A Study on the Effectiveness of Celebrity Endorsed and Animated Character Endorsed Advertisements on Consumers' Buying Behavior
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TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Karan Johar Shahrukh Khan Choti Bahu R. Madhavan Priyanka
THIS MONTH ON Vol 1, Issue 1, August 2011 Karan Johar Director of the Month Shahrukh Khan Actor of the Month Priyanka Chopra Actress of the Month Choti Bahu Serial of the Month R. Madhavan Host of the Month Movie of the Month HAUNTED 3D + What’s hot Kids section Gadget Review Music Masti VAS (Value Added Services) THIS MONTH ON CONTENTS Publisher and Editor-in-Chief: Anurag Batra Editorial Director: Amit Agnihotri Editor: Vinod Behl Directors: Nawal Ahuja, Ritesh Vohra, Kapil Mohan Dhingra Advisory Board Anuj Puri, (Chairman & Country Head, Jones Lang LaSalle India) Laxmi Goel, (Director, Zee News & Chairman, Suncity Projects) Ajoy Kapoor (CEO, Saffron Real Estate Management) Dr P.S. Rana, Ex-C( MD, HUDCO) Col. Prithvi Nath, (EVP, NAREDCO & Sr Advisor, DLF Group) Praveen Nigam, (CEO, Amplus Consulting) Dr. Amit Kapoor, (Professor in Strategy and nd I ustrial Economics, MDI, Gurgoan) Editorial Editorial Coordinating Editor : Vishal Duggal Assistant Editor : Swarnendu Biswas da con parunt, ommod earum sit eaqui ipsunt abo. Am et dias molup- Principal Correspondent : Vishnu Rageev R tur mo beressit rerum simpore mporit explique reribusam quidella Senior Correspondent : Priyanka Kapoor U Correspondents : Sujeet Kumar Jha, Rahul Verma cus, ommossi dicte eatur? Em ra quid ut qui tem. Saecest, qui sandiorero tem ipic tem que Design Art Director : Jasper Levi nonseque apeleni entustiori que consequ atiumqui re cus ulpa dolla Sr. Graphic Designers : Sunil Kumar preius mintia sint dicimi, que corumquia volorerum eatiature ius iniam res Photographe r : Suresh Gola cusapeles nieniste veristo dolore lis utemquidi ra quidell uptatiore seque Advertisment & Sales nesseditiusa volupta speris verunt volene ni ame necupta consequas incta Kapil Mohan Dhingra, [email protected], Ph: 98110 20077 sumque et quam, vellab ist, sequiam, amusapicia quiandition reprecus pos 3 Priya Patra, [email protected], Ph: 99997 68737, New Delhi Sneha Walke, [email protected], Ph: 98455 41143, Bangalore ute et, coressequod millaut eaque dis ariatquis as eariam fuga. -
RAIPUR | SUNDAY | FEBRUARY 28, 2021 ‘Power Sector in C’Garh Not to Be Privatized’
-""8 F + & . $G $ $G G 2.#%2$3! RNI Regn. No. CHHENG/2012/42718, Postal Reg. No. - RYP DN/34/2013-2015 : 0#1 %22- => ?' ' & 1,.23 ,4567 )*,./0 2(0B,(C(0D,('0 39:+,( ,9,5 298,';,:' 3,<8A9' /',0(05<(,'0<N2 ',39:E '3,"'D2,'C !" ( ) '* ) 4 5( 6! $ %'( $) & / 4'889 anyone the right to declare if we’re people of Congress or not, itching for a strong nobody has that right. We’ll PCongress leadership at the build the party and strengthen Centre in order to corner the it. We believe in the strength Narendra Modi-led and unity of the Congress”. Government, the group of 23 His Cabinet colleagues Congress leaders, known in the Kapil Sibal and Manish Tewari party circles as “dissident” voic- also batted for a strong es, on Saturday launched a Congress leadership at the top. ( 0/:;( fresh offensive questioning the Sibal said, “We had gathered top brass of the party why it together earlier too and we ligible Covid-19 vaccine failed to utilise the services of have to strengthen the party Easpirants in the country an “experienced” leader like together”. will have to shell out 250 per Ghulam Nabi Azad when it Sibal questioned as to why shot — 150 cost of vaccine needed him the most. the Congress was not utilising plus 100 service charge — if At least seven leaders the rich experience of Ghulam they opt to get themselves belonging to this “group of dis- Nabi Azad. “He is one such inoculated at the designated senters”, assembled in Jammu leader who knows the ground private hospitals during the sec- to attend Shanti Sammelan reality of Congress in every dis- ond phase of the vaccination organised by the Gandhi trict of every State. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Five Feet Apart: Sickly Teen Romance Dies a Slow Death
13 SATURDAY, MARCH 23, 2019 AKSHAY KUMAR, PARINEETI CHOPRA, BHAGYASHREE OASIS JUFFAIR DAILY AT: 11.30 AM + 2.30 + 5.30 + 8.30 + 11.30 PM SAAR 1- US (15+) (HORROR/THRILLER) NEW 3- FIVE FEET APART (PG-15) (DRAMA/ROMANTIC) 1- US (15+) (HORROR/THRILLER) NEW LUPITA NYONG’O, ELISABETH MOSS, ANNA DIOP NEW LUPITA NYONG’O, ELISABETH MOSS, ANNA DIOP DAILY AT: 1.15 + 6.15 + 11.15 PM HALEY LU RICHARDSON, COLE SPROUSE, MOISES ARIAS DAILY AT: 10.45 AM + 1.15 + 3.45 + 6.15 + 8.45 + (11.15 PM THUR/ DAILY AT (VIP): 3.15 + 8.15 PM DAILY AT: 11.15 AM + 1.45 + 4.15 + 6.45 + 9.15 + 11.45 PM FRI) 2- KESARI (15+) (HINDI/ACTION/DRAMA) NEW 4- HOTEL MUMBAI (18+) (CRIME/THRILLER/DRAMA) 2- KESARI (15+) (HINDI/ACTION/DRAMA) NEW AKSHAY KUMAR, PARINEETI CHOPRA, BHAGYASHREE NEW AKSHAY KUMAR, PARINEETI CHOPRA, BHAGYASHREE DAILY AT: 11.45 AM + 2.45 + 5.45 + 8.45 + 11.45 PM DEV PATEL, ARMIE HAMMER, NAZANIN BONIADI DAILY AT: 11.00 AM + 2.00 + 5.00 + 8.00 + (11.00 PM THURS/FRI) DAILY AT: 10.30 AM + 1.00 + 3.30 + 6.00 + 8.30 + 11.00 PM 3- FIVE FEET APART (PG-15) (DRAMA/ROMANTIC) 3- FIVE FEET APART (PG-15) (DRAMA/ROMANTIC) NEW 5- MANOU THE SWIFT (PG) (HINDI/ANIMATION/AD- NEW HALEY LU RICHARDSON, COLE SPROUSE, MOISES ARIAS VENTURE/DRAMA) NEW HALEY LU RICHARDSON, COLE SPROUSE, MOISES ARIAS DAILY AT: 10.45 AM + 3.45 + 8.45 PM WILLEM DAFOE, KATE WINSLET, ROB PAULSEN DAILY AT: 4.45 + 7.00 + 9.15 + (11.30 PM THURS/FRI) DAILY AT: 12.00 + 2.00 + 4.00 + 6.00 PM 4- HOTEL MUMBAI (18+) (CRIME/THRILLER/DRAMA) 4- HOTEL MUMBAI (18+) (CRIME/THRILLER/DRAMA) NEW 6- DAMASCUS ALEPPO (PG-13) (ARABIC/DRAMA) -
Girl Rising Impact Highlights
GIRL RISING IMPACT HIGHLIGHTS Powered by stories of determination and a growing network of strategic partners and community-based activists, Girl Rising is turning ideas into impact. To date, we have reached millions of people: raising awareness through mass media campaigns, shifting attitudes by mobilizing influencers and local advocates, and inspiring actions that encourage behavior change and equal investment in girls and boys. Mass Media • 5 Billion+ global media impressions. • An original radio magazine produced in 1,600+ Articles published about Girl five local languages aired on community Rising, 2.3 M+ Youtube channel views. radio stations throughout DRC, reaching an estimated 4 million households • The Hindi version of Girl Rising aired on in communities where electricity and India’s No. 1 entertainment channel, televisions are rare luxuries. Star Television; leveraging the star power of Bollywood’s mega stars • India’s Ministry of Women and Child Priyanka Chopra, Parineeti Chopra, Development invested funding Kareena Kapoor Khan, and Alia Bhatt to broadcast GR Public Service among others. Announcements (PSAs) across television networks and over 3000 cinema halls • Girl Rising content has been translated across the country. into 30 languages and dubbed in Hindi, Hausa, Lingala, Swahili, Tshiluba and • We Will Rise: Michelle Obama’s Mission Congolese French. to Educate Girls Around the World, a film produced by Girl Rising, broadcast • 96/100 TPI (Top media-impact score) on television as the highest rated CNN awarded to Girl Rising by Participant film of all time. The film premiered at Media, reported high levels of emotional the White House for International Day of engagement, social impact and a desire the Girl 2016. -
Girl Rising India
GIRL RISING INDIA Building a Movement for Girls Through Powerful Storytelling Girl Rising uses the power of storytelling to inspire, shift attitudes and change behavior. In India, Girl Rising’s powerful media tools have made meaningful strides towards increasing the agency of girls and women, and inspiring community members to support the movement for gender equality. Girl Rising Film Comes To India After a close consultation with Prime Minister Narendra Modi and a partnership with the Ministry of Women and Child Development, the Girl Rising film was launched in India in August 2015 as Woh Padhegi, Woh Udegi (She Learns, She Rises) on Star television, which has a network of 450 million viewers across the country and a reach of 100+ countries. The film harnessed the talents of India’s biggest Bollywood stars including Priyanka Chopra, Freida Pinto, Parineeti Chopra, Kareena Kapoor Khan, Madhuri Dixit, Sushmita Sen, Amitabh Bachchan, Nandita Das, Farhan Akhtar, and Alia Bhatt, all of whom lent their voices to the film. Celebrities promoted the launch through their social media networks, and #IAMGirlRising trended No. 1 on Twitter India. Film Screenings To stir important conversations about girls’ education among corporations, communities, universities and neighborhoods, a screenings program was launched soon after the television broadcast of the film. Under this program, Woh Padhegi, Woh Udegi was re-purposed for NGO and corporate audiences. Each version consisted of 3 stories from Woh Padhegi, Woh Udegi and was complemented by a screenings toolkit that contained resources including discussion guides, Director’s Q&A, and promotional materials to help steer conversations around barriers to education. -
Nahiiin! Face Gallery the Nahiiin! Face Gallery Celebrating the finest Histrionic Achievements in Indian Cinema, One Actor at a Time
The Nahiiin! Face Gallery The Nahiiin! Face Gallery Celebrating the finest histrionic achievements in Indian cinema, one actor at a time. Celebrating the finest histrionic achievements in Indian cinema, one actor at a time. http://memsaabstory.wordpress.com http://memsaabstory.wordpress.com Ajit Amjad Khan Amrish Puri A. Nageswara Rao Anil Kapoor Bindu Biswajeet Brownie Moti Heeralal Pannalal Mooga Manasulu Hare Kanch Ki Teri Meherbaniyan Yaarana (1981) Kasam Paide Karne Bandie (1978) Trishna (1978) (1977) Wale Ki (1984) (1963 - Telugu) Beta (1992) Mastan Dada (1977) Chooriyan (1967) (1985) Anwar Hussein Aruna Irani Asha Parekh Chandramohan Chandrima Bhaduri Chiranjeevi Chiranjeevi Chitra Zindagi Aur Maut Kirathakudu SP Parasuram Trip to Moon (1967) Gaddar (1973) Doodh Ka Karz Shikar (1968) Chirag (1969) Shaheed (1948) Zimbo (1958) (1990) (1965) (1986 - Telugu) (1994 - Telugu) Asha Parekh Ashoo Deepti Naval Dev Kumar Dharmendra Mere Hamdum Mere Kati Patang (1970) Samadhi (1974) Rani Aur Lalpari Kab? Kyon? Aur Yeh Ishq Nahin Yalgaar (1992) Jeevan Mrityu (1971) (1975) Kahaan? (1972) Dhund (1973) Aasaan (1982) Alibaba (1977) Dost (1968) Babita Baby Rani Bindu Dharmendra Dilip Kumar Haseena Maan Jayegi Kab? Kyon? Aur Nanha Farishta Rani Aur Lalpari Ab Kya Hoga Yaadon Ki Baarat Kahani Kismat Ki Badle Ki Aag (1982) Shaheed (1948) Aadmi (1968) (1968) Kahaan? (1972) (1969) (1975) (1977) (1972) (1973) All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. If any copyright has been All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. -
Emami to Keep Things Warm This Winter with Aggressive Marketing & Consumer Offers
Emami to keep things warm this winter With aggressive marketing & consumer offers . Expects strong growth with winter brands . Boroplus and Vasocare to lead from the front Kolkata, November 27, 2017: Emami Ltd, India’s leading FMCG player with an annual turnover of over Rs 2500 Cr anticipates a bullish performance from its portfolio of winter brands viz. -BoroPlus and Vasocare. It expects these brands to push sales during winter growing faster than the market. Leading the pack is the house of BoroPlus brands, a trusted brand with a heritage of 40 years, that has achieved a significant growth over the years aided by successful brand extensions. Endorsed by Bollywood superstars Amitabh Winter Dhamaka from Emami! Bachchan and Kangana Ranaut, the BoroPlus brand continues to hold a strong 76% market share in the antiseptic cream category New pack of 500 ml from and is the #1 antiseptic cream in the world. BoroPlus Total Results Moisturizing Lotion For BoroPlus, one of the largest skin care brands, Emami Limited will be going national with its new brand extension BoroPlus National Launch of BoroPlus Perfect Touch. It is a daily use deep moisturizing cream which Perfect Touch keeps the skin healthy and soft. Bollywood actress Kangana Ranaut has been roped in as the face to endorse this latest brand New contemporary tub pack extension of BoroPlus. With its non-sticky, non-oily 24 hr moisture from BoroPlus formula coupled with the goodness of ayurvedic herbs & New pack of 500 ml from antiseptic action, the new BoroPlus Perfect Touch Soft Antiseptic Cream providesBoroPlus a Total perfect Results solution for healthy, bright and fresh skin to women compared to the regular moisturizingMoisturizing creams which Lotion makes the face look dark and oily. -
Designer Report Manish Malhotra
Designer Report Introduction Manish Malhotra is an Indian fashion designer who often works with Hindi cinema actresses. Born in 1965, Manish Maholtra grew up knowing he wanted to become a part of the fashion industry, choosing to forgo taking over his family's business to pursue a fashion career. He launched his label in 2005.In 2014, his label marked a turnover of over INR 1 Billion making it one of the first Indian luxury fashion houses to do so. Manish Malhotra started his career as a model, while studying at the Elphinstone College in Mumbai. Though he did not have formal fashion design training, he was attracted towards costume design due to interest in clothes, costumes and art. The designer’s fascination with fashion began at 14 during the preparation for his brother’s wedding, during which he took great interest in the design of his mother’s clothes and jewelry for the occasion. (BoF). Background He was born on December 6, 1966. He did bachelor’s in arts from Elphinstone College, Mumbai. He even worked in a boutique as a part time salesman. In 1998, he ventured into mainstream designing with his couture store 'Reverie - Manish Malhotra’. This brought him clientele from beyond the film industry to incl ude fashion-mavens across India and the Indian diaspora. Soon after, he received appreciation for his glamorous ensembles using traditional colors, craftsmanship, textures and embroideries presented at his first runway show in November 1999.In 2005, he launched his couture label MANISH MALHOTRA which offers bridal, couture, diffusion and men's wear collections and currently retails at two stores in Mumbai and New Delhi. -
Interview with Nandita Chalam, J
Julien Cayla (Australian School of Business) Interviews Nandita Chalam, Senior Creative Director, J. Walter Thompson, India Julien Cayla Julien Cayla: Can you please tell us something about yourself before we start? Nandita Chalam: I have always been in the field of advertising. I have worked with almost all the top agencies in India: for instance, JWT, Ogilvy and Mather and Lintas. I have worked in Africa too. I have worked in Kenya and Zambia while I was with McCann. I have worked on many multinational brands. I have worked with Unilever brands. I have worked on their soaps, Lux being one of them, detergents, cooking oil, etc. etc. Somehow, being a woman you tend to be given the household products. So, I used to cry for one of those macho brands. I used to say, “I want a macho brand, I want a bike.” In a way it is good, because there are lots of mainstream brands like soaps, cooking oil and detergents in any agency. I also won awards for my work for Unilever while working for some of these mainstream brands. I still haven’t won an international award, say, something like a Cannes Lion, but I hope to win it someday. So, all in all, you can say that I love and worship advertising. Julien: Tell me something about the history of Lux in India. Nandita Chalam: Actually Lux is 75 years old in India. And strangely enough, JWT is also 75 years old in India. And the two brands have always worked together. So, the histories of JWT and Lux run parallel in a way. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema.