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Catalogue of a Loan Exhibition of Paintings by Winslow Homer : New
THE METROPOLITAN MUSEUM OF ART WINSLOW HOMER MEMORIAL EXHIBITION MCMXI CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER OF THIS CATALOGUE AN EDITION OF 2^00 COPIES WAS PRINTED FEBRUARY, I 9 I I Digitized by the Internet Archive in 2015 https://archive.org/details/catalogueofloaneOOhome FISHING BOATS OFF SCARBOROUGH BY WINSLOW HOMER LENT BY ALEXANDER W. DRAKE THE METROPOLITAN MUSEUM OF ART CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER NEW YORK FEBRUARY THE SIXTH TO MARCH THE NINETEENTH MCMXI COPYRIGHT, FEBRUARY, I 9 I I BY THE METROPOLITAN MUSEUM OF ART LIST OF LENDERS National Gallery of Art Pennsylvania Academy of the Fine Arts The Lotos Club Edward D. Adams Alexander W. Drake Louis Ettlinger Richard H. Ewart Hamilton Field Charles L. Freer Charles W. Gould George A. Hearn Charles S. Homer Alexander C. Humphreys John G. Johnson Burton Mansfield Randall Morgan H. K. Pomroy Mrs. H. W. Rogers Lewis A. Stimson Edward T. Stotesbury Samuel Untermyer Mrs. Lawson Valentine W. A. White COMMITTEE ON ARRANGEMENTS John W. Alexander, Chairman Edwin H. Blashfield Bryson Burroughs William M. Chase Kenyon Cox Thomas W. Dewing Daniel C. French Charles W. Gould George A. Hearn Charles S. Homer Samuel Isham Roland F. Knoedler Will H. Low Francis D. Millet Edward Robinson J. Alden Weir : TABLE OF CONTENTS Page Frontispiece, Opposite Title-Page List of Lenders . Committee on Arrangements . viii Table of Contents .... ix Winslow Homer xi Paintings in Public Museums . xxi Bibliography ...... xxiii Catalogue Oil Paintings 3 Water Colors . • 2 7 Index ......... • 49 WINSLOW HOMER WINSLOW HOMER INSLOW HOMER was born in Boston, February 24, 1836. -
IOWNER of PROPERTY NAME Mr
Form No. 10-300 (Rev. 10-74) UNITED STATtS DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Winslov Homer Studio AND/OR COMMON Winslov Homer Studio LOCATION STREET & NUMBER Winslow Homer Road -NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Front's Nerk, Scarborough — VICINITY OF First STATE CODE COUNTY CODE Maine 02^ Cumberland 005 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _ DISTRICT _ PUBLIC X.OCCUPIED _ AGRICULTURE X-MUSEUM .XBUILDING(S) JXPRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE _BOTH _ WORK IN PROGRESS —EDUCATIONAL X- p mVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS X-YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES. UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER; IOWNER OF PROPERTY NAME Mr. Charles Homer Willauer STREET & NUMBER 85 Chestnut Street CITY, TOWN STATE Boston VICINITY OF Massachusetts LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC Cumberland County Registry of Deeds STREETS NUMBER CITY, TOWN STATE Portland Maine El REPRESENTATION IN EXISTING SURVEYS TITLE Maine Inventory of Historic Sites DATE -FEDERAL 2LSTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Maine Historic Preservation Commission CITY. TOWN STATE Augusta Maine DESCRIPTION CONDITION CHECK ONE CHECK ONE _XEXCELLENT —DETERIORATED —UNALTERED X-ORIGINALSITE —GOOD —RUINS .^ALTERED —MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Winslow Homer Studio stands on the south side of Winslow Homer Road above the shore of Prout's Neck in Scarborough, Maine. Winslow Homer Road is a private way serving a number of substantial summer cottages -which appear to date from the late 19th through the mid-20th centuries. -
Handbook of the Collections
Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1981 Handbook of the Collections Bowdoin College. Museum of Art Margaret Burke Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bowdoin College. Museum of Art and Burke, Margaret, "Handbook of the Collections" (1981). Museum of Art Collection Catalogues. 5. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/5 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. Bowdoin College Museum of Art HANDBOOK of the Collections The Bowdoin College Library Digitized by the Internet Archive in 2015 https://archive.org/details/handbookofcollecOObowd Handbook of the Collections Walter Art Building McKim, Mead & White, architects i8g2-i8g4 Bowdoin College Museum of Art HANDBOOK COLLECTIONS Edited by MARGARET R. BURKE BRUNSWICK, MAINE 1981 COVER DRAWING BASED ON ORNAMENTAL DETAILS OF THE WALKER ART BUILDING BY JOSEPH NICOLETTI TYPE COMPOSITION BY THE ANTHOENSEN PRESS OFFSET PRINTING BY THE MERIDEN GRAVURE COMPANY DESIGN BY JOHN McKEE This project is supported by a grant from the National Endowment for the Arts in Washington, D.C., a federal agency. ISBN: 0-916606-01-5 Library of Congress Catalog Card Number: 81—66892 Copyright 1981 by the President and Trustees of Bowdoin College All rights reserved the memory ofJohn H. -
Three Centuries of American Painting
THREE CENTURIES OF AMERICAN PAINTING THE METROPOLITAN MUSEUM OF ART APRIL 9 OCTOBER 17 THE METROPOLITAN MUSEUM Cr ART AR C nI . For additional information about many of the paintings and pieces of sculpture in the exhibition, see the following; Available at The Metropolitan Museum Art and Book Shops. 1. Albert T. Gardner and Stuart P. Feld, American Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Volume One (covering paintings by artists born by 1815) (Metropolitan Museum, 1965). Cloth, $7.50. Paper, $2.95. Volumes Two and Three are in preparation. 2. Henry Geldzahler, American Paintina in the Twentieth Century (Metropolitan Muse 1965). Cloth, $7.50. Paper, $2.95. 3. Albert T. Gardner, American Sculpture (Metropolitan Museum, 1965). Cloth, $7.50. Paper, $2.95. 4. The Metropolitan Museum of Art, BULLETIN, April 1965. $.50 5. The Metropolitan Museum of Art, Guide to the Collections, American Paintings, 1962, $.35 6. Edward Joseph Gallagher III Memorial Collection, The Metropolitan Museum of Art, $.50 American paintings of the 17th, 18th, 19th, and early 20th centuries are on exhibition in the Harry Payne Bingham Special Exhibition Galleries in the south wing (Wing K), second floor. American paintings of the 20th century are on exhibition in the Morgan Wing Galleries in the north wing (Wing F), second floor. ABBEY, Edwin Austin (1852-1911) K-9 AUDUBON, John James (1785-1851) K-5 King Lear's Daughters Ivory-billed Woodpeckers Dated 1898 Rogers Fund, 1941 Gift of George A. Hearn, 1913 13.140 41.18 ALBERS, Josef (1888- ) AUDUBON, John Woodhouse (1812-1862) and K-6 Homage to the Square: Precinct AUDUBON, Victor Giffordd809-1860) Datedl846 Dated 1951 Hudson's Bay Lemming George A. -
Reconciling the Civil War in Winslow Homer's Undertow
Reconciling the Civil War in Winslow Homer’s Undertow Clara E. Barnhart Winslow Homer’s Undertow (1886), rendered primarily by the leading male, she reaches back with her right hand to in shades of blue and grey, depicts four figures emerging grip the rescue sled. With her left arm she tightly grasps her from an ocean (Figure 1). Upon first glance, and as it was companion, clasping her to her body, her left hand grazing perceived by contemporary viewers, Undertow might well her companion’s right which is swung around the lateral side seem to document superior masculine heroics. Surely the of her frame. Their embrace is insecure; the down-turned men’s verticality alerts us to their chief roles as rescuers of woman is in danger of tipping further to her right, her body the women they bracket. Erect and strong, they haul their weight slumped and precariously distributed along the length catch to shore while the women, victims in need of saving, of the other woman’s body. Save for the efforts of her female lie prostrate and sightless. However accurate this cursory ally to whom she clings, the down-turned woman appears to reading may be, it denies Undertow the complexity with have a perilous hold. Her closest male rescuer does little to which Homer infused it. This paper asserts that Undertow is rectify her unsteadiness, holding only the end of her fabric far more than the straightforward rescue scene nineteenth- bathing dress, or possibly the end lip of a rescue-sled cov- century critics assumed it to be. -
The Story of Prouts Neck
University of Southern Maine USM Digital Commons Maine Collection 1924 The Story of Prouts Neck Rupert Sargent Holland Follow this and additional works at: https://digitalcommons.usm.maine.edu/me_collection Part of the Genealogy Commons, Other History Commons, and the United States History Commons Recommended Citation Holland, Rupert Sargent, "The Story of Prouts Neck" (1924). Maine Collection. 101. https://digitalcommons.usm.maine.edu/me_collection/101 This Book is brought to you for free and open access by USM Digital Commons. It has been accepted for inclusion in Maine Collection by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. ·THE STORY OF PROUTS NECK· BY RUPERT SARGENT HOLLAND .. THE PROUTS NECK ASSOCIATION PROUTS NECK, MAINE DEDICATED TO THE MEMORY OF FRANK MOSS ARTIST AND DEVOTED WORKER FOR THE WELFARE OF PROUTS NECK .. Copyright 1924 by The Prouts Neck Association Prouts Neck, Me. Printed in U.S. A. THE COSMOS PRESS, INC., CAMBRIDGE, MASS. The idea of collecting and putting in book form sotrie of the interesting incidents in the history of Prouts Neck originated with Mr. Frank Moss, who some years ago printed for private distribution an account of the N~ck as it was in I886 and some of the changes that had since occurred. Copies of this pamphlet were rare, and Mr. Moss and some of his friends wished .to add other material of interest and bring it up to date, making a book that, published by the Prouts Neck Association, should interest summer residents ·in the story of this beautiful headland and in the endeavors to preserve its native charms. -
The Life and Works of Winslow Homer
i^','i yv^ ijj.B.CLARK£ cn Qni'5;tLL£RS«ST»Tm..ri THE LIFE AND WORKS OF WINSLOW HOMER PORTIL^IT OF WINSLOW HOMER AT THE AGE OF SEVENTY-TWO From a photograph taken at Prout's Neck, Maine, in igo8. Photogravure 1 y^ff THE'T'ttt:^ LIFEt ti AND WORKS OF WINSLOW HOMER BY WILLIAM HOWE DOWNES WITH ILLUSTRATIONS BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY 191 JNJMAA/j«^G LIBRARY JUL 19™ i5[!15WW OCT 2 :M332 iNSTITUTlOW HATiOMAL COLL^^iiuji Of FINE AHW COPYRIGHT^ J911, BY WILLIAM HOWE DOWNES ALL RIGHTS RESER\'ED Published October iqii ACKNOWLEDGMENTS THE author is grateful to all those persons who have aided him in the preparation of this biography. To Winslow Homer's two brothers he owes especially cordial thanks. Mr. Charles S. Homer has been most kind in lending indispensable assistance and most patient in an- swering questions. Mr. Arthur B. Homer with fortitude has listened to the reading of the entire manuscript, and has given wise and valuable counsel and criticism. To Mr. Arthur P. Homer and Mr. Charles Lowell Homer of Boston the author is indebted for many useful suggestions and interesting remi- niscences. Mr. Joseph E. Baker, the friend and comrade of Winslow Homer in his youth, and his fellow-apprentice in BufTord's lithographic establishment in Boston, from 185510 1857, has supplied interesting data which could have been obtained from no other source. Mr. Walter Rowlands, of the fine arts department of the Boston Public Library, has made himself useful in the line of historic research, for which his experience admirably qualifies him, and has gone over the first rough draft of the manuscript and offered many friendly hints and suggestions for its betterment. -
News Release the Metropolitan Museum of Art
news release The Metropolitan Museum of Art For Release: Immediate Contact: Harold Holzer Jill Schoenbach LIFETIME ACHIEVEMENTS OF WINSLOW HOMER ON VIEW AT METROPOLITAN MUSEUM OF ART Major Retrospective Exhibition Will Include Works in All Media Exhibition dates: June 20 - September 22,1996 Exhibition location: European Paintings Galleries, second floor Press preview: Monday, June 17,10 a.m. - noon The creative power and versatility of one of America's greatest painters will be on view in the major retrospective exhibition Winslow Homer, opening June 20 at The Metropolitan Museum of Art. The most comprehensive presentation of Homer's art in more than 20 years, the exhibition will include approximately 180 paintings, drawings, and watercolors, and will offer a broad vision of his achievements over five decades. The exhibition, which was organized by the National Gallery of Art, Washington, comes to New York after showings at the National Gallery and the Museum of Fine Arts, Boston where it has been a great critical and popular success. The exhibition is made possible by GTE Corporation. Philippe de Montebello, Director of the Metropolitan Museum, commented: "Homer's wide-ranging pictorial style and technical virtuosity have earned him a place among the nation's indisputable masters. This summer, we are proud to display the full range of Homer's genius to visitors to the Museum from across America and around the world." "GTE is honored to join The Metropolitan Museum of Art in presenting Winslow Homer. GTE's involvement in this exhibition is a corollary to our role in communications. Our support of the arts and education reflects our desire to enhance the quality of life in our society, challenge the human spirit, and enjoy the product of creative genius," said Charles R. -
Oncise Catalogue O
oncise catalogue o in THE METROPOLITAN MUSEUM OF ART A Concise Catalogue of the AMERICAN PAINTINGS in THE METROPOLITAN MUSEUM OF ART COMPILED BY Albert Ten Eyck Gardner, Associate Curator of American Art NEW YORK 1957 Foreword This concise catalogue has been prepared in answer to a continuing de mand for a complete list of the Museum's collection of American paintings. It is the aim of the catalogue to give only the essential information about paintings in oil by American artists. The paintings are listed alphabeti cally by artist; measurements are given in inches, height preceding width; signatures and some inscriptions have been transcribed. All paintings acquired through December 1956 have been included. An asterisk on an entry indicates a subject received in exchange for an earlier acquisition. A detailed catalogue of American paintings, now in preparation, will be issued in due course. The compiler wishes to thank Mrs. Herbert Iselin for adding recent acquis itions to the catalogue, and Mrs. Josephine L. Allen and Mrs. Gardner for checking entries and correcting proofs. A. T. G. Catalogue Study in Black and Green Oil on canvas, 40x50 in. Signed (lower left): J. W. Alexander George A. Hearn Fund, 1908. 08.139.1 A Walt Whitman (1819-1892) Oil on canvas, 50x40 in. Signed and dated (lower right): American, Artist Unknown J. W. Alexander-89 XVIII century, second quarter Gift of Mrs. Jeremiah Milbank, 1891. 91.18 Thomas Nelson of Virginia (?) Oil on canvas, 46x36 in. Allen, Junius 1898- Source unknown. X.101 The Old New York Post Office Oil on canvas, 36x42 in. -
National Gallery of Art
National Gallery of Art FOR IMMEDIATE RELEASE BREADTH AND MASTERY OF WINSLOW HOMER 'S ART ON EXHIBITION AT NATIONAL GALLERY OF ART. OCTOBER 15. 1995 - JANUARY 28. 1996; PASSES REQUIRED ON WEEKENDS AND HOLIDAYS WASHINGTON, D.C., August 25, 1995 The towering artistic achievements of Winslow Homer (1836-1910), one of America's greatest painters, will be presented in the first comprehensive exhibition of his work in more than twenty years. Organized by the National Gallery of Art, Winslow Homer will be on view in the Gallery's East Building from October 15, 1995 through January 28, 1996, before traveling to Boston and New York. The exhibition is made possible by GTE Corporation. More than 225 works in the show, including 86 oil paintings, 99 watercolors, 31 drawings, and six prints, as well as technical materials, will illustrate Homer's superb breadth, mastery, keen observation of life, and sensitivity to political issues in nineteenth-century America. "It is fitting that the premiere venue for this exhibition will be the capital of the nation whose life and finest values are so enduringly expressed in Homer's art," said Earl A. Powell III, director, National Gallery of Art. "We are deeply grateful -more- Fourlli Street at Constitution Avenue, N.W., Washington, D.C. 2056f) homer . page 2 to GTE for making this possible." "GTE is honored to join the National Gallery of Art for the ninth time in presenting a major exhibition. By supporting Winslow Homer, GTE affirms its belief in art as a powerful means of communication. We have a longstanding commitment to enhancing the quality of life in our society by supporting the arts and education," said Charles R. -
“If You Can Read This . . .”: Winslow Homer's the Gulf Stream and The
ISSN: 2471-6839 Cite this article: Marc Simpson, “‘If You Can Read This . .’: Winslow Homer’s The Gulf Stream and the Viewing of His Pictures,” Panorama: Journal of the Association of Historians of American Art 4, no. 1 (Spring 2018), https://doi.org/10.24926/24716839.1638. “If You Can Read This . .”: Winslow Homer’s The Gulf Stream and the Viewing of His Pictures Marc Simpson, Independent Scholar Figure 1. Winslow Homer, The Gulf Stream, 1899. Oil on canvas, 28 1/8 x 49 1/8 in. The Metropolitan Museum of Art, Catherine Lorillard Wolfe Fund, 1906, 06.1234 In June 2014, a collector and amateur art historian emailed me about the inscription in the lower left-hand corner of the Winslow Homer (1836–1910) painting The Gulf Stream (fig. 1), just below the signature and date. This is a painting with which I had limited experience and, I must confess, for which I had limited affection. In spite of the inspired advocacy of such writers as Nicolai Cikovsky Jr. and Peter H. Wood, the earlier, chiding writings by Barbara Novak and Roger Stein were what had always resonated with me, as when Stein simply condemned it as “poorly painted, harsh in color, melodramatically overstated and terribly derivative in both its symbolism and its structure.”1 So, in order to respond to the email, I had to look at the picture more intensely, more openly, than ever before. My correspondent did not convince me about his interpretation of what the artist had written on this canvas or why he had done so. -
Picture Study Portfolio: Homer Published by Simply Charlotte Mason Homer © 2017 by Emily Kiser
Simply Charlotte Mason presents Homer Picture Study Portfolios by Emily Kiser Simply Charlotte Mason presents Breathe a sigh of relief—you, the teacher, don't have to know about art in order to teach picture study! With Picture Study Portfolios you have everything you need to help your family enjoy and appreciate beautiful art. Just 15 minutes once a week and the Cassatt simple guidance in this book will inuence and enrich your children more than you can imagine. In this book you will nd • A living biography to help your child form a relation with the artist • Step-by-step instructions for doing picture study with the pictures in this portfolio • Helpful Leading oughts that will add to your understanding of each picture • Extra recommended books for learning more about the artist "We cannot measure the inuence that one or another artist has upon the child's sense of beauty, upon his power of seeing, as in a picture, the common sight of life; he is enriched more than we know in having really looked at even a single picture."—Charlotte Mason Simply Charlotte Maso.comn Picture St udy Portfolios Winslow Homer (1836–1910) by Emily Kiser To be used with the Picture Study Portfolio: Homer published by Simply Charlotte Mason Homer © 2017 by Emily Kiser All rights reserved. However, we grant permission to make printed copies or use this work on multiple electronic devices for members of your immediate household. Quantity discounts are available for classroom and co-op use. Please contact us for details. Cover Design: John Shafer ISBN 978-1-61634-404-7 printed ISBN 978-1-61634-405-4 electronic download Published by Simply Charlotte Mason, LLC 930 New Hope Road #11-892 Lawrenceville, Georgia 30045 simplycharlottemason.com Printed by PrintLogic, Inc.