Intermus Sept 4/10/01.4

Total Page:16

File Type:pdf, Size:1020Kb

Intermus Sept 4/10/01.4 Marin Alsop appointed Principal Conductor of Bournemouth Symphony In a move which has generated huge News media interest, the Bournemouth Intermusica Symphony Orchestra have announced News their appointment of MARIN ALSOP as their new Principal Conductor, Issue No.8 effective from the 2002/3 season. October 2001 The first woman ever to be appointed to head a UK she makes her debut with the Chicago Symphony orchestra, Alsop’s contract runs for an initial period of 4 Orchestra at the Ravinia Festival; this Autumn she years. She will conduct 12 weeks per season, to include returns to Dallas, Detroit, National Symphony in concerts in the south and south west of England, Washington and New World Symphony in Florida, as PASSIONATE national and international tours and recordings. She well as to Indianapolis, Baltimore and to the Minnesota returns to the Bournemouth Symphony for two weeks Orchestra later in the season. She also conducts the ABOUT MUSIC, this season as Principal Conductor Designate, for New Japan Philharmonic in Tokyo - her first visit to programmes including Hindemith, Stravinsky and Japan since touring with Leonard Bernstein shortly INSPIRED BY Bartók. She was recently nominated for a Brit Award before he died. Her European guesting schedule is also for the first in her best-selling Barber symphonic cycle extensive: Hamburg Philharmonic, Komische Oper CREATIVITY, for Naxos with the Royal Scottish National Orchestra Berlin, Dutch Radio, Helsinki Philharmonic, and concerts (of which she remains Principal Guest until the in London with the BBC Symphony, the London COMMITTED TO commencement of her Bournemouth contract), and will Philharmonic at the Royal Festival Hall, and with the continue to record in her new position in London Symphony at the Barbican in a special Walton PARTNERSHIP Bournemouth. Centenary Concert. Marin Alsop continues to be in great demand for guest www.intermusica.co.uk/alsop.html conducting engagements. Next Summer Intermusica EXCLUSIVE TOURING AGREEMENT WITH ROTTERDAM PHILHARMONIC One of Europe's leading Gergiev which visits London’s orchestras, the Rotterdam Barbican Centre, the Vienna Philharmonic Orchestra, has Konzerthaus, Toulouse and joined Intermusica as Antwerp. Future plans include exclusive worldwide touring a return visit to the Proms, partners. The first fruit of this Spanish festivals, Rome and relationship is a short North America including a European tour at the end of major concert at October with the Orchestra's Carnegie Hall. Principal Conductor Valery www.intermusica.co.uk/tours.html NEW SIGNINGS . NEW SIGNINGS . NEW SIGNINGS . NEW SIGNINGS . We are delighted to welcome two conductors to our roster: THIERRY FISCHER, the new Principal Conductor/ Artistic Advisor of the Ulster Orchestra, and SIMON HALSEY, the newly-appointed Chief Conductor of the Berlin Radio Choir and Chorus Director to the City of Birmingham Symphony Orchestra. More inside… Conductor Skrowaczewski completes Man Thierry Bruckner CD cycle Fischer joins from the Intermusica Marlboro The indefatigable Stanislaw Skrowaczewski recently completed a life-time Since our last issue we have taken ambition to record all 11 symphonies by Bruckner with the same orchestra. Country over world management of the Skrowaczewski is recognised as one of the great authorities on Bruckner, and his Swiss conductor Thierry Fischer, who interpretations can be heard on the Arte Nova label with the Saarlændischer Richard Goode spent his launched his first season as Principal Rundfunk Orchester where he is Principal Guest Conductor. Much critical praise summer at the Marlboro Music Festival, Conductor/ Artistic Advisor of the has been heaped on his illuminating interpretations, and a great deal of interest of which he is Co-Artistic Director with Ulster Orchestra on 28 September shown by several prestigious European publications in his life-long affinity with Mitsuko Uchida, before heading off to in the Waterfront Hall, Belfast, with a Bruckner. Deeply affected by hearing a recording of a Bruckner symphony as a Tanglewood where he performed programme including Mendelssohn young child, Skrowaczewski admits to becoming obsessed by the deep Mozart’s Piano Concerto K503 with Symphony no.2 “Lobgesang” and a psychological meaning he finds in Bruckner’s music. Bernard Haitink and the Boston new work by the talented young Symphony Orchestra.This season Of his Bruckner 9 recording, Gramophone Magazine said, “the enormous care local composer Deidre Gribbin. In Goode will make two major visits to Skrowaczewski has clearly taken over the preparation of the performance results in mid-October they take both works Europe, where his solo recitals will orchestral playing of a quality and articulacy which ensembles far more famous that on tour to New York (Harlem Town include London,Vienna, Berlin, the Saarbrücken RSO would be proud to own.” Beyond affirming that Hall), to form the centrepiece of a Amsterdam, Brussels and Lisbon. He “Skrowaczewski has things to tell us about this symphony which every Brucknarian major new festival “UK with NY”. will also perform Mozart piano ought to hear”, the BBC Music Magazine declares, “there’s something special about This will bring together in concert concertos with Ingo Metzmacher and Skrowaczewski’s performance.The phrasing is wonderful, not just in the long spans, and in educational work the the Hamburg Philharmonic Orchestra, but in the tiny expressive details – it can be gritty, even ascerbic, but there are times communities in Belfast and Harlem - a at the Halle Orchestra with Stanislaw when it speaks from somewhere very deep indeed” project whose significance will surely Skrowaczewski and with the be heightened by the recent tragic Beyond a busy conducting schedule which sees him appearing with major Gothenburg Symphony Orchestra and events. A tour to Prague and the ensembles on both sides of the Atlantic as well as annual trips to Japan to Mikko Franck, as well as a tour of major second recording in a French series conduct both the NHK Symphony and Yomiuri Nippon Symphony, German cities with the Academy of St for Hyperion Records complement Skrowaczewski continues to be an active and award-winning composer. Martin's and Sir Neville Marriner. an ongoing Mendelssohn cycle in the www.intermusica.co.uk/skrowaczewski.html www.intermusica.co.uk/goode.html Belfast subscription concerts. Forthcoming guest engagements include the Australian Chamber, Kanazawa Ensemble in Japan (who immediately re-invited him after his CHILINGIRIAN QUARTET – debut earlier this Summer), NDR Claus Peter Flor Hannover, Netherlands Radio UNUSUAL COLLABORATIONS Chamber, Hallé Orchestra, BBC on the move Symphony, BBC National Orchestra Following the huge success of their Milhaud Quartets nos 13 & 14 – of Wales, and 5 weeks with the collaboration with the vocal group separately, as individual works, and Since his recent Figaro at La Northern Sinfonia.The Classical and Anonymous 4 last season, the together, as an octet! Monnaie, Flor has appeared with the early Romantic repertoire is a Chilingirian tour Sweden and visit the Orchestre National du Capitole de particular strength of Fischer’s – a Bremen Musikfest again with The Quartet has also embarked upon Toulouse (where he will also a new project with percussionist Pedro legacy of his days as Principal Flute Anonymous 4 in an extraordinary conduct Figaro next season), hopped Carneiro, and took a fascinating of the Chamber Orchestra of programme which ranges from a over to Montreal for one of his Medieval mass through to the work programme of works by Europe. However he is also greatly regular appearances with the written specially for the octet by John contemporary Portuguese composers in demand for his interpretations of Montreal Symphony, and made contemporary scores and major Tavener and premiered last season at to the Coimbra Festival in Portugal this several appearances with the NDR works of the 20th century; he had the South Bank Centre Tavener festival, Summer.They collaborate again in rave reviews for his appearance in The Bridegroom. November at the newly-opened Symphony in Hamburg, Bucharest Berlin last year with Ensemble OCEAN venue in London, as part of a and Mecklenburg-Vorpommern. His Modern, and will conduct at the Just prior to this the Quartet joined celebration of Portuguese music, also regular visits to Holland included the Ultima Festival of contemporary forces with the Brodsky Quartet at the featuring stars from the jazz and rock Dutch Radio Philharmonic, music in Oslo for the first time this Beethovenfest Bonn to play fields. Rotterdam Philharmonic and a year. www.intermusica.co.uk/chilingirian.html return to the Royal Concertgebouw www.intermusica.co.uk/fischer.html Orchestra for a programme featuring Brahms 3.This Autumn he Varga debuts in US spends several weeks in Spain and Conductor Gilbert Varga is beginning his both the Minnesota Orchestra and St Italy, including Genova and Trieste, 4th season as Music Director of the Paul Chamber Orchestra in the US. returns to Dallas where he is Euskadi Symphony Orchestra (Basque Principal Guest Conductor for the National Orchestra) in San Sebastian. Varga is renowned for his superb Szymanowski Stabat Mater and Varga shares the post with co-Music technique and beautifully crafted and Director Christian Mandeal. Each season eclectic programming, no doubt shaped Mozart Requiem, and conducts Varga continues to find himself much in by his periods of study with Franco Beethoven 9 at the Vienna demand in both Europe and North Ferrara,
Recommended publications
  • Britten Spring Symphony Welcome Ode • Psalm 150
    BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School
    [Show full text]
  • Download Booklet
    Matthias Bamert HALLOWEEN CLASSICS COMPACT DISC ONE Sortilege and Spook Modest Petrovich Mussorgsky (1839 – 1881) 1 A Night on the Bare Mountain 10:15 Arranged by Leopold Stokowski (1882 – 1977) BBC Philharmonic Matthias Bamert Recording venue: Studio 7, New Broadcasting House, Manchester Recording date: June 1995 Sound engineer: Don Hartridge (CHAN 9445 – track 1) 3 Paul Dukas (1865 – 1935) 2 L’Apprenti sorcier 11:32 Symphonic Scherzo after Goethe Ulster Orchestra Yan Pascal Tortelier Recording venue: Ulster Hall, Belfast Recording date: 1989 Sound engineer: Ralph Couzens (CHAN 8852 – track 3) Igor Stravinsky (1882 – 1971) 3 Introduction – 3:16 4 Le Jardin enchanté de Kastchei 2:24 Two movements from L’Oiseau de feu Danish National Radio Symphony Orchestra Dmitri Kitajenko Recording venue: Danish Radio Concert Hall, Copenhagen, Denmark Recording date: January 1991 Sound engineer: Lars S. Christensen (CHAN 8967 – tracks 2 and 3) 4 Courtesy of Iceland Symphony Orchestra Yan Pascal Tortelier Marco Borggreve Vassily Sinaisky Camille Saint-Saëns (1835 – 1921) 5 Danse macabre, Op. 40 6:38 Poème symphonique Royal Scottish National Orchestra Neeme Järvi Recording venue: Royal Concert Hall, Glasgow Recording date: September 2011 Sound engineer: Ralph Couzens (CHSA 5104 – track 4) Anatol Konstantinovich Lyadov (1855 – 1914) 6 The Enchanted Lake, Op. 62 7:40 Fairy-tale Picture BBC Philharmonic Vassily Sinaisky Recording venue: Studio 7, New Broadcasting House, Manchester Recording date: April 2000 Sound engineer: Stephen Rinker (CHAN 9911 – track 4) 7 Sergey Sergeyevich Prokofiev (1891 – 1953) 7 The Ghost of Hamlet’s Father 3:21 No. 1 from incidental music to Hamlet, Op. 77 Russian State Symphony Orchestra Valeri Polyansky Recording venue: Grand Hall, Moscow Conservatory, Russia Recording date: April 2002 Sound engineer: Igor Verprintsev (CHAN 10056 – track 3) Sir Malcolm Arnold (1921 – 2006) 8 Tam o’ Shanter, Op.
    [Show full text]
  • Programme Information
    Programme information Saturday 18th April to Friday 24th April 2020 WEEK 17 THE FULL WORKS CONCERT: CELEBRATING HER MAJESTY THE QUEEN’S BIRTHDAY Tuesday 21st April, 8pm to 10pm Jane Jones honours a very special birthday, as Queen Elizabeth II turns 94 years old. We hear from several different Masters of the Queen’s (or King’s) Music, from William Boyce who presided during the reign of King George II, to Judith Weir who was appointed the very first female Master of the Queen’s Music in 2014. The Central Band of the Royal Air Force also plays Nigel Hess’ Lochnagar Suite, inspired by Prince Charles’ book The Old Man of Lochnagar. Her Majesty has also supported classical music throughout her inauguration of The Queen’s Music Medal which is presented annually to an “outstanding individual or group of musicians who have had a major influence on the musical life of the nation”. Tonight, we hear from the 2016 recipient, Nicola Benedetti, who plays Vaughan Williams’ The Lark Ascending. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 17 SATURDAY 18TH APRIL 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Over Easter weekend, the new Classic FM Hall of Fame was revealed and this afternoon, Moira Stuart begins her first Hall of Fame Concert since the countdown with the snowy mountains in Sibelius’ Finlandia, which fell to its lowest ever position this year, before a whimsically spooky dance by Saint-Saens.
    [Show full text]
  • Walton - a List of Works & Discography
    SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
    [Show full text]
  • Download the Concert Programme (PDF)
    London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Swr2 Programm Kw 2
    SWR2 PROGRAMM - Seite 1 - KW 2 / 07. - 13.01.2019 5.00 Nachrichten, Wetter Strahlung, die am Boden ankommt, Montag, 07. Januar arrangiert – sie scheint sogar einen 5.03 ARD-Nachtkonzert Beitrag zur Evolution zu leisten. Aber 0.05 ARD-Nachtkonzert Georges Bizet: wie erlangt die kosmische Strahlung Aram Chatschaturjan: „Carmen“, Suite Nr. 1 ihre enorme Energie, was hat sie mit Klavierkonzert Des-Dur Orchestre symphonique de Montréal der Bildung von Wolken zu tun, und Nareh Arghamanyan (Klavier) Leitung: Charles Dutoit wie kommt es, dass sie MDR Sinfonieorchester Moritz Hauptmann: Krebserkrankungen einerseits Leitung: Alain Altinoglu Sonatine F-Dur op. 10 Nr. 3 verursacht, aber zugleich bei ihrer Jan Dismas Zelenka: Andreas Hartmann (Violine) Behandlung hilft? Te Deum à due cori ZWV 146 Rolf-Dieter Arens (Klavier) Heike Hallaschka, Martina Lins-Reuber Alexander Glasunow: 8.58 SWR2 Programmtipps (Sopran) Konzertwalzer D-Dur op. 47 Patrick van Goethem (Countertenor) Beethoven Orchester Bonn 9.00 Nachrichten, Wetter Marcus Ullmann (Tenor) Leitung: Stefan Blunier Jochen Kupfer (Bass) Carl Philipp Emanuel Bach: 9.05 SWR2 Musikstunde Dresdner Kammerchor an der Sinfonie A-Dur Wq 182 Nr. 4 Die freie Radikale: Ihre Majestät, Hochschule für Musik Carl Maria von Kammerorchester Carl Philipp Christina von Schweden (1) Weber Emanuel Bach Mit Sylvia Roth Dresdner Barockorchester Leitung: Hartmut Haenchen Leitung: Hans-Christoph Rademann Enrique Granados: Europäische Friedensfürstin oder Antonín Dvorák: „Valses Poéticos“ op. 10 machtgierige Exzentrikerin? Die Slawische Rhapsodie As-Dur op. 45 Benjamin Grosvenor (Klavier) Meinungen über Christina von Nr. 3 Christoph Graupner: Schweden, Stockholmer Königin des Staatskapelle Dresden Flötenkonzert h-Moll GWV 219 17. Jahrhunderts, sind mehr als Leitung: Paavo Berglund Ars Musica Zürich ambivalent.
    [Show full text]
  • Mo 29. Januar 2018 20.30 Uhr | Philharmonie —–– Die Künstler
    Casual ConCert INGO METZMACHER Im Anschluss Casual Concert Lounge Mo 29. Januar 2018 20.30 Uhr | Philharmonie —–– Die Künstler INGO METZMACHER dJ UNd LIVE ACT IN dER CAsUAL CONCERT LOUNGE begann seine Laufbahn beim Ensemble Modern und an der Brüsseler Oper. Von 1997 bis 2005 war er Generalmusikdirektor in Hamburg, da- JOHANN FANGER nach Chefdirigent an der Niederländischen Nationaloper, von 2007 bis ist Musiker, DJ, Produzent, Komponist und engagiertes Mitglied der 2010 Chefdirigent und Künstlerischer Leiter des DSO. In den letzten Berliner Elektronik- und Nightlife-Szene. Neben seinen weltweiten En- Jahren dirigierte er international beachtete Aufführungen von Musik- gagements als DJ und Live Act hat er in den letzten Jahren unter dem theaterwerken Luigi Nonos, Bernd Alois Zimmermanns, Harrison Birt- Pseudonym Johan Nikolai Musik für internationale Theater-, Tanz-, wistles und Wolfgang Rihms bei den Salzburger Festspielen. Zudem Film- und Fernsehproduktionen komponiert. Außerhalb seiner musikali- gab er zahlreiche Konzerte u. a. mit den Wiener und Berliner Philhar- schen Tätigkeiten ist er als Kurator für verschiedene Berliner Klubs und monikern, dem Chicago und BBC Symphony Orchestra, dem Orchestre Konzertstätten tätig, u. a. seit der Saison 2011|2012 für die Gestaltung de Paris, der Tschechischen Philharmonie, der New Japan Philharmonic der Casual Concert Lounge des Deutschen Symphonie- Orchesters Ber- und dem Russischen Nationalorchester. Seine Diskographie enthält lin mitverantwortlich und dort als DJ in Residence auf der Bühne aktiv. eine Gesamtaufnahme der Symphonien von Karl Amadeus Hartmann Er wirkte bei den DSO-Remix Wettbewerben ›INTO A NEW WORLD – mit den Bamberger Symphonikern, die Uraufführung von Hans Werner dvořák 24 loops‹ und ›Romantic Revolution – bruckner unlimited‹ als Henzes Neunter Sinfonie mit den Berliner Philharmonikern, Olivier künstlerischer Berater mit.
    [Show full text]
  • Magazin Musikfest Berlin 2012
    31.8 — 18.9 Magazin Musikfest Berlin 2012 VORWORT Vom 31. August bis 18. September startet das Berliner Konzertleben mit dem Musikfest Berlin in die neue Spielzeit 2012/13, veranstaltet von den Ber- liner Festspielen in Kooperation mit der Stiftung Berliner Philharmoniker. An 20 Tagen werden in der Phi l harmonie und deren Kammermusiksaal, im Großen Sendesaal des rbb, im Konzerthaus Berlin, in der Akademie der Künste, im Tempodrom, Kühlhaus Berlin und in der Heilig-Kreuz-Kirche 25 Veranstaltungen mit rund 80 Werken von 30 Komponisten präsentiert, aufgeführt von 24 Orchestern, Chören, Instrumental- und Vokalensembles und über 60 Solisten. 2012 ist nicht nur das Jahr der amerikanischen Präsident- schaftswahlen, sondern es jährt sich auch der Geburtstag des gro- ßen, vor zwanzig Jahren verstorbenen amerikanischen Komponis- ten John Cage zum hundertsten Mal. Cage wiederum huldigte 1976 – im Jahr des Bicentennial der Gründung der Vereinigten Staaten – seinem Heimatland mit einer orchestralen Komposition, die er Apartmenthouse 1776 nannte und Seiji Ozawa und dem Boston Sym- phony Orchestra, dem Chicago Symphony und Cleveland Orchest- ra, dem Los Angeles und New York Philharmonic und dem Phi- ladelphia Orchestra widmete. Mit der Widmung von Apartment- house 1776, das die religiösen und musikalischen Prägungen der Gründerjahre Nordamerikas – protestantische, sephardische, indi- anische und afroamerikanische Lieder – versammelt, wurde so die Feier der amerikanischen Gründerzeit zugleich zur Sache der gro- ßen Orchester erklärt. 1976, anlässlich der Bicentennial-Feiern erfolgte auch – in einer Produktion der Houston Grand Opera – erstmals die ungekürzte Aufführung von George Gershwins 1934/35 entstandener Oper Porgy and Bess. »Oh, we’re leavin’ for the Promise’ Lan’, Leavin’ for the Promise’ Lan’«, singt Bess in ihrem Spiritual am Ende des ersten Aktes, den Tod des von Crown erschlagenen Robbins betrauernd.
    [Show full text]
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Chandos Records
    CHAN 10265 Front.qxd 7/2/07 12:15 pm Page 1 CHANDOS CHAN 10265 CHAN 10265 BOOK.qxd 7/2/07 12:17 pm Page 2 Sir Lennox Berkeley (1903–1989) Piano Concerto, Op. 29* 25:05 in B flat major • in B-Dur • en si bémol majeur 1 I Allegro moderato – Cadenza – Allegretto – Tempo I 11:01 2 II Andante 8:16 © Camilla Panufnik 3 III Vivace (alla breve) 5:47 Michael Berkeley (b. 1948) premiere recording 4 Gethsemane Fragment 10:39 Sir Lennox Berkeley Four Poems of St Teresa of Ávila, Op. 27† 13:18 for Contralto and String Orchestra To John Greenidge 5 1 If, Lord, Thy love for me is strong. Moderato – Più vivo – Tempo I – Più vivo – Tempo I 4:23 6 2 Shepherd, shepherd, hark that calling! Allegro 2:14 7 3 Let mine eyes see Thee. Andante 3:58 8 4 Today a shepherd and our kin. Allegro moderato 2:41 Sir Lennox Berkeley 3 CHAN 10265 BOOK.qxd 7/2/07 12:17 pm Page 4 The Berkeley Edition, Volume 5 Michael Berkeley ‘Lennox adored the piano and was quite an The first of the three movements has a accomplished pianist’, Michael Berkeley wrote traditional sonata form outline, blurred by premiere recording in the preface to a collected edition of his Berkeley’s propensity for continuous organic 9 Tristessa‡ 22:00 father’s music for solo piano. Although development and dislike of literal for Cor Anglais, Viola and Orchestra Sir Lennox Berkeley could never be classed recapitulation. The first theme, a syncopated In memoriam Angela Carter with his friend Benjamin Britten as a rising and falling melody, is presented by the TT 71:14 composer-pianist, he certainly devised a woodwind at the start, repeated by the solo distinctive style of writing for the instrument, piano just after its dramatic first entry, and Catherine Wyn-Rogers contralto† and he was a competent enough performer to later briefly restated by the full orchestra.
    [Show full text]
  • Abbie Furmansky
    Abbie Furmansky American soprano Abbie Furmansky came to prominence while performing as an ensemble member at the Deutsche Oper Berlin, where she quickly established herself in the lyric repertoire. She is especially noted for her riveting stage presence, rich vocal timbre, musicality and expansive voice. She has worked with well-known conductors such as Kent Nagano, Ingo Metzmacher, Christopher Hogwood, John Nelson, Christian Thielemann and Edo de Waart. Throughout Europe and in the USA, she appeared with the German Symphony Orchestra, the Bavarian Radio Symphony Orchestra, the Berlin Radio Orchestra, and the Netherlands Philharmonic Orchestra, among many others. Further engagements led her to opera houses such as the New York City Opera, Canadian Opera Company, Washington National Opera, Los Angeles Opera, Bayerische Staatsoper, Oper Frankfurt, de Nederlandse Opera and the Baden-Baden Festival. Concert performances include Britten’s War Requiem at the Berlin Philharmonic, Bernstein’s Kaddish Symphony at the Lucerne Festival, Beethoven-Strauss’ Die Ruinen von Athen with the Dresden Philharmonic, Frank Martin’s Golgotha in Potsdam, Beethoven’s 9th Symphony in Serbia, Mozart Arias with the Southwest Philharmonic Constance, and Mendelssohn’s Elijah with the Singapore Symphony Orchestra. From 2007 to 2010 Abbie Furmansky was a member of the ensemble at the Staatstheater Mainz, where she made her debuts as the Marschallin in Der Rosenkavalier, Jenny in Mahagonny, Mimì in La Bohème, Marie in Wozzeck and the title role in Madama Butterfly in a production by Katharina Wagner. As a recitalist she has performed in Zamora and Morelia, Mexico with the pianist Alexandr Pashkov, at the Deutsche Oper Berlin and the University of Wisconsin at Madison, with her husband Daniel Sutton.
    [Show full text]