIFE AND GRAPHIC DESIGN The McCord Stewart Museum strives to act CONGRESS OF ITALIAN-CANADIANS, OPÉRA DE MONTRÉAL, NFB responsibly both socially and environmentally, U LES ÉDITIONS 400 COUPS, DESTINATION CENTRE-VILLE/ EXHIBITION MISTER RABBIT’S CIRCUS notably by eliminating waste and using its A MONTREAL SANTA CLAUS PARADE, STM, TOURISME MONTRÉAL resources intelligently; for example, museographic L STEWART MUSEUM and interpretative elements are passed on to other institutions and materials are used for more than R SOCIÉTÉ DE LA COMPAGNIE FRANCHE DE LA MARINE, GALLIMARD, JABS EXHIBITION D’ARTAGNAN, AL CAPONE AND THE OTHERS – WEAPONS AND LEGENDS one exhibition. E

GALLIMARD EXHIBITION SANTAS ARE TAKING OVER THE STEWART MUSEUM P O R T M MESSAGE FROM THE FOUNDATION’S CHAIR OF THE BOARD AND THE M EXECUTIVE DIRECTOR c c –– C C O O The primary mission of the Foundation is to raise funds to support the R activities of the McCord, a private, non-profit museum whose continued D R existence depends largely on the support of the Montreal community. Created four years ago, the Foundation is privileged to count on a dynamic D S team of professionals, faithful trustees, dedicated volunteers and gen- T erous, loyal donors. The Foundation is in charge of all the Museum’s M E fundraising initiatives and is responsible for providing sound and effec- W U tive management to grow the funds raised. To take advantage of this A expertise, the Museum transferred management of its endowment fund S R to the Foundation last April. E T Despite economic ups and downs in 2015-2016, the Foundation suc- U ceeded in its efforts to provide the Museum with ongoing financial support. M Thanks to the continued generosity of our donors—businesses, individu- DANIEL FOURNIER M als and private foundations—we were able to contribute $1,516,519 to CHAIR OF THE BOARD U the McCord Museum. This sum, which will primarily be used to help the S F Museum maintain its high-quality, diversified programming, came from E O three main sources: U U M - $543,330 from various fundraising events and activities; N - $365,789 from major gifts; D - $607,400 generated by the endowment fund. A T The Foundation’s financial support of the Museum would not be possible without the combined efforts of all our contributors and partners. We I would like to express our sincere appreciation to the members of our 40 O Board of Trustees for their invaluable experience and expert advice, our – N volunteers for their time and effort, and all the members of our team for 41 their expertise and dedication. Together, these contributors enable us, year after year, to reach our objectives and help the Museum effectively fulfil its mission. Their support, in time and money, helps keep our social history alive and well and ensures that future generations will be able to enjoy this essential institution.

NATHALIE LÉVESQUE EXECUTIVE DIRECTOR

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R Jack Beder, E Self-portrait, 1938. Gift of André Valiquette, P M2015.51.1 © McCord Museum O –– R T M FUNDRAISING ACTIVITIES Needless to say, all the funds raised from our BOARD OF TRUSTEES YOUNG McCORD COUNCIL AND M c The Foundation’s various fundraising activities donors have a direct, positive impact on our various COMMITTEES c C enable it to support the Museum’s current clienteles, as illustrated by the following: DANIEL FOURNIER Executive Committee 2015 Sugar Ball Committee C O operations and exhibitions, as well as its numerous CHAIR OF THE BOARD O CHAIRMAN AND CHIEF EXECUTIVE OFFICER, STÉPHANIE ALISON CHRISTINE LENIS R educational programs and cultural activities. - 15,000 children ages 12 and under visited the R Museum, free of charge IVANHOÉ CAMBRIDGE BERTHIAUME CHAIR D - 10,000 people visited the Museum free of charge on CO-CHAIR D JEAN-JACQUES CARRIER MEMBERS Wednesday evenings TREASURER OLIVIANA MINGARELLI DAVID ARCHER FUNDRAISING EVENTS - 500 seniors with reduced mobility or suffering from M SENIOR VICE-PRESIDENT AND CHIEF CO-CHAIR SIMON BEAUCHEMIN S Alzheimer’s explored the Museum’s collections from U The Foundation raises funds from three sources: FINANCIAL AND RISK OFFICER, FLORENCE BIENVENU T home, thanks to the intergenerational program INVESTISSEMENT QUÉBEC MAGUY HACHEM CAROLINE BROWNSTEIN S major gifts, fundraising events and the Annual VICE-CHAIR ERIC CORDON E E Giving Campaign, which for the first time included By helping to finance the McCord Museum’s current LORNA J. TELFER DERMAI DARRAGI W SECRETARY AMANDA FRITZ ALEXANDRA DUFFY U a crowdfunding component. Some 684 gifts operations, gifts also enabled it to: CORPORATE DIRECTOR SECRETARY SANDRA FERREIRA A M representing a total amount of $260,257 were JESSICA HARDING R - preserve 1.5 million objects, images and received during the annual campaign; we are pleased BITA CATTELAN CAROLINE LAVOIE GERALD KOUNADIS documents in its vaults DIRECTOR OF CORPORATE AND EXECUTIVE MEMBER STEFANIE KUTTEH T F to report that this means the number of donors - allow 810,000 individuals to consult our COMMUNITY RELATIONS AMANDA LALLI collections online DAC AVIATION INTERNATIONAL ADÈLE LASNE ADÈLE LASNE O grew by11%. M - set a new attendance record, with 155,000 visitors FOUNDATION REPRESENTATIVE JORDANA LOPORCARO U - digitize and upload 17,000 historic objects, images THOMAS R. M. DAVIS SIMON LEBLANC U SENIOR PARTNER, NORTON ROSE MEMBERS JACOB LITHGOW N Annual Ball 73% and documents S - introduce 9,500 students on school visits to the FULBRIGHT, S.E.N.C.R.L., S.R.L./LLP MELISSA BALAZE ARASH MALEKI D Sugar Ball 21% MARINE-SOPHIE JEGARD HARDIP MANKU E history of Montreal and Canada FRANÇOIS DUFFAR GERALD KOUNADIS ADAMO MARIANI A Wine & Food 6% - allow 2,300 individuals to consult the Museum’s U PRESIDENT AND CHIEF EXECUTIVE OFFICER, JULIE-MÉLISSA MARIN BRAHM MAUER T archives and experts NAVILON INC. MARINE DE MONTAIGNAC STEPHANIE RASSAM M - restore 400 artefacts I KAILA A. MUNRO CHRISTINA SAURO - host 65 presentations, panel discussions, film MONIQUE JÉRÔME-FORGET BLANDINE MYARD MELISSA TEHRANI O screenings and free fine arts workshops CHAIRMAN OF THE BOARD, McCORD MUSEUM MELISSA TEHRANI N - produce 9 exhibitions SPECIAL ADVISOR, OSLER, HOSKIN & HARCOURT 2015 Ball Committee 2016 Wine and Food Committee

CURATORS’ COCKTAIL NATHALIE LÉVESQUE JEAN-CHRISTOPHE BÉDOS ELAINE BARSALOU EXECUTIVE DIRECTOR, McCORD CARLOS FERREIRA FRÉDÉRIC LÉVESQUE More than 150 generous donors took part in this MUSEUM FOUNDATION DANIEL FOURNIER CO-CHAIRS NORMAN E. HÉBERT JR. 42 annual donor appreciation event featuring some of DEREK A. PRICE HONORARY CO-PRESIDENTS MEMBERS – HONORARY CHAIR OF THE BOARD, DANIEL BEAULÉ our most recent acquisitions, specially selected and 43 presented by our curators. McCORD MUSEUM BITA CATTELAN EVE-MARIE BOUTET OLIVIER LEGAULT MYRIAM BROSSEAU SUZANNE SAUVAGE CO-PRESIDENTS VANESSA COITEUX PRESIDENT AND CHIEF EXECUTIVE OFFICER, JESSICA HARDING VOLUNTEER PROGRAM McCORD MUSEUM MEMBERS ANNIE LAPOINTE ANNE-MARIE BOUCHER ADÈLE LASNE Over the past year, 72 volunteers helped the MANON VENNAT KARINE CHARRETTE NATHALIE LÉVESQUE Foundation by working tirelessly on various MANON VENNAT & ASSOCIÉS INC. RINKU CHATERJI DAVID MILLETTE BENTE CHRISTENSEN CATHERINE PATRY committees to coordinate and help maximize the MARINA CUTLER JAWDAT SHA’SHA’A revenues of its fundraising activities, facilitate EMMANUELLE DEMERS meetings with potential donors and encourage the SOLANGE DUGAS MADELEINE FÉQUIÈRE 2 next generation of philanthropists. DANIELLE FERRON CHARLES FLICKER 0 ANGÉLINE FOURNIER 1 CAROLINA GALLO JEAN-MICHEL LAVOIE 5 NATHALIE LE PROHON - NATHALIE LÉVESQUE 2 DEON RAMGOOLAM LORNA J. TELFER 0 ANNE-MARIE TRAHAN 1 6

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2015 Sugar Ball Committee 2015 Annual Ball Committee 2015 Young McCord Council 2016 Wine and Food Committee P From left to right: Caroline Brownstein | Jacob Lithgow | Simon Leblanc | From left to right: Nathalie Lévesque, Ex-officio | Bita Cattelan, co-chair | From left to right (back row): Gerald Kounadis | Melissa Balaze | From left to right (back row): Daniel Beaulé | Frédéric Lévesque, co-chair | Gerald Kounadis | Sandra Ferreira | Christine Lenis, chair | Jessica Harding | Marina Cutler | Bente Christensen | Danielle Ferron | Madeleine Féquière Marine-Sophie Jegard | Stephanie Alison Berthiaume, co-chair | Kaila A. Munro | Eve-Marie Boutet | Annie Lapointe | Jawdat Sha’sha’a O Hardip Manku | Simon Beauchemin | Stephanie Rassam | Christina Sauro | Caroll-Ann Nguyen (ambassador) | Julie-Mélissa Marin Florence Bienvenu | Melissa Tehrani | Arash Maleki | Eric Cordon | Alexandra Duffy | Missing from the photo: Olivier Legault, co-chair | Anne-Marie Boucher | Front row: Jessica Harding | Myriam Brosseau | Elaine Barsalou, co-chair | R Dermai Darragi, representative of the Foundation | Stefanie Kutteh | Brahm Mauer Karine Charrette | Rinku Chaterji | Emmanuelle Demers | Solange Dugas | Front row: Caroline Lavoie | Anne Brouillard (ambassador) | Vanessa Coiteux | Nathalie Lévesque, Ex-officio | Adèle Lasne, Charles Flicker | Angéline Fournier | Carolina Gallo | Jean-Michel Lavoie | Oliviana Mingarelli, co-chair | Maguy Hachem, vice-chair| Mélissa Tehrani representative of the Foundation T Missing from the photo: David Archer | Adèle Lasne | Adamo Mariani | Jordana Loporcaro Nathalie Le Prohon | Deon Ramgoolam | Lorna J. Telfer | Anne-Marie Trahan Missing from the photo: Amanda Fritz, secretary | Adèle Lasne | Marine De Montaignac | Blandine Myard M F THE McCORD MUSEUM OF CANADIAN HISTORY AND THE DAVID M. STEWART MUSEUM c I COMBINED STATEMENT OF OPERATIONS AND CHANGES IN FUND BALANCES C N YEAR ENDED MARCH 31, 2016 (UNAUDITED) O R A McCORD STEWART 2016 2015 MUSEUM MUSEUM TOTAL TOTAL D N ($) ($) ($) ($)

C Revenue S I Government of Quebec 4,050,082 – 4,050,082 4,095,633 T A Government of Quebec – loan repayment 25,505 6,276 31,781 36,441 E L Government of Canada 18,528 – 18,528 34,457 W Other grants 48,642 5,440 54,082 42,251 A The Montreal Arts Council 100,000 – 100,000 101,563 R S T T Ville de Montréal 59,850 2,505 62,355 44,505 Contributed services 67,800 – 67,800 70,560 A M Grants from the Stewart Foundation 1,300,000 – 1,300,000 1,300,000 U T Grants from the McCord Museum – 1,418,750 – – S E Grants from the McCord Foundation 1,569,003 – 1,569,003 1,364,437 E M Grants from the McCord Foundation – acquisitions 55,261 – 55,261 2,775,252 U E Investment income 658,882 – 658,882 504,320 M N Auxiliary services 359,104 12,510 371,614 291,076 T Admissions 505,079 72,662 577,741 514,504 S Fundraising – 3,830 3,830 151,870 Sponsorship 141,275 – 141,275 208,929 Rental 78,851 46,370 125,221 102,992 Other 405,985 5,577 411,562 158,046 44 – 9,443,847 1,573,920 9,599,017 11,796,836 45

Expenses Administration 1,359,176 326,515 1,685,691 1,532,508 Visitor services 442,531 47,490 490,021 433,661 2 Interest on long-term debt 25,505 6,276 31,781 36,441 0 1 Building and security 1,178,287 434,286 1,612,573 1,487,577 5 Collections 1,310,259 191,697 1,501,956 1,326,847 - Collections - acquisitions 14,621 – 14,621 2,775,752 2 Education programs 595,092 208,515 803,607 785,367 0 Exhibitions 1,575,288 109,355 1,684,643 1,705,325 1 Development, marketing and communications 927,049 239,765 1,166,814 987,101 6 Amortization of capital assets 244,191 11,488 255,679 313,078 Contributions to the Stewart Museum 1,418,750 – – 150,000 A N 9,090,749 1,575,387 9,247,386 11,533,657 N Excess (deficiency) of revenue over expenses U before the following 353,098 (1,467) 351,631 263,179 A Change in fair value of investments (415,022) – (415,022) 739,121 L (Deficiency) excess of revenue over expenses (61,924) (1,467) (63,391 ) 1,002,300

Fund balances, beginning of year 16,083,184 236,171 16,319,355 15,317,055 R David W. Marvin, Fund balances, end of year 16,021,260 234,704 16,255,964 16,319,355 E Man walking on Murray Street, Griffintown, about 1970. Gift of Mrs. David W. Marvin, P MP-1978.186.1.3400 © McCord Museum O –– R T THE McCORD MUSEUM OF CANADIAN HISTORY AND THE DAVID M. STEWART MUSEUM THE McCORD MUSEUM FOUNDATION M COMBINED STATEMENT OF FINANCIAL POSITION STATEMENT OF OPERATIONS YEAR ENDED MARCH 31, 2016 c C AS AT MARCH 31, 2016 (UNAUDITED) O R McCORD STEWART 2016 2015 2016 ($) 2015 ($) MUSEUM MUSEUM TOTAL TOTAL D ($) ($) ($) ($) Revenue Assets Fundraising S Current assets Annual campaign 241,037 238,498 T Cash 783,786 117,249 901,035 647,044 Major gifts 349,377 396,297 E Accounts receivable 208,051 33,725 241,776 431,888 Major gifts for acquisitions 55,261 2,775,252 W Grants receivable 307,132 106,854 413,986 1,316,775 A Fundraising events 946,653 766,509 Due from the McCord Foundation 131,507 – 131,507 81,603 R Investment income (435,654 ) 1,625,956 Due from the McCord Museum – 214,842 – – T 1,156,674 5,802,512 Inventory 173,927 – 173,927 135,428 Expenses M Prepaid expenses 61,100 3,876 64,976 59,807 Investment management fees 63,164 56,970 U 1,665,503 476,546 1,927,207 2,672,545 Administration 323,579 269,656 S Fundraising E Restricted investments – – – 73,886 Annual campaign 19,564 20,988 U M Grants receivable 1,165,395 – 1,165,395 575,916 Fundraising events 403,766 268,348 Investments 12,781,217 – 12,781,217 13,140,059 Donor recognition 11,902 14,271 Capital assets 3,917,362 86,077 4,003,439 4,103,857 Capital campaign 274 106,072

Collections – 1 1 1 Contributions to The McCord Museum of Canadian History 19,529,477 562,624 19,877,259 20,566,264 Annual grant 1,461,258 1,479,695 Major gifts for acquisitions 55,261 2,775,252 46 2,338,768 4,991,252 – (Deficiency) excess of revenue over expenses (1,182,094 ) 811,260 47

THE McCORD MUSEUM FOUNDATION STATEMENT OF CHANGES IN NET ASSETS YEAR ENDED MARCH 31, 2016

Liabilities INTERNALLY RESTRICTED UNRESTRICTED ENDOWMENTS 2016 2015 Current liabilities ($) ($) ($) ($) ($) 2 Bank overdraft 177,876 – 177,876 177,778 Balance, beginning of year 25,000 14,963,622 625,000 15,613,622 14,177,362 0 Accounts payable and accrued liabilities 524,208 159,732 683,940 822,123 (Deficiency) excess of revenue 1 Government remittances 166,611 32,916 199,527 196,684 over expenses – (1,182,094) – (1,182,094 ) 811,260 5 Endowment contributions – – – 625,000 Due to the Stewart Museum 214,842 – – – - Balance, end of year 25,000 13,781,528 625,000 14,431,528 15,613,622 Deferred revenue 227,053 28,418 255,471 337,830 2 Current portion of long-term debt 253,666 106,854 360,520 1 251,774 0 1,564,256 327,920 1,677,334 2,786,189 1 6

Long-term debt 1,165,395 – 1,165,395 575,916 A Deferred contributions 778,566 – 778,566 884,804 N 3,508,217 327,920 3,621,295 4,246,909 N U Fund balances A Invested in capital assets 3,138,796 86,077 3,224,873 3,222,239 L Externally restricted 10,813,034 – 10,813,034 10,813,034 R Internally restricted 1,563,168 – 1,563,168 1,851,703 E Unrestricted 506,262 148,627 654,889 432,379 P 16,021,260 234,704 16,255,964 16,319,355 O 19,529,477 562,624 19,877,259 20,566,264 R T THE McCORD MUSEUM FOUNDATION THANK YOU TO OUR DONORS M STATEMENT OF FINANCIAL POSITION AS AT MARCH 31, 2016 c DONATIONS TO THE Duncan M. Marvin Stratton Stevens Lorna Telfer and Peter O’Brian 2016 ($) 2015 ($) C COLLECTIONS 2015-2016 Katia Mayer Transat A.T. O Assets Peter McAuslan Trustee’s Circle Transforce Terry McGee Jean and Lorraine Turmel Art Gallery of Ontario $5,000 and + R Dan McNeill Manon Vennat Current assets Cécile Bastien Arteau Birks Family Foundation Francine Monière Diane Wilhelmy D Volunteer Association of Cole Foundation Cash 135,551 90,223 Francine Monière and the Montreal Museum of D.J.S. Holdings Limited Gilbert Laporta Accounts receivable 99,333 409 Fine Arts Fiera Capital Patron’s Circle Jacques de Montjoye S Marie A. G. Audette Daniel E. Fournier $500 – $999 Luc d’Iberville Moreau Sales taxes receivable 110,843 78,137 Guy Badeaux (Bado) Yves Gagnon A. Lassonde T Marie-Paule Morin Paul T. Beauchemin Emmanuelle Gattuso Derek Anderson and Prepaid expenses 27,923 71,350 Terry Mosher E Guylaine Beaudry KOPEL Josie Hails Dr. Sean B. Murphy 373,650 240,119 Richard Berger, Veteran of Peacock Family Foundation Anonymous (6) W Musée François-Pilote the Royal 22e Régiment Jill and Derek Price François Auger Nathalie Nadeau A Investments 14,528,659 15,633,713 Glen D. Black Sandra and William Baker Stephen A. Otto Manon Blanchette Leo Kolber Foundation Bax Investments R 14,902,309 15,873,832 Nicole Paradis Anne L. Bose-Demole Benvest Holdings Rosalind Pepall T Liabilities Hélène Boulet Benefactor’s Circle Barbara and James Brodeur René E.-S. Péron Diane Bourdeau $1,000 – $4,999 Marcel Caya Dominique Perrault Current liabilities Joséane Brunelle Anonymous (5) Simonne E. Clarke Roland Pierre M Marc Brunelle Azrieli Foundation Barry Cole and Sylvie Plouffe Accounts payable and accrued liabilities 29,983 28,766 Guy Plamondon Lisa Jane Callow Grégoire Baillargeon John Collyer U Paule and Guy Plamandon, Camirand Family André Bombardier Marvin Corber Due to The McCord Museum of Canadian History 131,507 81,603 in honour of their parents, S Judy and Doug Carroll Janine Bombardier Richard and Sylvia Cruess Germaine Bruchési and Deferred revenue 309,291 149,841 Serge Chapleau Anne-Marie Boucher Elizabeth Danowski E Gérard Plamandon Nicole Thibodeau Charette Jean-Jacques Carrier Divco Foundation 470,781 260,210 Anne Elspeth Rector U Anastasie Chiriaeff CEDAROME CANADA Louise Drouin Fernande Rochon Stephen D. Cooke Céline and Jacques François Duffar M Commitments Mrs. John A. Rolland Francis M. Corbett Lamarre Foundation Louis Dzialowski and Marisa Rondina Marie Couturier Marc Choko Susan Aberman Odile Ela Rousselle Fleg, Christian Daigle Bente Christensen Susan Fitzpatrick Net assets Royal Montreal Curling Club Carmelle Daoust Cogeco Cable Forster McGuire Sylvie Saulnier Andrée Delorme CSL Group Michael Harrison Internally restricted 25,000 25,000 Joyce Schaaf Thérèse Deschambault PDG Thomas Davis and Sarah Ivory and Mrs. Louis Schreiber in Unrestricted 13,781,528 14,963,622 Marie-Andrée Dorais Marie-Josée Meekers Guthrie Stewart honour of her parents, David Dorken Douglas and Diane Deruchie Jewish Community May and Sidney Levitt Endowments 625,000 625,000 Tanja Dorsey Desjardins Group Foundation of Montreal Susan C. Scott Peter Duffield Josée Dupont and Sheila Kerr 48 14,431,528 15,613,622 Nicholas Semeniuk Ginette Dumouchel Pierre Morin Caroline Labelle MacKay L. Smith – 14,902,309 15,873,832 Estate of Léonard Dupuis Michael Fortier and Louise Langelier Biron Canadelle Limited Eryll Fabian Michelle Setlawke Linda and Peter Leus 49 Partnership Maureen and Ron Fallon Scott Fraser François Longpré Lake St. Louis Historical Society Hélène Filion-Martin Mark Gallop Natalie Michaud and Gay Speirs Muriel Fishman David Gawley and Joseph Ribkoff THE McCORD MUSEUM FOUNDATION Paul Sutcliffe Patricia A. Forbes Linda Leith Katharine Mills Dorothy Sutton née Durnford Léopold Foulem Robert Graham and John D. Morgan STATEMENT OF CASH FLOWS YEAR ENDED MARCH 31, 2016 Hunter Thompson in honour Kathryn Anne Gadbois Sharon Sparling François Morin and 2016 ($) 2015 ($) of Mrs. Charlotte John Gall Hay Foundation Véronique Garneau Starkey O.C. Brian Gallagher Peter and W. Hugh Notman Operating activities Olivia Thornburn Mark W. Gallop Alexandra Hutchins Richard Pound and Lucette Tourangeau (Deficiency) excess of revenue over expenses (1,182,094) 811,260 Michel Garneau Industrial Alliance Julie Keith Fonds Franco-Ontarien Kathy Gehlsen Joan Ivory Anne Raby Paulette Tourangeau Adjustments for Brigitte Gener Jean-Luc Gravel and Recochem Julie Trottier Cynthia Gordon Brigitte Breton Foundation James and Katherine Robb Realized gains on disposal of investments (144,063 ) (596,640) D’Arcy Ann and Kaori Lee Trudel 2 Michel Goyer Monique Jérôme-Forget Ian and Helgi Soutar André Valiquette Pierrette Grégoire Michal Kuzmicki Stellabar Foundation 0 Unrealized change in fair value of investments 1,164,157 (564,130) Francine Vandelac Lilli Greiner Elisa Labelle-Trudeau Sarah Ste-Marie Paul Viau 1 (162,000 ) (349,510) Charles C. Gurd David Laidley and Fondation Denise and Adriana Quesada Vilchez Lucien Hamelin, D.G.C.A.D.C Ellen Wallace Guy St-Germain 5 Changes in non-cash operating working capital items Alexis Walker Judy V. T. Patton Hamilton Charles Lapointe Theratechnologies Audrey Warren - Clifford Hastings Roger Laporte and Monique Barbara Titterington Accounts receivable (98,924) 966 Janice White Michael Hendricks Choquette-Laporte David Torrey 2 Barbara Winn Sales taxes receivable (32,706) (30,007) Cynthia Munster Hewitt Claire Léger and Trudeau Corporation Women’s Art Society 0 Hanne Hindle Claude Allaire Ann Vroom and David Lank Prepaid expenses 43,427 (28,743) of Montreal Mary Hughson-Mosher Suzanne Legge and Walker Glass 1 Estate of Mildred Woodcock Accounts payable and accrued liabilities 1,217 (11,836) Susanna Jack Jeffrey Orr Christopher and 6 Cathy Keays Alan MacIntosh Lorayne Winn Due to The McCord Museum of Canadian History 49,904 1,856 Pailag Khudaverdian Anne-Marie MacLellan Kenneth S. Woodman Phyllis Klaiman 2015-2016 and Serge Lenis A Deferred revenue 159,450 128,141 Denyse Labelle-Cenerelli GIVING CAMPAIGN Manulife Young McCord Circle N (39,632) (289,133) Germain Laberge Michael and Kelly Meighen $250 David Laing Major Donations Eric and Jane Molson Michele Arthurs N Investing activities Estate of the Late Kathleen BMO Financial Group Stephen and Nancy Molson Daniel Beaulé McConnell Laing Caisse de dépôt et François Ouimet Stéphanie Alison U Purchase of investments (2,754,053) (2,580,186) Nicole Lalumière placement du Québec Judy Patton Hamilton Berthiaume A Disposal of investments 2,839,013 2,210,000 Laura Landry Drummond Foundation Rosalind Pepall Stephanie Bianchini Carla Laufer Fondation Fondation Pierre Desmarais Charles Blore L 84,960 (370,186) René Leboeuf Emmanuelle Gattuso Belvédère Rachel Bouchard Johanne Lehoux Fondation J. Armand Cecil and Robert Rabinovitch Leila Cattelan Financing activities Anne Lewis Bombardier Paul Raymond Joseph Culpepper R Colette Lortie Direct increase in net assets – 625,000 Fondation J.A. DeSève RBC Capital Markets Julie Dagenais E Lovell Litho & Foundation of (Montreal) David Gao Publications Inc. Greater Montreal Richard and Carolyn Renaud Matthieu Guilhem P Landon Mackenzie Cynthia Gordon Line Rivard Emily Hutchison O Net increase (decrease) in cash 45,328 (34,319) Mrs. Anne McKim Great-West Life, London Life François Roy Christine Lenis Mackintosh and Canada Life Guy and Francine Oliviana Mingarelli R Cash, beginning of year 90,223 124,542 Magnan Family and Tavern Hylcan Foundation Saint-Pierre Angela Nguyen T Cash, end of year 135,551 90,223 Joan Marshall Ivanhoé Cambridge Suzanne Sauvage Jonathan Peer Sylvie Martel Molson Foundation Paul and Françoise Simard Linda Zhang $250 - $499 2015 ANNUAL BALL – Nathalie Pilon and SUGAR BALL 2015 Caroline Brownstein Gabrielle Dufour Emily Hutchison Josianne Martel M 3115364 Canada Inc. GUESTS AND DONORS Alain Neemeh GUESTS AND DONORS Veronique Brox Catherine Dumas Linda Huynh Maude Martin Anonymous (11) Brian Potter Kim Bruneau Louis Dunberry-Gagnon Trung Hoa Huynh Franck Marvel Ngandui c W. Stewart and Aedifica Power Corporation Simon Abboud Jean-Paul Brutus Catherine Duplessis Arif Igdebeli Robert Marzin C Barbara Arbuckle Aéroports de Montréal of Canada Mouna Aber Kathie Bujold Andrea Dupuis David Iglesias-Girard Djika Massa Frédérique Auger Aon Hewitt Derek Price Rachid Aboulhamid Raphael Buruiana Christine Durand Vasilios Iliopoulos Steve Massenat O Daniel Baer and Inder Arya PricewaterhouseCoopers Dima Adra Audrey Cadre Maria El-Hachem Navid Iravanipour Bradley Massi R Johanne Larrissey BCF Business Law Provencher Roy Shewa Agier David Campagna Jack Elias Julien Issa Evelyne Massicotte Michèle and Jean-Paul Bellon Associés Architectes Kamran Ahmed Matthew Campbell David Engel Claudia Jacques Brahm Mauer D James Beckerleg François Bérubé and Deon Ramgoolam Ali Al-Ahmad Thomas Carrier Alessandra Esposito Mélanie Jacques Douglas McAlpine Michel Bellemare and Sophie Marcil Raymond Executive Search Louis-Philippe Allard Paolo Catania Chartrand Nicolas Jacques-Bouchard Jacinthe Meek Elis Quinn Gad and Sandra Bitton Resolute Forest Products Elman Allison Leila Cattelan Milos Estiatorio Patrick Janelle Marie-Noelle Melançon S Dominique Bellemarre Jocelyne Blais Carmen Robinson Muriel Amar Marilyn Celestin Eleonora Eusepi Marine Sophie Jegard Karine Mélo T Françoise Bertrand J. R. André Bombardier Roccabella Sarah Amghar Gabrielle Cesvet Alexandra Fattal Elizabeth Jeronimo Elizabeth Meloche Suzanne Bisaillon Boston Consulting Group Louise Roy Véronique Amiot Mathieu Chabot Jack Fattal Caroline Jodoin Yannick Ménard E Trevor and Barbara Bishop Anne-Marie Boucher Saint-Jacques Vallée Y&R Tania André Gurveen Chadha Dario Favretto David Joseph Mylene Mercier W Wayne Campbell Tim Brodhead Danielle Sauvage Zoe Andrei Karina Chahinian Michelle Felsky Nick Kapetanakos Sofia Olivia Mercier Gretta Chambers Cadillac Fairview Jean-François Sauvé Maria Antonopoulos Winston Chan Bruno Fernandes Ali Karaki Camille Mercier-Richard A Lucie Charbonneau Bita and Paolo Cattelan Alexandra Scheibler Andrew April Janie Chartier Sandra Ferreira Karambatsos Lawyers John Michalopoulos R Kim Christensen Champlain Scotiabank Alexis Archambault Marie-Josée Chartier Sarah Ferron Derek Kastner Claudia Michaud Shelby Christensen Financial Corporation Alain Simard Julien Archambault Simon Chartier Fidelity Investments Jean-Hugues Katabarwa Oliviana Mingarelli T Claude Cormier + Associés André Chagnon SNC-Lavalin Georgia Argiriou Sarah Cheddad Aurélien Fievez Robert Kauffman Sarah Mitchell Lorena and Norman Cook Karin Christensen Société Générale Canada Dimitra Argyropoulos Nicolas Chenard Paul Dayana Fils-Aimé Rima Kayssi Alexandre Mogharaei Elizabeth Ann Dadson CIBC Private Spencer Stuart Melissa Aristeo Paul-Mathieu Chénier Carrie Finlay Adel Khalaf Jessica Morais M and Robert Larkin Investment Counsel SpesInvest Arsenal Julia Cherry Elizabeth Fiset Sheil Khanna Julien Morier U Aileen Desbarats Johanne Claveau David and Cheryl Stenason Keigan Ashall Sabia Chicoine Andrea Fitzpatrick Rami Khoury Charlotte Moser Claire and Paul Dingle Cogeco Cable Stikeman Elliott Josée Aspinall Eric Chiniara Mathias Flores France Kingsbury Sami Moubayed S Althea Douglas Julie Couture and Julie Sylvestre Monique Assouline Brooke Chinks Lucia Florescu David Klingler Stephanie Murdoch E Jean Douville and Vito Salvaggio Telesystem Garine Avedis Joanna Chrysocheris Catherine Fonseca Nicholas Knowlton-Winch Heather Murdock Lucille Girard Douville Marina Cutler The Jean Coutu Group (PJC) Paul Azar Jessica Cimino-Martin Daniel Forman Marc Kobrynsky Blandine Myard U Eldee Foundation Emmanuelle Demers Tourisme Montréal Melissa Azuelos Pascale Cimon Vanessa Formoso Laura Kolta Natalie Nadaira M Lorris and Robert Frankfurt Doug Deruchie Travelway Group Simon Bacon Anouck Cinq-Mars Philippe Fortier Sara Korhani Maelle Nadeau Kalypso Gicopoulos Desjardins Group International Peter Bakos Circo de Bakuza Florence Fortier-Landry Kounadis Perreault Tanya Nahoum Laurent Giguère Devencore NKF Stéphane Tremblay Melissa Balaze Morgana Clarke Isabelle Fortin Ekaterina Kouzmenko Chouaib Nait M’Barek John Godber Division Gallery and Marine Carré Daniel Balcer Madeleine Clément Jérôme Fortin Marina Krilova Natalie Nanowski John Gomery and François Duffar Evelyn Trempe and Ali Baroudi Benoit Cloutier Kimberly Fortin Adrianna Kruyt Giuseppe Napolitano Pierrette Rayle Simon Dupéré and Eric d’Anjou Elaine Barsalou Jean-Philippe Cloutier Mélissa Fortin Abhishek Kumar National Bank of Canada Maurice Gravel Christine Boivin Roxanne Vachon Donato Battista Marie-Christine Cloutier Anthony Franceschini Stefanie Kutteh Bich Thanh Ngo Highwater Foundation Madeleine Féquière Manon Vennat Daniel Baum Mark Cohen Pierre Francis Michal Kuzmicki Ha Huy Anh Nguyen Ann and Mel Hodes Venise Féquière Comeau Rose-Marie Féquière and Olivier Beauchemin Jonathan Cohen-Domanus Lanni Frankel George Kyres Minh-Anh Nguyen Simon Beauchemin Susan Holton and Claude Comeau Jean Léonneau Vil Justin Comeau Caroline Frappier Francois Lachambre Evelyne Nguyen-Khac 50 Irving Ludmer Guy Fortin Ann Vroom Vincent Beauchemin Laurence Corbeil-Serre Etienne Fraser Julie Lacourciere Tina Nguyen-Le Family Foundation Patricia Fourcand Barbara Whitley Marie-Michelle Beaudin Paul-Emile Cormier Benoit Fredette Magalie Lacroix Erika Normand-Couture – Catherine Beaudoin J. Robert Swidler & Angéline Fournier David Coulson Paula Frengul Lysandre Laferrière Gabriela Nova 51 Associates and Nicolas Forget Prestige Tables Christian Beaudoin Mathieu Courault Mike Furino Alexandre Lafleur Daniel Novak Sheila Kerr Carolina Gallo and Birks Group Anaïs Beaudry Marc-André Coutu Kristin Gable Amélie Lafrance Réjane Ollier Kevlar Group Erik Richer La Flèche BMO Financial Group Mylene Beaudry Ashley Couture Catherine Gaboury Carl Lafreniere Fatiha Ousalem Eric J. Klinkhoff John Gomery and Caisse de dépôt et Daniel Beaulé Marlene Couture Sophie Gagnon Marie-Lise Lamarre Vanessa Olivia Palumbo Kounadis Perreault Pierrette Rayle placement du Québec Marie Beaumont Martin Couture Jennifer-Lee Gagnon Larose Marilyne Langlois Stephanie Panarello Ian Lamothe Brassard Cynthia Gordon Davies Ward Phillips Maud Bélanger Jean-Francois Couturier Annie Gallant Annie Lapointe Alex Papadopoulos Gilbert and Tina Lee Héroux-Devtek & Vineberg Carlo Bellini Camillo Cravetto Tartaglino Vibika Garant-Saine E milie Larochelle Morin Evan Paperman Yvon Lemay George Honos Deloitte Roberto Bellini Emilie Croteau Pierre Gattuso Francis Larocque Guillaume Paquet Nathalie Lévesque Patricia Lallier Ernst & Young Bellini Foundation Kevin Custodio Annie Gauthier Marie-Pier Latreille Patrice Paré Joseph and Christiane Langevin Fasken Martineau Mylène Bénard Megan da Roza Lea Gauthier Stéphanie Lavallée Hélène Parisé Kathleen MacDonald and Claude Michaud Ferreira Café Labiba Benchekri Julie Dagenais Sarah Gauthier Caroline Lavoie Brendan Parm Anne E. Mackintosh Langlois Kronström Groupe Park Avenue Benjamin Benhamou Brigitte Dagnault Constance Gauthier-Leith Marie Le Bel-Dongier Jason Parravano Eleanor MacLean Desjardins Khadija Benomar Melodie Damour Sally Giffin Janie Lebel Hydro-Québec Krystal Pascual 2 Charles and Anne Matheson Allan and Kelly Lanthier Ivanhoé Cambridge Jonathan Bergel Dermai Darragi Chloe Gilbert Stéphanie Lebel Luka Pavlovic Moira McCaffrey Alix Laurent and Korn/Ferry Martin Bernier David Dayan Claudia Girard Simon Leblanc Jessica Pearson 0 Robert McKenzie Anik Bissonnette Stéphanie Alison Berthiaume Valérie de Launière Simon Giroux Alicia Leclerc KPMG Jonathan Peer 1 David Morton Nathalie Le Prohon and National Bank of Canada Franck Beziaud Laurent Debrun Valérie Giroux Cindy Leclerc Elizabeth Pellerin Francine Panet-Raymond Stéphane Boisvert NCK + Dupras Ledoux Stephanie Bianchini Rose Carmen Decembre Lena Glavinovitch Julien Lefebvre Vanessa Pellerin 5 Robert and François Lecavalier and Raphaelle Bielot Anne-Marie Demers Alexandre Godbout Philippe Legault ingénieurs Laura Penketh - Monique Parizeau Senia Rapisarda Norton Rose Fulbright Charles Bierbrier Catherine Demers Carlos Godoy Mylène Lemmel My-lan Pham-Dang Productions Olivier Legault Osler, Hoskin & Harcourt Amanda Bindman Philippe Denis Eric Gordon Christine Lenis Gelaterie Pierino 2 Jean-Pier Doucet Lundbeck Canada Cristina Birks Stephanie Derome Jean-Simon Goudreau Frédéric Leroux Otéra Capital Sarah Pierre-Louis 0 Louise Lamarre Proulx MacDonald Pomerleau Heavenly Biscotti Marie-Pascale Des Rosiers David Goulet Antoine Lessard Victoria Pinsonnault Jean-Pierre Provencher Stewart Foundation Raymond Chabot Grant Stéphanie Blackburn Alexandre Desabrais Vincent Gourd Frederic Letourneau François Pintal 1 and Suzanne Gagnon Alan MacIntosh Paige Blumer Paul Desbaillets Sophie Grand’Maison Tiphaine Levrat Thornton Catherine Poissant 6 Punda Mercantile Magil Construction RBC Capital Markets Alexandre Boivin Kaelan Desilets Langelier Cristina Grassi Luc Lissoir Alexandra Popa Kate Reed Marcelle and Saputo Valérie Boivin Annie Desrosiers Sabrina Grassi Marciano Lobo Karen-Sue Potter Robert and Margaret Ross Jean Coutu Foundation Kinan Bonni Natasha Dhesi Francis Grignet Renée Loiselle Sun Life Financial Sébastien Préville-Ratelle A Geraldine Routh Hubert Marleau Telus Nina Borsellino Guido Di Cerbo Harry Grivakis Joanna Lozowik Benjamin Proulx Madeleine Saint-Jacques Carlo Massicolli and Patrick Bouchard Jesse Di Gennaro Gbeuli Guero Chloé Luciani-Girouard Camille Léa Prud’Homme N François Senécal-Tremblay Maryse Trempe Rachel Bouchard Claudia Di Lorio Amélie Guertin David Luong Mattia Maria Puccio Sponsors N William and Margaret McCarthy Tétreault Noah Boudreau Stéphane Dieujuste Matthieu Guilhem Anne-Marie MacLellan Sofia Quilico Arsenal Stavert Danielle Medina Anne-Christine Boudreault Monica Dingle Santino Gurreri Eric Major François Rainville DAC Aviation International U Scott Taylor Métro Justine-Emilie Boudreault Ralph Diorio Maguy Hachem Arash Maleki Alanna Ramgoolam Ivanhoé Cambridge A John Thompson Mirabaud Canada Mathieu Boulianne Chanez Djeffal Josh Hanek Khanna Manish Stephanie Rassam SAQ Tyringham Investments Montreal Museum of Doreen Boulos Rafael Domingues Sacha Haque Hardip Manku Thierry Rassam Sébastien Forand L Valerie Pasztor Foundation Fine Arts Laddavanh Boupha Maxime Dorais Jessica Harding Kristapore Manoukian RBC Global Asset Évènements Dusty Vineberg Solomon Nadia Moretto Jadys Bourdelais Vincent Doré Barbara Heath Manulife Investments Management Allan and Sylvie Vosko Esther Morin Isabelle Bouthillier Sabrina Dorelle Norman Hebert Katherine Marchand Gabrielle Reda R Christopher Wiegand Morneau Shepell Kaitlyn Bowman Marie-Hélène Dorion Sandra Heintz Mickael Marchand Ashley Reeves E and Liz Leahy MSDL Architectes Maxime Boyer Marie Dory Marie-Julie Heredia Eugénie Marcil Alexandre Reise-Filteau NATIONAL Public Relations Julia Brailovski Michelle Drouin Lauren Heyer Diala Mardini Lisa Reitman P And thank you to the Amin Noorani Bertrand Breuque Samantha Druda Matthew Hiess Adamo Mariani Julien Rheault O 449 donors who donated Lida Nouraie and Maximilien Briand Catherine Du Pont Ari Himmel Alex Mariani Martin Richard amounts of $1 to $249. Nicholas St-Jacques Julien Brosseau Joseph Dubrovsky Ariane Hunter-Meunier Dominique Marineau Roxana Rivero Molina R Mariella Pandolfi Christopher Brown Alexandra Duffy Etienne Hurtubise Olga Markina Emilie Rivest-Khan Danièle Perron Erik Brown T Amelia Robinson Andrew Wisniewski Carole Gagnon GRANTING EXECUTIVE COMMITTEE MARKETING COMMITTEE M Kathy Rocheleau Corey Wolman GDI Chair Chair Ana Rodrigues Stéphanie Yared Claude Gendron and c ORGANIZATIONS Monique Jérôme-Forget Alan MacIntosh Kimberley Rouse Juliette Yip Claire Bernier C Catherine Rousseau-Saine Dimitri Zoumboulakis Caroline Godin and Members Members Arrondissement Ville-Marie, Ville de Lisane Roussel Guy Dionne Daniel Baer Patrice Attanasio (guest) O Montréal Marlie Rousso Sponsors Alexandre Gravel and Bruce D. Bolton René Godbout (guest) R Olivier Roy Aliments In Foods Karine Charbonneau Bibliothèque et Archives nationales du Suzanne Fortier Sandra Heintz Sebastien Roy Ayuda Media Systems Jacques Grignon Québec Michal Kuzmicki Christiane Langevin D Nicolas Rubbo Caisse de dépôt et Richard Grignon Paul Raymond Monique Jérôme-Forget Canadian Heritage Zara Rubin placement du Québec Philippe Harris Suzanne Sauvage Caroline Lavoie (guest) Daniel Safi Canderel Management Barbara Hervieux and Canadian Museums Association Danièle Perron (guest) S

Hady Saheb Cisco François Pintal Suzanne Sauvage T Davies Ward Phillips Concordia University Sylvie Samson Susan Holton and FINANCE AND Pascale Grignon Marc-Antoine Saumier & Vineberg Marcel St-Amour Conseil des arts de Montréal E ADMINISTRATION COMMITTEE Sarah Saunders First Canadian Title Alexandre Huot W Fortas Secur Emploi-Québec Eric Sauvageau Michal Kuzmicki Chair INVESTMENT COMMITTEE David Alexandre Sauvé Franklin Templeton Natacha Lachaine Employment and Social Development Daniel Baer A Harry Rosen Chair Marc Sawaya Nadine Lahoud and Canada Members R Alexandra Schwarz Hatley Strategy Advisors Keith Lawless Grégoire Baillargeon Hexavest Intégration Jeunesse du Québec inc. Grégoire Baillargeon T Adam Segal Normand Lapointe Membres Lantic Doug Deruchie Mathieu Seguin Hugues Lepage McGill University Michal Kuzmicki Lexus PA/Spinelli Monique Jérôme-Forget Souha Seifeddine Frédéric Leroux Monique Jérôme-Forget Catherine Malandrino Ministère de la Culture et des Michal Kuzmicki M Irina Semova Philippe Lombart Suzanne Sauvage Natural Furs International Communications du Québec Philip Leduc Veronique Senosier Roberge Genevieve Maltais-Boisvert Suzanne Sauvage Philip Leduc U Christopher-Louis Nature’s Touch Hélène Marquis and Ministère de l’Éducation, du Loisir et du Senosier-Messan Neuberger Berman Frédéric Lévesque Sport du Québec S Elena Sergan Parasuco Hélene Massicotte and Tourisme Montréal E Stephanie Serruya Placements N.D. Bakos Jean-Francois Tanguay AUDIT SUB-COMMITTEE Richardson GMP 2015-2016 U Christine Sevigny Kaila Amaya Munro Veterans Affairs Canada Chair Robinson Sheppard Shapiro Hani Shash Julie Murphy and Daniel Baer STEWART MUSEUM M Katherine Telus Salim Lahound BOARD OF TRUSTEES Shaughnessy Chapman Tsatas Groupe Norton Rose Fulbright Members Joelle Sholzberg Antonio Ortona Claude David (guest) 2015-2016 Philip Leduc Jason Shutt Osler, Hoskin & Harcourt Chair 2016 WINE AND FOOD – BOARD OF TRUSTEES Maya Shyamprasad François Ouimet and Me Paul Raymond Sabrina Silvano GUESTS AND DONORS Darina Bashilova OF THE McCORD Jade Simard-Varin Pierre Paffenhoff REAL ESTATE SUB-COMMITTEE Treasurer Olivier Simek AMT Lucille and Antoine STEWART MUSEUM Chair Daniel Baer Francesca Simms Sam Arif and Panet-Raymond Michal Kuzmicki Secretary Jaclyn Sleeman Stephanie Shamie Richard Payette Bruce D. Bolton 52 Karim Smai Christian Ayotte Geneviève Pepin Honorary Co-Chair Members Julian Somera Karen Aziz and André Perron Derek A. Price Charles Flicker (guest) Members – Jean-Eudes Guy (guest) Yifeng Song David Johnson Brenda Plowman Chair Michal Kuzmicki 53 Danielle Lavoie (guest) Benjamin Spencer Daniel Baer and William Prevost Monique Jérôme-Forget Suzanne Sauvage Luc St-Amand Johanne Larrissey Martin Racicot and Philip Leduc Vice Chair Alexander Steinhouse Elaine Barsalou Isabelle Durand Michal Kuzmicki Simon St-Georges Daniel Beaulé Guadalupe Reusing 2015-2016 Nicholas St-Jacques Lucie Beaupré Marie-Claude Rivet Treasurer STRATEGIC COMMITTEE Jonathan St-Jean Cendrine Rollet Maryse Beauregard and Daniel Baer Chair FOUNDATION Rajeev Sudra Rona Guy Fournier Roland Lescure Guillaume Synnott Michel Bellemare and Christian Roy Secretary BOARD OF TRUSTEES e Paul-André Synnott Eilis Quinn Suzanne Sauvage M Paul Raymond Members Imad Tabet Jennifer Bent André Sauvé and Members Bruce D. Bolton Chair Chloé Tait Frank Bernard Suzanne Leblanc Grégoire Baillargeon Monique Jérôme-Forget Daniel Fournier Julie Tardif Anne Betournay Julie Savonitto Bruce D. Bolton Michal Kuzmicki Treasurer Julia Tehrani BFR Scotiabank Anne-Marie Boucher Paul Raymond 2 Melissa Tehrani Genevieve Blouin Stikeman Elliott Suzanne Sauvage Jean-Jacques Carrier Doug Deruchie 0 Laurent Tetreault BMO Capital Markets Louis Tassé Prof. Suzanne Fortier Pierre Trahan Secretary Sean Tevel Claire Bouchard and Robert Thiffault Daniel Fournier Lorna J. Telfer 1 Karl Theard Matthieu Roux Sandra Tittlit Cynthia Gordon Members 5 Sébastien Thériault Sylvie Bourdeau Maryse Vermette Christiane Langevin GOVERNANCE COMMITTEE Bita Cattelan Pier-Luc Therrien-Peloquin Monique Brosseau Evelyne Verrier Christian Leblanc Chair Thomas R. Davis - Eve Thibaudeau Patrick Bui Gabrielle Weech Christine Lenis Monique Jérôme-Forget François Duffar 2 Nadia Tomassini René Cadieux WSP Roland Lescure Monique Jérôme-Forget Gabriel Torani Jacques Champagne Alan MacIntosh Members Nathalie Lévesque 0 Lorenzo Torre Wajih Chemali Generous Donations François H. Ouimet Anne-Marie Boucher Derek A. Price 1 Audrey Touchette Paul Chevalier Dollarama Cecil Rabinovitch François Ouimet Suzanne Sauvage Caroline Tremblay Caroline Chevrier Ivanhoé Cambridge Suzanne Sauvage Paul Raymond Manon Vennat 6 Guillaume Tremblay Citibank Canada Marie Senécal-Tremblay Suzanne Sauvage Jean René Tremblay Julie Corley Sponsors Pierre Trahan Diane Wilhelmy Simon Tremblay Cossette Amour et Tradition Ann Vroom The McCord Museum Foundation would A Geneviève Trépanier Sonia Couture and Château de Cartes, Vignoble Diane Wilhelmy also like to thank Kim McInnes for his Sebastien Trottier Walid Safi et cidrerie COLLECTIONS N service to the Board. Efsthasios Tsatas Sébastien Cyr Closson Chase Vineyards MANAGEMENT COMMITTEE N Jason Tsoukas Thomas Davis ESKA The Museum would also like to thank U Raja Singh Tuli François De Broux and Exultet Estates Susan Aberman, Marvin Corber, Chair Carolyn Turner Denis Lapalme Gattuso François Duffar, Salvatore Iacono, Cynthia Gordon A Isabelle Turner Deloitte Foundation Julien Leblanc Traiteur Alexandra Schwarz, Christena Keon Members L Patrick Vaillant Desdowd La Face Cachée de la Pomme Sirsly and Frederick Sneider for their Cynthia Cooper Lonneke Van Sprundel Annie Deveault La Palette Gourmande service to the Board. Monique Jérôme-Forget Francois Vanier Sylvie Drouin Le Garde Manger Yves Lacasse (guest) Philippe Vennat R Eric Dunberry Les Cochons Tout Ronds Yvon Lemay (guest) Pascale Venne Max Dunberry Long Dog Vineyard & Winery Rosalind Pepall (guest) E Marjolaine Verdon E3 Services Conseils Myriam Brosseau Pâtissière- Cecil Rabinovitch Adam Villeneuve P Dario Favretto collection Karine Rousseau John Voulieris Didier Filion Poissonnerie La Mer Suzanne Sauvage O Nada Wan François-Nicolas Fleury Première Moisson Marie Senécal-Tremblay Clarke Weston R and Emilie Clec’h Restaurant Leméac Christian Vachon Kai Whittaker Charles Flicker Rougié Ann Vroom T Olivier Wiesel Nathalie Francisci Tawse Winery Joshua Wilner Kristin Gable Vinum Design 2015-2016 STEWART MUSEUM McCORD STEWART MUSEUM Vasile Mirghesiu Arthur Greenfield M INTERNS AND VOLUNTEERS Jessica Mitchell Jiaqi Juan c McCORD STEWART MUSEUM TEAM Oscar Morales Awais Khaliq Administration Volunteer Guides Jean-Michel Morin Yi Fan Lin C McCORD MUSEUM Conservators Project Manager, Cultural Activities Arduina Alonz PRESIDENT AND CHIEF Anna Nadibaidze Liu Meng Liu O Sara Serban Maria Luisa Romano EXECUTIVE OFFICER Huguette Audy Salma Naïli William Wang Sonia Kata Suzanne Sauvage Charlotte Dennick Julia Neuhaus R Administration Project Manager, Web and Multimedia École Joseph François Sofia Zweifel Louise Desjardins-Jacob Marc-Olivier Novak Stéphanie Poisson Curator and Head, Collections Perrault D PRESIDENT AND CHIEF Miriam Diniz Maeve O’Neill Sanger Assistant, 2-D Conservation Sylvie Dauphin Marie-Claude Roy, Spiritual EXECUTIVE OFFICER Digital Imaging Technician Susan Garin Cynthia Ouibrahim Denis Plourde Community Animator Suzanne Sauvage Camille St-Cerny Assistant, Collections Jill Guedon Andréa Palatinus Marie-Claude Roy S Assistant, 3-D Conservation Khan Rooney Elizabeth Jennaway-Eaman Chantal Piémond Assistant to the President and Technician, Photographic Services and Yasmine Abid Caroline Bourgeois Marie Jutras Sally Polonio T Chief Executive Officer Copyright Sarah-Lune Bergeron Phyllis Klaiman Fanny Poupart Johanne Malo Heather McNabb, Ph.D. Manar Boukharouba E Operations Carole Lafleur Rebecca Preda Silvia Bravo Development Officer, Grants Head, Collections Management Lise Lavallée Tasfia Rahman W DIRECTOR, OPERATIONS Flavie Brousseau Martine Couillard Christian Vachon Monique Lecavalier Mariano Rebuli Marketing and Communications Philip Leduc Maëla Dansereau A Andrée Mercier Carolina Rivero Photographer Nour-El-Houda DIRECTOR, MARKETING & Head, Operations René De Cotret Opzoomer Julie Rotharmel R Marilyn Aitken Mathilde Fortin Operations COMMUNICATIONS Daniel Dupéré Lesley Régnier Marta Rybarczyk Madeleine Guastuine T Registrar Pascale Grignon Élaine Sauvé Carly Séguin DIRECTOR, OPERATIONS Team Leader, Technical Meryame Khammale Karine Rousseau Kathleen Verdon Dolly Shinhat Philip Leduc Head, Communications Services Lea Shan Lamonde Joanna Vlitas Yeelena Sidibé Senior Cataloguer, Notman Sandra Heintz David Dupéré Sidney Lavoie M Senior Officer, Human Resources Eva Zietkiewicz Ruth Silver Photographic Archives Laurence Laforest Lucie Beaupré Marketing and Communications Agent, Technician, Maintenance and Giada Simone U Nora Hague Volunteers, Visitor Services Lea Laneuville Promotion Technical Services Nicole Singoye Isabelle Algrin Melodie Lhermite S Curatorial Assistant, Archives Ariane Cambron (maternity leave) Éric Brouillard Momar Sourang Alexandrina Apolaya Eloise Renaud Comptroller Eugénie Marcil Annie Alix-Paré Amal Tachouaf E Technicians, Special Projects Emmanuelle Arberet Sami Rixhon Muriel Ingrassia, CPA, CMA Danielle Timothy Cataloguer Marketing and Communications Agent, François Lambert Claudette Archambault Angélie Roy U Benoît Tito Carciofi Technician, Accounting and Geneviève Deziel Public Relations Hanane Bahassi Mélie Xie-Bouchard Technician, Security and Mary-Francis Turk Administration Nadia Martineau (maternity leave) Chiara Barbado M Technicians, Collections Management Maintenance Sylvie Vaillancourt École Jeanne Mance Geneviève Clavet (maternity leave) Catherine Guex Sid Belfodil Josianne Venne Marcel Bernard Xuan Wei Isabelle Boyer,Spiritual André Querry Ghada Belhadj Jean-Christophe Chenette Senior Digital Content and Social Carmen Zamfirache Community Animator Jean-François Bilodeau Mélissa Boismenu Technician, Accounting and Payroll Ariane Gervais-Coté Media Specialist Dominick Gauthier Isabelle Boyer Diana Bologa Volunteers, Collections and Pascaline Ouedraogo Marie-Lyse Paquin Simon Lajoie Marie-Pier Martineau Valérie Boucher-Rojo other Tommy Lavallée Vladimir Saint-Jean Graphic Designer Joanne Brien Kathryn Banham Programs Martin Ouellette Hugo Sanges Anne-Marie Demers Marc-Alexandre Brisette Simon Barré-Brisebois Head, Information Technology Hicham Raoufi DIRECTOR, PROGRAMS Élise Brouillet Stéphanie Beaupré École Honoré Mercier Hugues Boily Assistants, Marketing and Sylvie Durand Isabelle Cail Jason Cool Marie-Josée Labonté, Spiritual Communications Network Administrator Émily Cameron Katherine Lavery-Breier Community Animator 54 Head, Exhibitions Flora Camilleri Head, Human Resources Duncan Forbes Melinda Cardinal Susan Nish Marie-Josée Labonté Geneviève Lafrance Kimberly Glassman Lucie Beaupré – Norman Chan Laura Snelgrove Rebecca Alexandre Manager, Special Events and Rentals Senior Advisor, Human Angelique Cunningham-Allard Geneviève Baird 55 Partageons notre mémoire et Coordinator, Security & Facilities Camille Mathon Resources My-Van Dam Gardine Belzince Project Managers, Exhibitions nos histoires Mario Lafond Lise de Foy Sylvain Danserault Elisabeth Bisaillon Catherine K. Laflamme Rentals, Officer Volunteer Program Catherine Décoste Sandrine Cloutier Mechanical Technician Anny Guindon-Varvarikos Vincente Lhoste École Henri Bourassa Célia Destemberg Julie-Ann Chapdelaine Dominique Granger Justine Jacob-Roy Mireille Hajjar, Spiritual Manager, Admissions and Boutique Programs Denitsa Dodeva Aleksandar Iliev Geneviève Larouche Community Animator Maintenance Technician Sylvia Sorbeli (maternity leave) Gabrielle Dubé-Dutreuil Mikael Gauthier-Leblanc Caroline Truchon DIRECTOR, PROGRAMS Lina Benmedour Giusto Cannella Sofia Samper Frédérique Ducharme Charlie Gauvreau Sylvie Durand Melissa Benmedour Chief Technician, Exhibitions Antoine Falardeau Kathy Giroux Security Agents Supervisor, Visitor Services Camille Breton John Gouws Coordinator, Cultural Programs Arang Fardi Megan Gorden Sécuritas (out-sourced) Katerine Genest Samia Denis-Théroux and Special Events Juliana Ferreira Elodie Groulx Corbeil Technicians, Exhibitions Mireille Hajjar Clerks, Admissions and Boutique Nicole Gilbert Vasile Florin Mirghesiu Kandide Moisseau Trudel Warren Auld Sophie Hwang Anne-Frédérique Beaulieu-Plamondon Géraldine Franchomme Sarah-Maud Pilon Collections Eugénie Bonneville Coordinators, Education Jessica Khau Anna Ciociola Theresa Gabos Noémie Rondeau 2 Nicolas Cantin Programs Karima Khider Head, Collections and Research, and Liz Damansa Falaise Morgane Garden Solange Simmons Caroline DeRoy Laure Pavlovic Maxime Morneau 0 Curator, Costume and Textiles Amanda Di Gregorio Ricardo Gatti Gyna Toumort Lyne Desaulniers Marie-Olivier de Mers Dina Sbai Cynthia Cooper Rehnuma Kamal Aniane Germain-Savard Lyna Tournert 1 Scott Drysdale Myriam Zmit Kristina Lamarre Coordinator Assistant Auriane Gouzowski Camélia Vachon-Haddine Curator, Notman Photographic Mélissa Jacques 5 Tiffany Le Anne-Marie Santerre Lakmé Gremillet École Ville-Marie Miriam Vachon-Haddine Archives Philip Kitt , Ph.D. Éric Leduc Daniel Guilbert Stéphanie Leblanc, Spiritual - Hélène Samson Catherine Labonté Guide/interpreters 2015-2016 Interns Nathalie Philippeau Anne Guillemet Community Animator Curator, Ethnology and Olivier LeBlanc-Roy Alexis Blanchard-Méthot Jonathan Appleby 2 Mélissa Tremblay Rina Halickman Audrey Abran P Archaeology, and Interim Curator, Patrick Migneault David Brassard Frédérique Auger Laurie Hotin Liliane Bernier 0 Decorative Arts Marie-Paule Partikian Assistants, Admissions Nicholas Buonvino Alexandra Bart Stéphanie Hudon-Hogan Juliette Despatie Guislaine Lemay Jessica Regimbald Iman Palmer Mumuni Marie-Anne Durocher Nancy Belhumeur 1 Lisa Ivanowksoff Andres Yanez Garcia Marie-Hélène Rolko Jean Philippe Pierre Eddyson Nicolas Handfield-Raymond Cédric Breton Daigle Curator, Archives and History Yveline Jean-Charles Naïs Vaën Immordino 6 Louis Lalancette Andrea Criollo Céline Widmer Rhiannon Jones Felix Jutren Sébastien Lefebvre Élisabeth Dunn Rebecca Katz Stéphanie Leblanc Curator, Paintings, Prints Head, Education Programs Karianne Proulx Ariane Gervais-Côté Rachel Kerr-Mackey Alessandro Morun A and Drawings Dominique Trudeau Emma Haskins McCORD MUSEUM FOUNDATION Yosra Khouja Charlie Perreault Christian Vachon Béatrice Langevin N Coordinator, Education Programs Catherine Lacroix Delphine B Pinard Marketing and Béatrice Lecomte Curatorial Assistant, Costume and Laura Delfino Josine Lafontaine Daphné Roussy N EXECUTIVE DIRECTOR Communications Marion Lecoq Ève Laforest Emma Vargas Textiles Coordinator, Logistics and Reservations Nathalie Lévesque Anaïs Ledoux U DIRECTOR, MARKETING & Alexandra Lantoche Alexis Walker Linda St-Pierre Collège Villa Maria Riteba McCallum Senior Officer, Planned Giving and COMMUNICATIONS David Lavigne A Archivist Julie Maltais Farishtah Nazar Interpreters Major Gifts Pascale Grignon Daniel Leblanc Sophie Parisien Rebecca Nieto L Joanie Levasseur Nicolas Blanchette Dermai Darragi Paula Leveinson Communications Advisor Simone Sauvage de Champlain Natalie Nudell Archivist Jonathan Chartier B. Claire Liberge Coordinator, Annual Campaign and Myriam Perron Florence Savar Marianne Connel Frédéric Limoges École internationale Virgine Tricot Donor Relations Sarah Shaughnessy R Marie-Josée DeLisle Marketing and Mariangels Lombano Marie-Claude Roy, Spiritual Lelia Sfeir (maternity leave) Etienne Simard Justine Desrosiers-Brouillet Communications Agent Zahida Madagh Community Animator E Pierre Poirier Virginie Tricot Étienne Gévry-Boucher Geneviève Lalonde Mahshid Madahi Marie-Claude Roy Head, Conservation Isabelle Vasconcelos P Ghena Hamade Coordinator, Philanthropic Development Manon Mandeville Alexandre Beauchemin Anne MacKay Visitor Services Attendant Marie Vincent Margot Klingender Adèle Lasne Andrea Marcelle-Lemieux Raphaëlle Bertrand O Nancy Major Josée Carole Lavigne Coordinator, Special Projects Sophie Maurice Marco Bureau R Marc-André Lévesque Charlotte Routhier Teresa McKenna Andre Caballero Fany Mc Crae Marie-France Mercier Grace Chan T Flavie Vaudry-L Assistant, Development John Michael Tatiana Gallien Sophie Viennot De Vaublanc Etienne Z. Franchi Timothy Weiss The McCord Museum thanks the ministère de la Culture et des Communications du Québec, the Conseil des arts de Montréal and its other partners for their support.

Detolle Corset for Mainbrocher, Horst P. Horst, 1939 © Condé Nast / Horst Estate ––

Writing: André Dupras Communications Translation: Edith Skewes-Cox Graphic design: Atelier Pastille Rose McCORD MUSEUM STEWART MUSEUM MCCORD-MUSEUM.QC.CA STEWART-MUSEUM.ORG

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