Motown Tape Index
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Requirements James Miyor to Hit a 3-Pointer to Broken Their Five-Game and the Carrier Dome
; 9m '^wrw,' 4fi M' Pag» 24 • THE VILLANOVAN • JwHMry 30, 1$07 Sports I S Wildcats terminate losing streak Vol. 62, Na IS VILLANOVA UNIVER8fTY, VILLANOVA, PA**^» w^ f FetmiaryS, 1987 By STEPHEN J. SCHLAGER stripe. Rony Seikaly hit two from back and forth at each other and Seton Hall's Mark Bryant com- Wilson ended the scoring by ^ the line followed by an eight-foot the first half ended with Villanova mitted his fifth persona] foul and hitting both ends of a one-and-one. The Villanova Wildcat basket- jumper by Coleman to tie the ball up by nine, 42-33. sent Massey to the line. Massey The final score read Villanova 86, ball team ventured on a road trip game at 40. West scored first in second half missed the one-and-one, allowing Seton Hall 82. The WUdcaU had last week to Syracuse University The score was tied again at 42, making two charity points and a finally Requirements James Miyor to hit a 3-pointer to broken their five-game and the Carrier Dome. Villanova 48 and then at 50 before Syracuse 16-foot jumper off a feed from bring the score to a diff-hanging losing streak. came out and put the squeeze on took the lead for good off a Sher- Wilson. By the time the first the Orangemen. man Douglas jumper from 18 feet television timeout rolled along the Villanova controlled the tap and with 3:28 left in the game. Wildcats were still up by nine, 50- and Doug West slammed home the Syracuse took complete control 41. -
JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music. -
AUDITION PACK Auckland Season Saturday 17 April Until Sunday 16 May 2021 Wellington Season Friday 21 May Until Monday 7June 2021
The Story of Frankie Valli & The Four Seasons Book by Marshall Brickman & Rick Elice Music by Bob Gaudio Lyrics by Bob Crewe AUDITION PACK Auckland Season Saturday 17 April until Sunday 16 May 2021 Wellington Season Friday 21 May until Monday 7June 2021 Produced by Jersey Boys 2021 Ltd and G & T Productions Ltd BY ARRANGEMENT WITH ORiGiN™ THEATRICAL ON BEHALF OF THEATRICAL RIGHTS WORLDWIDE, NEW YORK www.origintheatrical.com.au From the mean streets of Jersey to American Bandstand, this is the thrilling story of four young men from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. With phenomenal music, memorable characters, and great storytelling, JERSEY BOYS follows the fascinating evolution of four blue-collar kids who became one of the greatest successes in pop- music history. Winner of Best Musical at both the Tony Awards® and Olivier Awards®, JERSEY BOYS takes you behind the music of Frankie Valli and The Four Seasons to discover the secret of a 40-year friendship as the foursome work their way from the streets of New Jersey to the heights of stardom. Chart-topping hits include “Sherry,” “Big Girls Don’t Cry,” “Can’t Take My Eyes Off You,” “Dawn,” and “My Eyes Adored You,” which brought The Four Seasons the highest honour: induction into the Rock ‘n’ Roll Hall of Fame. Audition and Rehearsal Information Please read all information carefully. All roles are available for Jersey Boys however you must be 18 years old or older to apply. Diversity is encouraged and all ethnic groups and ages are welcome to audition. -
The Jean Thomas Story—Part 3
The Jean Thomas Story—Part 3 Jean Thomas worked with many top producers during the 1960s but the one who cre- ated her best known work and who perhaps brought the best out of her vocal talent was Bob Crewe. Bob Crewe had a special talent himself and was a highly respected producer Jean’s good friend Ellie Greenwich had a good relation- ship with Bob Crewe and commented on his ability and on how they first met in an interview before her untimely passing in 2009….. "I'm not exactly sure when I met Bob Crewe, but we always saw each other around the business from the very beginning. (We) had an affinity for each other (and) still do! He was a joy to work with on all levels . he's a perfectionist, he's open to any outside ideas, he really knows what he wants and gets it, and most of all, he is passionate about what he does. He puts all of himself into eve- rything he touches . I always loved and still do love Bob! I can go on and on about this talented gentleman, and he is just that: A 'gentle man'." Mick Patrick and Malcolm Baumgart captured the best of Bob Crewe’s productions on “The DynoVoice Story….the label that had to happen” Westside CD226 and say of his unique- ness …..“Bob Crewe is not a man to be easily pigeon-holed. Possessed by an overriding creative urge from his earliest years, he has painted , worked as a photographic model, sculpted, acted,run an art gallery and dabbled in interior design alongside those talents for which he is justly renowned – ie singer, songwriter, producer, label owner, music publisher and manager.” The best of his productions of course include those of Jean Tho- mas. -
JERSEY BOYS, the Story of Frankie Valli and the Four Seasons, Playing the Granada Theatre November 27-28, 2017
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 913.668.9321 cell [email protected] TICKETS NOW ON SALE FOR TONY, GRAMMY AND OLIVIER AWARD-WINNING BEST MUSICAL DIRECTED BY DES McANUFF PLAYING THE GRANADA THEATRE NOVEMBER 27-28, 2017 Santa Barbara, CA– Tickets will go on sale September 12, 2017, for the Santa Barbara premiere engagement of the Tony®, Grammy® and Olivier® Award-winning hit musical JERSEY BOYS, the story of Frankie Valli and The Four Seasons, playing The Granada Theatre November 27-28, 2017. Tickets for the 2017-18 Broadway In Santa Barbara Series are now on sale and are available at The Granada box office, online at BroadwaySantaBarbara.com or by calling 805.899.2222. Groups of 10+ call 866.314.7687. Directed by two-time Tony® Award-winner Des McAnuff, JERSEY BOYS won the 2006 Tony® Award for Best Musical, the 2006 Grammy Award® for Best Musical Show Album, the 2009 Olivier Award for Best New Musical, the 2010 Helpmann Award for Best Musical (Australia), and continues to break box office records on Broadway and across North America. JERSEY BOYS worldwide has been seen by over 25 million people (as of August, 2017). JERSEY BOYS is written by Academy Award® -winner Marshall Brickman and Rick Elice, with music by Bob Gaudio, lyrics by Bob Crewe and choreography by Sergio Trujillo. JERSEY BOYS is part of the Broadway In Santa Barbara Series presented by Theater League. Catch a sneak peek of Jersey Boys! Log on to www.JerseyBoysTour.com/watch. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
![A Tribute to the Great Nat King Cole [Expanded Edition]](https://docslib.b-cdn.net/cover/7246/a-tribute-to-the-great-nat-king-cole-expanded-edition-637246.webp)
A Tribute to the Great Nat King Cole [Expanded Edition]
Carleton College Carleton Digital Commons Marvin Gaye Annotated Track Lists Motown Research Commons 2019-09-04 A Tribute to the Great Nat King Cole [Expanded Edition] Andrew Flory Carleton College, [email protected] Follow this and additional works at: https://digitalcommons.carleton.edu/ marvin_gaye_annotated_track_lists Part of the Musicology Commons Recommended Citation Flory, Andrew. Liner notes for A Tribute to the Great Nat King Cole [Expanded Edition], Marvin Gaye. Recorded 1965. Motown Records, 2019. https://digitalcommons.carleton.edu/ marvin_gaye_annotated_track_lists/1, Carleton Digital Commons. This Annotated Track List is brought to you for free and open access by the Motown Research Commons at Carleton Digital Commons. It has been accepted for inclusion in Marvin Gaye Annotated Track Lists by an authorized administrator of Carleton Digital Commons. For more information, please contact [email protected]. Marvin Gaye, A Tribute to the Great Nat King Cole [Expanded Edition] Motown/Universal Music (2019) Original Mono Master 1. Nature Boy 2:48 (Eden Ahbez) Track cut in California, March 1965 Three vocal tracks recorded at Hitsville, March 13, 1965 2. Ramblin' Rose 2:50 (Joe Sherman, Noel Sherman) Track cut in California, March 1965 Two vocal tracks recorded at Hitsville, March 21, 1965 3. Too Young 3:46 (Sylvia Dee, Sidney Lippman) Track cut in California, March 1965 Three vocal tracks recorded at Hitsville, March 12 and 20, 1965 4. Pretend 2:45 (Cliff Parman, Frank Lavere, Lew Douglas) Track cut in California, March 1965 Three vocal tracks cut at Hitsville, March 12, 1965 5. Straighten Up and Fly Right 2:21 (Nat King Cole, Irving Mills) Track cut in California, March 1965 Three vocal tracks cut at Hitsville, March 12, 1965 6. -
J. Frank Wilson
J. FRANK WILSON J. Frank was born December 11, 1941 in Lufkin, TX. In 1962 J. Frank Wilson, After Being Discharged From Goodfellow Air Force Base, Auditioned For The San Angelo Based Group "The Cavaliers" (Sid Holmes-Lewis Elliott-Bob Zeller-Ray Smith). J. Frank Would Then Be Discovered By Independent Record Producer Sonley Roush Who Had Booked The Band At The Blue Note Club (3rd and Birdwell St) In Big Spring, Texas In 1962. After Signing A 3 Year Manager's Contract With Sid Holmes, In 1963, Frank Took A Leave Of Absents. In 1964 J. Frank Was Re-Instated As The Lead Singer For The Cavaliers Replacing John Maberry. The Cavaliers, J. Frank Wilson, Buddy Croyle, Lewis Elliott, Roland Atkinson, Jim Wynne And A Girl Who Sang In Church (unknown) Went About The Business Of Copying Wayne Cochran's Record In Ron Newdoll's Studio In San Angelo. With J. Frank In Top Form The Record (First Released On Tamara 761 & Le Cam 722) On Josie Started Moving Up The Billboard Charts. It Wasn't Long After This That Contract Disputes, Law Suits, And Greedy Un- Scrupulous Promoters Began Taking Their Toll. After Touring With The Dick Clark Caravan Of Stars The Cavaliers Quit On The Road Returning Back To San Angelo. A Short Time Later Sonley Roush (Road Mgr.) Died In A Car Crash While Touring With J. Frank, Murry Kellum (Long Tall Texan), Travis Wammack (Scratchy), Jerry Graham (Bass), Phil Trunzo (Drums) And Buddy Croyle (Guitar/Sax). The Song, Last Kiss, Had Been Based On An Actual Event That Took The Lives Of 3 Teens In Georgia. -
The Righteous Brothers by Jerry Bfay At
The Righteous Brothers B yJerry Bfayat •— —■ a d i o , w i t h o u t a d o u b t , is t h e m o s t i m p o r - and “Leaving It All lip to You,” which years later tant vehicle for a recording artist. How became a Number One hit for Dale & Grace. Two- many times did y o u turn on your radio part harmony was not unique then - but a pair of and hear a great song b y a great a r t i s t s ! white boys emulating the great black two-part-har Rmaybe Johnny Otis singing “Willie and thm e Hand on y sound? That w as new. Jive,” the Magnificent Men doing “Peace of Mind,” or For Bobby Hatfield and Bill M edley (bom a m onth the Soul Survivors performing “Expressway (To Your apart in 1940), it began separately. Both started Heart)” - not realizing these were white performers, singing at Orange County, California, clubs as ones who had the soul and the ability to sound teenagers. In the early 1960s, Bobby had his group, black? Conversely, did you ever lis the Variations, and Bill his, the ten to an artist like Ella Fitzgerald, Paramours. In 1962, Bobby’s group Carmen McRae or Nancy Wilson incorporated with the Paramours. and say to yourself, “Wow, what a One of their first big shows together fantastic performer,” and assume was at the Rendezvous Ballroom, in she was white? That’s the wonder Balboa, California, a famous haunt ful thing about music: The great during the big-band era. -
United States Court of Appeals for the Ninth Circuit
Case: 12-16733, 02/10/2015, ID: 9415380, DktEntry: 86-1, Page 1 of 33 FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT DONNA CORBELLO, No. 12-16733 Plaintiff Appellant, D.C. No. v. 2:08-cv-00867- RCJ-PAL THOMAS GAETANO DEVITO, Defendant, and FRANKIE VALLI; ROBERT J. GAUDIO; MARSHALL BRICKMAN; ERIC S. ELICE; DES MCANUFF; DSHT, INC., FKA Dodger State Holding Theatricals, Inc.; DODGER THEATRICALS, LTD.; JB VIVA VEGAS, LP; MICHAEL S. DAVID; JERSEY BOYS BROADWAY LIMITED PARTNERSHIP; JERSEY BOYS RECORDS LIMITED PARTNERSHIP; SKUNK, INC.; GETTING HOME, INC., Defendants-Appellees. Case: 12-16733, 02/10/2015, ID: 9415380, DktEntry: 86-1, Page 2 of 33 2 CORBELLO V. VALLI DONNA CORBELLO, No. 13-15826 Plaintiff-Appellant, D.C. No. v. 2:08-cv-00867- RCJ-PAL THOMAS GAETANO DEVITO, Defendant, OPINION and FRANKIE VALLI; ROBERT J. GAUDIO; MARSHALL BRICKMAN; ERIC S. ELICE; DES MCANUFF; DSHT, INC., FKA Dodger State Holding Theatricals, Inc.; DODGER THEATRICALS, LTD.; JB VIVA VEGAS, LP; MICHAEL S. DAVID; JERSEY BOYS BROADWAY LIMITED PARTNERSHIP; JERSEY BOYS RECORDS LIMITED PARTNERSHIP; SKUNK, INC.; GETTING HOME, INC., Defendants-Appellees. Appeal from the United States District Court for the District of Nevada Robert Clive Jones, District Judge, Presiding Argued and Submitted June 13, 2014—San Francisco, California Filed February 10, 2015 Case: 12-16733, 02/10/2015, ID: 9415380, DktEntry: 86-1, Page 3 of 33 CORBELLO V. VALLI 3 Before: Diarmuid F. O’Scannlain, Robert D. Sack *, and Carlos T. Bea, Circuit Judges. Opinion by Judge O’Scannlain; -
Descendants of John Hugh Wilson
Descendants of John Hugh Wilson by Mary H. Ash Descendants of John Hugh Wilson Descendants of John Hugh Wilson Generation No. 1 1. JOHN HUGH1 WILSON was born 1689 in Londonderry, Ireland, and died July 09, 1773 in Letterkenny Twp, Cumberland, PA. Notes for JOHN HUGH WILSON: From "Scotch-Irish Pioneers in Ulster and America" Early settlers of Londonderry comprised many who remained but a short time and moved on to new plantations. In July and August, 1718, from five to seven hundred Protestant immigrants from Ireland entered the Port of Boston. Several followers of the Rev. Mr. McGregor set out early in autumn for Andover where they spent the winter. In 1719 there were seventy families at Nutfield, Mass. though not all of Scotch-Irish connection. Wilsons that were on this list included BENJAMIN WILLSON, ELIZABETH WILLSON, MARY WILLSON, THOMAS WILLSON, WILLIAM WILLSON, JAMES WILSON and ROBERT WILSON. The immigrants were given a 10 mile square tract of land for a town of their own. A list of proprietors of Londonderry in 1722 records about 100 Schotch-Irish land owners. Frank Shepherd in WILSON-BAIRD HISTORY states this John is John Hugh Wilson, and born about 1675 in Scotland. The following account is from OUR WILSONS, GASTONS, AND HUTTONS, Herman Wilson Craven, Washington D.C. 1926 The first Wilson of our family of whom we have positive information was one of the defenders of Londonderry, northern Ireland, in 1689. According to uncertain tradition as it came down to Martha Wilson, her sister Lucinda, and her brother Joseph, his name was John. -
Jersey Boys Study Guide
How did four blue-collar kids become one of the greatest successes in pop music history? Have we got a story for you. Discovery Guide 1 WINNER! BEST MUSICAL ® 2006 TONY AWARD BEST MUSICAL ALBUM ® 2006 GRAMMY AWARD Directed by Des McAnuff Book by Marshall Brickman and Rick Elice Music by Bob Gaudio Lyrics by Bob Crewe Choreography by Sergio Trujillo For Jersey Boys Producers: Dodger Theatricals, Joseph J. Grano, Tamara and Kevin Kinsella, Pelican Group, in association with Latitude Link, Rick Steiner/Osher/Staton/Bell/Mayerson Group Music Direction, Vocal Arrangements & Incidental Music: Ron Melrose Scenic Design: Klara Zieglerova Costume Design: Jess Goldstein Lighting Design: Howell Binkley Sound Design: Steve Canyon Kennedy Projection Design: Michael Clark Wig and Hair Design: Charles LaPointe Fight Director: Steve Rankin Production Supervisor: Richard Hester Orchestrations: Steve Orich Music Coordinator: John Miller Technical Supervisor: Peter Fulbright East Coast Casting: Tara Rubin Casting West Coast Casting: Sharon Bialy C.S.A., Sherry Thomas C.S.A. Company Manager: Sandra Carlson Associate Producers: Lauren Mitchell, Rhoda Mayerson, Stage Entertainment Executive Producer: Sally Campbell Morse Promotions: HHC Marketing Press Representative: Boneau/Bryan Brown Jersey Boys Discovery Guide originally produced by Center Theatre Group, LA’s Theatre Company Susan Harper, Writer Rachel Fain, Managing Editor Additional Material Dodger Properties Jessica Phillips, Writer Photography Cover photo by Chris Callis All Jersey Boys production photographs ©Joan Marcus Design Maureen Rooney, Rooney Design Group Ltd Sidebar illustration©JupiterImagesCorporation 2 Introduction How did four blue-collar kids become one of the greatest successes in pop music history? Find out at the musical phenomenon, Jersey Boys.