Creative Synthesis: a Model of Peer Review, Reflective Equilibrium and Ideology Formation ∗
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JTE-2010-Netzer
Journal of Transformative Education http://jtd.sagepub.com/ Inquiry into Creative and Innovative Processes: An Experiential, Whole-Person Approach to Teaching Creativity Dorit Netzer and Nancy Mangano Rowe Journal of Transformative Education 2010 8: 124 DOI: 10.1177/1541344611406905 The online version of this article can be found at: http://jtd.sagepub.com/content/8/2/124 Published by: http://www.sagepublications.com Additional services and information for Journal of Transformative Education can be found at: Email Alerts: http://jtd.sagepub.com/cgi/alerts Subscriptions: http://jtd.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://jtd.sagepub.com/content/8/2/124.refs.html Downloaded from jtd.sagepub.com at INST OF TRANSPERSONAL PSYCH on June 30, 2011 Journal of Transformative Education 8(2) 124-145 ª The Author(s) 2010 Inquiry into Reprints and permission: sagepub.com/journalsPermissions.nav DOI: 10.1177/1541344611406905 Creative and http://jted.sagepub.com Innovative Processes: An Experiential, Whole-Person Approach to Teaching Creativity Dorit Netzer1 and Nancy Mangano Rowe1 Abstract This article highlights the transformative nature of an online master’s level course titled, Inquiry into Creative and Innovative Processes. The authors emphasize the importance of whole-person, imaginative, and intuitive experiences in adult stu- dents’ unique, scholarly development. They describe their process of adapting intuitive inquiry,atranspersonalresearchmethod,as a supportive structure for this online course on creativity. A creative and innovative approach to teaching in itself, the course facilitated a flexible learningcontainer,wherestudentswereguided toward integrating their academic learning and personal discovery in embodied and deeply conscious ways. -
A Philosophical Investigation of Principlism and the Implications Raised by the Treatment of the Mentally Ill
Aporia vol. 24 no. 1—2014 A Philosophical Investigation of Principlism and the Implications Raised by the Treatment of the Mentally Ill BENJAMIN FOSTER Introduction he objective of this investigation is to identify reasonable and relevant problems and issues posed for Principlism by the mentally T ill. Two concepts of Principlism will be presented: a normative con- ceptualization of the bioethical theory and a descriptive conceptualization. In reference to both, two philosophical questions will be asked: can we know the natures of other minds and, if so, how? These two questions have theoretical and practical implications for the treatment of the mentally ill. And, in so far as the questions have implications for the treatment of the mentally ill, they have implications for the bioethical theory of Principlism. There is a lack of concurrence on the meaning, nature, and function of mental phenomena, producing conceptual difficulties concerning the common morality that provides Principlism its normative authority. Similarly, a contradiction appears to arise when one considers the imaginative leap of predicting another’s desires, feelings, and thoughts, a maneuver that professionals participating in the treatment of the mentally ill must perform. There is also significant ambiguity surrounding the concept of mental illness, which produces pragmatic problems when professionals attempt to diagnose and treat an individual in conjunction Benjamin Foster graduated with a degree in philosophy and a minor in biology from the University of Alaska Fairbanks. While there he served as president of the univer- sity’s philosophy club, The Socratic Society. His primary philosophical interests include ethics and epistemology. He currently plans to attend medical school. -
Barriers to Creativity in Engineering Education: a Study of Instructors and Students Perceptions
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/245366675 Barriers to Creativity in Engineering Education: A Study of Instructors and Students Perceptions Article in Journal of Mechanical Design · July 2007 DOI: 10.1115/1.2739569 CITATIONS READS 158 2,294 2 authors, including: Kazem Kazerounian University of Connecticut 69 PUBLICATIONS 938 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Systematic Design and Analysis of Artificial Molecular Machines View project All content following this page was uploaded by Kazem Kazerounian on 21 September 2015. The user has requested enhancement of the downloaded file. Barriers to Creativity in Engineering Education: A Study of Instructors and Students Kazem Kazerounian Professor Fellow ASME Perceptions Stephany Foley This paper studies “creativity” in engineering education, by examining the perception of NSF Graduate Fellow instructors and students. We aim to identify factors that impede a creative environment (creativity blockers). The study entails a review of established research in the fields of Department of Mechanical Engineering, psychology and educational psychology to identify factors which create an educational University of Connecticut, environment conducive to creativity. These factors are formalized in the Ten Maxims of Storrs, CT 06269-3139 Creativity in Education, a set of criteria that constitute an educational environment conducive to fostering creativity in students. These maxims form the basis for our work in examining the contemporary engineering education. Extensive surveys are designed, cre- ated, distributed, and statistically quantified to study the perceptions of engineering edu- cators and students, in comparison to nonengineering educators and students. -
Phd in Political Science Comprehensive Examination Guidebook
Department of Political Science __________________________________________________________ PhD in Political Science Comprehensive Examination Guidebook Contents Pages 2-3: Examination Overview and General Directions Pages 4-10: Reading Lists Page 4- Methodology Page 5- American Government Page 6- Comparative Politics Page 7- International Relations Page 9- Public Policy Page 11-13: Sample Questions for Written Examination Page 11- Methodology Page 12- American Government Page 12- Comparative Politics Page 12- International Relations Page 13- Public Policy EXAMINATION OVERVIEW AND GENERAL DIRECTIONS Doctoral students sit For the comprehensive examination at the conclusion of all required coursework, or during their last semester of coursework. Students will ideally take their exams during the fifth semester in the program, but no later than their sixth semester. Advanced Entry students are strongly encouraged to take their exams during their Fourth semester, but no later than their FiFth semester. The comprehensive examination is a written exam based on the literature and research in the relevant Field of study and on the student’s completed coursework in that field. Petitioning to Sit for the Examination Your First step is to petition to participate in the examination. Use the Department’s graduate petition form and include the following information: 1) general statement of intent to sit For a comprehensive examination, 2) proposed primary and secondary Fields areas (see below), and 3) a list or table listing all graduate courses completed along with the Faculty instructor For the course and the grade earned This petition should be completed early in the registration period For when the student plans to sit For the exam. -
Arend Lijphart and the 'New Institutionalism'
CSD Center for the Study of Democracy An Organized Research Unit University of California, Irvine www.democ.uci.edu March and Olsen (1984: 734) characterize a new institutionalist approach to politics that "emphasizes relative autonomy of political institutions, possibilities for inefficiency in history, and the importance of symbolic action to an understanding of politics." Among the other points they assert to be characteristic of this "new institutionalism" are the recognition that processes may be as important as outcomes (or even more important), and the recognition that preferences are not fixed and exogenous but may change as a function of political learning in a given institutional and historical context. However, in my view, there are three key problems with the March and Olsen synthesis. First, in looking for a common ground of belief among those who use the label "new institutionalism" for their work, March and Olsen are seeking to impose a unity of perspective on a set of figures who actually have little in common. March and Olsen (1984) lump together apples, oranges, and artichokes: neo-Marxists, symbolic interactionists, and learning theorists, all under their new institutionalist umbrella. They recognize that the ideas they ascribe to the new institutionalists are "not all mutually consistent. Indeed some of them seem mutually inconsistent" (March and Olsen, 1984: 738), but they slough over this paradox for the sake of typological neatness. Second, March and Olsen (1984) completely neglect another set of figures, those -
Dance Into the Unknown. a Heuristic Inquiry
Dance into the unknown. A heuristic inquiry. Jane Christophers A dissertation submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Psychotherapy Department of Psychotherapy Auckland University of Technology Supervisor: Dr Margot Solomon 2019 i Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iii Attestation of authorship .................................................................................................. iv Acknowledgements ........................................................................................................... v Abstract ............................................................................................................................ vi Chapter One: Introduction................................................................................................. 1 Dancing in the bush .................................................................................................................. 1 Salire – To leap ......................................................................................................................... 2 Dance and movement ................................................................................................................ 2 5Rhythms dance – Inviting spirit ............................................................................................. -
Coming in the NEXT ISSUE
Association News contributors to the international scientific DBASSE can be accessed at http://sites. community. Nearly 500 members of the nationalacademies.org/DBASSE/index. Coming NAS have won Nobel Prizes” (See http:// htm. Presiding over DBASSE presently nasonline.org/about-nas/mission). is political scientist Kenneth Prewitt. in the For the past century and a half, mem- Scholars who are not NAS members also NEXT bers have investigated and responded to regularly participate as members of NAS questions posed by our national leaders committees, and we urge all political sci- ISSUE as a form of service to the nation without entists to give serious consideration to financial recompense. As Ralph Cicerone, these requests. A preview of some of the articles in the president of the NAS, never fails to relate The discussion at this year’s meeting April 2014 issue: to new members at the annual installation of NAS-member political scientists at ceremony, while our advice is often solic- the APSA convention centered on how to SYMPOSIUM ited—its first report to the Lincoln admin- effectively transmit the best social science US PRESIDENTIAL ELECTION istration addressed whether our country knowledge to the government through FORECASTING should adopt the metric system, and sent the NRC. One issue facing the NRC in Michael Lewis-Beck and back a consensus “yes” answer—this ad- general and the DBASSE in particular Mary Stegmaier, guest editors vice is not always followed. Scientific is that by charter the NAS is not permit- FEATURES objectivity is the goal of the Academy, not ted to solicit contracts from government political advocacy. -
Holism and Compositionality
Holism and Compositionality Francis Jeffry Pelletier 1 Introduction A brief acquaintance with the web shows that the terms ‘holism’1 and ‘compositionality’ are used in many different fields, both academic and non-academic. And given any two academic fields, it is usually not obvious that the terms mean the same to the practitioners. Even just within philosophy and linguistics it seems that rather different conceptions are in play when we read any two different authors. We start, therefore, with a brief survey of some of the senses in which these terms are used. A little later we will make some more careful remarks about the notions. 1.1 Two Kinds of Compositionality A recent interdisciplinary conference revealed that there are (at least) two different things that are thought of when the issue of compositionality is considered. One concerns a (generalized) notion of “what is a complex item (of my theory) made of?” Here are a few places where this notion arose: Prototypes: Current prototype theory says that a prototype is a structure that has a number of attribute-value pairs. A question of interest in this area is: Given that prototype-1 has a structure [A: value-a; B: value-b; . ] and that prototype-2 has the structure [C: value-c; D: value-d . ], is the prototype of the “combined prototypes” (that is, the conceptual combination of the two proto- types) made up only from the material in the two component prototypes, that is, from the attribute-value pairs that are in one or the other of the prototypes? 1 ‘Whole’, and presumably also ’hole’, is derived from the Greek . -
American Political Science Review Vol
Vol.72 June 1978 No. 2 THE CONFERENCE BOARD INC. LIBRARY . JUL 191978 ^ „ 845 THIRD AVENUE ' I ^\\XX NEW YORK, N.Y. 10022 Ml 1%^ https://www.cambridge.org/core/terms American Political Science Review , subject to the Cambridge Core terms of use, available at 27 Sep 2021 at 13:02:49 , on 170.106.202.8 . IP address: Published Quarteriy by https://www.cambridge.org/core The American Political Science Association -£ https://doi.org/10.1017/S0003055400155819 Downloaded from SEPTEMBER is closer than you think... Adopt these fine texts now . Lineberry AMERICAN PUBLIC POLICY What Government Does and What Difference It Mates This introductory public policy text focuses on the twin themes of policy .', „" analysis and the application of policy to key political issues. Using a two-part -' format, the book first discusses theories and methods of domestic policy * ' , analysis and then covers application of these techniques in four areas: cities, ' crime, inequality, and the management of scarcity. 296 pages; $7.95/paper. January 1978. ISBN 0-06-044013-9. https://www.cambridge.org/core/terms Lineberry & Sharkansky URBAN POLITICS AND PUBLIC POLICY Third Edition The new Third Edition features an even stronger policy approach, with new treatments of the political economy and sociology of cities and retains the extensive treatment of mass politics and elite decision making. Recent issues and data have been incorporated as well as discussions of urban fiscal crises, the sun-belt cities, public services, growth and decay as policy problems, and inequality. 416 pages; $1O.95/paper. February 1978. ISBN 0-06-044029-5. -
Creativity in the Metaphysics of Alfred North Whitehead
CREATIVITY IN WIDTEHEAD'S l\1ETAPHYSICS CREATIVITY IN THE METAPHYSICS OF ALFRED NORTH WHITEHEAD By JEFFREY A. MCPHERSON, B.A.(Hons.) A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts © Copyright by Jeffrey A. McPherson, SEPTEMBER, 1996 MASTER OF ARTS (1996) McMaster University (Religious Studies) Hamilton, Ontario TITLE: Creativity in the Metaphysics of Alfred North Whitehead. AUTHOR: Jeffrey A. McPherson, B.A.(Hons.) (York University) SUPERVISOR: Dr. J.C. Robertson, Jr. NUMBER OF PAGES: vi, 127 ii ABSTRACT This is a study of the role that creativity plays in the metaphysics of Alfred North Whitehead ( 1861-1947). As the title generally indicates, there are two parts to this project. The first part develops an understanding of Whitehead's metaphysics through the careful analysis of two key texts, namely Religion in the Making ( 1926), and Process and Reality (1929). The second part examines and carefully analyses the role that creativity plays within this metaphysic. The second part focuses on two questions. The first question considers the ontological status which creativity requires to perform the role which it is given within the metaphysical system. The second question discusses implications of this status for creativity's relationship to God. This second section further discusses the implications of such an understanding of "process theology" for Christian theology in general. Specifically it comments on the various responses of theology to creatio ex nihilo and the problem of evil. This thesis concludes that creativity functions as an ultimate explanatory principle in Whitehead's metaphysics. -
COGS 101B Slides Outline History Descartes
COGS 101B Slides • Web Page • PDF version of Powerpoint slides available – http://www.cogsci.ucsd.edu/~coulson/101b/ on the course website • Instructor http://www.cogsci.ucsd.edu/~coulson/101b/ – Dr. Coulson – Email: coulson “at” cogsci.ucsd.edu – CSB 161 – Thursday: 12-2pm •TAs – Alan Robinson – Nate Harrison – Zack Weinberg Outline History •History • Philosophical Origins • Methods • Structuralism • Paradigms • Functionalism • Gestalt Psychology • Genetic Epistemology • Behaviorism • Cognitive Revolution Descartes • Epistemology • Radical Skepticism • Evil Demon • “Cogito ergo sum.” • Leap of Faith 1 Premises & Problems Rationalism vs. Empiricism Kant Locke, Hume • Knowledge begins • All knowledge originates Physical Neural Mental w/experience but is in experience Energy Activity Experience constructed by mind • Mind is a blank slate • Experience mediated by mental categories or qualia – “raw feels”, raises problem of how to relate physical schemata facts to mental facts Structuralism • Philosophical Motivation – Belief in reductionism – Consciousness can be broken down into basic elements • Goal – Discover basic structures of mental life • Methodology – Introspection Wundt Titchener • Founded first • Took introspection to new experimental psychology level laboratory • “Tell me your sensations • Not just sensations but of this rock” thoughts • BUT: Also did lots of • Tell me your reactions to psychophysics “green things” • Most introspection was people saying “yes” or • Unfortunately, “no” to targeted questions inconsistencies about -
Introduction to the Special Topic Section on Arts and Consciousness Dorit Netzer Hofstra University
International Journal of Transpersonal Studies Volume 34 Article 8 Iss. 1-2 (2015) 1-1-2015 Introduction to the Special Topic Section on Arts and Consciousness Dorit Netzer Hofstra University Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Art Practice Commons, Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Netzer, D. (2015). Netzer, D. (2015). Introduction to the special topic section on arts and consciousness. International Journal of Transpersonal Studies, 34(1-2), 65–69.. International Journal of Transpersonal Studies, 34 (1). http://dx.doi.org/10.24972/ ijts.2015.34.1-2.65 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Special Topic Introduction is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. Introduction to the Special Topic Section on Arts and Consciousness Dorit Netzer Hofstra University Hempstead, NY he arts have traditionally served a wide range of Culture and International Development (2015) is cogently social functions, from the utilitarian, political, reviewed by Judy Schavrien (p. 214), eloquently said: and entertaining, to the sacred, ritualistic, and The imaginary is not simply fantasy, although Treligious. As such, the arts have always been an integral fantasy plays a very important part in our emotional vehicle of transpersonal development, by uncovering and psychic lives as attested by many cultural forms the unconscious and raising consciousness, preserving from fairy tales and myths or utopias and science cultures, and propelling global transformation.