The Lost Tribes of Israel”
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A Re-Assessment of Government and Political Institutions of Old Oyo Empire
QUAESTUS MULTIDISCIPLINARY RESEARCH JOURNAL A RE-ASSESSMENT OF GOVERNMENT AND POLITICAL INSTITUTIONS OF OLD OYO EMPIRE Oluwaseun Samuel OSADOLA, Oluwafunke Adeola ADELEYE Abstract: Oyo Empire was the most politically organized entity founded by the Yoruba speaking people in present-day Nigeria. The empire was well organized, influential and powerful. At a time it controlled the politics and commerce of the area known today as Southwestern Nigeria. It, however, serves as a paradigm for other sub-ethnic groups of Yoruba derivation which were directly or indirectly influenced by the Empire before the coming of the white man. To however understand the basis for the political structure of the current Yorubaland, there is the need to examine the foundational structure from which they all took after the old Oyo Empire. This paper examines the various political structures that made up government and governance in the Yoruba nation under the political control of the old Oyo Empire before the coming of the Europeans and the establishment of colonial administration in the 1900s. It derives its data from both primary and secondary sources with a detailed contextual analysis. Keywords: Old Oyo Empire INTRODUCTION Pre-colonial systems in Nigeria witnessed a lot of alterations at the advent of the British colonial masters. Several traditional rulers tried to protect and preserve the political organisation of their kingdoms or empires but later gave up after much pressure and the threat from the colonial masters. Colonialism had a significant impact on every pre- colonial system in Nigeria, even until today.1 The entire Yoruba country has never been thoroughly organized into one complete government in a modern sense. -
AXÉ, ORIXÁ, XIRÊ E MÚSICA: Estudo De Música E Performance No Candomblé Queto Na Baixada Santista
Jorge Luiz Ribeiro de Vasconcelos AXÉ, ORIXÁ, XIRÊ E MÚSICA: Estudo de música e performance no candomblé queto na Baixada Santista Tese apresentada ao Instituto de Artes, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Música. Orientador: Prof. Dr. José Roberto Zan . Campinas, 2010 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO INSTITUTO DE ARTES DA UNICAMP Vasconcelos, Jorge Luiz Ribeiro de. V441a Axé, orixá, xirê e música: estudo de música e performance no candomblé queto na Baixada Santista. / Jorge Luiz Ribeiro de Vasconcelos. – Campinas, SP: [s.n.], 2010. Orientador: Prof. Dr. José Roberto Zan. Tese(doutorado) - Universidade Estadual de Campinas, Instituto de Artes. 1. Candomblé. 2. Música afro-brasileira. 3. Religiões afro- brasileiras. 4. Música e religião. 5. Etnomusicologia. I. Zan, José Roberto. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. (em/ia) Título em inglês: “Axé, orixá, xirê and music: a study of music and performance in Candomblé Queto.” Palavras-chave em inglês (Keywords): Candomblé ; afro-brazilian music ; afro-brazilian religions ; music and religion ; ethnomusicology. Titulação: Doutor em Música. Banca examinadora: Prof. Dr. José Roberto Zan. Prof. Dr. Ângelo Nonato Natale Cardoso. Prof. Dr. Vagner Gonçalves da Silva. Prof. Dr. Fernando Augusto de Almeida Hashimoto. Prof. Dr. Antônio Rafael Carvalho dos Santos. Prof. Dr. Alberto Tsuyoshi Ikeda. Prof. Dr. Eduardo Vicente. Prof. Dr. Claudiney Rodrigues Carrasco. Data da Defesa: 30-03-2010 Programa de Pós-Graduação: Música. iv v Aos pais e mães, Julião Vasconcelos (em memória) e Helena Ribeiro de Vasconcelos; Marcos D'Ogun e Sandra D'Eloyá. vii AGRADECIMENTOS Agradeço: Primeiramente ao meu orientador Prof. -
Preservation of the Canaanite Creation Culture in Ife1
Preservation of the Canaanite Creation Culture in Ife1 Dierk Lange For Africanists, the idea that cultures from the ancient Near East have influenced African societies in the past in such a way that their basic fea- tures are still recognizable in the present suggests stagnation and regres- sion. Further, they associate the supposed spread of cultural patterns with wild speculations on diffusion: How can Canaan, which is often con- sidered to be the culture of the Near East which preceeded Israel, have had any influence on Africa? They overlook the fact that the Phoenicians were none other than the Canaanites and that as a result of their expan- sion the Canaanite culture stretched to North Africa and to the coast of the Atlantic. In the North African hinterland it reached at least as far as the Fezzan, the most important group of oases in the Central Sahara.2 Scholars of Africa pay insufficient attention to the fact that the central Sahara, similarly to the Mediterranean, with its infertile yet easily cross- able plains and its often high ground water level, was more a benefit to communication than a hindrance.3 Finally, they misjudge the significance of the diffusion process worldwide, which has been emphasized by world historians like McNeill4: If Europe and Asia owe essential developmental impulses to ancient near eastern influences, why should not Africa as well? My current project, however, is not an attempt to show the integration of African peoples into ancient world history, but rather to explore the ne- 1 The following study owes its main thrust to discussions with my friend and colleague Prof. -
AFN 121 Yoruba Tradition and Culture
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Borough of Manhattan Community College 2021 AFN 121 Yoruba Tradition and Culture Remi Alapo CUNY Borough of Manhattan Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bm_oers/29 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Presented as part of the discussion on West Africa about the instructor’s Heritage in the AFN 121 course History of African Civilizations on April 20, 2021. Yoruba Tradition and Culture Prof. Remi Alapo Department of Ethnic and Race Studies Borough of Manhattan Community College [BMCC]. Questions / Comments: [email protected] AFN 121 - History of African Civilizations (Same as HIS 121) Description This course examines African "civilizations" from early antiquity to the decline of the West African Empire of Songhay. Through readings, lectures, discussions and videos, students will be introduced to the major themes and patterns that characterize the various African settlements, states, and empires of antiquity to the close of the seventeenth century. The course explores the wide range of social and cultural as well as technological and economic change in Africa, and interweaves African agricultural, social, political, cultural, technological, and economic history in relation to developments in the rest of the world, in addition to analyzing factors that influenced daily life such as the lens of ecology, food production, disease, social organization and relationships, culture and spiritual practice. -
The Influence of the Kingship Institution on Olojo Festival in Ile-Ife: a Case Study of the Late Ooni Adesoji Aderemi
The Influence of the Kingship Institution on Olojo Festival in Ile-Ife: A Case Study of the Late Ooni Adesoji Aderemi by Akinyemi Yetunde Blessing [email protected] Institute of African Studies, University of Ibadan, Oyo state, Nigeria Abstract In this paper an attempt is made to examine the mythic narratives and ritual performances in olojo festival and to discuss the traditional involvement of the Ooni of Ife during the festivals, making reference to the late Ọợni Adesoji Adėrėmí. This paper also investigates the implication of local, national and international politics on the traditional festival in Ile-Ife. The importance of the study arrives as a result of the significance of the Ile-Ife amidst the Yoruba towns. More so, festivals have cultural significance that makes some unique turning point in the history of most Yoruba society. Ǫlợjợ festival serves as the worship of deities and a bridge between the society and the spiritual world. It is also a day to celebrate the re-enactment of time. Ǫlợjợ festival demands the full participation of the reigning Ọợni of Ife. The result of the field investigation revealed that the myth of Ǫlợjợ festival remains, but several changes have crept into the ritual process and performances during the reign of the late Adesoji Adėrėmí. The changes vary from the ritual time, space, actions and amidst the ritual specialists. It is found out that some factors which influence these changes include religious contestation, ritual modernization, economics and political change not at the neglect of the king’s involvement in the local, national and international politics which has given space for questioning the Yoruba kingship institution. -
Title the Minority Question in Ife Politics, 1946‒2014 Author(S
Title The Minority Question in Ife Politics, 1946‒2014 ADESOJI, Abimbola O.; HASSAN, Taofeek O.; Author(s) AROGUNDADE, Nurudeen O. Citation African Study Monographs (2017), 38(3): 147-171 Issue Date 2017-09 URL https://doi.org/10.14989/227071 Right Type Journal Article Textversion publisher Kyoto University African Study Monographs, 38 (3): 147–171, September 2017 147 THE MINORITY QUESTION IN IFE POLITICS, 1946–2014 Abimbola O. ADESOJI, Taofeek O. HASSAN, Nurudeen O. AROGUNDADE Department of History, Obafemi Awolowo University ABSTRACT The minority problem has been a major issue of interest at both the micro and national levels. Aside from the acclaimed Yoruba homogeneity and the notion of Ile-Ife as the cradle of Yoruba civilization, relationships between Ife indigenes and other communities in Ife Division (now in Osun State, Nigeria) have generated issues due to, and influenced by, politi- cal representation. Where allegations of marginalization have not been leveled, accommoda- tion has been based on extraneous considerations, similar to the ways in which outright exclu- sion and/or extermination have been put forward. Not only have suspicion, feelings of outright rejection, and subtle antagonism characterized majority–minority relations in Ife Division/ Administrative Zone, they have also produced political-cum-administrative and territorial ad- justments. As a microcosm of the Nigerian state, whose major challenge since attaining politi- cal independence has been the harmonization of interests among the various ethnic groups in the country, the Ife situation presents a peculiar example of the myths and realities of majority domination and minority resistance/response, or even a supposed minority attempt at domina- tion. -
Black Music of All Colors
SÉRIE ANTROPOLOGIA 145 BLACK MUSIC OF ALL COLORS. THE CONSTRUCTION OF BLACK ETHNICITY IN RITUAL AND POPULAR GENRES OF AFRO-BRAZILIAN MUSIC José Jorge de Carvalho Brasília 1993 Black Music of all colors. The construction of Black ethnicity in ritual and popular genres of Afro-Brazilian Music. José Jorge de Carvalho University of Brasília The aim of this essay is to present an overview of the charter of Afro-Brazilian identities, emphasizing their correlations with the main Afro-derived musical styles practised today in the country. Given the general scope of the work, I have chosen to sum up this complex mass of data in a few historical models. I am interested, above all, in establishing a contrast between the traditional models of identity of the Brazilian Black population and their musics with recent attempts, carried out by the various Black Movements, and expressed by popular, commercial musicians who formulate protests against that historical condition of poverty and unjustice, forging a new image of Afro- Brazilians, more explicit, both in political and in ideological terms. To focus such a vast ethnographic issue, I shall analyse the way these competing models of identity are shaped by the different song genres and singing styles used by Afro-Brazilians running through four centuries of social and cultural experience. In this connection, this study is also an attempt to explore theoretically the more abstract problems of understanding the efficacy of songs; in other words, how in mythopoetics, meaning and content are revealed in aesthetic symbolic structures which are able to mingle so powerfully verbal with non-verbal modes of communication. -
El Concepto De Vida Y Muerte En La Religión Yoruba
El concepto de vida y muerte en la religión yoruba Leonel Gámez Céspedes Sociedad Yoruba de México, A. C. os conceptos de vida y muerte para las personas que no comprenden nues- tra religión, y aun para muchos practicantes de la misma, son confusos y L llenos de lo que un lector casual llamaría “ambigüedades”. Sin embargo, en la mentalidad yoruba cada uno de los procesos de nuestra vida y nuestra muerte lleva pasos a recorrer, pues el concepto de ambas es equivalente al de hacer un via- je. De hecho, en nuestra religión todas las consagraciones que recibimos llevan lo que se denomina un itán, o sea un “camino” en su traducción al español. Esta sen- da a seguir que se nos traza nos llevará a la culminación de nuestras vidas con éxi- tos, prosperidad y sobre todo una larga existencia y una buena muerte. Muchos de los conceptos yoruba que veremos serán familiares a personas que conozcan algo de mitología griega. Como veremos, la muerte no está excluida y es parte del camino que debemos recorrer. Cada fase de nuestra muerte es precedida por alguna deidad o entidad que tiene una función en este proceso que nos toca pasar. En esta fase veremos que pasamos a ser un alma al morir y cómo después podemos pasar a ser un “ancestro venerado”. De hecho, si nuestra vida ha sido muy ejemplar, al morir podemos llegar a ser un egungun (ancestro venerado) o un orisha familiar o comunitario. En nuestra religión el concepto se recoge en la frase popular Ikú lobi ocha: “El muerto pare al santo”. -
A Comparative Study of Ivan the Fourth and Alaafin Sango of Oyo Empire
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied --------------------------------------------------------------------------------------------------------------------------- A Comparative Study of Ivan the Fourth and Alaafin Sango of Oyo Empire Abimbola Damilola Waliyullahi* Post graduate student university of ibadan ibadan, Nigeria Abstract The reign of Ivan the 4th and the legendary Sango, 3rd Alaafin is of great importance to the historical world, Sango, a powerful king in Yoruba Land, known as a king of thunder because he spat fire from his mouth whenever he was angry. He ruled powerfully and successfully. According to a myth however, it was a defeat in a magical contest that led Sango to leave Oyo and hung. On the other side, I shall take a critical and careful look at the Ivan the IV or Ivan the Terrible as fondly called, tsar of Russia from 1530-1584. When he held sway, he established a tradition of absolute rule; he was ruthless and merciless following childhood abuse and repression, Ivan destroyed his rivals and claimed the throne of Tsardom. He beat back the last of the Mongols, provided some large territorial expansion, and centralized the bureaucracy. Ivan’s blood thirsty character and sardonic personality made him infamous in history as being a lunatic ruler whom the people called "Terrible.” This article examines a Comparative Study of Ivan the Fourth (Russia) and the legendary Alaafin Sango (Nigeria) relying on historical theory as a tool. Key words: Empire; Territory; Russian, Tsars; Yoruba; Ruthless; Brutal; Nupe; Oya; Oprichniki; Osun; Oyo. ------------------------------------------------------------------------ * Corresponding author. 34 International Journal of Sciences: Basic and Applied Research (IJSBAR) (2016) Volume 27, No 2, pp 34-41 1. -
The Warrior and the State in Precolonial Africa Comparative Perspectives
The Warrior and the State in Precolonial Africa Comparative Perspectives G. N. UZOIGWE The University of Michigan, Ann Arbor, U.S.A. Introduction PREPARING this chapter was at once intimidating and challenging -in- timidating because I have no models to draw from; and challenging because it needed to be done. More significantly, it needed to be done by an Africanist historian. For the days, alas, are gone when such subjects were comfortably left to the nutty anthropologists while historians in their lonely and crusty arro- gance, exuded effortless superiority in dusty libraries and archives in a vain attempt to discover the &dquo;truth&dquo; about the past. &dquo;Hard history,&dquo; difficult enough as it is, is a much more straightforward and simpler affair than the &dquo;new history&dquo;. As our mentors were taught so did they teach us. The result is that most histori- ans of our generation are not properly equipped with the disciplines of anthro- pology and sociology as well as the other relevant social sciences which are crucial to African historical reconstruction. For a good Africanist, in whatever field, must be a jack-of-all-trades and master of one. The truth is perhaps that few of us are really master of anything at all - whatever we may claim. It is possible that I am really describing myself and no one else. Whatever is the case, I must begin this chapter with an apology relative to whatever weaknesses it may have. At a recent international conference on the military in Africa held in Accra, Ghana,’ a pet idea of mine received unsolicited support, namely, that a military interpretation of African history ought, at least, to be as rewarding as the economic or any other interpretation for that matter. -
Foreign Influence on Igbomina, C
FOREIGN INFLUENCE ON IGBOMINA, C. 1750-1900 By ABOYEJI, ADENIYI JUSTUS 97/15CA020 (B.A. (2001), M.A. (2006) HISTORY, UNILORIN) BEING A Ph.D THESIS SUBMITTED TO THE DEPARTMENT OF HISTORY AND INTERNATIONAL STUDIES, UNIVERSITY OF ILORIN, ILORIN, NIGERIA i FOREIGN INFLUENCE ON IGBOMINA, C. 1750-1900 By ABOYEJI, ADENIYI JUSTUS 97/15CA020 (B.A. (2001), M.A. (2006) HISTORY, UNILORIN) BEING A THESIS SUBMITTED TO THE POSTGRADUATE SCHOOL, UNIVERSITY OF ILORIN, ILORIN, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY DEPARTMENT OF HISTORY AND INTERNATIONAL STUDIES, UNIVERSITY OF ILORIN, ILORIN, NIGERIA © March, 2015 ii iii DEDICATION This thesis is dedicated to the custodian of all Wisdom, Knowledge, Understanding, Might, Counsel, Reverential Fear (Isaiah 11:2) and the Donor of the ‘pen of the ready-writer’ (Psalms 45:1), through our Lord and Saviour, JESUS CHRIST. iv ACKNOWLEDGEMENTS My indebtedness for accomplishing this study is undoubtedly, enormous. Contributions within the academic circles, family link and notable individuals/personages deserve due acknowledgement. This is because a man who beats up his doctor after he has been cured is incapable of being grateful. Nature‘s cruelty, to candour, is more bearable than man‘s ingratitude to man. Words are undoubtedly inadequate to quantify the roles of my supervisors, Dr. Kolawole David Aiyedun and Professor Samuel Ovuete Aghalino, to whom special accolades are exclusively reserved. In spite of their busy schedules as Head of Department, Senior Professor and in many other capacities, they never denied me the benefits of their supervisory acumen. -
"Atotô Obalua Yê Ajuberu"
SAMUEL ABRANTES "ATOTÔ OBALUAYÊ AJUBERU" UM OLHAR SEMIOLÓGICO SOBRE A INDUMENTÁRIA DE OBALUAYÊ. DISSERTAÇÃO DE MESTRADO EM HISTÓRIA DA ARTE . ORIENTADOR: PROF. Dr. FREDERICO AUGUSTO L. DE GÓES . UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE LETRAS E ARTES ESCOLA DE BELAS ARTES RIO DE JANEIRO 1996 ABRANTES, Samuel Sampaio ATOTÔ, Obaluayê Ajuberu. Um olhar semiológico sobre a indumentária de Obaluayê Rio de Janeiro, UFRJ, EBA, 1996. IX, (222 F) Dissertação: Mestrado em História da Arte (Antropologia da Arte) 1 - A arte de vestir o santo 2 - Os signos contidos na Indumentária do Orixá Obaluayê 3 - Cantigas para Obaluayê 4 - A tradição do Candomblé de Ketu na Bahia e no Rio de Janeiro. 1 - Universidade Federal do Rio de Janeiro Orientador: Prof. Dr. Frederico Augusto L. de Góes li - Título III Samuel Sampaio Abrantes ATOTÔ OBALUAYÊ AJUBERU Um olhar semiológico sobre a indumentária de Obaluayê Dissertação submetida à Banca Examinadora da Escola de Belas Artes da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do Grau do Mestre. Universidade Federal rof8. Dr8 Liana Silveira Universidade Federal do Rio de Janeiro j�ProfB.Dr8��AJ�Virginia de Almeida· {U!_ Universidade Federal de Santa Catarina Rio de Janeiro 1996 IV Ao meu pai V AGRADECIMENTOS - Ao Prof. Frederico Augusto L. de Góes, o estímulo primeiro, a orientação e a liberdade de pesquisa; - A Prof& Liana Silveira, o exemplo e a iniciação do olhar Antropológico sobre a cultura afro-brasileira; - A Prof& Teresa Virgínia de Almeida, o apoio de todas as horas e a capacidade de vislumbrar a temporalidade do tema e da pesquisa; - Ao Corpo Docente do Mestrado da UFRJ, em especial às professoras Helenise Guimarães, Sonia Gomes Pereira, Ana Maria Alencar e ao Prof.