Sixteenth-Century Tomatoes in Europe: Who Saw Them, What Did They Look Like, and Where Did They Come From?
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Museums and Collections of Pisa University an Archive of Arts And
16 Bedini-Garbari 12-05-2005 16:12 Pagina 195 Atti Soc. tosc. Sci. nat., Mem., Serie B, 110 (2003) pagg. 195-199 G. BEDINI (*), F. GARBARI (*), A. TOSI (**) MUSEUMS AND COLLECTIONS OF PISA UNIVERSITY: AN ARCHIVE OF ARTS AND SCIENCES Abstract - After about twenty years of analytical investiga- Christine of Sweden in 1658 (Garbari & Tosi, 2002; tions, co-ordinated by a special Commission, updated infor- Milone, 1993) – unique in the world; like, also, the mation on origin, history and role of museums and collec- churches, monasteries and palaces, that were the jeal- tions of Pisa University was produced. Drawing from this ous custodians of a less visible, but equally precious body of data, a synthesis is here offered about both the inter- patrimony of art works, handiworks, clothes and fab- esting and complex development of the Institutions, and the illustrious men of arts and sciences who devoted their life to rics, codices, books, naturalistic findings. academic purposes from Renaissance to present days. Because, once left the «miracolous square» with the Starting from the first Botanic Garden in the world in 1543, a Cathedral, the Baptistere, and the Leaning Tower, the brief account is given for each of the 11 units that today con- street dedicated to St. Mary marked the beginning of serve, under rigorous curatorial standards, the milestones of an itinerary that could impress even the most exacting teaching and research, in both artistic and scientific fields, traveller. The English Robert Dallington, during his laid by the Athenaeum in four and a half centuries of history. travel in Italy in 1596 (Dallington, 1605), noted – above all – the curiosities conserved in the «Gallery» of the Key words - Museums, collections, University of Pisa, his- Garden of Simples: statues, paintings, medals, miner- tory. -
The Early Book Herbaria of Leonhard Rauwolf (S. France and N
Rendiconti Lincei. Scienze Fisiche e Naturali (2021) 32:449–461 https://doi.org/10.1007/s12210-021-01012-1 RESEARCH PAPER The early book herbaria of Leonhard Rauwolf (S. France and N. Italy, 1560–1563): new light on a plant collection from the ‘golden age of botany’ Anastasia Stefanaki1,2,3 · Tilmann Walter4 · Henk Porck5 · Alice Bertin1 · Tinde van Andel1,2,6 Received: 18 January 2021 / Accepted: 21 June 2021 / Published online: 10 July 2021 © The Author(s) 2021 Abstract The sixteenth century was a golden age for botany, a time when numerous naturalists devoted themselves to the study and documentation of plant diversity. A very prominent fgure among them was the German physician, botanist, and traveler Leonhard Rauwolf (1535?–1596), famous for his travel account and luxurious book herbarium containing plants from the Near East. Here, we focus on the less studied, early book herbaria of Rauwolf. These form a three-volume plant collection bound in leather and gold, which contains over 600 plants that Rauwolf collected between 1560 and 1563 in S. France and N. Italy when he was a student of medicine. We show the botanical value of Rauwolf’s early book herbaria, exemplifed by two exotic American specimens, namely one of the oldest surviving specimens of tobacco (Nicotiana rustica), collected in Italy, and the oldest known French record of prickly pear (Opuntia fcus-indica). These well-preserved specimens indicate that Rauwolf was eager to collect exotic plants already in his early botanical steps. We further discuss Rauwolf’s professional botanical network during his student years and suggest that the famous Swiss botanist Johann Bauhin (1541–1613), friend and companion of Rauwolf during his feld excursions and their medical studies in Montpellier, has played a signifcant role in the compilation of this precious historical plant collection. -
Gerard's Herbal the OED Defines the Word
Gerard’s Herbal The OED defines the word ‘herbal’ (n) as: ‘a book containing the names and descriptions of herbs, or of plants in general, with their properties and virtues; a treatise in plants.’ Charles Singer, historian of medicine and science, describes herbals as ‘a collection of descriptions of plants usually put together for medical purposes. The term is perhaps now-a-days used most frequently in connection with the finely illustrated works produced by the “fathers of botany” in the fifteenth and sixteenth century.’1 Although the origin of the herbal dates back to ‘remote antiquity’2 the advent of the printing press meant that herbals could be produced in large quantities (in comparison to their earlier manuscript counterparts) with detailed woodcut and metal engraving illustrations. The first herbal printed in Britain was Richard Banckes' Herball of 15253, which was written in plain text. Following Banckes, herbalists such as William Turner and John Gerard gained popularity with their lavishly illustrated herbals. Gerard’s Herbal was originally published in 1597; it is regarded as being one of the best of the printed herbals and is the first herbal to contain an illustration of a potato4. Gerard did Illustration of Gooseberries from not have an enormously interesting life; he was Gerard’s Herbal (1633), demonstrating the intricate detail that ‘apprenticed to Alexander Mason, a surgeon of 5 characterises this text. the Barber–Surgeons' Company’ and probably ‘travelled in Scandinavia and Russia, as he frequently refers to these places in his writing’6. For all his adult life he lived in a tenement with a garden probably belonging to Lord Burghley. -
The Exotic World of Carolus Clusius 1526-1609 and a Reconstruction of the Clusius Garden
The Netherlandish humanist Carolus Clusius (Arras 1526- Leiden 1609) is one of the most important European the exotic botanists of the sixteenth century. He is the author of innovative, internationally famous botanical publications, the exotic worldof he introduced exotic plants such as the tulip and potato world of in the Low Countries, and he was advisor of princes and aristocrats in various European countries, professor and director of the Hortus botanicus in Leiden, and central figure in a vast European network of exchanges. Carolus On 4 April 2009 Leiden University, Leiden University Library, The Hortus botanicus and the Scaliger Institute 1526-1609 commemorate the quatercentenary of Clusius’ death with an exhibition The Exotic World of Carolus Clusius 1526-1609 and a reconstruction of the Clusius Garden. Clusius carolus clusius scaliger instituut clusius all3.indd 1 16-03-2009 10:38:21 binnenwerk.qxp 16-3-2009 11:11 Pagina 1 Kleine publicaties van de Leidse Universiteitsbibliotheek Nr. 80 binnenwerk.qxp 16-3-2009 11:12 Pagina 2 binnenwerk.qxp 16-3-2009 11:12 Pagina 3 The Exotic World of Carolus Clusius (1526-1609) Catalogue of an exhibition on the quatercentenary of Clusius’ death, 4 April 2009 Edited by Kasper van Ommen With an introductory essay by Florike Egmond LEIDEN UNIVERSITY LIBRARY LEIDEN 2009 binnenwerk.qxp 16-3-2009 11:12 Pagina 4 ISSN 0921-9293, volume 80 This publication was made possible through generous grants from the Clusiusstichting, Clusius Project, Hortus botanicus and The Scaliger Institute, Leiden. Web version: https://disc.leidenuniv.nl/view/exh.jsp?id=exhubl002 Cover: Jacob de Monte (attributed), Portrait of Carolus Clusius at the age of 59. -
Vernon H. Heywood the Cultural Heritage Of
Bocconea 28: 161-172 https://doi.org/10.7320/Bocc28.161 Version of Record published online on 22 November 2019 Vernon H. Heywood The cultural heritage of Mediterranean botanic gardens* Abstract Heywood, V. H.: The cultural heritage of Mediterranean botanic gardens. — Bocconea 28: 161- 172. 2019. — ISSN: 1120-4060 printed, 2280-3882 online. Mediterranean botanic gardens represent a rich and diverse cultural heritage, both tangible and intangible. They include spectacular landscapes and the plantings include many important intro- ductions of both ornamental and economically important species. The gardens also contain many buildings of great architectural merit, some historic, some modern. Also important are the historic glasshouses and shade houses. Many of these gardens contain important herbarium collections that have served a key role in the preparation of Floras and major botanical libraries containing historical works of great value as well as works of art, sculptures paintings, drawings, and other illustrations and invaluable historic archives. The intangible cultural heritage of these gardens is represented by the impact that they have had the inhabitants of the cities and towns in which they are located and on generations of visitors – students, professionals and the public. With the decline of teaching and research in botany as a university discipline, some of these collections are at risk of dispersal or an even worse fate. In the face of these uncertainties a series of proposals to help safeguard this invaluable heritage is given, including the compilation of an inventory of these his- torically important buildings, libraries, works of art and archives and the use of the latest scanning and imaging techniques so that a visual record is prepared. -
Pise — Wikipédia
Pise Pise (en italien Pisa) est une ville italienne d'environ 89 620 habitants, chef-lieu de la province de même nom en Pise Toscane. Elle est célèbre dans le monde principalement pour sa tour penchée. Elle est traversée par le fleuve Arno et située sur la via Aurelia. Sommaire Drapeau 1 Histoire 1.1 Nouveauté 1.2 Au Moyen Âge 1.3 XIe siècle 1.3.1 Expansion maritime 1.3.2 Autonomie politique 1.3.3 Empire commercial 1.4 XIIe siècle 1.4.1 Conquêtes, pillages, apogée 1.4.2 Dans l'orbite gibeline 1.4.3 Rivalité avec Venise 1.5 XIIIe siècle 1.5.1 Flux et reflux militaire Noms 1.5.2 Situation démographique et économique Nom italien Pisa 1.5.3 La prise du pouvoir par le Popolo Administration 1.6 Déclin 1.6.1 La Méloria, fin de la puissance pisane Pays Italie 1.6.2 Une ville du contado florentin Région Toscane 2 Chronologie Province Pise 3 Économie 1 4 Monuments et patrimoine Maire Marco Filippeschi 4.1 La Piazza dei Miracoli 2008 - 2013 4.2 Autres édifices religieux Code postal 56100 4.3 Édifices civils Code ISTAT 050026 4.4 Places et sites intéressants Code 4.5 Musées cadastral G702 5 Personnalités liées à la ville Préfixe tel. 050 5.1 Natifs de Pise 5.2 Résidents Démographie 6 Administration Gentilé pisan, pisane 6.1 Hameaux Population 89 620 hab. (30-09-2012) 6.2 Communes limitrophes 6.3 Jumelages Densité 484 hab./km2 7 Notes et références Géographie 8 Annexes Coordonnées 43° 43ʹ 00ʺ Nord, 10° 24ʹ 00ʺ Est 8.1 Articles connexes (http://tools.wmflabs.org/geohack/ 8.2 Liens externes geohack.php?language=fr&pagen ame=Pise¶ms=43.716667_N _10.4_E_type:city_region:IT-PI) Histoire Altitude Min. -
Colonial Garden Plants
COLONIAL GARD~J~ PLANTS I Flowers Before 1700 The following plants are listed according to the names most commonly used during the colonial period. The botanical name follows for accurate identification. The common name was listed first because many of the people using these lists will have access to or be familiar with that name rather than the botanical name. The botanical names are according to Bailey’s Hortus Second and The Standard Cyclopedia of Horticulture (3, 4). They are not the botanical names used during the colonial period for many of them have changed drastically. We have been very cautious concerning the interpretation of names to see that accuracy is maintained. By using several references spanning almost two hundred years (1, 3, 32, 35) we were able to interpret accurately the names of certain plants. For example, in the earliest works (32, 35), Lark’s Heel is used for Larkspur, also Delphinium. Then in later works the name Larkspur appears with the former in parenthesis. Similarly, the name "Emanies" appears frequently in the earliest books. Finally, one of them (35) lists the name Anemones as a synonym. Some of the names are amusing: "Issop" for Hyssop, "Pum- pions" for Pumpkins, "Mushmillions" for Muskmellons, "Isquou- terquashes" for Squashes, "Cowslips" for Primroses, "Daffadown dillies" for Daffodils. Other names are confusing. Bachelors Button was the name used for Gomphrena globosa, not for Centaurea cyanis as we use it today. Similarly, in the earliest literature, "Marygold" was used for Calendula. Later we begin to see "Pot Marygold" and "Calen- dula" for Calendula, and "Marygold" is reserved for Marigolds. -
Gli Orti Botanici Universitari
Pignatti pag 79-89_RIVISTA ANMS DEF 08/04/11 14:07 Pagina 79 MUSEOLOGIA SCIENTIFICA MEMORIE • N. 7/2011 • 79-89 Musei Scientifici Universitari. Una grande risorsa culturale da valorizzare. Accademia Nazionale dei Lincei, Roma, 6 maggio 2009 a cura di Ernesto Capanna, Giancarla Malerba, Vincenzo Vomero Gli Orti Botanici Universitari Sandro Pignatti Orto Botanico, Università di Roma “La Sapienza”, largo Cristina di Svezia, 24. I-00165 Roma. E-mail: [email protected] RIASSUNTO I primi orti botanici universitari sono stati fondati in Italia nel sec. XVI e quello di Padova (Hortus Primigenius sec. Linneo) è ora Sito Patrimonio dell’Umanità. Si delinea lo sviluppo storico degli orti botanici universitari come istituti di insegnamento e ricerca, in Italia e nel mondo, in parallelo con lo sviluppo dell’architettura dei giardini (giardino all’italiana, alla francese, all’inglese) e le relazioni tra orti botanici e giardini. La missione dell’orto bota- nico ha subito una continua evoluzione da struttura didattica a luogo di ricerca ed ora tende (sul modello dei mag- giori orti botanici mondiali) a concentrarsi soprattutto sull’educazione ambientale. Parallelamente, l’utenza si è allargata, dagli studenti di materie mediche ai naturalisti e ricercatori, ed ora ad una componente sempre più ampia della comunità locale. Viene analizzato se - ed entro quali limiti - gli orti botanici universitari in Italia siano in grado di assolvere i nuovi compiti che si stanno delineando. Una discussione non conformista mette in luce gravi carenze e problemi irrisolti (primo tra tutti la necessità di uno o due orti botanici di vero livello internazio- nale), ma anche sviluppi interessanti, dovuti soprattutto all’iniziativa e creatività di singoli. -
1.1 Document on Historical /Architectural/Environmental
Ref. Ares(2016)1596182 - 04/04/2016 D1.1 – Document on historical /archi- tectural/environmental knowledge of the buildings Project Information Grant Agreement Number 646178 Nanomaterials for conservation of European architectural heritage developed by Project Full Title research on characteristic lithotypes Project Acronym NANO-CATHEDRAL NMP-21-2014 Materials-based solutions for protection or preservation of Funding scheme European cultural heritage Start date of the project June, 1 2015 Duration 36 months Project Coordinator Andrea Lazzeri (INSTM) Project Website www.nanocathedral.eu Deliverable Information Deliverable n° D1.1 Deliverable title Document on historical/architectural/environmental knowledge of the buildings WP no. 1 WP Leader Marco Lezzerini (INSTM) CONSORZIO INTERUNIVERSITARIO NAZIONALE PER LA SCIENZA E TECNOLOGIA DIE MATERIALI, Opera della Primaziale Pisana, HDK, UNI BA, Fundación Catedral Contributing Partners Santa María, Dombausekretariat St.Stephan, TU WIEN, Architectenbureau Bressers, Statsbygg Nature public Authors Franz Zehetner, Marco Lezzerini, Michele Marroni, Francesca Signori Marco Lezzerini, Michele Marroni, Francesca Signori, Graziana Maddalena Gianluca De Felice, Anton Sutter, Donatella De Bonis, Roberto Cela Ulrike Brinckmann, Sven Eversberg, Peter Fuessenich, Sophie Hoepner Rainer Drewello Contributors Leandro Camara, Juan Ignacio Lasagabaster Wolfgang Zehetner, Franz Zehetner Andreas Rohatsch, Matea Ban Ignace Roelens, Matthias De Waele, Philippe Depotter, Maarten Van Landeghem Resty Garcia, Yngve Kvame Reviewers Marco Lezzerini, Francesca Signori Contractual Deadline Month 4 (Oct 2015) Delivery date to EC April 4, 2016 1/308 Dissemination Level PU Public PP Restricted to other programme participants (incl. Commission Services) RE Restricted to a group specified by the consortium (incl. Commission Services) CO Confidential, only for the members of the consortium (incl. -
HSS Paper 2000
The Many Books of Nature: How Renaissance naturalists created and responded to information overload Brian W. Ogilvie* History of Science Society Annual Meeting, Vancouver, Nov. 3, 2000 Copyright © 2000 Brian W. Ogilvie. All rights reserved. Renaissance natural history emerged in the late fifteenth century at the confluence of humanist textual criticism, the revival of Greek medical texts, and curricular reform in medicine.1 These streams had been set in motion by a deeper tectonic shift: an increasing interest in particular, empirical knowledge among humanists and their pupils, who rejected the scholastic definition of scientific knowledge as certain deductions from universal principles.2 Natural history, which had been seen in antiquity and the Middle Ages as a propaedeutic to natural philosophy or medicine, emerged from this confluence as a distinct discipline with its own set of practitioners, techniques, and norms.3 Ever since Linnaeus, description, nomenclature, and taxonomy have been taken to be the sine qua non of natural history; pre-Linnaean natural history has been treated by many historians as a kind of blind groping toward self-evident principles of binomial nomenclature and encaptic taxa that were first stated clearly by the Swedish naturalist. Today I would like to present a different history. For natural history in the Renaissance, from the late fifteenth through the early seventeenth century, was not a taxonomic * Department of History, Herter Hall, University of Massachusetts, 161 Presidents Drive, Amherst, MA 01003-9312; [email protected]. 2 science. Rather, it was a science of describing, whose goal was a comprehensive catalogue of nature. Botany was at the forefront of that development, for the study of plants had both medical and horticultural applications, but botanists (botanici) rapidly developed interests that went beyond the pharmacy and the garden, to which some scarcely even nodded their heads by 1600. -
This Illustration Provided for the Journal's Cover
Banisteria, Number 24, 2004 © 2004 by the Virginia Natural History Society The Earliest Illustrations and Descriptions of the Cardinal David W. Johnston 5219 Concordia Street Fairfax, Virginia 22032 ABSTRACT In the 16th century Northern Cardinals were trapped in Mexico, then sent as caged birds because of their beauty and song to various places in Europe and south Africa. The Italian, Aldrovandi, obtained a caged bird in Italy and with a woodcut, published the first known illustration of a cardinal in 1599. The great English naturalist, Francis Willughby, in conjunction with John Ray, published a painting of a cardinal in 1678, and the eccentric and prolific collector, James Petiver, included an illustrated caged cardinal from south Africa in his monumental Opera (1767). Mark Catesby was the first artist to paint a cardinal (probably in Virginia) with a natural background (c. 1731). Aldrovandi's woodcut and description in 1599 represent the earliest known mention of the Northern Cardinal. Key words: Cardinalis cardinalis, history, illustrations, Northern Cardinal. To an ornithological historian it is exciting and Grosbeak from the Indies.” This woodcut was the first rewarding to be able to trace the earliest report and published image of the species (Simpson, 1985). illustration of any bird. Such has been the case for the bird A translation of Aldrovandi’s Latin description reads: now called the Northern Cardinal (Cardinalis cardinalis). In the 16th century the cardinal was a favorite cage bird “A bird of this sort, pictured in the guise of life, was among Europeans, long before it was reported by English sent to me several days ago on the command of his serene colonists in its North American range. -
Carl Linnaeus's Botanical Paper Slips (1767–1773)
Intellectual History Review ISSN: 1749-6977 (Print) 1749-6985 (Online) Journal homepage: https://www.tandfonline.com/loi/rihr20 Carl Linnaeus's botanical paper slips (1767–1773) Isabelle Charmantier & Staffan Müller-Wille To cite this article: Isabelle Charmantier & Staffan Müller-Wille (2014) Carl Linnaeus's botanical paper slips (1767–1773), Intellectual History Review, 24:2, 215-238, DOI: 10.1080/17496977.2014.914643 To link to this article: https://doi.org/10.1080/17496977.2014.914643 © 2014 The Author(s). Published by Taylor & Francis. Published online: 02 Jun 2014. Submit your article to this journal Article views: 2111 View related articles View Crossmark data Citing articles: 6 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rihr20 Intellectual History Review, 2014 Vol. 24, No. 2, 215–238, http://dx.doi.org/10.1080/17496977.2014.914643 Carl Linnaeus’s botanical paper slips (1767–1773) Isabelle Charmantier and Staffan Müller-Wille Department of History, University of Exeter, Exeter, UK* The development of paper-based information technologies in the early modern period is a field of enquiry that has lately benefited from extensive studies by intellectual historians and historians of science.1 How scholars coped with ever-increasing amounts of empirical knowledge presented in print and manuscript – leading to the so-called early modern “information overload”–is now being increasingly analysed and understood.2 In this paper we will turn to an example at the close of the early modern period. Towards the very end of his academic career, the Swedish nat- uralist Carl Linnaeus (1707–1778) – best known today for his “sexual” system of plant classifi- cation and his binomial nomenclature – used little paper slips of a standard size to process information on plants and animals that reached him on a daily basis.