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Britten Spring Symphony Welcome Ode • Psalm 150
BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
We Are TEN – in This Issue
RVW No.31 NEW 2004 Final 6/10/04 10:36 Page 1 Journal of the No.31 October 2004 EDITOR Stephen Connock RVW (see address below) Society We are TEN – In this issue... and still growing! G What RVW means to me Testimonials by sixteen The RVW Society celebrated its 10th anniversary this July – just as we signed up our 1000 th new members member to mark a decade of growth and achievement. When John Bishop (still much missed), Robin Barber and I (Stephen Connock) came together to form the Society our aim was to widen from page 4 appreciation of RVW’s music, particularly through recordings of neglected but high quality music. Looking back, we feel proud of what we have achieved. G 49th Parallel World premieres Through our involvement with Richard Hickox, and Chandos, we have stimulated many fine world by Richard Young premiere recordings, including The Poisoned Kiss, A Cotswold Romance, Norfolk Rhapsody No.2, page 14 The Death of Tintagiles and the original version of A London Symphony. Our work on The Poisoned Kiss represents a special contribution as we worked closely with Ursula Vaughan Williams on shaping the libretto for the recording. And what beautiful music there is! G Index to Journals 11-29 Medal of Honour The Trustees sought to mark our Tenth Anniversary in a special way and decided to award an International Medal of Honour to people who have made a remarkable contribution to RVW’s music. The first such Award was given to Richard Hickox during the concert in Gloucester and more . -
Philharmonia Orchestra Ducted by Valery Gergiev
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, November 9, 2012, 8pm Esa-Pekka Salonen (b. 1958) Zellerbach Hall Helix Composed in 2005. Premiered on August 29, 2005, in London by the World Orchestra for Peace con- Philharmonia Orchestra ducted by Valery Gergiev. Esa-Pekka Salonen, Principal Conductor & Artistic Advisor Conducting is tough, composing probably even harder, but some of the most brilliant musi- PROGRAM cians—Busoni, Mahler, Bernstein, Boulez, Previn—have pursued parallel careers in both fields that enriched all the facets of their creative Esa-Pekka Salonen (b. 1958) Helix (2005) personalities. To this select company must now be added the Finnish composer-conductor Esa- Pekka Salonen. Born in Helsinki on June 30, 1958, Salonen majored in horn at the Sibelius Ludwig van Beethoven (1770–1827) Symphony No. 7 in A major, Op. 92 Conservatory, where he founded a “collective” (1811–1812) called Ears Open for promoting and perform- I. Poco sostenuto — Vivace ing new music with Jouni Kaipainen, Magnus II. Allegretto Lindberg, and Kaija Saariaho, now all major Esa-Pekka Salonen III. Presto — Assai meno presto musical figures in Finland. After graduating IV. Allegro con brio in 1977, Salonen studied composition privately Illustration by Tom Bachtell with Einojuhani Rautavaara and conducting with Jorma Panula, and attended conducting He also continues to guest conduct concerts and INTERMISSION courses in Siena and Darmstadt; he also stud- opera throughout the world and to serve as ar- ied composition with Niccolò Castiglioni and tistic director of the Baltic Sea Festival, which Franco Donatoni in Italy. In 1979, Salonen he co-founded in 2003. -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N. -
Richard Hickox Greg Barrettgreg
ELGAR THE DREAM OF GERONTIUS PARRY BLEST PAIR OF SIRENS • I WAS GLAD London Symphony Chorus Felicity Palmer mezzo-soprano Arthur Davies tenor London Symphony Orchestra Gwynne Howell bass Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) COMPACT DISC ONE Sir Charles Hubert Hastings Parry (1848 – 1918) 1 Blest Pair of Sirens (1887) 11:54 (At a Solemn Musick) for Chorus and Orchestra An Ode by Milton 2 I was glad (1902, revised 1911) 7:02 Coronation Anthem for Edward VII for Chorus and Orchestra Revised for George V Words from Psalm 122 Sir Edward Elgar (1857 – 1934) The Dream of Gerontius, Op. 38 (1900)* for Mezzo-soprano, Tenor, Bass, Chorus, and Orchestra Words by Cardinal Newman Part I 37:16 3 Prelude – 10:17 4 Gerontius: ‘Jesu, Maria – I am near to death’ – 3:40 5 Assistants: ‘Kyrie eleïson’ – 2:16 6 Gerontius: ‘Rouse thee, my fainting soul, and play the man’ – 0:51 3 7 Assistants: ‘Be merciful, be gracious; spare him, Lord’ – 3:07 8 Gerontius: ‘Sanctus fortis, Sanctus Deus’ – 4:49 9 Gerontius: ‘I can no more; for now it comes again’ – 1:56 10 Assistants: ‘Rescue him, O Lord, in this his evil hour’ – 2:16 11 Gerontius: ‘Novissima hora est; and I fain would sleep’ – 1:29 12 The Priest and Assistants: ‘Proficiscere, anima Christiana, de hoc mundo!’ – 1:59 13 Assistants: ‘Go, in the name of Angels and Archangels’ 4:30 TT 56:32 COMPACT DISC TWO Part II 57:57 1 Introduction. Soul of Gerontius: ‘I went to sleep; and now I am refreshed’ – 6:25 2 Angel: ‘My work is done’ – 3:10 3 Angel: ‘All hail! My child and brother, hail!’ – 5:44 -
Intermus Sept 4/10/01.4
Marin Alsop appointed Principal Conductor of Bournemouth Symphony In a move which has generated huge News media interest, the Bournemouth Intermusica Symphony Orchestra have announced News their appointment of MARIN ALSOP as their new Principal Conductor, Issue No.8 effective from the 2002/3 season. October 2001 The first woman ever to be appointed to head a UK she makes her debut with the Chicago Symphony orchestra, Alsop’s contract runs for an initial period of 4 Orchestra at the Ravinia Festival; this Autumn she years. She will conduct 12 weeks per season, to include returns to Dallas, Detroit, National Symphony in concerts in the south and south west of England, Washington and New World Symphony in Florida, as PASSIONATE national and international tours and recordings. She well as to Indianapolis, Baltimore and to the Minnesota returns to the Bournemouth Symphony for two weeks Orchestra later in the season. She also conducts the ABOUT MUSIC, this season as Principal Conductor Designate, for New Japan Philharmonic in Tokyo - her first visit to programmes including Hindemith, Stravinsky and Japan since touring with Leonard Bernstein shortly INSPIRED BY Bartók. She was recently nominated for a Brit Award before he died. Her European guesting schedule is also for the first in her best-selling Barber symphonic cycle extensive: Hamburg Philharmonic, Komische Oper CREATIVITY, for Naxos with the Royal Scottish National Orchestra Berlin, Dutch Radio, Helsinki Philharmonic, and concerts (of which she remains Principal Guest until the in London with the BBC Symphony, the London COMMITTED TO commencement of her Bournemouth contract), and will Philharmonic at the Royal Festival Hall, and with the continue to record in her new position in London Symphony at the Barbican in a special Walton PARTNERSHIP Bournemouth. -
Robert Louis Stevenson Poisoned Kiss Is to Be Recorded for the First Time
Across RVW Crossword No.11 by Michael Gainsford 1. Tempo marking of scherzo of Symphony No 4 (7,5) No.25 October 2002 4. German folk song arranged by RVW in 1903 (5) Journal of the 1 2 3 6. Plenty of this in Scott ofthe Antarctic! (3) 7. England, Arise! (9) 10. Appendage at the side of the head (3) EDITOR 4 12. RVW wrote an overture to this (juvenile) opera (3) 13. Palestinian city that figures in Winter, of Folk Songs of 5 10 6 Stephen Connock the Four Seasons of 1949 (9) RVW 7 8 9 15. First note of sol-fa scale (3) Society 16. If I were one in 1903 (5) 13 10 11 17. RVW's school (12) 12 Down The Poisoned Kiss to be In this issue... 1. RVW wrote music for its pageant (7) 16 13 14 2. Greek prefix indicating ‘few’(5) The Songs of Travel. 15 recorded at last 3. RVW wrote a concerto for this in 1944 (4) Guest editor: Dr William Adams 16 5. Again in 1944, RVW wrote an article on this type of music (4) After years of planning, it is excellent news that The G Robert Louis Stevenson Poisoned Kiss is to be recorded for the first time. 8. Over hill and this in Shakespearean song of 1951 (4) 20 Richard Hickox will conduct the BBC National A brief examination of 9. An Irish one appears in The Running Set (4) Orchestra of Wales with a star-studded cast, largely the poet. 17 10. Has a lament in unpublished madrigal of 1897 (4) derived from the successful Vision of Albion Page 5 performance at the Barbican, in London, on 26 11. -
The Pandemic Playlist
Episode 2 The Pandemic Playlist Lifetime Achievement Awards Symphony No. 9 (Choral) – Ludwig V. Beethoven Jamal’s Recommendation YouTube: Chicago Symphony Orchestra and Chorus – Riccardo Muti Joe and Jamal’s Period Orchestra Recommendation: Amazon: Orchestra Révolutionnaire et Romantique, Monteverdi Choir – John Elliot Gardiner YouTube: Orchestra Révolutionnaire et Romantique, Monteverdi Choir – John Elliot Gardiner (4th Mvt only) WSMR: WSMR Live Broadcast: The Sarasota Orchestra, Key Chorale, Choral Artists of Sarasota – Anu Tali Messiah – George F. Handel Traditional Recommendation: Amazon: The English Consort & Choir – Trevor Pinnock Messiah arranged by W.A. Mozart Recommendation: Amazon: Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart – Helmuth Rilling YouTube: Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart – Helmuth Rilling, Part 1 Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart – Helmuth Rilling, Parts 2 & 3 Page 1 of 4 Top Ten Pandemic Playlist 1. The Light of Life – Edward Elgar Jamal’s Recommendation: Amazon: London Symphony Orchestra and Chorus – Richard Hickox YouTube: London Symphony Orchestra and Chorus – Richard Hickox 2. St John Passion – Johann S. Bach Joseph’s Recommendation: Amazon: Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart – Helmuth Rilling YouTube: Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart – Helmuth Rilling 3. Stabat Mater – Francis Poulenc Jamal’s Recommendation: Amazon: Choeurs et Orchestre National de Lyon – Serge Baudo YouTube: Michèle Lagrange, Orchestre National de Lyon, Serge Baudo, Chœur de Lyon, Bernard Tétu 4. B Minor Mass – Johann S. Bach Joseph’s Recommendation: Amazon: Collegium Vocale – Philippe Herreweghe YouTube: Collegium Vocale – Philippe Herreweghe 5. Glagolitic Mass – Leos Janáček Jamal’s Recommendation: Amazon: Czech Philharmonic & Prague Philharmonic Choir – Karel Ančerl YouTube: Czech Philharmonic & Prague Philharmonic Choir – Karel Ančerl 6. -
The Delius Society Journal Spring 2009, Number 145
The Delius Society Journal Spring 2009, Number 145 The Delius Society (Registered Charity No. 298662) President Lionel Carley, BA PhD Vice Presidents Sir Andrew Davis Sir Mark Elder Bo Holten, RaD Lyndon Jenkins, RaD Richard Kitching Piers Lane, BMus Hon FRAM ARCM LMusA David Lloyd-Jones, BA Hon DMus FGSM Julian Lloyd Webber, FRCM Sir Charles Mackerras, CH, AC, CBE Robert Threlfall Website: http://www.delius.org.uk ISSN-0306-0373 1 Chairman Martin Lee-Browne, CBE Chester House, Fairford, Gloucestershire GL7 4AD Treasurer and Membership Secretary Stewart Winstanley Windmill Ridge, 82 Highgate Road, Walsall, WS1 3JA Tel: 01922 633115 Email: [email protected] Secretary Lesley Buckley c/o Crosland Communications Ltd The Railway Station Newmarket CB8 9WT Tel: 07941 – 188617 Email: [email protected] Journal Editor Paul Chennell 19 Moriatry Close Holloway, London N7 0EF Tel: 020 7700 0646 Email: [email protected] Front cover: The Departure of Hiawatha Albert Bierstadt © The Longfellow National Historic Site, USA. Back cover: A late portrait of Jelka Delius © The Delius Trust The Editor has tried in good faith to contact the holders of the copyright in all material used in this Journal (other than holders of it for material which has been specifically provided by agreement with the Editor), and to obtain their permission to reproduce it. Sometimes, however, he has received no reply. Any breaches of copyright are unintentional and regretted. 2 Vernon Handley and Lewis Foreman © Lewis Foreman 3 CONTENTS CHAIRMAN’S NOTES.................................................................................... 6 EDITORIAL....................................................................................................... 8 ROGER BUCKLEY, By Michael Green............................................................. 9 THE DELIUS PRIZE 2008. By Martin Lee-Browne........................................ -
Over 100 Opera Makers
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
British Orchestral Music
BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) Written by Composers Born Between 1800 & 1910 A Discography Of CDs And LPs Prepared by Michael Herman Composers C-G WALTER CARROLL (1869-1955) Born in Manchester. He got his musical degrees at the Universities of Durham and Manchester and went on to an acdemic career at the University of Manchester and at the Royal Manchester College of Music. He became Music Dvisor to the City of Manchester and devoted himself to reforming and improving art education in the schools. With this goal in mind he composed piano music for children as well as instructional books. His enormous academic load precluded much time for other composing. Festive Overture (c. 1900) Gavin Sutherland/Royal Ballet Sinfonia ( + Blezard: Caramba, Black: Overture to a Costume Comedy, Langley: Overture and Beginners , Dunhill: Tantivy Towers, Chappel: Boy Wizard, Hurd: Overture to an Unwritten Comedy, Monckton: The Arcadians. Lane: A Spa Overture, Pitfield: Concert Overture and Lewis: Sussex Symphony Overture) WHITELINE CD WHL 2133 (2002) ADAM CARSE (1878-1958) Born in Newcastle-on-Tyne. He studied under Frederick Corder at the Royal Academy and later went on to teach at that school. He composed in various genres and his orchestral output includes 2 Symphonies, the symphonic poems "The Death of Tintagiles" and "In a Balcony," a Concert Overture and Variations for Orchestra. He also wrote musical textbooks that kept his name in print long after his compositions were forgotten. The Willow Suite for String Orchestra (1933) Gavin Sutherland/Royal Ballet Sinfonia ( +Purcell/Britten: Chacony, Lewis: Rosa Mundi, Warlock/Lane: Bethlehem Down, Holst: Moorside Suite, Carr: A Very English Music, W.