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Bollywood's Periphery: Child Stars and Representations of Childhood in Hindi Films
Shakuntala Banaji Bollywood's periphery: child stars and representations of childhood in Hindi films Book section Original citation: Originally published in Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 © 2016 The Author This version available at: http://eprints.lse.ac.uk/65482/ Available in LSE Research Online: February 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Title: Bollywood's periphery: child stars and representations of childhood in Hindi films Author: Shakuntala Banaji, Introduction The three research questions which I explore in this chapter ask: How do international accounts of children’s role on screen and child performance -
JSWM Vol.5 No.1 Jan-Mar 2013.Pmd
Journal of Social Welfare and Management49 Volume 5 Number 1, Jan - Mar 2013 Violence in Hindi Movies: A Comparative Study of Two Movies Sonalee Nargunde*, Iliyas Ahmad** Abstract Cinema in India has developed to a large extent and movies are its significant tool. Movies not only provide entertainment to the large audiences but also play some additional roles. The message provided by this medium is more impactful than any other medium because of its reach and easy accessibility. The content provided by the Indian films plays an important role in shaping up its audience. After, reviewing some of the movies, the researcher found a consistent theme of violence in almost all the films and found it important to share it with larger audience. Indian film industry produces more than 800 films annually and almost story line of all the movies is weaved around love, revenge, mafia wars and all this is supported by heavy dose of violence. Critics say that the Indian cinema nowadays is churning out films with persistent theme of violence because of the transplantation of the western ideas resulting in the portrayal of extreme vulgarity on big screen. Film makers follow the steps of Hollywood where most of the movies are much more violent than the bollywood. Movies released in the last few years have seen a continuous increase in the portrayal of violence both in content and subject wise. Keywords: Film violence; Bollywood; Movies. Introduction the story demands. The unapologetic use of blood and gore presented in the form of entertainment seems to have become the A film is a form of entertainment based on mainstay of bollywood releases especially since a story where different artists perform different last decade. -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Vishwatma Hd Movie Download
Vishwatma hd movie download Continue Sunny Deol was born as Ajay Singh Deol on October 19, 1952 in New Delhi, India. He is the son of actor Dharmandra and Prakash Kaura. He has a younger brother, also an actor, Bobby Deol. His father married actress Hema Malini, and Sonny has two halves of sister Ash Deol, actress and Ahana Deol. His cousin Abhay Deol is also an actor. He is married to Puja Deol and they have two sons Rajvir Singh and Ranvir Singh. Sunny studied in Mumbai at Sacred Heart High School and Podar College. England Is the Old Web Theatre where he took acting and theater lessons. Sunny Deols debut film Rahul Rawalis Betaab (1983) was a big hit that followed the much famous plot of a poor boy falling in love with a rich girl. Debutante Amrita Singh was a rich beauty. The 1985 release, Arjun, with Dimple Kapadia was another film he is famous for. He has starred in such films as Samundar, Ram-Avtar, Maybor, Maine Tere Dushman and Rajiv Rais Tridev. Last released in 1989, starred the likes of Nasiraddin Shah, Madhuri Dixit and Jackie Shroff. The story of three men from different backgrounds who came together to fight the villains was well received. Chaal Baaz (1989) with Sridevi and Rajnikan was also successful. His performance as a boxer in Rajkumar Santoshis Ghayal (1992) with Meenakshi Sheshadri was recognized as brilliant and he won the Filmfare Best Actor Award. In 1993 Damini was a huge success, winning his Filmfare Best Supporting Actor, as did Yash Chopras Darr, with Shah Rukh Khan and Juhi Chawla. -
CSR-Vision-December-2018.Pdf
India’s 1st monthly Magazine on CSR DECEMBER 2018 VOLUME-7 ISSUE-08 `100/- www.csrvision.in Promoting Responsibility for Sustainability TRRAINTrust for Retailers and Retail Employees of India INTERVIEW OF THE MONTH DR. RAJIV KUMAR Vice Chairman, NITI Aayog GUEST COLUMN DR. SRIKANT SHARMA MBBS, MD B.S. NAGESH Founder, TRRAIN Trusts, Chairman, Shopper’s Stop DECEMBER 2018 NEW DELHI TRRAIN is a seed just sprouting, miles to go... 1 2 NEW DELHI DECEMBER 2018 From the Desk of Editor-in-Chief Dear Readers rulers to destroy the local culture and belief systems and impose the Islamic culture by constructing a mosque. The Merry Christmas! act of converting the name of Prayagraj to Allahabad by the Mughals is also similar to that of construction of masjid in India has already entered into the nearing phase of place of Ram temple. 2019 election season. The BJP came to power through a Secondly, if a hooligan or gunda, from another community historic win in 2014 after giving a hope to Indian electorate like ISLAM or Christianity, occupies your house, forcing you that Ram temple will be built to honor the long standing to live in a corner and leaves the house after years, obviously, demand of majority of Hindu people.After BJP came into ransacking your place of worship and leaving imprints of the power in 2014, BJP also won in UP, which increased their long stay through their names and markings. What the hope of hindus that temple will be built, more so with a will be the first thing you do when you get the house back? Hindu oriented CM candidate Yogi Aadityanath, a former Obviously, one will clean the house, specifically the markings Mahant of Gorakhnath temple, Gorakhpur, UP. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
The Female Journalist in Bollywood Middle-Class Career Woman Or Problematic National Heroine?
CRITICALviews CRITICALviews The Female Journalist in Bollywood MIDDLE-CLASS CAREER WOMAN OR PROBLEMATIC NATIONAL HEROINE? On the screen as in reality, female journalists in India have historically struggled to gain equality with their male peers. But a slew of recent Bollywood films depicting female reporters indicate that change may be afoot, as SUKHMANI KHORANA discusses. Growing up during India’s economic and communications ‘revolution’, my young mind revelled in the promise of a career in journalism that would serve both the aspirational self and the modernising nation. A role model emerged in Barkha Dutt, the LAKSHYA independent yet feminine reporter at the still-credible New Delhi Television (NDTV). I recall her fearless stint in the trenches during difficulty for career-minded women in the occasionally surface as updates on social India’s war with Pakistan in the mountains liberal West, subsequent internships at com- media, there still appears to be a plethora of Kargil (in the militancy-affected territory of mercial stations confirmed Schwartz’s views. of work opportunities in India, especially Kashmir). To my fifteen-year-old eyes, this Add to that the lack of visibility of ‘women vis-a-vis the media of the developed world. was not the beginning of embedded journal- of colour’ on Australian free-to-air televi- Moreover, as Hinglish (a mix of Hindi and ism in India. Rather, it was a milestone for sion news (barring SBS) and my journalism English) and vernacular language channels aspiring and working Indian female journal- dream was ready to shift gears and venture grow in number and importance, it is not just ists with a serious interest in hard news. -
Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917. -
Screen Awards Function, Shah Rukh and Salman Win
PRLog - Global Press Release Distribution Screen Awards Function, Shah Rukh and Salman win The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. Jan. 8, 2011 - PRLog -- The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. We start with Shah Rukh Khan, who bagged the Best Actor Popular Choice award for his film My Name Is Khan. Incidentally, rival Salman Khan bagged a Best Actor award as well, for his work in Dabangg. Teen Deviyaan Jacqueline Fernandez, Mugdha Godse and Tanushree Dutta choose black and white for the occasion. The Sinhas Sonakshi Sinha, who won the Most Promising Newcomer award for Dabbang, arrived with her proud mother Poonam Sinha and brother Luv. Circle of love Dabangg producer Arbaaz Khan greets Prabhu Deva, as Farah Khan looks on. Gorgeous gowns Roshni Chopra, Katrina Kaif and Dia Mirza decided to wear beautiful evening gowns for the event. http://www.funfilms.in/show/awards-funtions.html Katrina bagged the Best Actor Popular Choice award for her films Raajneeti and Tees Maar Khan. What were they thinking! Kalki Koechlin, Mahi Gill and Antara Mali need to take some fashion tips from their contemporaries. Skin show Prachi Desai is obviously looking to change her goody goody image by showing some skin but the Rock On!! actress needs a designer as well! Amrita Rao and Chitrangada Singh, on the other hand, covered up. -
Govt Withdraws Super-Rich Surcharge
Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 OPINION 6 VIJAYAWADA 9 SPORTS 12 Published From VIJAYAWADA DELHI LUCKNOW BHOPAL FOR THE SAKE A SCHOOL THAT PRODUCED SINDHU BREAKS RAIPUR CHANDIGARH BHUBANESWAR OF DEMOCRACY LEADERS IN ALL FIELDS TAI CODE RANCHI DEHRADUN HYDERABAD *Late City Vol. 1 Issue 299 VIJAYAWADA, SATURDAY AUGUST 24, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable AAMIR KHAN'S DAUGHTER IRA TO MAKE DIRECTORIAL DEBUT { Page 10 } www.dailypioneer.com ‘Crashed IAF chopper was Govt withdraws Will decentralise administration: Buggana PATRI VASUDEVAN n Focus on welfare, education and health n No Singapore-type Capital We are not in favour of n VIJAYAWADA 'Amaravati', but, we have a spe- hit by Indian cific formula for the Capital. The State government has missile’ super-rich surcharge clarified that it has no propos- Q: What are your observations NEW DELHI: Five IAF per- al to shift the Capital city of about the misappropriations sonnel were found guilty for PNS n NEW DELHI Amaravati from Velagapudi. in CRDA? the crash of a Mi-17 helicopter FM proposes measures to In an exclusive interview to A: We have noticed that insid- in Budgam in Jammu and Buckling under pressure from The Pioneer, Minister for er trading and zoning have Kashmir as a high-level probe overseas investors, the gov- enhance fund flows for infra, Finance Buggana Rajendranath taken place. Irrespective of concluded that the chopper ernment on Friday rolled back has, however, said that the whether it is officials or politi- went down after being hit by the enhanced surcharge housing projects government is contemplating cians, the government won't a surface-to-air missile on imposed on foreign portfolio to decentralise the adminis- spare anybody found guilty.