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Leguminosae Subfamily Papilionoideae Author(S): Duane Isely and Roger Polhill Reviewed Work(S): Source: Taxon, Vol
Leguminosae Subfamily Papilionoideae Author(s): Duane Isely and Roger Polhill Reviewed work(s): Source: Taxon, Vol. 29, No. 1 (Feb., 1980), pp. 105-119 Published by: International Association for Plant Taxonomy (IAPT) Stable URL: http://www.jstor.org/stable/1219604 . Accessed: 16/08/2012 02:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. International Association for Plant Taxonomy (IAPT) is collaborating with JSTOR to digitize, preserve and extend access to Taxon. http://www.jstor.org TAXON 29(1): 105-119. FEBRUARY1980 LEGUMINOSAE SUBFAMILY PAPILIONOIDEAE1 Duane Isely and Roger Polhill2 Summary This paper is an historical resume of names that have been used for the group of legumes whose membershave papilionoidflowers. When this taxon is treatedas a subfamily,the prefix "Papilion-", with various terminations, has predominated.We propose conservation of Papilionoideae as an alternative to Faboideae, coeval with the "unique" conservation of Papilionaceaeat the family rank. (42) Proposal to revise Code: Add to Article 19 of the Code: Note 2. Whenthe Papilionaceaeare includedin the family Leguminosae(alt. name Fabaceae) as a subfamily,the name Papilionoideaemay be used as an alternativeto Faboideae(see Art. 18.5 and 18.6). -
Gerard's Herbal the OED Defines the Word
Gerard’s Herbal The OED defines the word ‘herbal’ (n) as: ‘a book containing the names and descriptions of herbs, or of plants in general, with their properties and virtues; a treatise in plants.’ Charles Singer, historian of medicine and science, describes herbals as ‘a collection of descriptions of plants usually put together for medical purposes. The term is perhaps now-a-days used most frequently in connection with the finely illustrated works produced by the “fathers of botany” in the fifteenth and sixteenth century.’1 Although the origin of the herbal dates back to ‘remote antiquity’2 the advent of the printing press meant that herbals could be produced in large quantities (in comparison to their earlier manuscript counterparts) with detailed woodcut and metal engraving illustrations. The first herbal printed in Britain was Richard Banckes' Herball of 15253, which was written in plain text. Following Banckes, herbalists such as William Turner and John Gerard gained popularity with their lavishly illustrated herbals. Gerard’s Herbal was originally published in 1597; it is regarded as being one of the best of the printed herbals and is the first herbal to contain an illustration of a potato4. Gerard did Illustration of Gooseberries from not have an enormously interesting life; he was Gerard’s Herbal (1633), demonstrating the intricate detail that ‘apprenticed to Alexander Mason, a surgeon of 5 characterises this text. the Barber–Surgeons' Company’ and probably ‘travelled in Scandinavia and Russia, as he frequently refers to these places in his writing’6. For all his adult life he lived in a tenement with a garden probably belonging to Lord Burghley. -
The Exotic World of Carolus Clusius 1526-1609 and a Reconstruction of the Clusius Garden
The Netherlandish humanist Carolus Clusius (Arras 1526- Leiden 1609) is one of the most important European the exotic botanists of the sixteenth century. He is the author of innovative, internationally famous botanical publications, the exotic worldof he introduced exotic plants such as the tulip and potato world of in the Low Countries, and he was advisor of princes and aristocrats in various European countries, professor and director of the Hortus botanicus in Leiden, and central figure in a vast European network of exchanges. Carolus On 4 April 2009 Leiden University, Leiden University Library, The Hortus botanicus and the Scaliger Institute 1526-1609 commemorate the quatercentenary of Clusius’ death with an exhibition The Exotic World of Carolus Clusius 1526-1609 and a reconstruction of the Clusius Garden. Clusius carolus clusius scaliger instituut clusius all3.indd 1 16-03-2009 10:38:21 binnenwerk.qxp 16-3-2009 11:11 Pagina 1 Kleine publicaties van de Leidse Universiteitsbibliotheek Nr. 80 binnenwerk.qxp 16-3-2009 11:12 Pagina 2 binnenwerk.qxp 16-3-2009 11:12 Pagina 3 The Exotic World of Carolus Clusius (1526-1609) Catalogue of an exhibition on the quatercentenary of Clusius’ death, 4 April 2009 Edited by Kasper van Ommen With an introductory essay by Florike Egmond LEIDEN UNIVERSITY LIBRARY LEIDEN 2009 binnenwerk.qxp 16-3-2009 11:12 Pagina 4 ISSN 0921-9293, volume 80 This publication was made possible through generous grants from the Clusiusstichting, Clusius Project, Hortus botanicus and The Scaliger Institute, Leiden. Web version: https://disc.leidenuniv.nl/view/exh.jsp?id=exhubl002 Cover: Jacob de Monte (attributed), Portrait of Carolus Clusius at the age of 59. -
H Erbals & M Edical Botany
Herbals & medical botany Herbals & medical botany e-catalogue Jointly offered for sale by: Extensive descriptions and images available on request All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are EURO (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. Orders can be sent to either firm. Antiquariaat FORUM BV ASHER Rare Books Tuurdijk 16 Tuurdijk 16 3997 ms ‘t Goy – Houten 3997 ms ‘t Goy – Houten The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E–mail: [email protected] E–mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com www.forumislamicworld.com cover image: no. 17 v 1.0 · 14 Mar 2019 265 beautiful botanical lithographs of medicinal plants, coloured by hand as published 1. A NSLIJN, Nicolaas Nicolasz. -
HUNTIA a Journal of Botanical History
HUNTIA A Journal of Botanical History VOLUME 16 NUMBER 2 2018 Hunt Institute for Botanical Documentation Carnegie Mellon University Pittsburgh The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora. Huntia publishes articles on all aspects of the history of botany, including exploration, art, literature, biography, iconography and bibliography. The journal is published irregularly in one or more numbers per volume of approximately 200 pages by the Hunt Institute for Botanical Documentation. External contributions to Huntia are welcomed. Page charges have been eliminated. All manuscripts are subject to external peer review. Before submitting manuscripts for consideration, please review the “Guidelines for Contributors” on our Web site. Direct editorial correspondence to the Editor. Send books for announcement or review to the Book Reviews and Announcements Editor. All issues are available as PDFs on our Web site. Hunt Institute Associates may elect to receive Huntia as a benefit of membership; contact the Institute for more information. Hunt Institute for Botanical Documentation Carnegie Mellon University 5th Floor, Hunt Library 4909 Frew Street Pittsburgh, PA 15213-3890 Telephone: 412-268-2434 Email: [email protected] Web site: http://www.huntbotanical.org Editor and layout Scarlett T. -
Colonial Garden Plants
COLONIAL GARD~J~ PLANTS I Flowers Before 1700 The following plants are listed according to the names most commonly used during the colonial period. The botanical name follows for accurate identification. The common name was listed first because many of the people using these lists will have access to or be familiar with that name rather than the botanical name. The botanical names are according to Bailey’s Hortus Second and The Standard Cyclopedia of Horticulture (3, 4). They are not the botanical names used during the colonial period for many of them have changed drastically. We have been very cautious concerning the interpretation of names to see that accuracy is maintained. By using several references spanning almost two hundred years (1, 3, 32, 35) we were able to interpret accurately the names of certain plants. For example, in the earliest works (32, 35), Lark’s Heel is used for Larkspur, also Delphinium. Then in later works the name Larkspur appears with the former in parenthesis. Similarly, the name "Emanies" appears frequently in the earliest books. Finally, one of them (35) lists the name Anemones as a synonym. Some of the names are amusing: "Issop" for Hyssop, "Pum- pions" for Pumpkins, "Mushmillions" for Muskmellons, "Isquou- terquashes" for Squashes, "Cowslips" for Primroses, "Daffadown dillies" for Daffodils. Other names are confusing. Bachelors Button was the name used for Gomphrena globosa, not for Centaurea cyanis as we use it today. Similarly, in the earliest literature, "Marygold" was used for Calendula. Later we begin to see "Pot Marygold" and "Calen- dula" for Calendula, and "Marygold" is reserved for Marigolds. -
If You Are Inside Perusing Catalogs These Cold January Days, You May Have Wondered Why Asters Have Wandered
Not Just Cats Are Curious! If you are inside perusing catalogs these cold January days, you may have wondered why Asters have wandered. For example, the native blue wood aster is now classified Symphyotrichum cordifolium: also roses and such disparate items as cannabis and nettles belong to the same order? Being curious, you have known the impact on what we thought we knew by the discoveries of the human genome project. I understand none of this stellar achievement but I accept the fact that the influence of such a project has filtered into other areas of human knowledge – into the taxonomy of plants. The result is a new system and even the venerable Oxford Botanic Garden, established in 1621 “so that learning may be improved”, is renaming and rearranging. All of this proves Aristotle’s dictum “All men by nature desire to know.” Even before Aristotle (384-322 BC) men classified plants using contrast and difference in their descriptions, what it was and what it was not. There was never an era where the desire to know the nature and uses of plant material faltered. Along with the burgeoning of the desire to know all about everything that exploded with the Renaissance was the desire of apothecaries and plant enthusiasts to know what to call a plant. Seeds, plants, and especially bulbs had followed the Silk Road from East to West and the treasures had left their names behind with the language in which they had meaning. As the plants passed from owner to owner they were described of course and given names which were an attempt to pin down their distinctive characteristics. -
Natural History: a Selection Free
FREE NATURAL HISTORY: A SELECTION PDF Pliny The Elder,Gaius Plinius Secundus,John Healey | 448 pages | 03 Dec 1991 | Penguin Books Ltd | 9780140444131 | English | London, United Kingdom What is natural selection? | Natural History Museum The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Will be clean, not soiled or stained. Books will be free of page markings. See all 7 brand new listings. Buy It Now. Add to cart. About this product Product Information Pliny's Natural History is an astonishingly ambitious work that ranges from astronomy to art and from geography to zoology. Mingling acute observation with often wild speculation, it offers a fascinating view of the world as it was understood in the first century AD, whether describing the danger of diving for sponges, the first water-clock, or the use of asses' milk to remove wrinkles. Pliny himself died Natural History: A Selection investigating the volcanic eruption that destroyed Pompeii in AD 79, and the natural curiosity that brought about his death is also very much evident in the Natural History -- a book that proved highly influential right up until the Renaissance and that his nephew, Pliny the younger, described 'as Natural History: A Selection of variety as nature itself'. -
The Scientific Revolution David Beck What Is the Scientific Revolution?
The Scientific Revolution David Beck What is the scientific revolution? Term first used in the 1930s by Alexandre Koyré Butterfield (1957): “it outshines everything since the rise of Christianity and reduces the Renaissance and Reformation to the rank of mere episodes…” Shapin (1996): “there was no such thing as the scientific revolution, and this is a book about it.” What was the Scientific Revolution? Nature and Nature's laws lay hid in night: God said, "Let Newton be!" and all was light. Alexander Pope If I have seen further it is by standing on the shoulders of giants. Isaac Newton To me there has never been a higher source of earthly honour or distinction than that connected with advances in science. Isaac Newton Themes of the lecture Chronology: Columbus to Newton The “new” and progress The (re-)birth of empiricism The aims of knowledge Changes & continuities Studying nature, c. 1500 The world of the university Three “higher faculties” (medicine, law, theology) Natural philosophy (theoretical), e.g. materia medica (practical) Quadrivium (arithmetic, geometry, astronomy, music) Ancient influences (e.g. Ptolemy, Aristotle, Pliny, Galen) Scholasticism (method of learning using dialectical reasoning and disputation) Natural philosophy The importance of the “new” Discovery of the Americas 1530: Girolamo Fracastoro, Syphilis, or the French Disease 1530-6: Otto Brunfels, Portraits of Living Plants 1543: Andreas Vesalius, De fabrica (On the Fabric of the Human Body) Explaining novelty 1543: Copernicus, On the Revolutions of the Celestial Spheres “the scorn which I had reason to fear on account of the novelty and unconventionality of my opinion almost induced me to abandon completely the work which I had undertaken… I undertook the task of rereading the works of all the philosophers which I could obtain to learn whether anyone had ever proposed other motions of the universe's spheres than those expounded by the teachers of astronomy in the schools. -
The Flower Chain the Early Discovery of Australian Plants
The Flower Chain The early discovery of Australian plants Hamilton and Brandon, Jill Douglas Hamilton Duchess of University of Sydney Library Sydney, Australia 2002 http://setis.library.usyd.edu.au/ozlit © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission Source Text: Prepared with the author's permission from the print edition published by Kangaroo Press Sydney 1998 All quotation marks are retained as data. First Published: 1990 580.994 1 Australian Etext Collections at botany prose nonfiction 1940- women writers The flower chain the early discovery of Australian plants Sydney Kangaroo Press 1998 Preface Viewing Australia through the early European discovery, naming and appreciation of its flora, gives a fresh perspective on the first white people who went to the continent. There have been books on the battle to transform the wilderness into an agriculturally ordered land, on the convicts, on the goldrush, on the discovery of the wealth of the continent, on most aspects of settlement, but this is the first to link the story of the discovery of the continent with the slow awareness of its unique trees, shrubs and flowers of Australia. The Flower Chain Chapter 1 The Flower Chain Begins Convict chains are associated with early British settlement of Australia, but there were also lighter chains in those grim days. Chains of flowers and seeds to be grown and classified stretched across the oceans from Botany Bay to Europe, looping back again with plants and seeds of the old world that were to Europeanise the landscape and transform it forever. -
Summer 2010 Hardy Fern Foundation Quarterly Ferns to Our Collection There
THE HARDY FERN FOUNDATION P.O. Box 3797 Federal Way, WA 98063-3797 Web site: www.hardyfems.org The Hardy Fern Foundation was founded in 1989 to establish a comprehen¬ sive collection of the world’s hardy ferns for display, testing, evaluation, public education and introduction to the gardening and horticultural community. Many rare and unusual species, hybrids and varieties are being propagated from spores and tested in selected environments for their different degrees of hardiness and ornamental garden value. The primary fern display and test garden is located at, and in conjunction with, The Rhododendron Species Botanical Garden at the Weyerhaeuser Corporate Headquarters, in Federal Way, Washington. Satellite fern gardens are at the Birmingham Botanical Gardens, Birmingham, Alabama, California State University at Sacramento, California, Coastal Maine Botanical Garden, Boothbay , Maine. Dallas Arboretum, Dallas, Texas, Denver Botanic Gardens, Denver, Colorado, Georgeson Botanical Garden, University of Alaska, Fairbanks, Alaska, Harry R Leu Garden, Orlando, Florida, Inniswood Metro Gardens, Columbus, Ohio, New York Botanical Garden, Bronx, New York, and Strybing Arboretum, San Francisco, California. The fern display gardens are at Bainbridge Island Library. Bainbridge Island, WA, Bellevue Botanical Garden, Bellevue, WA, Lakewold, Tacoma, Washington, Lotusland, Santa Barbara, California, Les Jardins de Metis, Quebec, Canada, Rotary Gardens, Janesville, Wl, and Whitehall Historic Home and Garden, Louisville, KY. Hardy Fern Foundation members participate in a spore exchange, receive a quarterly newsletter and have first access to ferns as they are ready for distribution. Cover design by Willanna Bradner HARDY FERN FOUNDATION QUARTERLY THE HARDY FERN FOUNDATION QUARTERLY Volume 20 No. 3 Editor- Sue Olsen ISSN 154-5517 T7 a -On I »§ jg 3$.as a 1 & bJLsiSLslSi ^ ~~}.J j'.fc President’s Message Patrick Kennar Osmundastrum reinstated, for Osmunda cinnamomea, Cinnamon fern Alan R. -
Illustrated Natural History
Claudia Swan Illustrated Natural History The rise of printing and the inception of early modern natural history coincided in funda- mental ways, as amply suggested by the works brought together in this exhibition. This essay is concerned with a key area of overlap between the two practices — namely, visualization and illustration. Sixteenth- and seventeenth-century botanical images, anatomical treatises, and maps demonstrate the centrality of visual information in the pursuit of knowledge about the natural world. Early modern natural history was profoundly dependent on and generative of images, many of them replicable by way of print. Prints, like drawings, could enable identifi- cation and, in turn, use or classification of what they represented. Those engaged in medical study, for example, which involved the twin disciplines of botany and anatomy, encouraged the production of images for study and for medical use — pharmaceutical in the case of plants and pathological in the case of bodies. The case of botany is exemplary. The early modern era is often considered synonymous with the “Botanical Renaissance,” an efflorescence of projects and products whose chronology and lines of descent have been amply charted. This renaissance gained momentum toward the end of the fifteenth century, when printed illustrated works took over from manuscript production. During the first half of the sixteenth century the so-called “fathers of German botany” Otto Brunfels, Hieronymus Bock, and Leonhart Fuchs published volumes that consolidated a new mode of studying the plant world, characterized by, among other things, an amplified naturalism in the often copious illustrations that accompanied their texts (see cats.