Ibadan-Oyo Relations
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The Evolution of Ibadan As the Largest Metropolitan Area in Nigeria
THE EVOLUTION OF IBADAN AS THE LARGEST METROPOLITAN AREA IN NIGERIA By: ESV. TOMORI M.A. anivs, rsv. mnim MD/CEO Macos Urban Management Consultants E-mail: [email protected] ` Established For Urban Management Capacity Building and Good Governance 1.0 URBAN TRANSFORMATION HISTORY 1.1 Introduction Urbanization and city creation predates colonialism in many African countries. Apart from Egypt, where urban civilization dates back to 5,000 years, several cities in other African regions have centuries old Histories. Early urban development has been recorded during the Sudanese Empire of 800A.D. the Mali Empire of 1500A.D. and Songhai Empire of 1800A.D. These important historical artifacts, the cities, flourished as a result of their location along the trans-Sahara trade routes, emphasizing their importance as catalysts in socio-economic inter-relationships. Powerful local rulers enhanced the evolution of these early cities into effective nodes of human development and as engines of economic and social growth. Some of the prominent ancient pre-colonial cities of the region include: Bamako, Gao, Timbuktu, Ouagadougou, Agades, Begho, Benin, Ibadan, Ile-Ife, Ilorin, Kumasi and Oyo. The implications of urbanization are not appreciable from demographic numbers alone (World Bank in Cities in Transition, 2013). The urban transformation affects the physical concentration of people, patterns of land use, social structures and interactions, and the nature and scale of economic production. Each of these dimensions of change affects the lives of individuals and the requirements for resources and governance. This urbanization creates significant opportunities for national development, and for reducing poverty for all citizens. But realizing the potential gains from the urban transition depends on how well cities and towns manage growth and meet the challenges of providing responsive governance and ensuring services for all firms and households. -
A Re-Assessment of Government and Political Institutions of Old Oyo Empire
QUAESTUS MULTIDISCIPLINARY RESEARCH JOURNAL A RE-ASSESSMENT OF GOVERNMENT AND POLITICAL INSTITUTIONS OF OLD OYO EMPIRE Oluwaseun Samuel OSADOLA, Oluwafunke Adeola ADELEYE Abstract: Oyo Empire was the most politically organized entity founded by the Yoruba speaking people in present-day Nigeria. The empire was well organized, influential and powerful. At a time it controlled the politics and commerce of the area known today as Southwestern Nigeria. It, however, serves as a paradigm for other sub-ethnic groups of Yoruba derivation which were directly or indirectly influenced by the Empire before the coming of the white man. To however understand the basis for the political structure of the current Yorubaland, there is the need to examine the foundational structure from which they all took after the old Oyo Empire. This paper examines the various political structures that made up government and governance in the Yoruba nation under the political control of the old Oyo Empire before the coming of the Europeans and the establishment of colonial administration in the 1900s. It derives its data from both primary and secondary sources with a detailed contextual analysis. Keywords: Old Oyo Empire INTRODUCTION Pre-colonial systems in Nigeria witnessed a lot of alterations at the advent of the British colonial masters. Several traditional rulers tried to protect and preserve the political organisation of their kingdoms or empires but later gave up after much pressure and the threat from the colonial masters. Colonialism had a significant impact on every pre- colonial system in Nigeria, even until today.1 The entire Yoruba country has never been thoroughly organized into one complete government in a modern sense. -
The Legacy of Baale Irefin Ogundeyi (1912-1914)
- 1 - A) BACKGROUND HISTORY: Ogunlade from Owu was the father of Irefin Ogundeyi according to the family record dated 8/8/61. Kigbati Ogunlade came to Ibadan in the 19th century to join other Owus in the city with his wife. He came with his wife, his inlaw called Idowu. Others were, Adeola, an herbalist (Babalawo) and Ojo Ojawkondo who were friends to his wife. He also brought the father of Gbangbasa the father of Babajide. After the death of Ogunlade, his son Irefin Ogundeyi brought the father of Olaogun to Ibadan after the Kiriji war on arrival at Osogbo. Anisere also followed Irefin Ogunlade to Ibadan and handed him over to Aborisade of the same mother. According to the family, in 2017, Balogun Oderinlo allocated the land at Oke- Ofa to Pa Ogunlade and his son where Irefin Ogundeji built a beautiful palace. Irefin as Ekerin was then overlord of Gbongan town. Other chieftaincy titles of Irefin Ogundeyi from 1895 before he rose to the highest pinnacle of Baale of Ibadan (1912- 1914). His progressive chieftaincy rise was as follow: 1. When Osuntoki was the baale between 1895-1897 Irefin was the Asaju Baale 2. The same position when Fajinmi was Baale between 1897-1902 Irefin was Asaju Baale 3. When Captain F.C. Fuller in 1897 constituted the first members of the council, Irefin was not there. Members were: 1. Fajinmi - Baale 1. Akintola - Balogun 2. Mosaderin - Otun Baale 2. Bablola - Otun Balogun 3. Ogungbesan - Osi Baale 3. Kongi - Osi Balogun 4. Dada - Ekerin Baale 4. Apampa - Asipa Balogun 5. -
Title the Minority Question in Ife Politics, 1946‒2014 Author
Title The Minority Question in Ife Politics, 1946‒2014 ADESOJI, Abimbola O.; HASSAN, Taofeek O.; Author(s) AROGUNDADE, Nurudeen O. Citation African Study Monographs (2017), 38(3): 147-171 Issue Date 2017-09 URL https://doi.org/10.14989/227071 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University African Study Monographs, 38 (3): 147–171, September 2017 147 THE MINORITY QUESTION IN IFE POLITICS, 1946–2014 Abimbola O. ADESOJI, Taofeek O. HASSAN, Nurudeen O. AROGUNDADE Department of History, Obafemi Awolowo University ABSTRACT The minority problem has been a major issue of interest at both the micro and national levels. Aside from the acclaimed Yoruba homogeneity and the notion of Ile-Ife as the cradle of Yoruba civilization, relationships between Ife indigenes and other communities in Ife Division (now in Osun State, Nigeria) have generated issues due to, and influenced by, politi- cal representation. Where allegations of marginalization have not been leveled, accommoda- tion has been based on extraneous considerations, similar to the ways in which outright exclu- sion and/or extermination have been put forward. Not only have suspicion, feelings of outright rejection, and subtle antagonism characterized majority–minority relations in Ife Division/ Administrative Zone, they have also produced political-cum-administrative and territorial ad- justments. As a microcosm of the Nigerian state, whose major challenge since attaining politi- cal independence has been the harmonization of interests among the various ethnic groups in the country, the Ife situation presents a peculiar example of the myths and realities of majority domination and minority resistance/response, or even a supposed minority attempt at domina- tion. -
[1] Ui Thesis Olasupo A.A Yoruba 2015 Full Work.Pdf
i YORÙBÁ TRADITIONAL RELIGIOUS WOOD-CARVINGS BY AKANDE ABIODUN OLASUPO B. A. (Hons.) Fine Arts ( ), M. A. Visual Arts (Ibadan), PGDE (Ado-Ekiti) A Thesis in the Department of VISUAL ARTS Submitted to the Institute of African Studies in partial fulfilment of the requirement for the Degree of DOCTOR OF PHILOSOPHY of the UNIVERSITY OF IBADAN UNIVERSITY OF IBADAN LIBRARY MAY 2015 ii ABSTRACT The Yorùbá -Yorùbá N O - - Yorùbá traditional religion and its attendant practice of wood-carving. Existing studies on Yorùbá wood-carving have concen -Yorùbá existed independently for a long time. This study, therefore, identified extant Yorùbá examined areas of divergence in the artistic production of the people. - wood-carvers, priests and adherents of some Yorùbá traditional religion who use wooden paraphernalia in their worship. Direct observation was used to collect data on iconographic features of wooden religious paraphernalia such as ọpón-Ifá (divination board), agere-Ifá (palm-nut bowl), ìróké-Ifá (divination board-tapper), osé-Ṣà Ṣà ‟ ère-ìbejì (twin figurines), and egúngún and gèlèdé masks. The interviews were content-analysed, while the paraphernalia were subjected to iconographic, semiotic and comparative analyses. UNIVERSITY OF IBADAN LIBRARY Opón-Ifá, agere-Ifá, ìróké-Ifá, osé-Ṣà and ère-ìbejì Gèlèdé ìróké-Ifá, agere-Ifá and osé-Ṣà shared similar iconographic fe by the top, middle and base sections. Their middle sections bore a variety of iii images, while the top and base sections were fixed. In all the three communities, the face of Èsù, usually represented on ọpón-Ifá, was the only constant feature on divination trays. Other depictions on the tray varied from zoomorphic and anthropomorphic to abstract motifs. -
Address of the Chancellor, His
ALL HANDS ON DECK: ADDRESS OF THE CHANCELLOR, HIS IMPERIAL MAJESTY, OBA OKUNADE SIJUWADE OLUBUSE II, CFR, D.LITT., AT THE MAIDEN CONVOCATION CEREMONY OF OSUN STATE UNIVERSITY, MAY 21, 2011 Protocol I have great pleasure addressing this august body today. First, I must congratulate the Governor of Osun State, OgbeniRaufAdesojiAregbesola, who God has been put in position at this particular time that Osun State University is graduating its first set of students. We must always realise that it is God that put people in positions and He is here today because it is the will and purpose of God for him. Mr. Governor, you are witnessing a great thing during your tenure and I pray that you will continue to experience good things. Secondly, I congratulate the Council, Senate, Staff and Students of Osun State University for being part of this great event. Being alive is a gift from God. Because you were there at the beginning does not mean you would have been here today. It is because God has shown you mercy and kept everyone alive to witness the day. I congratulate you that your efforts have not been in vain. You have laboured greatly over the past four years to make this day possible and God has blessed your efforts. I salute your courage, your doggedness, your commitment and your sacrifices. I am sure you have had to put in all of these at one time or the other during these past four years. The third set of people I am congratulating this morning and the people for whose purpose we are all here: the pioneer graduating students, and with them, their happy and delighted parents. -
A Comparative Study of Ivan the Fourth and Alaafin Sango of Oyo Empire
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied --------------------------------------------------------------------------------------------------------------------------- A Comparative Study of Ivan the Fourth and Alaafin Sango of Oyo Empire Abimbola Damilola Waliyullahi* Post graduate student university of ibadan ibadan, Nigeria Abstract The reign of Ivan the 4th and the legendary Sango, 3rd Alaafin is of great importance to the historical world, Sango, a powerful king in Yoruba Land, known as a king of thunder because he spat fire from his mouth whenever he was angry. He ruled powerfully and successfully. According to a myth however, it was a defeat in a magical contest that led Sango to leave Oyo and hung. On the other side, I shall take a critical and careful look at the Ivan the IV or Ivan the Terrible as fondly called, tsar of Russia from 1530-1584. When he held sway, he established a tradition of absolute rule; he was ruthless and merciless following childhood abuse and repression, Ivan destroyed his rivals and claimed the throne of Tsardom. He beat back the last of the Mongols, provided some large territorial expansion, and centralized the bureaucracy. Ivan’s blood thirsty character and sardonic personality made him infamous in history as being a lunatic ruler whom the people called "Terrible.” This article examines a Comparative Study of Ivan the Fourth (Russia) and the legendary Alaafin Sango (Nigeria) relying on historical theory as a tool. Key words: Empire; Territory; Russian, Tsars; Yoruba; Ruthless; Brutal; Nupe; Oya; Oprichniki; Osun; Oyo. ------------------------------------------------------------------------ * Corresponding author. 34 International Journal of Sciences: Basic and Applied Research (IJSBAR) (2016) Volume 27, No 2, pp 34-41 1. -
The Warrior and the State in Precolonial Africa Comparative Perspectives
The Warrior and the State in Precolonial Africa Comparative Perspectives G. N. UZOIGWE The University of Michigan, Ann Arbor, U.S.A. Introduction PREPARING this chapter was at once intimidating and challenging -in- timidating because I have no models to draw from; and challenging because it needed to be done. More significantly, it needed to be done by an Africanist historian. For the days, alas, are gone when such subjects were comfortably left to the nutty anthropologists while historians in their lonely and crusty arro- gance, exuded effortless superiority in dusty libraries and archives in a vain attempt to discover the &dquo;truth&dquo; about the past. &dquo;Hard history,&dquo; difficult enough as it is, is a much more straightforward and simpler affair than the &dquo;new history&dquo;. As our mentors were taught so did they teach us. The result is that most histori- ans of our generation are not properly equipped with the disciplines of anthro- pology and sociology as well as the other relevant social sciences which are crucial to African historical reconstruction. For a good Africanist, in whatever field, must be a jack-of-all-trades and master of one. The truth is perhaps that few of us are really master of anything at all - whatever we may claim. It is possible that I am really describing myself and no one else. Whatever is the case, I must begin this chapter with an apology relative to whatever weaknesses it may have. At a recent international conference on the military in Africa held in Accra, Ghana,’ a pet idea of mine received unsolicited support, namely, that a military interpretation of African history ought, at least, to be as rewarding as the economic or any other interpretation for that matter. -
Foreign Influence on Igbomina, C
FOREIGN INFLUENCE ON IGBOMINA, C. 1750-1900 By ABOYEJI, ADENIYI JUSTUS 97/15CA020 (B.A. (2001), M.A. (2006) HISTORY, UNILORIN) BEING A Ph.D THESIS SUBMITTED TO THE DEPARTMENT OF HISTORY AND INTERNATIONAL STUDIES, UNIVERSITY OF ILORIN, ILORIN, NIGERIA i FOREIGN INFLUENCE ON IGBOMINA, C. 1750-1900 By ABOYEJI, ADENIYI JUSTUS 97/15CA020 (B.A. (2001), M.A. (2006) HISTORY, UNILORIN) BEING A THESIS SUBMITTED TO THE POSTGRADUATE SCHOOL, UNIVERSITY OF ILORIN, ILORIN, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY DEPARTMENT OF HISTORY AND INTERNATIONAL STUDIES, UNIVERSITY OF ILORIN, ILORIN, NIGERIA © March, 2015 ii iii DEDICATION This thesis is dedicated to the custodian of all Wisdom, Knowledge, Understanding, Might, Counsel, Reverential Fear (Isaiah 11:2) and the Donor of the ‘pen of the ready-writer’ (Psalms 45:1), through our Lord and Saviour, JESUS CHRIST. iv ACKNOWLEDGEMENTS My indebtedness for accomplishing this study is undoubtedly, enormous. Contributions within the academic circles, family link and notable individuals/personages deserve due acknowledgement. This is because a man who beats up his doctor after he has been cured is incapable of being grateful. Nature‘s cruelty, to candour, is more bearable than man‘s ingratitude to man. Words are undoubtedly inadequate to quantify the roles of my supervisors, Dr. Kolawole David Aiyedun and Professor Samuel Ovuete Aghalino, to whom special accolades are exclusively reserved. In spite of their busy schedules as Head of Department, Senior Professor and in many other capacities, they never denied me the benefits of their supervisory acumen. -
Cultural Heritage Tourism Resources of the New Oyo
Omer Cooper J (1971) December 2010 Newsletter Cultural Heritage Resources of the New Oyo Empire, Southwestern Nigeria: Prospects for Sustainability By Titilayo O. Olukole* Abstract In this project I employed a multidisciplinary approach involving ethnographic and reconnaissance surveys to investigate, identify, and classify potential New Oyo empire sites as cultural heritage resources. The New Oyo empire was located in southwestern Nigeria about 130 km south of the Old Oyo, and 55 km north of Ibadan. Following the decline of the Old Oyo empire in 1837 the New Oyo developed and shared similarities with facets of the Old Oyo. Yet, the New Oyo empire was distinct from its predecessor as a result of environmental changes, relocation, and shifts in urbanization. My work here reveals that a number of the cultural heritage resources of Yoruba-speaking people and the New Oyo empire have not been investigated or otherwise suffer neglect. This study therefore identifies and classifies a number of cultural heritage resources of the New Oyo with a desire of showcasing such sites as important heritage resources within Nigeria. These cultural heritage resources can play important roles in our current engagement with the history of Nigeria as impacted by the trans-Atlantic slave trade over several centuries. Introduction Public engagement and interpretation of cultural heritage resources in West Africa have become important elements in a fast-growing sector of international commemoration and tourism focused on areas impacted by the trans-Atlantic slave trade (Dallen and Gyan, 2009). The United Nations Educational, Scientific and Cultural Organization (UNESCO) established the “Slave Route Project” in 1993 to promote increased understanding of the impacts, causes, and effects of slavery’s destructive legacies over time (UNESCO, 1993). -
The Ife-Modakeke Crisis
HOPE BETRAYED? A Report on Impunity and State-Sponsored Violence in Nigeria KADUNA PLATEAU OSUN BENUE ANA- MBRA CROSS RIVER BAYELSA First published in 2002 by: World Organisation Against Torture (OMCT) P. O. Box 21-8, rue du Vieux Billard ch-1211 Geneva 8, Switzerland Tel: + 41 22 8094939 Fax: + 41 22 8094929 E-mail: [email protected] Web site: http://www.omct.org And Centre for Law Enforcement Education (CLEEN) 1 Afolabi Aina Street, Off Allen Avenue Ikeja, Lagos, Nigeria Tel: 234-1-4933195 Fax: 234-1-4935338 E-mail: [email protected] Web site: www.kabissa.org/cleen COORDINATION Eric Sottas, Director, World Organisation Against Torture Innocent Chukwuma, Executive Director, Centre for Law Enforcement Education Anne-Laurence Lacroix, Deputy Director, World Organisation Against Torture Chidi Anselm Odinkalu, Expert-Consultant ISBN: 2-88477-023-2 Imp. Abrax F-21300 Chenôve © All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, photocopying, mechanical, recording or otherwise, without the prior approval of the copyright owners. HOPE BETRAYED? A Report on Impunity and State-Sponsored Violence in Nigeria KADUNA PLATEAU OSUN BENUE ANA- MBRA CROSS RIVER BAYELSA Acknowledgments The World Organisation Against Torture (OMCT) and the Centre for Law Enforcement Education (CLEEN) are grateful to several groups and individuals for their assistance and contributions in the publication of this book. We thank the European Union for their support in the research and publication of this book. We equally express our thanks to the participants at the October 2001 workshop in Ota, Ogun State on the use of international human rights mechanisms, whose craving for investigation of ethno-religious crises, state- sponsored violence and impunity led to the publication of this work. -
Theatrical Visual Languages in Duro Ladipo's Three Yoruba Plays
1 CHAPTER ONE THE ORIGINS OF DURO LADIPO’S THEATRE Introduction There is no doubt that traditional Yoruba travelling theatre occupies a significant position in the sociocultural, political and religious milieu of the Yoruba people. This is because in most cases their ways of life, their world views and their being as a whole are commonly expressed through performance. This work seeks to investigate an aspect of Yoruba traditional theatre; this being the theatrical visual languages in the plays of Duro Ladipo - one of the most prominent of the 20th century Yoruba playwrights and actors. The need to embark on this work is motivated by the need to bring to light the intrinsic values contained in the visual theatrics of Duro Ladipo’s three Yoruba plays, namely Oba Koso,1 Oba Waja2 and Oba Moro3. The visual component of his plays takes one on a journey into understanding the aesthetics and expressions found in all aspects of Yoruba culture. It also explores the social, political and spiritual dynamics of Yoruba from an historical context and provides an extraordinary link into the life history of the avatars of Yoruba cosmology. The Eegun Alare (Alarinjo)4 theatre which is directly responsible for the birth of the Yoruba professional theatre, came out of the re-enactment of Yoruba legendary stories 1 Oba Koso means ‘the king did not hang’ in the Yoruba language, a term which refers to Sango, the legendary fourth king of Oyo and the Yoruba god of thunder and lightning. 2 Oba Waja is a term used for describing a deceased king in Yorubaland.