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(310) 247-3000 [email protected] for Lmmedia TE RELEASE
ACADEMY O F MOTION PICTURE ARTS AND S C IE NCE S 8949 Wi lshire Boulevard . Beve rly Hills. Ca lifornia 902 11 - 19i2 · TEL : 3 10. 247. 3000· f Ax: 3 10 .271. '3 39 5 CONTACT: Dawn Newell (310) 247-3000 May 29, 2002 [email protected] FOR lMMEDIA TE RELEASE CA.M.P.A.S.® NEWS ACADEMY MAILS APPLICATIONS FOR 2002 SCIENTIFIC AND TECHNICAL AWARDS BEVERLY HILLS, CA - In the fi rst offici al public act relating to the 75th Academy Awards' season, the Aca demy of Motion Picture Arts and Sciences has mailed applications for the 2002 Scientific and Teclmical Awards. Entry forms have been sent to more than 850 companies and individuals, including past w inners, w ithin the sci-tech film community both in the United States and abroad. "We want to begin collecting achievements that can be considered by the Scientific and Technical Committee for recognition at the 75th Academy Aw ards," said Committee Chair Richard Edlund. In order to be considered, achievements must show exceptional merit and evidence of having provided significant advances in the production of motion pictures. "The technology didn't have to be invented within the past yea r, but the achievements ultimately chosen need to have a proven track record showcasing successful and repeated use in the film industry," said Awards Administration Director Rich Miller. - more - Academy Mails Applications For 2002 Sci-Tech A wards 2-2-2-2-2-2 All entry applications must be submitted to the Academy no later than Thursday, August 1. Technical advances submitted to the Scientific and Technical Awards Committee will be evaluated by sub-committees comprised of distinguished engineers, scientists and craftspersons before being recommended to the Academy's Board of Governors for award consideration. -
Red River Radio Ascertainment Files April 2016 – June 2016 Red River Radio News Stories
Red River Radio Ascertainment Files April 2016 – June 2016 Red River Radio News Stories 2,247 LSU AgCenter: Cantaloupe flood crop study could yield new insights on contaminated produce (1:48) Aired: April 4, 2016 Interview: Wennie Xu, AgCenter food safety specialist; Melanie Lewis Ivey, plant pathologist, LSU AgCenter Type: Newscast wrap 2,248 Horticulturist: Act on flooded landscapes and protect surviving plants (1:25) Aired: April 5, 2016 Interview: Dan Gill, horticulturist, LSU AgCenter Type: Newscast wrap 2,249 Bossier Parish Community College in Bossier City hosts 'Day of Action' ceremony (1:43) Aired: April 6, 2016 Interview: Karen Recchia, vice chancellor for student services, Bossier Parish Community College; Jeremy Meche, nursing student, Bossier Parish Community College Type: Newscast wrap 2,250 LSU Shreveport to measure biking and walking flow in Shreveport (1:50) Aired: April 7, 2016 Interview: Karen Hawkins, associate professor, kinesiology and health science, LSU Shreveport Type: Newscast wrap 2,251 Lost 'stuffies' live on in Shreveport author's new children's novel (1:41) Aired: April 8, 2016 Interview: William Joyce, cofounder, Moonbot Studios Type: Newscast wrap 2,252 Louisiana Tech's urban concept cars in Ruston take to Detroit streets in fuel- efficiency test (1:56) Aired: April 11, 2016 Interview: Michael Swanbom, senior lecturer of mechanical engineering, Louisiana Tech University; Timothy Parker, mechanical engineering major, Louisiana Tech University Type: Newscast wrap 2,253 LSU Shreveport draws international students -
Newsletter 01/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/09 DIGITAL EDITION Nr. 243 - Januar 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/09 (Nr. 243) Januar 2009 editorial Hallo Laserdisc- und DVD-Fans, zwischen zwei Double Features (ein Hallo Laser Hotline Team, liebe Filmfreunde! Film vor Mitternacht, der zweite da- aus Eurem letzten Editorial (Newsletter Nr. 242) meine ich herauszuhören ;-) , dass der Herzlich willkommen zur ersten Ausga- nach) oder dem überlangen gewöhnliche Sammler von Filmen, Musik und be unseres Newsletters im Jahre 2009! AUSTRALIA, den Theo fachmännisch was auch immer, irgendwann auf den Down- Allen unseren guten Vorsätzen für das so aufbereitete, dass es kurz vor Mit- load via Internet angewiesen sein wird. Ich neue Jahr zum Trotz leider wieder mit ternacht eine Pause gab. Immerhin fan- denke (hoffe), nein! Ich verstehe alle Be- fürchtungen, dennoch, solange unsere Gene- etwas Verspätung. Alte Gewohnheiten den sich für alle Filmpakete auch Zu- ration lebt, wird es runde Scheiben geben! los zu werden ist eben nicht so einfach. schauer – wenn auch nicht sehr viele. Glaubt mir! Aber es gilt natürlich wie immer unser Doch aller Anfang ist schwer. Hier wird Das Internet ist im Access-Bereich bei der Leitspruch: “Wir arbeiten daran!” Ein sicherlich bei der nächsten Silvester- doppelten Maximalrate von DVD angelangt, dennoch tun sich alle VOD (video on Gutes hat die kleine Verspätung je- Film-Party die Mundpropaganda zu demand)- Dienste extrem schwer. -
Copyright by Hector Enrique Gonzales 2017
Copyright by Hector Enrique Gonzales 2017 The Thesis Committee for Hector Enrique Gonzales Certifies that this is the approved version of the following thesis: NO STUNT DOUBLES! NO CGI! NO WIRES!: A Comparative Study of Thai, Indonesian, and American Martial Arts Cinema. APPROVED BY SUPERVISING COMMITTEE: Supervisor: Kathleen Tyner Andrew Garrison NO STUNT DOUBLES! NO CGI! NO WIRES!: A Comparative Study of Thai, Indonesian, and American Martial Arts Cinema. by Hector Enrique Gonzales Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2017 Dedication I would like to dedicate this Thesis to my family who has supported me through disappointments, heartbreaks, tribulations and triumphs. To my mother and father, I would like to say nothing I have ever done or will do would be if it weren’t for your guidance, patience, and love. Jini, Carol, Myrella, Rick, Martin and all the kids, thank you for everything. This is for you. To my friends and co-workers thank you for supporting me along the way as I indulged myself in this quite silly endeavor. Special thanks to Taylor, Jordan, and Derek, thanks for having my back the last 4 years. To Larry, thank you for the gift of martial arts, it and you have truly changed my life for the better. To Nancy, Geoff, Kathleen, and Andy, thanks for always believing in me and helping me in graduate school as well as professionally and for being my friends. -
Konrad ZYSKO GLORIFICATION of VIOLENCE in BRITISH FILMS
ZESZYTY NAUKOWE UNIWERSYTETU RZESZOWSKIEGO SERIA FILOLOGICZNA ZESZYT 69/2011 STUDIA ANGLICA RESOVIENSIA 8 Konrad ZYSKO GLORIFICATION OF VIOLENCE IN BRITISH FILMS DEPICTING FOOTBALL HOOLIGANISM Scholars and social scientists have been trying to elucidate hooligans' motivations for violence for years. At the same time the press, radio and television have been attempting to raise the public awareness of the hooligan phenomenon. Out of the three media it is the film, "medium that has produced the most brutal, macabre, bloody and excessive scenes of violence, and to which controversy about such representations inevitably returns” (Carter and Weaver 2003: 42) seems to be the most popular tool for the depiction of hooligans. It is also film that seems to remain rather equivocal both in the approach to the phenomenon and in the assessment of its ramifications. As a result, productions which rely heavily on bona fide, gory and hooliganism-related scenes were bom as an answer to both the huge concern and fandom provoked by football hooligans. The aim of this paper is to show that British films depicting football hooliganism have a tendency to glamorize violence or lend justification to some forms of violent behaviour. This propensity and its instances which I am going to take under scrutiny are analyzed both qualitatively and quantitatively in films such as The Firm (1988), I.D. (1995), The Football Factory (2004) and Green Street Hooligans (2005). These are feature film productions that deal with the hooligan culture per se, with none or hardly any instances of football-playing scenes, thus putting the sports aspect into the shade or even getting rid of it completely. -
Crime and Punisher: How the Punisher Mediates Domestic Identity and American Ideologies in Foreign Policies Through Images of Masculinity and Vigilantism
Crime and Punisher: How the Punisher mediates domestic identity and American ideologies in foreign policies through images of masculinity and vigilantism Master’s thesis Carlijn Kruidhof 3473171 07/04/2016 Word count: 18,938 Master’s thesis Carlijn Kruidhof 07/04/2016 Contents Introduction ............................................................................................................................................ 3 Theories and myths ................................................................................................................................. 9 Phase 1: Reagan Presidency .................................................................................................................. 13 The good guy or the bad guy ............................................................................................................ 15 Failing institutions and vigilantism.................................................................................................... 18 Reagan hard body ............................................................................................................................. 19 Nostalgia ....................................................................................................................................... 21 Fear and fantasy ................................................................................................................................ 22 Domestic Identity ............................................................................................................................. -
Wednesday, January 18, 2012
1 WEDNESDAY, JANUARY 18, 2012 PILOTS MARVIN MARVIN (Re-release of Ben) CULT (4 Roles) LIVING LOADED EPISODICS DAYS OF OUR LIVES (Role of Holly) MIKE AND MOLLY, Episode #216 IN PLAIN SIGHT, Episode #505, "Drag Me To Hell" (One Role) THE WEDDING BAND, Episode #109, "TBD" (Additional Role) PARKS AND RECREATION, Episode 419, "Live Ammo" REVENGE, Episode #116, "Scandal!" (Role of Judge Marks) 90210, Episode 420 WHITNEY, Episode #118, "Homeland Security" THE YOUNG AND THE RESTLESS (Role of French Minister) NEW GIRL, Episode #117, "Fancyman Pt. II" SECRET CIRCLE Ep 116 CSI: NY, Episode #818, "TBD HOT IN CLEVELAND, Episode 314, "Rubber Ball" (Two Additional Roles) THE MENTALIST, Episode #417, "Cheap Burgundy" (Role of Waitress) JUSTIFIED, Episode #310, "Guy Walks Into a Bar" (Revised Role of Donovan) MOVIES FOR TELEVISION MERRY IN-LAWS (Re-release of Alex Smith) FILM Percy Jackson & The Olympians: The Sea of Monsters (Role of Clarisse) MADEA'S WITNESS PROTECTION (Additional Role) BURT WONDERSTONE (Role of Hanna/Hank) DNR (Do Not Resuscitate) TROUBLE WITH THE CURVE (3 Roles) SNOWPIERCER (Role of Claude) LAST CHANCE RANCH (Re-release of 5 Roles) VIGILANDIA (Role Of Stranger) INSIDER (Re-release of Two Roles) FILL IN THE DARK HEADSHOTS - A HOLLYWOOD MASSACRE COPPERHEAD GUTSHOT STRAIGHT KILL YOUR DARLINGS THEATRE 2 THE CHILDREN CREDITORS MISC. MIGHTYBELL (New role) THE CHEMIST (Memo) CON DOLORE THE DOLL (Sarah & Russell) FIRST IN FLIGHT SUDDENLY SINGLE PROMO FOR THE MOVIE "DICTATOR" (L.A.) "HAZEL" - AFI/USC JOINT GRADUATE 35MM SHORT FILM CHAMPS THE SQUIRREL KING (Re-release of Marcy) LAST LAUGH (Revised Young Jay and Riley) THE SOUP - "BACHELOR" SPOOF HOLLYWOODLAND (Updated Roles) PUT ME IN A MOVIE (Lizzy & Darla) G.I.A. -
Announcement
Announcement Total 100 articles, created at 2016-08-15 00:01 1 IOC: Report of Ryan Lochte robbed untrue; reports cite mom RIO DE JANEIRO — IOC spokesman Mark Adams says reports of (5.55/6) American swimmer Ryan Lochte being robbed at gunpoint are "absolutely not true," despite stories in two outlets citing his 2016-08-14 23:20 1KB sports.inquirer.net 2 Rio Olympics 2016: Giles Scott guaranteed gold in Finn class (4.23/6) Britain's Giles Scott is guaranteed Olympic gold in the men's Finn class after opening an unassailable lead before the medal race. 2016-08-14 20:09 1KB www.bbc.co.uk 3 Rio Olympics: Day 9 The best photos from Sunday's action at the Rio Olympics. (3.32/6) 2016-08-14 23:10 5KB cbsloc.al 4 Rio Olympics 2016: Venus Williams and Ram Rajeev lose to Mattek-Sands and Sock (3.21/6) USA's Venus Williams is denied a fifth Olympic title as Bethanie Mattek-Sands and Jack Sock win gold in the mixed doubles. 2016-08-14 20:03 1KB www.bbc.co.uk 5 Son stabs own father during church service Contact WND (2.18/6) (WBKO) — BOWLING GREEN, Kentucky — Police now confirm a son stabbed his father right before the altar call was given at Hillvue Heights Church Sunday morning. Police say 21-year-old Ethan Buckley of Bowling Green stabbed his father during the 9:30 AM service... 2016-08-14 20:10 981Bytes www.wnd.com 6 Rio 2016: Australian Olympic athletes BANNED from Rio beaches after dark following (2.15/6) USA swimmer Ryan Lochte's terrifying armed robbery Australian Olympians have been told they must not go onto Rio's famous Copacabana and Ipanema beaches between dusk and dawn in the wake of gunmen holding up USA's Ryan Lochte. -
Bleeding Cool
Bleeding Cool Sean Spicer: More Than Meets The Eye? Bleeding Cool Business A Look Back Over The Years At The Geppi’s Entertainment Bleeding Cool Business Museum George R. R. Martin Needs Your Help To Complete Bleeding Cool Business Important Project (And It’s Not Winds Of Winter) Warren Ellis, On Whether Nazis Should Be Punched In The Bleeding Cool Business Face, Or Not Lying In The Gutters – 22nd January 2017 – Supergirl Bleeding Cool Business Grabs Bleeding Cool By The Traffic #SpicerFacts: Six Ways Donald Trump’s White House Press Bleeding Cool Business Secretary Sean Spicer Can Save Comics I Popped My Protest Cherry at the Women’s March in NYC Bleeding Cool Business More Comics Folk Attend Anti-Trump Women’s Marches Bleeding Cool Business Around The World #WomensMarch Gandalf Makes It So – A Knight at the Women’s March Bleeding Cool Business Despite Terrible Weather And Road Conditions Thousands Bleeding Cool Business Attend The Women’s March At Sundance James Hudnall Pleads For His Friends To Give Trump A Bleeding Cool Business Chance Comics Folk React To (Or Are Part Of) The Women’s Bleeding Cool Business Marches Against Donald Trump Peter Capaldi Joins The Anti-Trump Women’s March In Bleeding Cool Business London – Potential Spoiler For The 13th Doctor? Firefly Fans Represent In Anti-Trump Women’s March In Bleeding Cool Business Chicago… Stephen Amell Doesn’t Like Donald Trump… But Reserves Bleeding Cool Business Judgement On His Presidency Wizard World No Longer Taking Credit Cards For Tables Bleeding Cool Business And Booths – -
Athenaeum Art Gallery Reopening to Showcase Regional 'Visionaries'
The Westfield NewsSearch for The Westfield News Westfield350.com The WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 $1.00 MONDAY,TUESDAY, AUGUST JUNE 27, 23, 2017 2021 VOL. 75 cents 90 NO. 200 Westfield resident asks City Council to address vax rates By AMY PORTER concerning the vax rate in committee with Baystate Medical be exploring alternate funding Staff Writer Westfield was what she had seen staff and no representation from sources,” she said. WESTFIELD – Long-time, happening at the Soup Kitchen. Westfield. Mackler said the group did 25-year Westfield Soup Kitchen “Handing out brown paper bag The committee, which has hold three vaccination sites on volunteer Sandra Mackler spoke meals on the sidewalk (because since disbanded, made plans to Aug. 2 and Aug. 11, but “only a to the City Council on Aug. 19, no one can enter the building), all hold three clinics in Westfield, handful of folks” showed up. She and asked them to encourage vac- winter and now in the heat, (has) and Mackler’s role was to obtain said more promotion and support cination efforts. been challenging at best,” she support and funding for them. “I was needed. Weather also fac- “We need a collaborative effort, said. was advised by the Mayor that we tored in, as the clinic conducted at time, planning, funding and a lit- She started to call the Westfield should be able to secure funding, the Soup Kitchen was during one tle imagination. -
Production Notes
An Ang Lee Film A Focus Features Release PRODUCTION NOTES International Press Contacts: In Cannes Sarah Wilby Creative Publicity (44) 207 580 0222 London Office (33) 06 24 34 73 08 Sarah Wilby in Cannes (33) 06 10 91 43 31 Suhan Razzaque in Cannes [email protected] / [email protected] / [email protected] ABOUT THE PRODUCTION Remember Woodstock? Well, if you do, as the saying SYNOPSIS goes, then – you probably weren’t there. While Woodstock itself is a great subject, it’s one not readily able to be captured in a film – and, furthermore, Taking Woodstock is the new film from Academy Award- it’s been done definitively; Michael Wadleigh’s three-hour winning director Ang Lee – and it’s a trip! 1970 documentary feature Woodstock won an Academy Based on the memoirs of Elliot Tiber, the comedy stars Award. Taking Woodstock producer James Schamus, Demetri Martin as Elliot, who inadvertently played a role in who adapted the film’s script from Taking Woodstock: making 1969’s Woodstock Music and Arts Festival into the famed happening it was. Featuring a standout ensemble cast, A True Story of a Riot, A Concert, and A Life, written by and songs from a score of ‘60s musical icons including The Elliot Tiber with Tom Monte, explains, “What we’re do- Grateful Dead, The Doors, Jefferson Airplane, and Country Joe ing is telling a tiny piece of that story, from a little corner and the Fish – plus a new recording of “Freedom” from Richie of unexpected joy that happened almost by accident and Havens – Taking Woodstock is a joyous voyage to a moment which helped this incredible event take place.” in time when everything seemed possible. -
Viewers and Identity Consciousness: the Analysis of the Responses of Green Street’S Viewers
VIEWERS AND IDENTITY CONSCIOUSNESS: THE ANALYSIS OF THE RESPONSES OF GREEN STREET’S VIEWERS Paramita Ayuningtyas English Department, Faculty of Language and Culture, Bina Nusantara University, Jln. Kemanggisan Ilir III No. 45, Kemanggisan/Palmerah, Jakarta Barat 11480 [email protected] ABSTRACT Research analyzed the viewers’ responses after watching the film Green Street (2005). The responses were taken from a number of film websites, such as IMDB and Film Focus. Green Street is a film that shows a cultural phenomenon called football hooliganism. In general, the viewers’ responses could be categorized into two: the viewers who accepted the representation of hooligans and the viewers who refused it. From the analysis on their comments, it can be concluded that in giving responses to the film representation, the viewers put themselves in certain social positions. In other words, they show their identity consciousness when they see and respond to certain phenomena. Keywords: identity, consciousness, viewers’ responses ABSTRAK Penelitian menganalisis respon pemirsa setelah melihat film Green Street yang diproduksi pada 2005. Response diambil dari beberapa website film, seperti IMBD dan Focus film. Green Street adalah film yang memperlihatkan fenomena budaya yang disebut football hooliganism. Secara umum, respon pemirsa terbagi dua, yaitu yang menerima dan yang menolak hooligans. Dari analisis komentar dapat disimpulkan bahwa seseorang dapat menempatkan diri mereka dapat suatu posisi tertentu, dengan kata lain mereka menunjukkan identitas hati nurani ketika mereka melihat dan merespon suatu fenomena tertentu. Kata kunci: identitas, hati nurani, respon pemirsa 138 Jurnal LINGUA CULTURA Vol.3 No.2 November 2009: 138-145 INTRODUCTION The opposition between British culture and American culture often becomes a theme either in literary works or in films.