1 Changing the Discourse: the Fight for Gender Equality in Pop Culture

Total Page:16

File Type:pdf, Size:1020Kb

1 Changing the Discourse: the Fight for Gender Equality in Pop Culture Changing the discourse: The fight for gender equality in pop culture blogs 1 Changing the discourse: The fight for gender equality in pop culture blogs MASTERS THESIS By Jaclyn Obie 0646891 Prepared for Dr. DeNel Rehberg Sedo & Dr. Tracy Moniz Mount Saint Vincent University February 15, 2017 Changing the discourse: The fight for gender equality in pop culture blogs 2 ABSTRACT Gender inequality in modern, Western society is problematic and strengthened by media reinforcement. The negative representations of women in media can actively prevent gender equality. Media, and entertainment media in particular, treat women unequally and represent them in harmful ways. Albert Bandura’s Social cognitive theory of mass communication (2001) established that the examples presented in media have a lasting impact on the audience’s values, opinions and behaviours. Using Bandura’s theory as a theoretical framework, this study is grounded in the consequence of media’s unequal representation of women. This study looks at two blogs that treat women, and people of colour, as equals, and actively point out inequality in other media. Lainey Gossip and Awards Daily are challenging a tradition of unequal gender representation in entertainment media. I did a two-case case study of Lainey Gossip and Awards Daily, which included Critical Discourse Analysis of their blog posts, and interviews with the founders of those blogs, Elaine Lui and Sasha Stone respectively. From the research, several solutions to the existing inequality in media emerged, chiefly that of representation – having women writing about entertainment media, producing media content, and shown on screen, is the first key step in achieving equality in media. Changing the discourse: The fight for gender equality in pop culture blogs 3 ACKNOWLEDGEMENTS Thank you to DeNel for the endless encouragement, laughs, assistance and answering of silly questions; Thank you to Tracy for the positivity and affirmation, and for making my work better; Thank you to Elaine Lui and Sasha Stone, for inspiring this paper with your visionary work, and then for participating; Thank you to my parents for always encouraging me, and telling me I’m brilliant; Thank you to my husband for doing more than your share so I could do endless homework; And thank you to my baby for cooperating and not being born early, as per the schedule. Changing the discourse: The fight for gender equality in pop culture blogs 4 TABLE OF CONTENTS Abstract ............................................................................................................................................2 Acknowledgements ..........................................................................................................................3 Chapter One: Introduction ...............................................................................................................6 Research Questions ......................................................................................................................7 Purpose of Research .....................................................................................................................8 Chapter Two: Literature Review .....................................................................................................9 Gender Role Expectations in Society ...........................................................................................9 Gender Representation in Media ................................................................................................11 Celebrity Gossip Media ..........................................................................................................13 Portrayal in Film and Television ............................................................................................17 Influence of Blogs ......................................................................................................................19 Theoretical Framework for Study ..............................................................................................20 Gaps in the Research ..................................................................................................................22 Chapter Three: Research Design ...................................................................................................23 Worldview and Qualitative Research .........................................................................................23 Methodology ..............................................................................................................................24 Case Study Analysis ...................................................................................................................24 Critical Discourse Analysis .......................................................................................................29 Participants and Blog Post Sample ............................................................................................33 Challenges and Limitations .......................................................................................................34 Impact of the Study ...................................................................................................................35 Chapter Four: Findings and Discussion .........................................................................................36 Challenging the Tradition of Sexism in Entertainment Media ..................................................38 Blog Posts: Decoding the Text ...............................................................................................38 Blog Posts: Recurring Themes ...............................................................................................40 Women’s roles ...................................................................................................................40 Conventional beauty ..........................................................................................................42 Age .....................................................................................................................................44 Women of colour ...............................................................................................................45 “Women shouldn’t be” ......................................................................................................47 Representation ....................................................................................................................49 Television ...........................................................................................................................53 Women’s rights ..................................................................................................................54 Blog Posts: Purpose of Posts ..................................................................................................56 Interviews: Challenging Gender Inequality ............................................................................62 Interviews: The Implementation of Gender Equality on the Blogs .......................................64 Changing the discourse: The fight for gender equality in pop culture blogs 5 The Motivation for Addressing Gender Inequality ....................................................................64 Interviews: The Choice to Address Gender Inequality ..........................................................65 Interviews: The Consequences of Addressing and Promoting Gender Equality ...................67 The Future of Gender Inequality in Media .................................................................................68 Interviews: Ending the Tradition of Gender Inequality .........................................................69 Chapter Five: Conclusion .............................................................................................................73 References ......................................................................................................................................81 Appendices .....................................................................................................................................87 Appendix A: Blog Post Analyses ...........................................................................................87 Appendix B: Signed Permission Forms ...............................................................................149 Appendix C: Interview Questions .......................................................................................153 Changing the discourse: The fight for gender equality in pop culture blogs 6 CHAPTER ONE: INTRODUCTION Gender inequality in modern, Western society is problematic. While men and women have the same legal rights, research shows that gender equality does not yet exist (Fitzgibbons Shafer & Malhotra, 2011; Matud, Bethencourt, & Ibáñez, 2014). Amy Parziale (2008) argues that “gender inequality can be defined as allowing people different opportunities due to perceived differences based solely on issues of gender. Gender discrimination is the prejudicial treatment of an individual or group due to gender” (p. 977). Men and women are often expected to act according to prescribed, disparate gender roles (Matud, Bethencourt, & Ibáñez, 2014). Changing persisting gender role expectations is key to promoting gender equality in our society (Fitzgibbons Shafer & Malhotra, 2011). This is important because inequality leads to such
Recommended publications
  • 2009 Sundance Film Festival Announces Films in Competition
    Media Contacts: For Immediate Release Brooks Addicott, 435.658.3456 December 3, 2008 [email protected] Amy McGee, 310.492.2333 [email protected] 2009 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Festival Celebrates 25 Years of Independent Filmmaking and Cinematic Storytelling Park City, UT—Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 25th Sundance Film Festival. In addition to the four Competition categories, the Festival presents films in five out-of-competition sections to be announced tomorrow. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. "This year's films are not narrowly defined. Instead we have a blurring of genres, a crossing of boundaries: geographic, generational, socio-economic and the like," said Geoffrey Gilmore, Director, Sundance Film Festival. "The result is both an exhilarating and emotive Festival in which traditional mythologies are suspended, discoveries are made, and creative storytelling is embraced." "Audiences may be surprised by how much emotion this year's films evoke," said John Cooper, Director of Programming, Sundance Film Festival. "We are seeing the next evolution of the independent film movement where films focus on storytelling with a sense of connection and purpose." For the 2009 Sundance Film Festival, 118 feature-length films were selected including 88 world premieres, 18 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition.
    [Show full text]
  • Alternative Perspectives of African American Culture and Representation in the Works of Ishmael Reed
    ALTERNATIVE PERSPECTIVES OF AFRICAN AMERICAN CULTURE AND REPRESENTATION IN THE WORKS OF ISHMAEL REED A thesis submitted to the faculty of San Francisco State University In partial fulfillment of Zo\% The requirements for IMl The Degree Master of Arts In English: Literature by Jason Andrew Jackl San Francisco, California May 2018 Copyright by Jason Andrew Jackl 2018 CERTIFICATION OF APPROVAL I certify that I have read Alternative Perspectives o f African American Culture and Representation in the Works o f Ishmael Reed by Jason Andrew Jackl, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English Literature at San Francisco State University. Geoffrey Grec/C Ph.D. Professor of English Sarita Cannon, Ph.D. Associate Professor of English ALTERNATIVE PERSPECTIVES OF AFRICAN AMERICAN CULTURE AND REPRESENTATION IN THE WORKS OF ISHMAEL REED Jason Andrew JackI San Francisco, California 2018 This thesis demonstrates the ways in which Ishmael Reed proposes incisive countemarratives to the hegemonic master narratives that perpetuate degrading misportrayals of Afro American culture in the historical record and mainstream news and entertainment media of the United States. Many critics and readers have responded reductively to Reed’s work by hastily dismissing his proposals, thereby disallowing thoughtful critical engagement with Reed’s views as put forth in his fiction and non­ fiction writing. The study that follows asserts that Reed’s corpus deserves more thoughtful critical and public recognition than it has received thus far. To that end, I argue that a critical re-exploration of his fiction and non-fiction writing would yield profound contributions to the ongoing national dialogue on race relations in America.
    [Show full text]
  • (310) 247-3000 [email protected] for Lmmedia TE RELEASE
    ACADEMY O F MOTION PICTURE ARTS AND S C IE NCE S 8949 Wi lshire Boulevard . Beve rly Hills. Ca lifornia 902 11 - 19i2 · TEL : 3 10. 247. 3000· f Ax: 3 10 .271. '3 39 5 CONTACT: Dawn Newell (310) 247-3000 May 29, 2002 [email protected] FOR lMMEDIA TE RELEASE CA.M.P.A.S.® NEWS ACADEMY MAILS APPLICATIONS FOR 2002 SCIENTIFIC AND TECHNICAL AWARDS BEVERLY HILLS, CA - In the fi rst offici al public act relating to the 75th Academy Awards' season, the Aca demy of Motion Picture Arts and Sciences has mailed applications for the 2002 Scientific and Teclmical Awards. Entry forms have been sent to more than 850 companies and individuals, including past w inners, w ithin the sci-tech film community both in the United States and abroad. "We want to begin collecting achievements that can be considered by the Scientific and Technical Committee for recognition at the 75th Academy Aw ards," said Committee Chair Richard Edlund. In order to be considered, achievements must show exceptional merit and evidence of having provided significant advances in the production of motion pictures. "The technology didn't have to be invented within the past yea r, but the achievements ultimately chosen need to have a proven track record showcasing successful and repeated use in the film industry," said Awards Administration Director Rich Miller. - more - Academy Mails Applications For 2002 Sci-Tech A wards 2-2-2-2-2-2 All entry applications must be submitted to the Academy no later than Thursday, August 1. Technical advances submitted to the Scientific and Technical Awards Committee will be evaluated by sub-committees comprised of distinguished engineers, scientists and craftspersons before being recommended to the Academy's Board of Governors for award consideration.
    [Show full text]
  • Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
    SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore.
    [Show full text]
  • 2020 Sundance Film Festival: 118 Feature Films Announced
    FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody ​ ​ ​ ​ Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro ​ ​ ​ ​ ​ López; Ema, courtesy of Sundance Institute. ​ ​ Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature ​ films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park ​ ​ City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources ​ support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
    [Show full text]
  • Red River Radio Ascertainment Files April 2016 – June 2016 Red River Radio News Stories
    Red River Radio Ascertainment Files April 2016 – June 2016 Red River Radio News Stories 2,247 LSU AgCenter: Cantaloupe flood crop study could yield new insights on contaminated produce (1:48) Aired: April 4, 2016 Interview: Wennie Xu, AgCenter food safety specialist; Melanie Lewis Ivey, plant pathologist, LSU AgCenter Type: Newscast wrap 2,248 Horticulturist: Act on flooded landscapes and protect surviving plants (1:25) Aired: April 5, 2016 Interview: Dan Gill, horticulturist, LSU AgCenter Type: Newscast wrap 2,249 Bossier Parish Community College in Bossier City hosts 'Day of Action' ceremony (1:43) Aired: April 6, 2016 Interview: Karen Recchia, vice chancellor for student services, Bossier Parish Community College; Jeremy Meche, nursing student, Bossier Parish Community College Type: Newscast wrap 2,250 LSU Shreveport to measure biking and walking flow in Shreveport (1:50) Aired: April 7, 2016 Interview: Karen Hawkins, associate professor, kinesiology and health science, LSU Shreveport Type: Newscast wrap 2,251 Lost 'stuffies' live on in Shreveport author's new children's novel (1:41) Aired: April 8, 2016 Interview: William Joyce, cofounder, Moonbot Studios Type: Newscast wrap 2,252 Louisiana Tech's urban concept cars in Ruston take to Detroit streets in fuel- efficiency test (1:56) Aired: April 11, 2016 Interview: Michael Swanbom, senior lecturer of mechanical engineering, Louisiana Tech University; Timothy Parker, mechanical engineering major, Louisiana Tech University Type: Newscast wrap 2,253 LSU Shreveport draws international students
    [Show full text]
  • Cast Biographies
    CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon).
    [Show full text]
  • 6 YEARS Written and Directed by Hannah Fidell
    ! 6 YEARS Written and Directed by Hannah Fidell ! Starring Taissa Farmiga and Ben Rosenfield 80 minutes, color, U.S.A. Sales Contact: ICM/ Jessica Lacy [email protected] / (310) 550-4316 SUBMARINE/ Josh Braun [email protected] / (212) 625-1410 Press Contact: BRIGADE / Gerilyn Shur [email protected] / 917-551-5838 SYNOPSIS A young couple in their early 20s, Dan and Melanie, have known each other since childhood. Now their 6-year romantic relationship is put to the test when Dan receives an attractive job offer from the record label with whom he interns, and he must choose between a move forward and a future with Mel. Growth and temptation happen – but will their relationship remain part of their future? Writer/director Hannah Fidell explores the struggles of young love as it begins to face the next steps into adulthood. Taissa Farmiga and Ben Rosenfield give warm, genuine performances as Mel and Dan, alongside Lindsay Burdge (star of Fidell’s A TEACHER) as a colleague of Dan’s who entices him in more ways than one. HANNAH FIDELL DISCUSSES 6 YEARS I wrote 6 Years focusing on the relationship of two young adults. Who hasn’t had a first love? And who hasn’t gone through a breakup with said first love? (for those of you who are married to that first person...please ignore…) More than anything though, I modeled Dan and Mel’s world on my group of friends in college. Although, the fighting and the physical violence, that was pure fiction. The script was in great hands with Taissa and Ben.
    [Show full text]
  • Political Political Theory
    HarvardSpring 8 Summer 2016 Contents Trade................................................................................. 1 Philosophy | Political Theory | Literature ...... 26 Science ........................................................................... 33 History | Religion ....................................................... 35 Social Science | Law ................................................... 47 Loeb Classical Library ..............................................54 Dumbarton Oaks Medieval Library ...................... 56 I Tatti Renaissance Library .................................... 58 Distributed Books ...................................................... 60 Paperbacks .....................................................................69 Recently Published ................................................... 78 Index ................................................................................79 Order Information .................................................... 80 cover: Detail, “Erwin Piscator entering the Nollendorftheater, Berlin” by Sasha Stone, 1929. Courtesy of the National Gallery of Art. Gift of Henrick A. Berinson and Adam J. Boxer; Ubu Gallery, New York. 2007.3.2 inside front cover: Shutterstock back cover: Howard Sokol / Getty Images The Language Animal The Full Shape of the Human Linguistic Capacity Charles Taylor “There is no other book that has presented a critique of conventional philosophy of language in these terms and constructed an alternative to it in anything like this way.” —Akeel
    [Show full text]
  • Under the Silver Lake
    Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love.
    [Show full text]
  • E-Haven Newsletter March 2010 the Greatest Opening Nationwide April 9
    E-Haven Newsletter March 2010 a nonprofit corporation (310) 459-1789 Dear Friends, The Greatest Starring Pierce Brosnan, Susan Sarandon, Never before has anyone written, directed, and produced a Carey Mulligan movie about the journey parents and siblings take after the Written & Directed By Shana Feste death of a child that is as beautiful, accurate, meaningful, spe- cial, and full of hope as The Greatest. In fact, Shana Feste lost a brother and grew up in a family where talking about it was absolutely taboo. Writing The Greatest is her gift to parents, siblings, and anyone who simply loves and appreciates great writing, directing, and a movie experience that will deeply im- pact your life. Just read all of the quotes on the next page from parents, including the well-known movie critic and columnist, Rex Reed. And after you see The Greatest, send us your quotes, and we will send them to Shana, the producers, and the actors who will appreciate all that you share. On March 22, over 100 griefHaven families, friends, and spe- cialists gathered in a private screening room in Beverly Hills, California for a free griefHaven event that included a private screening of the movie The Greatest followed by a Q&A with Shana Feste, director and writer, Beau St. Clair, producer, and Opening In California & New York Wayne Neiman, griefHaven advisory board member and ex- ecutive at Warner Bros. And the weekend prior to the grie- April 2 fHaven private screening, Susan Whitmore, our founder and Pico Landmark Theater, CA president, met with Shana Feste and her husband, Brian Kava- Santa Monica Laemmle, CA naugh Jones, for a no-holds-barred interview regarding every- Hollywood Arclight, CA Sherman Oaks Arclight, CA Pasadena Playhouse 7, CA Irvine Westpark 8, CA New York Paris Theater, NY New York Village East, NY Opening Nationwide April 9 Give Yourself A Great Gift.
    [Show full text]
  • Innovation All-Stars
    HILLTOPPER innovation All-Stars + REMEMBERING winter/spring 2017 HEADMASTER BLOOM VOLUME XXV / ISSUE 2 CHECKING IN CONTENTS 4 innovation all-stars WINTER/SPRING 2017 contents Use the Layar App to discover digital content 12 with your mobile device. Remembering Download the App from 27th Headmaster iTunes, Google Play, or Blackberry World. John Bloom, credited for reviving Academy in 1970s 1 Find a page with a Layar call to action 22 (pages 22, 25, and 28). election 2 festival 2016 Use Layar to scan the page by tapping device screen. (Hint: make sure entire page is viewable for scanning). 24 3 17 Watch for a photo gallery to open or for a departments Rachel Rios ’08 video to play. 3 HEAD OF SCHOOL 14 ALUMNI NEWS 17 ON THE HILLTOP 4 25 THE MIDDLE Tap video to view in full 26 FROM THE ARCHIVES screen, or slide finger to 28 WA ATHLETICS view additional images 32 GIVING NEWS in photo gallery. 35 CHECKING IN 45 PASSINGS 5 Enjoy! 18 the HILLTOPPER BOARD OF TRUSTEES winter/spring 2017 officers & members VOLUME XXV / ISSUE 2 President Henry Dormitzer III ’88 Head of School Ronald M. Cino P’21, ’22 First Vice President Susan Weagly Jacobs, J.D. P’03 Second Vice President Sarah (Sullivan) Pulsifer ’91 Hilltopper Editor Neil R. Isakson P’15, ’19 Secretary Brian A. O’Connell, Esq. ’67 Treasurer Jonathan S. Stuart ’86 Associate Editor Barbara Strogoff P’97, ’03 2015 Case DI Bronze Award Benny Sato Ambush ’69 Graphic Design Good Design LLC Dr. Lauren S. Baker P’15,’18 winner for Best William Breidenbach ’69 Photography Ursula Arello Designed Magazine Patricia Z.
    [Show full text]