Modern & Contemporary African
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Uneasy Bodies, Femininity and Death: Representing the Female Corpse in Fashion Photography and Selected Contemporary Artworks
Uneasy bodies, femininity and death: Representing the female corpse in fashion photography and selected contemporary artworks. by Thelma van Rensburg 88270442 Dissertation submitted in fulfillment of the requirements for MASTERS OF ARTS degree in FINE ARTS In the DEPARTMENT OF VISUAL ARTS FACULTY OF HUMANITIES UNIVERSITY OF PRETORIA SUPERVISOR: Dr Johan Thom August 2016 © University of Pretoria THELMA VAN RENSBURG ABSTRACT This mini-dissertation serves as a framework for my own creative practice. In this research paper my intention is to explore, within a feminist reading, representations of the female corpse in fashion photography and art. The cultural theorist Stuart Hall’s theories on the concept of representation are utilised to critically analyse and interogate selected images from fashion magazines, which depicts the female corpse in an idealised way. Such idealisation manifests in Western culture, in fashion magazines, as expressed in depictions of the attractive/ seductive/fine-looking female corpse. Fashion photographs that fit this description are critically contrasted and challenged to selected artworks by Penny Siopis and Marlene Dumas, alongside my own work, to explore how the female corpse can be represented, as strategy to undermine the aesthetic and cultural objectification of the female body. Here the study also explores the selected artists’ utilisation of the abject and the grotesque in relation to their use of artistic mediums and modes of production as an attempt to create ambiguous and conflicting combinations of attraction and repulsion (the sublime aesthetic of delightful horror), thereby confronting the viewer with the notion of the objectification of the decease[d] feminine body as object to-be-looked-at. -
The Contemporary Relevance of Split Portraiture
University of Reading The contemporary relevance of split portraiture Rereading Marlene Dumas and Francis Bacon PhD in Fine Art Reading School of Art Hoi Yee Chau August 2019 Declaration I confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged. Hoi Yee Chau Abstract This thesis starts from the premise that I consider there to be an increase in split portraiture, and that this is because it speaks to certain conditions in modern and contemporary art. ‘Split portraiture’ is a term I use throughout and it means an artwork created on more than one surface; the work could be on panels, screens or any other surfaces with its specificity. My objectives are to investigate the specificity of this particular type of art practice, to discuss modern and contemporary subjects revealed in it, and to study the change in identification and in the way aggressiveness is perceived in the light of Lacanian discourse. I identify the specificity of split portraits including the discontinuity, split, the multiplication of certain elements and the repetition in the creation process. I also argue that vacillation, emptiness, the split, and the traumatic are present in contemporary subjectivity. In addition, I find an important element in my practice -- aggressiveness -- is concealed in the single-panel portraits whereas it manifests in split portraits. The contribution of this thesis is four-fold. First, this thesis addresses the specificity of the split portrait which has been extensively discussed in the literature. Secondly, this thesis is among the first to enrich the understanding of split portraiture related to art practice in the light of Lacanian discourse. -
The 80S: a Topology Approx $81
ART The 80s: A Topology approx $81 The 80s: A Topology Fundação de Serralves. Porto 2006 While the debate on whether the 1980s are best left forgotten continues, this catalogue (in nothing less than a neon pink cover) documents an extensive exhibition curated by Ulrich Loock – which evaluates the artistic output and development of that period. Featuring 80 artists and more than 100 works, all generously documented, the catalogue also contains essays, interviews and an extensive chronology detailing the highlights of each year. 428 p ills colour & b/w 23 x 29 English pb Idea Code 06510 ISBN 978 972 739 169 1 World rights except Portugal Art Art Futura 2006: Data Aesthetics approx $35 Art Futura 2006: Data Aesthetics Art Futura, Barcelona 2006 Catalogue accompanying the 17th edition of the Art Futura festival which documents the most outstanding and innovative projects on the international scene of digital art, interactive design, computer animation and video games. Participants featured this year included: Aardman, A Scanner Darkly, UVA, Realities:United, Heebok Lee and Nobuo Takahashi. 80 p + DVD colour & b/w Spanish/English pb Idea Code 06536 ISBN 84 922084 9 X World rights except Spain Art/Various Art in America approx $58 Art in America Arario, Cheonan 2006 Exhibition catalogue from a show held at Arario Gallery which introduced seven young American artists to the Korean public in a spirit similar to that which surrounded the arrival of the ‘Young British Artists’ and the ‘New Leipzig School’. The seven artists featured are: Christopher Deaton, Roe Ethridge, Rob Fischer, Euan Macdonald, Todd Norsten, Allison Smith and Leo Villareal. -