2015-2016 Annual Report, Mccord Stewart Museum
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Birks Group 2018 Annual Report
ANNUAL REPORT 2018 UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 20-F ‘ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2018 OR ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ‘ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report For the transition period from to Commission file number: 001-32635 BIRKS GROUP INC. (Exact name of Registrant as specified in its charter) Not Applicable (Translation of Registrant’s name into English) Canada (Jurisdiction of incorporation or organization) 2020 Robert-Bourassa Blvd. Montreal Québec Canada H3A 2A5 (Address of principal executive offices) Pat Di Lillo, 514-397-2592 (telephone), 514-397-2537 (facsimile) 2020 Robert-Bourassa Blvd. Suite 200 Montreal Québec Canada H3A 2A5 (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Class A Voting Shares, without nominal or par value NYSE American LLC Securities registered or to be registered pursuant to Section 12(g) of the Act: None. Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act: None. The number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the Annual Report was: 10,242,911 Class A Voting Shares, without nominal or par value 7,717,970 Class B Multiple Voting Shares, without nominal or par value 0 Series A Preferred Shares, without nominal or par value, issuable in series Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. -
August 15, 2017 Aug
WESTMOUNT INDEPENDENT Weekly. Vol. No. b We are Westmount August , Plans call for pool, rink From one DG to another Sports complex planned for vacant Hillside Armoury B L S which moved out four years ago. “We want to try to preserve the building A proposal to convert the former Hill- as an architectural site with a project that side Armoury into a sports club includes will serve the community well,” an indoor pool and ice rink, the Indepen- Beauchamp explained. dent learned last week. He said he hopes to deposit plans with The redevelopment project was outlined the city in the next couple of weeks. by real estate developer Karl Beauchamp, a partner in a group called Hillside Limited Membership component Partnership, which purchased the prop- He said these include a four-lane erty recently at Hillside Lane and Hillside “Olympic pool” and an artificial ice rink of Ave. The armoury had been home for 50 feet by 100 feet suitable for 3-on-3 youth some 67 years to the 34 Combat Engineer hockey. The facility could also include a Photo: Laureen Sweeney Regiment (formerly the 3 Field Engineers), training gym “that schools could use.” The building, which has a total floor Retiring city director general Mike Deegan, right, hands over his desk plate to his successor, Benoit space of 54,000 square Hurtubise, as city council appoints Hurtubise at the city council meeting August 7. See p. 2, 3 and 6. Letters p. 4 feet, he said, would have continued on p. 14 Social Notes by V. -
2018-2019 Annual Report
2018-2019 annuAl report THE MONTREAL MUSEUM OF FINE ARTS CITED AS MODEL EXAMPLE IN THE OECD AND ICOM’S INTERNATIONAL GUIDE “The Organisation for Economic Co-operation and Development (OECD) and the International Council of Museums (ICOM) recognized the Montreal Museum of Fine Arts’ pioneering role in their guide launched in December 2018, Culture and Local Development: Maximising the Impact. Guide for Local Governments, Communities and Museums. This remarkable validation from two major international economic and cultural institutions will enable us to disseminate our message ever farther, so as to strengthen the role of culture and expand the definition of trailblazing museums, like the MMFA, that are fostering greater inclusion and wellness.” – Nathalie Bondil The Museum is cited in 5 of the 16 international case studies in the guide: a remarkable nod to our institution’s actions that stem from a humanist, innovative and inclusive vision. Below are a few excerpts from the publication that is available online at www.oedc.org: 1. Partnering for urban regeneration 3. Partnership for education: EducArt 5. Promoting inclusiveness, health and Regarding the MMFA’s involvement in creating the digital platform, Quebec, Canada well-being: A Manifesto for a Humanist Zone Éducation-Culture in 2016, in collaboration Launched in 2017 by the MMFA, EducArt gives Fine Arts Museum with Concordia University and the Ville de Montreal: secondary school teachers across the province access “As part of the Manifesto for a Humanist Fine “The project … has its roots in a common vision [of to an interdisciplinary approach to teaching the Arts Museum written by Nathalie Bondil,1 the the three institutions] to improve Montreal’s role as educational curriculum, based on the Museum’s MMFA has put forth a strong vision of the social a city of knowledge and culture. -
3Rd Quarter 2020
List of Section 13F Securities Third Quarter FY 2020 Copyright (c) 2020 American Bankers Association. CUSIP Numbers and descriptions are used with permission by Standard & Poors CUSIP Service Bureau, a division of The McGraw-Hill Companies, Inc. All rights reserved. No redistribution without permission from Standard & Poors CUSIP Service Bureau. Standard & Poors CUSIP Service Bureau does not guarantee the accuracy or completeness of the CUSIP Numbers and standard descriptions included herein and neither the American Bankers Association nor Standard & Poor's CUSIP Service Bureau shall be responsible for any errors, omissions or damages arising out of the use of such information. U.S. Securities and Exchange Commission OFFICIAL LIST OF SECTION 13(f) SECURITIES USER INFORMATION SHEET General This list of “Section 13(f) securities” as defined by Rule 13f-1(c) [17 CFR 240.13f-1(c)] is made available to the public pursuant to Section13 (f) (3) of the Securities Exchange Act of 1934 [15 USC 78m(f) (3)]. It is made available for use in the preparation of reports filed with the Securities and Exhange Commission pursuant to Rule 13f-1 [17 CFR 240.13f-1] under Section 13(f) of the Securities Exchange Act of 1934. An updated list is published on a quarterly basis. This list is current as of September 15, 2020, and may be relied on by institutional investment managers filing Form 13F reports for the calendar quarter ending September 30, 2020. Institutional investment managers should report holdings--number of shares and fair market value--as of the last day of the calendar quarter as required by [ Section 13(f)(1) and Rule 13f-1] thereunder. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Randall P. Harrison the Cartoon: Communication to the Quick (Beverly Hills, CA: Sage Publications, 1981)
BOOK REVIEW Randall P. Harrison The Cartoon: Communication to the Quick (Beverly Hills, CA: Sage Publications, 1981). Peter Desbarats and Terry Mosher The Hecklers: A History of Canadian Political Cartooning and a Cartoonists History of Canada o or onto: McClelland and Stewart, 1979). Reviewed by Andrew Osler School of Journalism University of Western Ontario A substantive error in undergraduate essay writing almost as common as the use of "media" as a singular noun, is the notion that these media come in two distinct and forever separated phyla : "Print" and "Visual. 'I Television and the cinema, with their parades of eyeball icons and background miasmas of aural associations, constitute the "visual" media in the popular imagination. Print, on the other hand, tends to be popu- larly perceived as something else, (though pre- cisely what is never entirely clear). Ekposure over time to the ideas of the semiotics theor- ists, perhaps to McLuhan , or to the powerful imagery of James Joyce, eventually creates at least an intellectual awareness of the powerful- ly visual abstract symbolism that is always potentially present in the printed language. Even this belated recognition rarely is extended with any enthusiasm to the associated devices of design, typography, and graphics , however, and at some subconscious level, the entire inapprop- riate undergraduate distinction between print and visual remains in tact. It even has a way of unconsciously lingering on into the agendas of mature communication scholarship. Simply put, newspapers and magazines are not culturally perceived as being visual. Research in these media, therefore, remains pre- dominantly, with some rare and honourable excep- tions, the business of investigating the infor- mational content of words, sentences, and other grammatical paraphernalia. -
Texts of the Exhibition Presented at the Mccord Museum from June 20, 2012 to January 26, 2013
Texts of the exhibition Presented at the McCord Museum From June 20, 2012 to January 26, 2013. Table of Contents Introduction 2. 1 – The end of the world in 2012 2. 2 – Political calamities 4. 2.1 World War II 1939-1945 4. 2.2 The Cold War 1947-1991 6. 2.3 The former Yugoslavia 1991-2001 7. 2.4 Israel 1995- … 7. 2.5 New York 2001 8. 2.6 Iran 1978-1979 8. 2.7 Uganda 1971-1979 9. 2.8 Haiti 1980 9. 2.9 Paris 1986 9. 2.10 Rwanda 1994 9. 2.11 The Persian Gulf 1991 9. 2.12 Darfur 2003- … 10. 2.13 Iran 2009 10. 2.14 The Arab World 2010- … 10. 2.15 Iraq 2003-2011 12. 2.16 Al-Quaeda 2001- … 12. 2.17 Afghanistan 2001- … 14. 3 – Plagues 14. 4 – The calamity of being mortal 15. 5 – Calamities that … aren’t 18. 5.1 Y2K, or the Millennium Bug 18. 5.2 The trials and tribulations of the Montreal Canadiens 18. 5.3 Is Montreal on its last legs? 22. 5.4 Damn winter! 24. 6 – The end of the blue planet? 25. 6.1 The Gulf of Mexico 2010 26. 6.2 The province of Quebec 2007 26. 6.3 Off the coast of Spain 2002 26. 6.4 Chernobyl 1986 27. 6.5 The province of Quebec 1998 27. 6.6 Haiti 2010 27. 6.7 Japan 2011 27. 6.8 Climate change 28. 7 – Cartoonists biographies 29. Cartooning Calamities! 1 ã McCord Museum, 2012 Introduction The history of humanity is punctuated by all sorts of calamities: predicted disasters that never happen, cataclysms that take people by surprise and destroy their lives, wars that devastate whole countries, trifling misfortunes raised to the level of catastrophe to add a little spice to life. -
Key Tourist Attractions
SEPTEMBER 10, 2017 KEY TOURIST ATTRACTIONS (17 tours) Vincent- D’Indy Ch em i n de la C ô te S Édouard-Montpetit te -C a t Ch. de la Rampe h e r in e Maréchal 11 Decelles Gatineau 3 Ch. de la Polytechnique UNIVERSITÉ DE MONTRÉAL Ch. Cam 9 illi e n - H C o h u e d m e in d e la C 10 ô te -d 12 es 13 -N 1 2 N e Avenue du Parc i g e s Québec-Montréal, 2014 Québec-Montréal, Chemin Remembrance te 4 clis 8 7 14 15 6 and Prix Cy 5 8 © Gr 1 SIR GEORGES-ÉTIENNE CARTIER MONUMENT The most imposing monument in Montréal. Bronze and Stanstead granite. Inaugurated on September 6, 1919. Artist : George William Hill - Sculptor : Joseph Brunet - Architects : Edward and William S. Maxwell. Dimensions : 30.78 m ( height ), 8.75 m ( w ). 2 LES TAM-TAMS AU MONT ROYAL One of the most original musical events in Montréal, this free festival takes place on Sundays, near the monument to Sir George-Étienne Cartier and in Mount Royal Park’s surrounding green spaces. A colourful gathering of drummers, dancers, vendors and their admiring audiences. For twenty years, Montrealers and visitors have come to play music and dance, or just watch and listen. Credit photo : Emma Buttin 3 THE MOUNT ROYAL Jacques Cartier christened Mount Royal in 1535 but it was not until three centuries later that the verdant landscape was ready to receive walkers on its slopes. Formally inaugurated in 1876 and affectionately referred to as “ the Mountain ” by locals, the park has since become the preferred viewing spot for Nature lovers, bird watchers and sports enthusiasts. -
Fair Game: Canadian Editorial Cartooning
FAIR GAME: CANADIAN EDITORIIAL CARTOONING Adrieme C,Lamb Graduate School of Journalism Submitted in partial fulfilment of the requirements for the degree of Master of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario April, 1998 Adrieme C. Lamb 1998 National tibmiy Bibliothèque nationale I*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OüawaON K1AW ûttawaON KIAON4 canada Canada Tne author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains owxiership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substaatial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is about people and politics, art and history, visuai satire, and current affairs. It traces the development of Canada's editorid cartooning heritage over the last one hundred and fifty years and examines the conternporary Canadian editorial cartooning scene as well. This author's main objective is to tum the tables on the editoriai cartoonists in Canada by rnaking them fair game and the subject of study Eom both a historical and a contemporary perspective. -
Chantier D'innovation
Rapport annuel 2015–2016 CHANTIER D’INNOVATION RÔLE Le Centre national des Arts a été créé par le Parlement du Canada à titre de projet du Centenaire dans les années 1960, et a ouvert ses portes en 1969. Le CNA collabore avec des artistes et des organisations artistiques partout au Canada afin de créer une vibrante scène nationale dans le domaine des arts du spectacle, et agit comme catalyseur de la diffusion, de la création et de la transmission des savoirs d’un bout à l’autre du pays. Carrefour des plus grands talents créateurs canadiens, le CNA privilégie les choix audacieux dans chacun de ses volets de programmation : l’Orchestre du CNA, le Théâtre français, le Théâtre anglais et la Danse, sans oublier le festival Scène et CNA Présente, qui mettent en valeur des artistes canadiens, tant émergents qu’établis. Il est aux avant-postes en matière de programmation enfance-jeunesse et d’activités éducatives, procurant une formation aux artistes et des ressources aux enseignants des quatre coins du pays. Il fait aussi œuvre de pionnier dans l’utilisation des nouveaux médias en offrant du téléenseignement à des élèves et des jeunes artistes du monde entier, en créant des fichiers balados très prisés et en proposant un large éventail de concerts sur demande de l’Orchestre du CNA. Le CNA est le seul centre des arts de la scène multidisciplinaire bilingue au Canada, et l’un des plus grands établissements du genre au monde. OBLIGATION REDDITIONNELLE ET FINANCEMENT Le CNA relève du Parlement par l’entremise de la ministre du Patrimoine canadien. -
Guide to Spiritual and Religious Journeys in Québec
Guide to Guide Spiritual and Religious Journeys and Religious Spiritual his one-of-a-kind guidebook is an invitation to discover a panoply T of spiritual and sacred places in every region of Québec. Its 15 inspirational tours and magnificent photos reveal an exceptionally rich heritage unequalled anywhere else in North America. The Guide to Spiritual and Religious Journeys in Québec will delight pilgrims whose journeys are prompted by their faith as well as those in Québec drawn by art, architecture, and history. The tours offer unique spiritual experiences while exploring countless sacred places: shrines, basilicas, museums, churches, cemeteries, ways of the cross, and temples of a variety of faiths. You’ll also meet remarkable individuals and communities, and enjoy contemplation and reflection while communing with nature. ISBN : 978-2-76582-678-1 (version numérique) www.ulyssesguides.com Guide to Spiritual and Religious Journeys in Québec Research and Writing: Siham Jamaa Photo Credits Translation: Elke Love, Matthew McLauchlin, Christine Poulin, Tanya Solari, John Sweet Cover Page Forest trail © iStockphoto.com/Nikada; Saint Editors: Pierre Ledoux and Claude Morneau Joseph’s Oratory of Mount Royal © iStockphoto. com/AK2; Notre-Dame de Québec Basilica- Copy Editing: Elke Love, Matthew McLauchlin Cathedral © Daniel Abel-photographe; Our Lady Editing Assistant: Ambroise Gabriel of the Cape Shrine gardens © Michel Julien; Sainte-Anne-de-Beaupré Shrine © Sainte-Anne- Graphic Design and Layout: Pascal Biet de-Beaupré Shrine; Ermitage Saint-Antoine de Lac-Bouchette © Ermitage Saint-Antoine de This work was produced under the direction of Olivier Gougeon and Claude Morneau. Lac-Bouchette Back Cover Abbaye de Saint-Benoît-du-Lac © iStockphoto. -
Paperny Films Fonds
Paperny Films fonds Compiled by Melanie Hardbattle and Christopher Hives (2007) Revised by Emma Wendel (2009) Last revised May 2011 University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Administrative History o Scope and Content o Notes Series Descriptions o Paperny Film Inc. series o David Paperny series o A Canadian in Korea: A Memoir series o A Flag for Canada series o B.C. Times series o Call Me Average series o Celluloid Dreams series o Chasing the Cure series o Crash Test Mommy (Season I) series o Every Body series o Fallen Hero: The Tommy Prince Story series o Forced March to Freedom series o Indie Truth series o Mordecai: The Life and Times of Mordecai Richler series o Murder in Normandy series o On the Edge: The Life and Times of Nancy Greene series o On Wings and Dreams series o Prairie Fire: The Winnipeg General Strike of 1919 series o Singles series o Spring series o Star Spangled Canadians series o The Boys of Buchenwald series o The Dealmaker: The Life and Times of Jimmy Pattison series o The Life and Times of Henry Morgentaler series o Titans series o To Love, Honour and Obey series o To Russia with Fries series o Transplant Tourism series o Victory 1945 series o Brewery Creek series o Burn Baby Burn series o Crash Test Mommy, Season II-III series o Glutton for Punishment, Season I series o Kink, Season I-V series o Life and Times: The Making of Ivan Reitman series o My Fabulous Gay Wedding (First Comes Love), Season I series o New Classics, Season II-V series o Prisoner 88 series o Road Hockey Rumble, Season I series o The Blonde Mystique series o The Broadcast Tapes of Dr.