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MLI1054 | University of Exeter 10/02/21 MLI1054 | University of Exeter MLI1054 View Online Contemporary Italian Cinema Amelio, Gianni, Enrico Lo Verso, Michele Placido, Carmelo Di Mazzarelli, and Piro Milkani. 2001. ‘Lamerica.’ Gecchi Gori Editoria Elettronica PSV3576. ‘A Story of Children and Film.’ n.d. http://astoryofchildrenandfilm.com/. Benigni, Roberto, Nicoletta Braschi, Giorgio Cantarini, and Giustino Durano. 2011. ‘Life Is Beautiful.’ Miramaz MIROPD2125. Bernadette Luciano. n.d. Reframing Italy: New Trends in Italian Women’s Filmmaking (Purdue Studies in Romance Literatures) [Paperback]. Purdue University Press (30 Nov 2013). http://www.amazon.co.uk/Reframing-Italy-Italian-Filmmaking-Literatures/dp/1557536554. Bondanella, Peter. 2001. Italian Cinema: From Neorealism to the Present. 3rd ed. New York: Continuum. Bordwell, David, and Kristin Thompson. 2004. Film Art: An Introduction. 7th ed. New York: McGraw Hill. Buckland, Warren. 1998a. Film Studies. Vol. Teach yourself books. London: Hodder & Stoughton. ———. 1998b. Film Studies. Vol. Teach yourself books. London: Hodder & Stoughton. Celli, Carlo, and Marga Cottino-Jones. 2007. A New Guide to Italian Cinema. Vol. Italian and Italian American studies. New York: Palgrave Macmillan. Comencini, Francesca, Nicoletta Braschi, Camille Dugay Comencini, Rosa Matteucci, and Alessio Sperati. 2004. ‘Mi Piace Lavorare - Mobbing.’ BIM distribuzione. Crialese, Emanuele, Valeria Golina, and Vincenzo Amato. 2002. ‘Respiro.’ Medusa. Ginsborg, .Paul. 2003. ‘PP68-82 & 126-129 [in] Italy and Its Discontents: Family, Civil Society, State, 1980-2001.’ In Italy and Its Discontents: Family, Civil Society, State, 1980-2001, 68–82. London: Penguin. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_11.pdf. Giordana, Marco Tullio, Alessio Boni, and Michela Cescon. 2005. ‘Quando Sei Nato Non Puoi Piu ̀ Nasconderti.’ 01 Distribution 00952. 1/5 10/02/21 MLI1054 | University of Exeter Graham Roberts. 2001. Introducing Film. London: Arnold. Grimaldi, Antonello, Nanni Moretti, Valeria Golino, Alessandro Gassman, and Isabella Ferrari. 2008. ‘Caos Calmo.’ 01 Distribution. Hayward, Susan, and Jisc National Ebooks Observatory. 2006. Cinema Studies: The Key Concepts. 3rd ed. Vol. Routledge key guides. London: Routledge. Hipkins, Danielle, and Roger Pitt. 2014a. New Visions of the Child in Italian Cinema. Peter Lang. ———. 2014b. ‘New Visions of the Child in Italian Cinema.’ peter Lnag. 2014. ———. 2014c. ‘New Visions of the Child in Italian Cinema.’ Peter Lang. 2014. ———. 2014d. New Visions of the Child in Italian Cinema. Peter Lang. ———. 2014e. New Visions of the Child in Italian Cinema. Peter Lang. ‘Il Grande Cocomero (1993) - IMDb.’ n.d. http://www.imdb.com/title/tt0107040/?ref_=fn_al_tt_1. ‘Io Sono Li.’ n.d. http://www.imdb.com/title/tt2036388/?ref_=fn_al_tt_1. Katz, Cindi. 2002. ‘Cultural Geographies Lecture: Childhood as Spectacle: Relays of Anxiety and the Reconfiguration of the Child [in] Cultural Geographies.’ Cultural Geographies 15 (1): 5–17. https://uoelibrary.idm.oclc.org/login?url=http://web.b.ebscohost.com/ehost/viewarticle?dat a=dGJyMPPp44rp2%2fdV0%2bnjisfk5Ie46bBKtqi0Sq%2bk63nn5Kx95uXxjL6trUq3pbBIr6qe ULiqs1KvqJ5Zy5zyit%2fk8Xnh6ueH7N%2fiVbOutki3rrFNsZzqeezdu33snOJ6u9vngKTq33%2 b7t8w%2b3%2bS7S7Cur060p7c%2b5OXwhd%2fqu4ji3MSN6uLSffbq&hid=125. Kemp, Philip. 1932. ‘“Review of I’m Not Scared” [in] Sight and Sound: International Film Quarterly’. Sight and Sound: International Film Quarterly, 46–47. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_02.pdf. ‘L’albero Delle Pere.’ n.d. http://www.imdb.com/title/tt0143093/. Landy, Marcia. 2000. ‘A Cinema of Childhood [in] Italian Film.’ In Italian Film, National film traditions:234–60. Cambridge: Cambridge University Press. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_07.pdf. Landy, Marcia. 2000. Italian Film. Vol. National film traditions. Cambridge: Cambridge University Press. Lawrence, M., and S. Smith. 2012. ‘Child Performance Dossier Introduction [in] Screen.’ Screen 53 (4): 436–39. https://uoelibrary.idm.oclc.org/login?url=http://screen.oxfordjournals.org/content/53/4/436. full.pdf+html. Lebeau, Vicky. 2008. Childhood and Cinema. Vol. Locations. London: Reaktion. 2/5 10/02/21 MLI1054 | University of Exeter Liehm, Mira. 1984. Passion and Defiance: Film in Italy from 1942 to the Present. Berkeley: University of California Press. http://www.bdcmuseum.org.uk/explore/. Liehm, Mira. n.d. ‘Passion and Defiance: Film in Italy from 1942 to the Present.’ http://lib.exeter.ac.uk/record=b2565576~S6. Luca Malavasi. 2005. Gabriele Salvatores. Milano: Il castoro. Lury, Karen. 2010. The Child in Film: Tears, Fears and Fairytales. London: I. B. Tauris. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780857711281. Lury, Karen. n.d. The Child in Film [electronic Resource] : Tears, Fears and Fairytales / Karen Lury. DawsonEra. http://lib.exeter.ac.uk/record=b1843234~S6. Marcus, Millicent Joy. 2002. After Fellini: National Cinema in the Postmodern Age. Baltimore: Johns Hopkins University Press. ‘Mario’s War (2005) - IMDb.’ n.d. http://www.imdb.com/title/tt0420897/?ref_=fn_al_tt_1. ‘Mignon Has Left (1988) - IMDb.’ n.d. http://www.imdb.com/title/tt0095633/. Monaco, James. 1981. How to Read a Film: The Art, Technology, Language, History and Theory of Film and Media. Rev. ed. New York: Oxford University Press. Moretti, Nanni. 1999. ‘Aprile.’ BMG Video. Moretti, Nanni, Laura Morante, Jasmine Trinca, and Giuseppe Sanfelice. 2002. ‘La Stanza Del Figlio.’ Momentum Pictures. Nicchiarelli, Susanna, Miriana Raschilla ̀ , Claudia Pandolfi, and Sergio Rubini. 2010. ‘Cosmonauta.’ Fandango. Nowell-Smith, Geoffrey, James Hay, Gianni Volpi, and British Film Institute. 1996. The Companion to Italian Cinema. London: Cassell [and] British Film Institute. O’Healy, Aine. 2007. ‘Hospitality, Humanity and the Detention Camp [in] International Journal of the Humanities.’ International Journal of the Humanities 4 (3): 69–75. https://uoelibrary.idm.oclc.org/login?url=http://web.a.ebscohost.com/ehost/viewarticle?dat a=dGJyMPPp44rp2%2fdV0%2bnjisfk5Ie46bBKtqi0Sq%2bk63nn5Kx95uXxjL6trUq2pbBIr6qe Sa%2bwsUy4prQ4v8OkjPDX7Ivf2fKB7eTnfLujr0m0qLBMt6e3UaTi34bls%2bOGpNrgVebi5j7y 1%2bVVv8SkeeyzsE2uqrJIsamkfu3o63nys%2b585LzzhOrK45Dy&hid=4106. Pitt, Roger. 2012a. ‘PhD Thesis, “Italian Cinema”s Missing Children, 1992-2005’’. 2012. https://ore.exeter.ac.uk/repository/bitstream/handle/10036/3736/PittR.pdf?sequence=1. ———. 2012b. ‘PhD Thesis, “Italian Cinema”s Missing Children, 1992-2005’’. 2012. https://ore.exeter.ac.uk/repository/bitstream/handle/10036/3736/PittR.pdf?sequence=1. ———. 2012c. ‘PhD Thesis, “Italian Cinema”s Missing Children, 1992-2005’’. 2012. https://ore.exeter.ac.uk/repository/bitstream/handle/10036/3736/PittR.pdf?sequence=1. 3/5 10/02/21 MLI1054 | University of Exeter Powrie, P. 2005. ‘Unfamiliar Places: “Heterospection” and Recent French Films on Children [in] Screen’. Screen 46 (3): 341–52. https://uoelibrary.idm.oclc.org/login?url=http://screen.oxfordjournals.org/content/46/3/341. full.pdf+html. Rossi Stuart, Kim, Alessandro Morace, and Barbora Bobulova. 2006. ‘Anche Libero va Bene.’ Axiom. Salvatores, Gabriele, Aitana Sa ́ nchez-Gijo ́ n, Dino Abbrescia, Giorgio Careccia, Giuseppe Cristiano, and Mattia Di Perro. 2003. ‘Io Non Ho Paura.’ Medusa. Sica, Vittorio De, Emilio Cigoli, Luciano De Ambrosis, Isa Pola, and Adriano Rimoldi. 2006. ‘The Children Are Watching Us.’ The Criterion Collection. Sica, Vittorio de, Lamberto Maggiorani, and Enzo Staiola. 2006. ‘Bicycle Thieves.’ Arrow Film Distributors Ltd. Sica, Vittorio De, Rinaldo Smordoni, Franco Interlenghi, and Annielo Mele. 2004. ‘Sciuscia ̀ .’ FSF 2 EDV 1075. Sinyard, Neil. 1990. Children in the Movies. London: Batsford. Sinyard, Neil. 1990. ‘Introduction [in] Children in the Movies.’ In Children in the Movies, 7–15. London: Batsford. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_06.pdf. Sorlin, Pierre. 1996. Italian National Cinema: 1896-1996. Vol. National cinemas series. London: Routledge. ‘Sunday (2001) - IMDb.’ n.d. http://www.imdb.com/title/tt0245084/?ref_=fn_al_tt_1. Sutton, P. 2005. ‘The Bambino Negato or Missing Child of Contemporary Italian Cinema [in] Screen.’ Screen 46 (3): 353–60. https://doi.org/10.1093/screen/46.3.353. The Italian Cinema Book [Paperback]. n.d. British Film Institute (13 Dec 2013). http://www.amazon.co.uk/Italian-Cinema-Book-Peter-Bondanella/dp/1844574040. ‘The Stolen Children (1992) - IMDb.’ n.d. http://www.imdb.com/title/tt0104663/. Tornatore, Giuseppe, Philippe Noiret, Jacques Perrin, and Antonella Attili. 2007. ‘Cinema Paradiso.’ Arrow Films. ‘Tu Devi Essere Il Lupo (2005) - IMDb.’ n.d. http://www.imdb.com/title/tt0488032/?ref_=fn_al_tt_1. 4/5 10/02/21 MLI1054 | University of Exeter Turner, Pauline. 2005. ‘Images of the Family [in] Understanding Representation.’ In Understanding Representation, Understanding the moving image:33–50. London: BFI Publishing. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_12.pdf. Vincendeau, Ginette. 2000. ‘Issues in European Cinema [in] World Cinema: Critical Approaches.’ In World Cinema: Critical Approaches, 56–64. Oxford: Oxford University Press. http://readinglists.exeter.ac.uk/humanities/modernlanguages/MLI1054/MLI1054_17.pdf. Virzi ̀ , Paolo, Alice Teghill, Sergio Castellitto, Margherita Buy, and Antonio Carnevale. 2007. ‘Caterina va in Citta ̀ .’ 01 Distribution 01543. Wagstaff, Christopher. 1996. ‘Cinema [in] Italian Cultural Studies:
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