July 6 - 15, 2021 Riviera A4 Market Premieres

Total Page:16

File Type:pdf, Size:1020Kb

July 6 - 15, 2021 Riviera A4 Market Premieres JULY 6 - 15, 2021 RIVIERA A4 MARKET PREMIERES LAND OF THE SONS [ LA TERRA DEI FIGLI ] GENRE DRAMA/ POST-APOCALYPTIC DIRECTED BY CLAUDIO CUPELLINI PRODUCED BY CAST The end of civilization has arrived. It is not known what caused Indigo Film Leon de la Vallée this cataclysm, but the apocalypse has wiped out a large part with Rai Cinema Paolo Pierobon of humanity and the earth has stopped bearing fruit. A Father in co-production with Maria Roveran and his Son are among the few survivors. The Son grows up Wy Productions Valerio Mastandrea like a wild beast, as the Father teaches this is the only way to Valeria Golino survive. When the Father dies, the Son decides to undertake a INFO journey along a mysterious river in a hostile world, moved by Italy, France / 2021 DOMESTIC the desire to discover what was forbidden to him, but above DCP / 2K / HD RELEASE all in search of someone who can read to him the words writ- Audio 5.1 / 120’ / Italian 01 Distribution ten by The Father in the journal he kept for all his life. July 1, 2021 MARKET SCREENINGS PROMO REEL Wednesday July 7 Tuesday July 6 9:00 / Riviera 1 9:30 / Riviera 1 Sunday July 11 12:00 / Riviera 1 9:00 / Riviera 1 ONLINE SCREENING AT THE SAME TIME +24 HOURS MARKET PREMIERES BLACKOUT LOVE [ BLACKOUT LOVE ] GENRE ROMANTIC COMEDY DIRECTED BY FRANCESCA MARINO PRODUCED BY CAST Valeria has her life completely figured out. She goes through Groenlandia Anna Foglietta men one after the other, without ever looking back. She coach- in collaboration with Alessandro Tedeschi es a female volleyball team, and her coaching go well beyond Rai Cinema Anna Bonaiuto the rules of the game, teaching her girls how to be independent and to avoid pain when dealing with love. The only man she’s INFO DOMESTIC ever lowered her guard for is her ex-boyfriend Marco who split Italy / 2021 / DCP RELEASE up with her about one year before, breaking her heart. When 2K / HD / Audio 5.1 Amazon Italy after a very unusual accident, he suddenly comes back into her 100’ / Italian July 9, 2021 life, Valeria decides the time has come to exact her revenge on him. But it won’t be as easy as she thinks... MARKET SCREENINGS PROMO REEL Wednesday July 7 Tuesday July 6 13:45 / Riviera 2 9:30 / Riviera 1 Saturday July 10 12:00 / Riviera 1 12:00 / Riviera 1 ONLINE SCREENING AT THE SAME TIME +24 HOURS MARKET PREMIERES YOU CAME BACK [ LASCIAMI ANDARE ] GENRE THRILLER DIRECTED BY STEFANO MORDINI PRODUCED BY CAST Marco and Anita discover they’re expecting a baby. Final- Warner Bros. Stefano Accorsi ly, a ray of hope shines in Marco’s life, after the prolonged Entertainment Italia Valeria Golino grief for the loss of Leo, his firstborn conceived with his first and Picomedia Maya Sansa wife, Clara. But suddenly, Perla - the new owner of the house Serena Rossi where Marco and Carla used to live at the time of the tragic INFO accident - bursts into the lives of Marco and his ex-wife. The Italy / 2020 / DCP DOMESTIC mysterious woman claims she constantly senses a strange 2K / HD / Audio 5.1 RELEASE presence, and the voice of a child tormenting her and her son. ‘98 / Italian Warner Bros. Pictures Marco then finds himself torn between the bonds of his past October 8, 2020 and a future still not written. MARKET SCREENINGS PROMO REEL Thursday July 8 Tuesday July 6 16:00 / Riviera 2 9:30 / Riviera 1 Friday July 9 12:00 / Riviera 1 13:45 / Palais H ONLINE SCREENING AT THE SAME TIME +24 HOURS MARKET SCREENINGS THE GUEST ROOM [ LA STANZA ] GENRE PSYCHOLOGICAL THRILLER DIRECTED BY STEFANO LODOVICHI PRODUCED BY CAST The morning Stella decides to take her own life, a stranger knocks Lucky Red Guido Caprino at her door claiming the guest room he booked for the night. Sur- 1994 - Best Actor prised but charmed by this man who seems to know her very well, International Emmy INFO Awards Nominee Stella decides to let him in. But when Sandro, the man who broke Italy / 2021 / DCP Stella’s heart, joins them at home, this odd situation turns im- Camilla Filippi mediately into chaos: Giulio, the stranger, starts unveiling all the Audio 5.1 / 86’ Edoardo Pesce Italian Dogman secrets of the couple and of the house. Who is Giulio? And what are Stella and Sandro hiding? DOMESTIC RELEASE Lucky Red January 4, 2021 (VOD) MARKET SCREENINGS PROMO REEL Thursday July 8 Tuesday July 6 12:00 / Palais G 9:30 / Riviera 1 12:00 / Riviera 1 ONLINE SCREENING AT THE SAME TIME +24 HOURS MARKET SCREENINGS ZANKA CONTACT GENRE ROMANCE/ACTION/MUSIC DIRECTED BY ISMAËL EL IRAKI PRODUCED BY CAST In hellish Casablanca, the burning love story between has- Barney Production Khansa Batma been rocker Larsen and the streetwise amazon Rajae sets in co-production with Ahmed Hammoud ablaze a crazy Moroccan underworld in this story of passion, Mont Fleuri Production Mimosas trauma and rock ‘n’ roll. and Velvet Films Saïd Bey Abderrahmane Oubihem INFO Mourad Zaoui MARKET SCREENINGS PROMO REEL Morocco, France, Belgium Fatima Attif Thursday July 8 Tuesday July 6 2020 / DCP / 2K / HD 9:30 / Riviera 1 9:30 / Riviera 1 Audio 5.1 / 120’ DOMESTIC RELEASE 12:00 / Riviera 1 Arabic, English UFO Distribution September 29, 2021 ONLINE SCREENING AT THE SAME TIME +24 HOURS COMPLETED FILMS FORTUNA - THE GIRL AND THE GIANTS [ FORTUNA ] GENRE DRAMA DIRECTED BY NICOLANGELO GELORMINI PRODUCED BY CAST Fortuna (6 years old) lives with her mother in an anonymous Dazzle Communication Valeria Golino suburb. She spends her time with two playmates, Nicola and with Indigo Film Pina Turco Anna, dreaming of being Nancy, an alien princess chased by and Rai Cinema Cristina Magnotti giants who want to kidnap her and her friends. After a tragic accident happened to Nicola, an obscure secret surfaces in a INFO DOMESTIC RELEASE struggle between reality and imagination, unveiling a horrible Italy / 2020 / DCP / 2K I Wonder Pictures truth. A dark fairy tale, based on a true story. HD / Audio 5.1 / 108’ May 27, 2021 Italian COMPLETED FILMS PUNTASACRA [ PUNTA SACRA ] GENRE DOCUMENTARY/SOCIAL ISSUES DIRECTED BY FRANCESCA MAZZOLENI PRODUCED BY The last patch of land - the last triangle of habitable space at the mouth of the Morel Film Tiber. Its inhabitants call it Punta Sacra, Sacred Point. Realism and imaginary in association with constantly intertwine in this suburb of Rome, where Franca leads an all-female Patroclo Film community. A family hanging between nostalgia and an inevitable pragmatism, constantly struggling between a strong sense of belonging and the lack of INFO opportunities for the new generations. Italy / 2020 DCP / 2K HD / Audio 5.1 / 96’ DOMESTIC RELEASE Italian Morel Film June 10, 2021 UPCOMING TITLES CLICK HERE TO REQUEST THE PROMO WITH OR WITHOUT YOU [ UNA RELAZIONE ] GENRE DRAMA/ROMANCE DIRECTED BY STEFANO SARDO PRODUCED BY CAST Alice and Tommaso have been together for fifteen years; they Ascent Film Guido Caprino don’t have children, he‘s a musician, she’s an actress. Invited Nightswim 1994 - Best Actor to dinner for an announcement, their friends think it’s going to International Emmy Awards Nominee be a marriage announcement, but instead discover that decid- INFO ed to break up: but without drama or emotional rifts, staying Elena Radonicich Italy / 2021 / DCP / 2K friends with each other. A legitimate but naive ambition. Love Thony HD / Audio 5.1 / Italian stories end, because people change. And no change is, nor Libero De Rienzo can it be, painless. STATUS/DELIVERY DOMESTIC RELEASE Post-production 2021 I Wonder pictures Fall 2021 UPCOMING TITLES DOCTOR ON CALL [ UNA NOTTE DA DOTTRE ] GENRE COMEDY DIRECTED BY GUIDO CHIESA PRODUCED BY CAST Pierfrancesco is a 65 year old doctor working as a night-shift Colorado Film Diego Abatantuono medical guard. He’s a grumpy man, full of aches and pains and Medusa Film Frank Matano very rough with his patients. One night he’s involved in a road collision with Mario, a thirty-year-old rider for a food delivery INFO DOMESTIC service. Mario is uninjured, but his bicycle is destroyed. The Italy / 2021 / DCP / 2K DISTRIBUTOR accident also causes Pierfrancesco sciatica to flare up, making HD / Audio 5.1 / Italian Medusa Film it impossible for him to drive. Both of their jobs are in jeopardy, but the doctor has an idea that could help them both: “remotely STATUS/DELIVERY guided” by Pierfrancesco via wireless headset, Mario will visit Post-production 2021 his patients, and they’ll also carry out Mario’s delivery in Pier- francesco’s car. After a whole range of daring (mis)adventures, they will learn to support each other, and the night will end with their lives both changed for the better. UPCOMING TITLES CLICK HERE TO REQUEST THE PROMO SUPERHEROES [ SUPEREROI ] GENRE DRAMA/ROMANCE DIRECTED BY PAOLO GENOVESE PRODUCED BY CAST The story of a young couple who falls in love and struggles Lotus production Jasmine Trinca to keep its relationship alive going through tenderness A Leone Film Group The Goddess of Fortune, and fights, lies and emotions, secrets and cheatings. Company Euforia, On My Skin A sentimental dramedy about couples and the effect Medusa Film Alessandro Borghi of time passing on their relationships, posing a simple Suburra - a Netflix original series but profound question: what superpowers you need to STATUS/DELIVERY The First King, On My Skin have, to love each other your whole life? Post-production 2021 Greta Scarano DOMESTIC DISTRIBUTOR Medusa Film FROM THE DIRECTOR OF PERFECT STRANGERS UPCOMING TITLES CLICK HERE TO REQUEST THE PROMO A BOOKSHOP IN PARIS [ IL MATERIALE EMOTIVO ] GENRE ROMANTIC/DRAMA DIRECTED BY SERGIO CASTELLITTO PRODUCED BY CAST Vincenzo dedicates his life to the bookshop he Rodeo Drive Sergio Castellitto owns in Paris and to his daughter Albertine, forced with Rai Cinema Don’t Move, Fortunata to stay home because of an accident occurred to Mon Voisin Productions Bérénice Bejo her a few years earlier.
Recommended publications
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • Separate and Consolidated Interim Financial Statements As at 30 June 2020
    Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent
    [Show full text]
  • Entretien Avec Sergio Castellitto/Non Ti Muovere
    Document generated on 10/01/2021 1:44 a.m. Ciné-Bulles Le cinéma d'auteur avant tout Entretien avec Sergio Castellitto Non ti muovere Michel Coulombe Volume 22, Number 4, Fall 2004 URI: https://id.erudit.org/iderudit/26493ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this document Coulombe, M. (2004). Entretien avec Sergio Castellitto / Non ti muovere. Ciné-Bulles, 22(4), 28–33. Tous droits réservés © Association des cinémas parallèles du Québec, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Non ti muo*s&r& « Le film raconte l'histoire d'un homme qui apprend à demander des excuses. » Sergio Castellitto PAR MICHEL COULOMBE En Italie, Sergio Castellitto est un acteur de premier plan. Il a fait ses débuts au cinéma au côté de Marcello Mastroianni dans Le Général de l'armée morte de Luciano Tovoli il y a un peu plus de 20 ans. Par la suite, il a partagé l'écran avec, notamment, Marie Trintignant (Le Cri de la soie de Yvon Marciano), Nino Manfredi (Alberto Express d'Arthur Joffé), Isabelle Adjani (Toxic Affair de Philomène Esposito) et Michel Serrault (Ne quittez pas! d'Arthur Joffé).
    [Show full text]
  • 2.5. El Cine De Ettore Scola Valeriano Durán Manso
    2.5. El cine de Ettore Scola Valeriano Durán Manso 2.5.1. Introducción Italia cuenta con una historia del cine muy particular. Es un país en el que siempre ha habido una gran sensibilidad a la hora de contar historias, algo que se ha dado de igual forma en la literatura o en la música. Esta característica permite hablar de una cinematografía con mayúsculas pues el cine italiano es, junto con el americano, el que ha tenido mayor proyección internacional y el que ha dado mayores éxitos en el ámbito europeo a nivel de directores, actores o productores. Como si de Hollywood se tratara, en los años veinte se construyó Cinecittá, una nueva ciudad dentro de Roma equipada para la realización de películas, es decir, para fabricar sueños y este elemento supone un revolución total en el ámbito de la realización en el viejo continente. En un principio, el cine italiano se enfocó mucho a las películas históricas, una etapa que se superó en la década de los treinta, a través de películas como Cabiria (1914), Los últimos días de Pompeya (1925) o Escipión el africano (1937). Con la llegada de la II Guerra Mundial, el cine cambió debido a la concienciación social que los cineastas tomaron tras la contienda y esto supuso una revolución internacional en el ámbito cinematográfico. De esta manera, el Neorrealismo se convirtió en el reflejo de la realidad italiana pues existía una necesidad de narrar lo que ocurría en las familias, en el mundo laboral y, en definitiva, había un gran interés por contar al mundo la situación de Italia tras la guerra.
    [Show full text]
  • Italy Lorenzo Codelli
    ).4%2.!4)/.!,ĺ&),-ĺ'5)$%ĺĺITALY | 207 )TALYĺ,ORENZOĺ#ODELLI IDĺ.ANNIĺ-ORETTIlSĺANTI "ERLUSCONIĺ THEĺüLMĺINDUSTRYĺ"ERNARDOĺ"ERTOLUCCI ĺONEĺ SATIRE ĺ4HEĺ#AIMANĺ)LĺCAIMANO ĺ OFĺTHEĺGROUPlSĺLEADERS ĺWROTEĺAĺPASSIONATEĺ $RELEASEDĺJUSTĺBEFOREĺTHEĺELECTIONSĺINĺ OPENĺLETTERĺTOĺ,Aĺ2EPUBBLICAĺLAMENTINGĺHOWĺ -AYĺ ĺCONVINCEĺANYĺOFĺTHOSEĺ ĺVOTERSĺ )TALIANĺNATIONALĺHERITAGEĺITSELFĺISĺINĺDANGERĺ pĺAĺNARROWĺMARGINĺpĺWHOĺDETERMINEDĺTHEĺFALLĺ #ULTUREĺ-INISTERĺ&RANCESCOĺ2UTELLIĺREACTEDĺ OFĺ3ILVIOĺ"ERLUSCONIlSĺRIGHT WINGĺGOVERNMENTĺ BYĺPROMISINGĺINCREASEDĺüNANCIALĺRESOURCES ĺ ANDĺTHEĺVICTORYĺOFĺ2OMANOĺ0RODIlSĺCENTRE LEFTĺ TAXĺSHELTERSĺANDĺOTHERĺREMEDIESĺ4OOĺLATEĺANDĺ COALITIONĺ4HEĺ#AIMANlSĺSUCCESSĺWASĺSOĺüERCEĺ NOTĺENOUGH ĺRESPONDEDĺANGRYĺüLMMAKERS ĺTOĺ THATĺEVENĺ"ERLUSCONI OWNEDĺCINEMAĺCHAINSĺ REVIVEĺPRODUCTIONĺANDĺDISTRIBUTIONĺONĺASĺLARGEĺAĺ WANTEDĺTOĺSCREENĺIT ĺBUTĺ-ORETTIĺREPLIED ĺk.O ĺ SCALEĺASĺISĺNEEDEDĺ THANKSlĺ(ISĺüLMĺHUMOROUSLYĺDESCRIBESĺBOTHĺ THEĺIMPOSSIBILITYĺOFĺPORTRAYINGĺSUCHĺANĺALMIGHTYĺ )TALYlSĺANNUALĺOUTPUTĺOFĺAPPROXIMATELYĺEIGHTYĺ MANIPULATOR ĺANDĺHOWĺAĺWHOLEĺCOUNTRYĺHASĺ üLMSĺREMAINSĺSCANDALOUSLYĺDIVIDEDĺINTOĺTWOĺ DETERIORATEDĺUNDERĺHISĺLEADERSHIPĺ&EDERICOĺ ECHELONSĺATĺONEĺEND ĺAĺDOZENĺGUARANTEEDĺ &ELLINIĺWOULDĺHAVEĺBEENĺVERYĺPROUDĺOFĺ-ORETTI ĺ BLOCKBUSTERS ĺWIDELYĺRELEASEDĺFORĺ#HRISTMAS ĺ HAVINGĺLANDEDĺTHEĺüRSTĺBLOWĺINĺĺWITHĺ %ASTER ĺORĺTHEĺEARLYĺ.OVEMBERĺHOLIDAYSĺATĺTHEĺ 'INGERĺANDĺ&RED OTHER ĺALLĺTHEĺREMAININGĺüLMS ĺPARSIMONIOUSLYĺ SCREENEDĺFORĺELITEĺAUDIENCES ĺORĺTHROUGHĺ FESTIVALS ĺLATE NIGHTĺ46ĺANDĺ$6$ĺRELEASES )TĺISĺMAINLYĺTHEĺFESTIVALS
    [Show full text]
  • Company Profile Fenix Entertainment About Us
    COMPANY PROFILE FENIX ENTERTAINMENT ABOUT US Fenix Entertainment is a production company active also in the music industry, listed on the stock exchange since August 2020, best newcomer in Italy in the AIM-PRO segment of the AIM ITALIA price list managed by Borsa Italiana Spa. Its original, personalized and cutting-edge approach are its defining features. The company was founded towards the end of 2016 by entrepreneurs Riccardo di Pasquale, a former bank and asset manager and Matteo Di Pasquale formerly specializing in HR management and organization in collaboration with prominent film and television actress Roberta Giarrusso. A COMBINATION OF MANY SKILLS AT THE SERVICE OF ONE PASSION. MILESTONE 3 Listed on the stock exchange since 14 Produces the soundtrack of Ferzan Produces the film ‘’Burraco Fatale‘’. August 2020, best newcomer in Italy in Ozpetek's “Napoli Velata” the AIM-PRO segment of the AIM ITALIA price list managed by Borsa Italiana Spa First co-productions Produces the soundtrack "A Fenix Entertainment cinematographic mano disarmata" by Claudio Distribution is born Bonivento Acquisitions of the former Produces the television Produces the film works in the library series 'That’s Amore' “Ostaggi” Costitution Fenix Attend the Cannes Film Festival Co-produces the film ‘’Up & Produces the “DNA” International and the International Venice Film Down – Un Film Normale‘’ film ‘Dietro la product acquisition Festival notte‘’ 2016 2017 2018 2019 2020 “LA LUCIDA FOLLIA DI MARCO FERRERI” “UP&DOWN. UN FILM “NAPOLI VELATA” original “BEST REVELATION” for Fenix Entertainment • David di Donatello for Best Documentary NORMALE” Kineo award soundtrack Pasquale Catalano Anna Magnani Award to the production team • Nastro d’Argento for Best Film about Cinema for Best Social Docu-Film nominated: • David di Donatello for Best Musician • Best Soundtrack Nastri D’Argento “STIAMO TUTTI BENE” by Mirkoeilcane “DIVA!” Nastro D’Argento for the Best “UP&DOWN.
    [Show full text]
  • Rai Cinema – Intervento Per La Commissione Senato 02/07/2020
    RAI CINEMA – INTERVENTO PER LA COMMISSIONE SENATO 02/07/2020 IL CINEMA DOPO L’EMERGENZA Il cinema, parte fondamentali dell’industria culturale italiana, è tra i settori più colpiti dalla crisi scaturita dall’emergenza Covid. I set si sono dovuti fermare per diversi mesi e le sale cinematografiche sono state chiuse. Si parla di centinaia di aziende, oltre 61.000 lavoratori per le sole attività dirette della produzione ed oltre 172.000 all’interno dell’indotto di primo livello. Sono 1218 i cinema che dovranno ripartire al meglio, per un totale di 3542 schermi. Un comparto che, se considerato nella sua interezza (dalla produzione alle industrie tecniche, dalla distribuzione all’esercizio e ai servizi) è in grado di sviluppare un moltiplicatore economico significativo: ogni euro investito sul cinema riesce infatti a generarne almeno altri quattro. Il cinema è parte dell’economia italiana e quando si pensa ad un film, al prodotto finito, bisognerebbe anche far riferimento all’industria, all’occupazione e alla fiscalità che ne derivano. Ogni singolo film porta con sé una piccola economia sostenuta da maestranze e professionalità, tradizionalmente di altissimo livello in Italia. Far partire la produzione di un film significa ingaggiare un set in cui trovano lavoro in media quaranta persone, cinquanta per le produzioni più importanti, che moltiplicati per il numero dei film complessivi, supportati dal servizio pubblico, si traducono in decine di migliaia di unità impiegate nella realizzazione dei film, senza considerare gli sfruttamenti a valle costituiti da moltissime realtà, anche innovative ed emergenti, che vivono grazie all’esistenza del prodotto cinematografico (distribuzione, esercizio, piattaforme online, etc.).
    [Show full text]
  • MLI1054 | University of Exeter
    10/02/21 MLI1054 | University of Exeter MLI1054 View Online Contemporary Italian Cinema Amelio, Gianni, Enrico Lo Verso, Michele Placido, Carmelo Di Mazzarelli, and Piro Milkani. 2001. ‘Lamerica.’ Gecchi Gori Editoria Elettronica PSV3576. ‘A Story of Children and Film.’ n.d. http://astoryofchildrenandfilm.com/. Benigni, Roberto, Nicoletta Braschi, Giorgio Cantarini, and Giustino Durano. 2011. ‘Life Is Beautiful.’ Miramaz MIROPD2125. Bernadette Luciano. n.d. Reframing Italy: New Trends in Italian Women’s Filmmaking (Purdue Studies in Romance Literatures) [Paperback]. Purdue University Press (30 Nov 2013). http://www.amazon.co.uk/Reframing-Italy-Italian-Filmmaking-Literatures/dp/1557536554. Bondanella, Peter. 2001. Italian Cinema: From Neorealism to the Present. 3rd ed. New York: Continuum. Bordwell, David, and Kristin Thompson. 2004. Film Art: An Introduction. 7th ed. New York: McGraw Hill. Buckland, Warren. 1998a. Film Studies. Vol. Teach yourself books. London: Hodder & Stoughton. ———. 1998b. Film Studies. Vol. Teach yourself books. London: Hodder & Stoughton. Celli, Carlo, and Marga Cottino-Jones. 2007. A New Guide to Italian Cinema. Vol. Italian and Italian American studies. New York: Palgrave Macmillan. Comencini, Francesca, Nicoletta Braschi, Camille Dugay Comencini, Rosa Matteucci, and Alessio Sperati. 2004. ‘Mi Piace Lavorare - Mobbing.’ BIM distribuzione. Crialese, Emanuele, Valeria Golina, and Vincenzo Amato. 2002. ‘Respiro.’ Medusa. Ginsborg, .Paul. 2003. ‘PP68-82 & 126-129 [in] Italy and Its Discontents: Family, Civil Society, State, 1980-2001.’ In Italy and Its Discontents: Family, Civil Society, State, 1980-2001, 68–82. London: Penguin. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_11.pdf. Giordana, Marco Tullio, Alessio Boni, and Michela Cescon. 2005. ‘Quando Sei Nato Non Puoi Piu ̀ Nasconderti.’ 01 Distribution 00952.
    [Show full text]
  • Sergio Castellitto: Un Volto Per Grandi Successi
    Sergio Castellitto: un volto per grandi successi Sergio Castellitto è oggi considerato uno dei massimi attori italiani. E' nato a Roma il 18 agosto 1953 da famiglia molisana (il padre era di Campobasso). Ha frequentato l'Accademia nazionale di arte drammatica "Silvio D'Amico" di Roma, dove si è diplomato nel 1978. La sua carriera artistica è cominciata in teatro, dove ha iniziato a recitare testi di Shakespeare, della commedia dell'arte italiana, "Tre sorelle" di Cechov e "Contessa Giulia" di Strindberg, sotto la guida di grandi registi come Luigi Squarzina e Aldo Trionfo. Il debutto cinematografico nel 1982 con il film "Il generale dell'armata morta" di Luciano Tovoli, con Marcello Mastroianni. Quindi: "Il momento magico" (1984) e "Dolce assenza" (1986). I primi grandi successi di critica e di pubblico nel 1986 con "La famiglia" di Ettore Scola, accanto a Vittorio Gassman e Stefania Sandrelli, e con "Sembra morto ma è solo svenuto" di Felice Farina del 1987, collaborando anche al soggetto e alla sceneggiatura. Nel 1988 ha partecipato a tre film: "Le grand bleu", "Paura e amore" e "Cinéma" A seguire: nel 1989 "Piccoli equivoci" di Ricky Tognazzi; nel 1990 "Alberto Express", "Tre colonne in cronaca" di Carlo Vanzina, "Stasera a casa di Alice" di Carlo Verdone, dove ha interpretato un marito fedigrafo, "Una fredda mattina di maggio" e "Un cane sciolto" (per la tv); nel 1991 "La carne" di Marco Ferreri (1991), dove è diventato cannibale per troppo amore e "Rossini! Rossini!" di Mario Monicelli; nel 1992 "Nessuno" e "Nero". Quindi è la volta dei due film di Francesca Archibugi, "Il grande cocomero" (1993), nel ruolo di uno psichiatra alle prese con una ragazza epilettica, con il quale ha vinto il primo Nastro d'argento, e "Con gli occhi chiusi" (1994).
    [Show full text]
  • Marco Bellocchio and His Renown Actor Pierfrancesco Favino
    NOVEMBER NEWNEW YORKYORK 21ST/23RD/24TH Associazione DECEMBER Culturale 12TH/13TH/14TH Artistic Soul MIAMIMIAMI Thanks to the contribution of the Ministry of Culture and Tourism – General Administration of Cinema, with the support of the Italian Consulate of New York, the Italian Institute of Culture, in collaboration with Sony Pictures Classics, RAI Cinema, Mercer Hotel, the Italian Culture Committee of New York, Stony Brook University, Your Italian Hub and the patronage of APA (Associa- zione Produttori Audiovisivo) we welcome the fourth edition of ITALY ON SCREEN TODAY – New York & Miami, the film festival created and directed by Loredana Commonara for the Artistic Soul Association. The festival will run from Nov 21ST to Nov 24TH at the Walter Reade Theater (Lincoln Center) and at the Wang Center of Long Island, with a curated selection of movies showcasing the best of contemporary Italian cinema: over the course of four days we offer great authors, young directors, US and New York premieres and indepth movie analysis. Over the course of the few last years, Italian cinema has become more and more eclectic, able to surprise and renew itself, both in regards of themes and language, while the productions keep making room for new authors, which is a constant stimulus for the spectators and the industry alike. This is why the effort we put into promoting Italian cinema abroad turns into true pleasure. The most awaited appointment of this edition will take place at the Walter Reade Theater (Lincoln Center), where we proudly host the maestro Marco Bellocchio and his renown actor Pierfrancesco Favino.
    [Show full text]
  • The Circulation of European Co-Productions and Entirely National Films in Europe 2001 to 2007
    The circulation of European Established in December 1992, Créé en décembre 1992, Die im Dezember 1992 gegrün­ the European Audiovisual l’Observatoire européen de dete Europäische Audiovisuelle Observatory is a European public l’audiovisuel est un organisme Informationsstelle ist eine euro­ co-productions service organisation whose européen de service public dont päische Einrichtung des öffentli­ mission is to foster transparency la mission est d’assurer une plus chen Rechts. Ihr Auftrag besteht in the European audiovisual grande transparence dans le in der Schaffung von Transparenz sector and provide information secteur audiovisuel en Europe et im europäischen audiovisuellen services to policy makers and de répondre aux besoins en infor­ Sektor durch die Bereitstellung and entirely audiovisual professionals. mations des organes gouverne­ von Informationsdienstleistungen mentaux ainsi que des profes­ für die audiovisuelle Fachwelt. Its membership consists at sionnels de l’audiovisuel. present of 36 European states as 36 europäische Staaten sowie well as the European Community Il regroupe actuellement die Europäische Gemeinschaft national films represented by the European 36 Etats membres ainsi que vertreten durch die Europäische Commission. The Observatory la Communauté européenne Kommission sind zur Zeit functions within the legal représentée par la Commission Mitglieder der Informationsstel­ framework of the Council of européenne. L’Observatoire le. Die Informationsstelle erfüllt Europe and operates in colla­ s’inscrit dans le cadre juridi­ ihre Aufgabe im rechtlichen in Europe boration with its information que du Conseil de l’Europe et Rahmen des Europarates und network: partners, correspon­ travaille en collaboration avec arbeitet in engem Verbund mit dents and professional organisa­ des organismes partenaires, un Partnerorganisationen, Korres­ tions.
    [Show full text]
  • THE CINEMA of MARCO BELLOCCHIO, a Mo
    Left to right: Marco Bellocchio on set, Fists in the Pocket (1965), Vincere (2009) Thursday 17 May 2018, London. The BFI today announces full details of SATIRE AND MORALITY: THE CINEMA OF MARCO BELLOCCHIO, a month-long season (1 July – 31 July) celebrating the work of the award-winning Italian director MARCO BELLOCCHIO (Fists in the Pocket, A Leap in The Dark, My Mother’s Smile, Vincere). A regular on the festival circuit including the BFI London Film Festival, and winner of awards at Berlin, Venice and Cannes, Bellocchio is still today one of the most distinguished and original filmmakers to have emerged from Italy in the 1960s. As a taster for the season, which is the first ever comprehensive retrospective of Bellocchio’s films, there will be a rare onstage appearance by the director on Saturday 23 June, when he will be in conversation at BFI Southbank with season curator Adrian Wootton. The season, which is in partnership with Istituto Luce-Cinecittà and the Italian Cultural Institute London, will also be complemented by screenings at the Ciné Lumière, offering audiences an opportunity to discover a rich, distinctive body of ambitious and beautifully realised films. Bellocchio was keen for this complete retrospective to take place in London, as he studied at the Slade School of Fine Arts in 1963-64. It was during this time that he wrote his first feature film Fists in the Pocket (I Pugni in Tasca), the remarkable debut which which takes a satirically sharp axe to 1960s Italian society, and the manners and behaviour of a wealthy family.
    [Show full text]