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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Bagdad Café, Un Motel Paumé En Plein Désert Californien Au Bord De La Route 66
STUDIOCANAL PRÉSENTE BAGDAD CAFE UN FILM DE PERCY ADLON en version restaurée 4K « SORTIE LE 11 JUILLET 2018 « Distribution TAMASA 5 rue de Charonne - 75011 Paris [email protected] - T. 01 43 59 01 01 www.tamasadiffusion.com « Relations Presse CYNAPS - Stéphane Ribola [email protected] - 06 11 73 44 06 Abandonnée par son mari, Jasmin atterrit au Bagdad Café, un motel paumé en plein désert californien au bord de la route 66. Seule avec sa fille, son fils et son petit-fils, la patronne, Brenda, tapageuse et insatisfaite, règne sur un petit monde de routiers et de personnages énigmatiques. Par ses talents de prestidigitatrice, Jasmin se fait peu à peu apprécier de tous et remet le café à flot grâce à des tours qu’elle monte avec Brenda. Entre les deux femmes va naître une solide amitié. REGARD Le film Bagdad Café s’ouvre sur une scène de dispute dont les plans géométriques font penser à ceux de Wenders dans Paris Texas. Mais le registre n’est pas le même, les cou- leurs acidulées l’indiquent. Hymne à la différence, le film se laisse voir avec la légèreté non exempte de lucidité d’une comédie à la Capra. Percy Adlon a fait ses armes dans le documentaire. «Je n’aime pas la fantaisie pure, dé- tachée de tout contexte réel. J’ai besoin d’une authentique réalité pour m’élever jusqu’à une vision poétique des choses », explique le réalisateur. De là, sans doute, cette im- pression de proximité. On est en prise directe avec cette Bavaroise au chapeau à plumes égarée dans le désert de Mojave, qui ne sait pas encore que l’amour lui manque. -
Liste Dvd Consult
titre réalisateur année durée cote Amour est à réinventer (L') * 2003 1 h 46 C 52 Animated soviet propaganda . 1 , Les impérialistes américains * 1933-2006 1 h 46 C 58 Animated soviet propaganda . 2 , Les barbares facistes * 1941-2006 2 h 16 C 56 Animated soviet propaganda . 3 , Les requins capitalistes * 1925-2006 1 h 54 C 59 Animated soviet propaganda . 4 , Vers un avenir brillant, le communisme * 1924-2006 1 h 54 C 57 Animatix : une sélection des meilleurs courts-métrages d'animation française. * 2004 57 min. C 60 Animatrix * 2003 1 h 29 C 62 Anime story * 1990-2002 3 h C 61 Au cœur de la nuit = Dead of night * 1945 1 h 44 C 499 Autour du père : 3 courts métrages * 2003-2004 1 h 40 C 99 Avant-garde 1927-1937, surréalisme et expérimentation dans le cinéma belge * 1927-1937 1 h 30 C 100 (dvd 1&2) Best of 2002 * 2002 1 h 12 C 208 Caméra stylo. Vol. 1 * 2001-2005 2 h 25 C 322 Cinéma différent = Different cinema . 1 * 2005 1 h 30 C 461 Cinéma documentaire (Le) * 2003 2 h 58 C 462 Documentaire animé (Le). 1, C'est la politique qui fait l'histoire : 9 films * 2003-2012 1 h 26 C 2982 Du court au long. Vol. 1 * 1973-1986 1 h 52 C 693 Fellini au travail * 1960-1975 3 h 20 C 786 (dvd 1&2) Filmer le monde : les prix du Festival Jean Rouch. 01 * 1947-1984 2 h 40 C 3176 Filmer le monde : les prix du Festival Jean Rouch. -
ANGELS' SHARE – Ein Schluck Für Die Engel
Kirchen + Kino. DER FILMTIPP 7. Staffel, Oktober 2013 – Mai 2014, 4. Film : „Angels’ Share – Ein Schluck für die Engel “ ANGELS’ SHARE – Ein Schluck für die Engel GB/F/B/I 2012 Länge: 101 Minuten FSK: ab 12 Jahren Originalsprache: Englisch Originaltitel: The Angels’ Share Regie: Ken Loach Drehbuch: Paul Laverty Produktion: Rebecca O’Brien Kamera: Robbie Ryan Schnitt: Jonathan Morris Musik: George Fenton Besetzung: Paul Brannigan (Robbie), John Henshaw (Harry, Sozialarbeiter), Jasmin Riggins (Mo), Gary Maitland (Albert), William Ruane (Rhino), Siobhan Reilly (Leonie, Robbies Freundin), Roger Allam (Thaddeus, Whiskyhändler) Auszeichnungen: Festival de Cannes: „Prix du Jury“ Empfehlung: Von www.medientipp.ch. – Programm-, Film- und Medienhinweise zu Kirche, Religion und Gesellschaft wurde der Film ausgezeichnet als Film des Monats Dezember 2012 mit der Begründung: „Eine bittersüsse Komödie über Robbie, der in eine Familien-Fehde verwickelt ist und alles tut, um sich daraus zu befreien. Als er in der Geburtsabteilung zum ersten Mal den kleinen Luke auf dem Arm hält, ist er ist überwältigt. Der junge Mann schwört, dass seinem Sohn nicht dasselbe Schicksal blühen wird. Mit viel Fantasie und Herzblut begibt sich Robbie auf einen neuen Lebensweg. Statt weiter Gewalt und Rache zu säen, entscheidet er sich für ein neues Hobby: dem Degustieren mit feiner Nase und findigem Gaumen. Die überraschende Hinwendung zum Alkohol – nicht Wein, sondern Malt Whiskey vom Feinsten – eröffnet eine neue berufliche Perspektive. Doch bevor Robbie sein Hobby zur Profession machen kann, muss er in den hohen Norden Schottlands reisen und an einer legendären Whiskey-Verkostung teilnehmen. Dabei begleiten ihn Rhino, Albert und Mo in typischer Kilt-Verkleidung. -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
71 Ans De Festival De Cannes Karine VIGNERON
71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
RÉALISATEURS ANNÉE PAYS Du R É E N Ou Ve Au X E N
Droit de passage RÉALISATEURS ANNÉE PAYS TITRES des FILMS VERSION DCP DCP Durée Enfants Nouveaux Abitbol (Judith) 2013 F 103 A BAS BRUIT COUL 229 € Kontchalovsky (Andrei) 1985 USA 111 A BOUT DE COURSE (RunawAy trAin) d'A. Kontchalovsky COUL S/RES Godard (JeAn-Luc) 1960 F 87 A BOUT DE SOUFFLE NB 341 € WAng (PAtrick) 2019 USA 120 NDCP A BREAD FACTORY (A) PArt 2 - Un petit coin de parAdis COUL 231 € ThomAs (PAscAl) 2019 F 100 NDCP A CAUSE DES FILLES COUL 284 € CArpignano (Jonas) 2017 I-USA 118 A CIAMBRA COUL 284 € LAine (MArion) 2012 F 87 A COEUR OUVERT COUL 284 € Johnson (RiAn) 2019 USA 131 NDCP A COUTEAUX TIRES COUL 558 € Collectif (*) 2016 F 38 E A DEUX C'EST MIEUX ! 7 c.m; COUL animAtion 270 € JAcquot (Benoît) 2016 F-P 86 A JAMAIS de B. JAcquot COUL 299 € Collectif (*) 2017 F 90 E A LA DECOUVERTE DU MONDE COUL 227 € KormAkur (BAltAzAr) 2018 USA 98 A LA DERIVE COUL 421 € WAng (Bing) 2014 CHINE 227 A LA FOLIE COUL 371 € Lloyd (HArold) 1930 USA 80 A LA HAUTEUR NB MUET 341 € Rossi (Andrew) 2011 USA 90 A LA UNE DU NEW YORK TIMES COUL documentAire 270 € ZilbermAnn (JeAn-JAcques) 2014 F 104 A LA VIE COUL 328 € MArAis (PiA) 2012 D 95 A L'AGE D'ELLEN COUL 296 € Ford (John) 1917 USA A L'ASSAUT DU BOULEVARD NB MUET SONORISE S/RES KAzAn (EliA) 1954 USA 115 A L'EST D'EDEN COUL SCOPE 407 € BAtrA (Ritesh) 2018 GB 108 A L'HEURE DES SOUVENIRS COUL 371 € GitAi (Amos) 2017 ISR-F 84 A L'OUEST DU JOURDAIN COUL documentAire 284 € VideAu (Frédéric) 2011 F 94 A MOI SEULE COUL 274 € RAyhana (*) 2017 DZ-F 90 A MON AGE JE ME CACHE ENCORE POUR FUMER COUL 274 € PiAlAt (MAurice) 1982 F 102 A NOS AMOURS COUL 444 € FromentAl (Antoine) 2017 F 91 A NOUS DE JOUER ! COUL documentAire 227 € Bouzid (LeylA) 2015 TUN 102 A PEINE J'OUVRE LES YEUX COUL 227 € LAfosse (Joachim) 2012 B 111 A PERDRE LA RAISON COUL SCOPE 274 € JiA (Zhangke) 2013 CHINE 129 A TOUCH OF SIN COUL SCOPE 371 € BergmAn (IngmAr) 1961 S 90 A TRAVERS LE MIROIR NB 341 € De_FreitAs / Ly (Stéphane / LAdj) 2017 F 99 A VOIX HAUTE COUL 299 € SollimA (StefAno) 2011 I 112 A.C.A.B. -
C R I T I C a • C U L T U R a • C I N E
CRITICA•CULTURA•CINEMA Conoscerete la verità E la verità vi farà liberi Giovanni 8,32 Questa pubblicazione è stata curata dal Cinecircolo Romano - Roma - Via Nomentana 333/c - tel 068547151 - fax 0685833883 E-mail: [email protected] Sito internet: www.cinecircoloromano.it Auditorio in Via Bolzano, 38 - tel. 068543216 (in giornate di cinema la segreteria presso l’Auditorio è attiva dalle 17.00 alle 21.30) 5 per MILLE: senza alcun onere aggiunto, al momento della denuncia dei redditi è possibile devolvere il contributo del 5 per mille al Cinecircolo Romano - codice 80258690587 Assistente editoriale Alessandra Imbastaro Amministrazione Carla Porta e Valentina Ferlazzo Collaborazione edizione “Dossier” Catello Masullo, Maria Teresa Raffaele, Luciana Burlin, Fiorenza Irace Coordinamento schede filmografiche Rossella Pozza e Antonio Rizzo per le schede registi Coordinamento realizzazione “Progetto Educazione al Cinema d’Autore” Luciana Burlin con Fiorenza Irace Collaborazione operativa Maria Teresa Raffaele Direzione e coordinamento generale Pietro Murchio Per la stagione 2016/2017 sono operanti due Comitati Consultivi Selezione Cinematografica: Promozione & Cultura: Luciana Burlin, Francesco Castracane, Rossella Pozza, Giampaolo D’Arpino, Paola Dei, Achille Dente, Gloria Maria Diani, Catello Masullo, Cinzia Di Giovanni, Fiorenza Irace, Giuseppe Rizzo Maria Teresa Raffaele Le fotografie sono state fornite da Centro Studi Cinematografici, Archivio del Cinecircolo Romano, siti internet, dal socio Giampaolo D’Arpino Annotazioni del Cinecircolo includenti alcune valutazione della Commissione Nazionale per la valuta- zione dei film della C.E.I Recensioni cinematografiche da “Rassegna Stampa Cinematografica” Editore S.A.S. Bergamo, data base del Cinecircolo, siti internet IN COPERTINA: in senso orario scene dal film “Il medico di campagna”, “Irrational Man”, “Una volta nella vita”, Fiorella Mannoia del cast de “7 minuti” di Michele Placido, “Le Confessioni”, “Ave, Cesare”. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
TIGER BROOKE Tiger Brooke Currently Works As the Creative
TIGER BROOKE Tiger Brooke currently works as the Creative Director for Portly Pig Studios in Portland, Oregon and as an Owner of Dream Street Boutique in Hood River, Oregon. She teaches painting to both children and adults during her weekends and evenings, and her spare time is devoted to the support of The Mini Time Machine Museum of Miniatures. Tiger has her MFA in sculpture from California College of the Arts in San Francisco, sat in on an entire MFA program in Interactive Media from University of Southern California in Los Angeles and received her BS in Printmaking, Drawing and Painting from Portland State University. Earlier in her college career she simultaneously earned three degrees in Engineering Technology: Civil, Mechanical and Architectural, where she honed her interests in inventing, construction, mathematics, practical sciences, and also minored in both theater and environmental studies. Tiger’s interest in Science, Technology, Engineering and Mathematics, combined with an artistic flair and mastery of a litany of different crafts has given her a unique skill set, and has led to exciting endeavors. Her most recent has been in the film industry, specifically in the field of Stop Motion Animation, which melds talents in both engineering and art. Tiger has worked on many Stop Motion projects in various cities, designing sets, props, costumes, armatures, rigging systems, puppets, costumes, storyboards and whatever else was needed to get the job done. She has also had her hand in voice acting, singing, animating, producing and directing. Most notably, she was part of the hard-working team that created Charlie Kaufman’s Academy Award-nominated, Anomalisa! Tiger loves to learn and enjoys passing her skills and passions on to others. -
Women Directors in 'Global' Art Cinema: Negotiating Feminism And
Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation Despoina Mantziari PhD Thesis University of East Anglia School of Film, Television and Media Studies March 2014 “This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” Women Directors in Global Art Cinema: Negotiating Feminism and Aesthetics The thesis explores the cultural field of global art cinema as a potential space for the inscription of female authorship and feminist issues. Despite their active involvement in filmmaking, traditionally women directors have not been centralised in scholarship on art cinema. Filmmakers such as Germaine Dulac, Agnès Varda and Sally Potter, for instance, have produced significant cinematic oeuvres but due to the field's continuing phallocentricity, they have not enjoyed the critical acclaim of their male peers. Feminist scholarship has focused mainly on the study of Hollywood and although some scholars have foregrounded the work of female filmmakers in non-Hollywood contexts, the relationship between art cinema and women filmmakers has not been adequately explored. The thesis addresses this gap by focusing on art cinema. It argues that art cinema maintains a precarious balance between two contradictory positions; as a route into filmmaking for women directors allowing for political expressivity, with its emphasis on artistic freedom which creates a space for non-dominant and potentially subversive representations and themes, and as another hostile universe given its more elitist and auteurist orientation.