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Boston Symphony Orchestra Concert Programs, Season 39,1919

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NEW NATIONAL THEATRE . WASHINGTON Tuesday Afternoon, January 6, at 4.30 N :^ mm^-, W uW % BOSTON %y\\i iv^ SYAPHONY ORCHESTRA INCORPORATED THIRTY NINTH SEASON W9-J920 PRSGRSttME UPRIGHT PIANOS GRAND PIANOS THE CHICKERING-AMPICO REPRODUCING PIANOS play the interpretations of the world's foremost pianists—tone for tone, phrase for phrase—the exact duplication of the artists' own renditions from actual recordings. UPRIGHT AND GRAND STYLES ARTHUR JORDAN PIANO CO. 1239 G ST., Cor. 13th WASHINGTON, D. C. HOMER L. KITT. Sec'y-Treas. NEW NATIONAL THEATRE WASHINGTON INCORPORATED Thirty-ninth Season. 1919-1920 PIERRE MONTEUX, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY AFTERNOON, JANUARY 6 AT 4.30 COPYRIGHT, 1920, BY BOSTONSSYMPHONY ORCHESTRA, INCORPORATED W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager — A name that is spoken with the full pride of ownership—that carries with it the deep satis- faction of possessing the ultimate expression of man's handiwork in Musical Art. A name that is cherished as a Family Tradition that keeps afresh for the next generation the associations and fond remembrances which cluster around the home piano. Supreme achievement of patience, skill and ex- perience, founded on inborn Ideals of Artistry. mp <m If 1 £ Jft Catalogue and prices on application Sold on convenient payments Old pianos taken in exchange Inspection invited STE» 107-109 East 14th Street New York Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor Violins. Fradkin, F. Roth, 0. Rissland, K. Mahn, F. Concert-master. Hoffman, J BaV, A. Gerardi, A. Tbeodorowicz T. Ribarsch, A. Sauvlet, H. Di Natale, J. Henkle,R. Traupe, W Goldstein, H. Ringwall, R. Farwell, E. Thillois, F. Goldstein, S Pinfield, C. Fiedler, A. Fiedler, B. Kurth, R. Gunderson, R. Diamond, S.. Deane, C. Bryant, M. Leveen, P. Langley, A. Kurkdjie, N. Blackman, A. Violas. Denayer, F. Berlin, V. Van Veen, H. Kay, W. Grover, H. Wittmann, F Van Wynbergen, C. Shirley, P. Blumenau, W. Salis, J. Violoncellos. Bedetti, J. Miquelle, G. Nagel, R. Belinski, M. Warnke, J. Schroeder, A. Keller, J. Barth, C. Fabrizio, E. Stockbridge, C Basses. Kunze, M. Jaeger, A. Ludwig, 0. Agnesy, K. Gerhardt, G. Seydel, T. Schurig, R. Frankel, I. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Longy, G. Sand, A. Laus, A. Brooke, A. Lenom, C. Mimart, P. Mueller, E. DeMailly, C. Stanislaus, H. Forlani, N. Piller, B. Piccolo. English Horns. Bass Clarinet. Contra-Bassoon Battles, A. Mueller, F. Vannini, A. Fuhrmann, M. Spcyer, L. Horns. Horns. Trumpets. Trombones. Wendler, G. Van Den Berg, C. Heim, G. Adam, E. Lorbeer, H. Versney, C. Mann, J. Sordillo, F. Hain, F. Hess, M. Mager, G. Mausebach, A. Gebhardt, W Folk, G. Kloepfel, L. Kenfield, L. Tuba. Harps. Tympani. Percussion. Mattersteig, P. Holy, A. Neumann, S. Ludwig, C. Burkhardt, H. Cella,T. Gardner, C. Zahn, F. Organ. Librarian. Snow, A. Rogers, L. J. .*&%» AN INVITATION TO MUSIC LOVERS A pleasant half hour may be spent at our store inspecting the newest Music lovers are invited to hear or play for themselves these exquisite iustruments. More beautiful than ever, the famous Chick- ering tone, coupled with their well known durability makes the choice of a Chickering one that insures perfect satisfaction during the long years of its usefulness. Arthur Jordan Piano Company Thirteenth & G Streets, N. W. Washington, D. C. NEW NATIONAL THEATRE WASHINGTON One Hundred and Twenty-sixth Performance in Washington Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor THIRD MATINEE TUESDAY AFTERNOON, JANUARY 6 AT 4.30 PROGRAMME Mendelssohn . Symphony No. 5, " Reformation, " Op. 107 I. Andante; Allegro con fuoco II. Allegro vivace III. Andante: Andante con moto; Allegro vivace; Allegro maestoso Gluck . Recitative and Air, "Diane impitoyable," from "Iphigenie en Aulide" Glazounoff "Stenka Razine," Symphonic Poem, Op. 13 Massenet . Recitative and Air, "Promesse de mon avenir," from "Le Roi de Lahore" Liszt Second Episode from Lenau's "Faust": The Dance in the Village Tavern (Mephisto Waltz) SOLOIST EMILIO DE GOGORZA There will be an intermission of ten minutes after the symphony 5 " "The Best in Travel For 40 years our business has been to please Americans of the finest type who are satisfied with nothing less than the best. The standard we have set for the Raymond-Whitcomb Tours and the Raymond-Whitcomb Cruises is so high that they are universally recognized as in a class apart, beyond competition. Six luxurious Cruises in January, February, March and April by splendid specially chartered steamships to Cuba, Jamaica, Panama, Central America and Nassau-Bahamas. Fascinating shore excur- sions. First Cruise sails Jan. 3. Wonderful tours twice a week in January, February and March, including the famous resort hotels of Southern California and extensive automobiling everywhere. Delightful tours to St. Augustine, Palm Beach, Miami and Havana. Frequent departures January to March. Remarkable tours, including France and all the Famous Battle- fields, Belgium, Switzerland and Italy. Best hotels, finest train and automobile service and exceptional arrangements. Depart- ures Jan. 24, Feb. 7, and later. No one who visits Europe in 1920 will have a satisfactory trip unless he has hotel reservations in France, Belgium and along the Battlefield Front. Accommodations are insufficient to take care of everyone. If you are wise you will make your arrangements with a company which has assured hotel and steamship reservations. Raymond & Whitcomb has not only its own offices and repre- sentatives in Paris but also a French representative, for many years the head of the leading French tourist organization. Now is the time to begin making your plans for next Spring and Summer. Protect yourself at once by making a preliminary reservation with us. Also tours to South America Japan-China and Round the World. Send for Booklet Desired RAYMOND & WHITCOMB CO. 225 FIFTH AVENUE, NEW YORK Telephone Madison Square 6270 Or 1338 WALNUT STREET, PHILADELPHIA, Tel. Filbert 3864 Symphony No. 5, "Reformation Symphony," for Orchestra, D minor, Op. 107 (No. 36 of the posthumous works) Felix Mendelssohn Bartholdy (Born at Hamburg, February 3, 1809; died at Leipsic, November 4, 1847.) This symphony was begun in England in the fall of 1829 ; it was completed at Berlin in April, 1830. It was performed from manu- script for the first time on November 15, 1832, in the hall of the Singakademie, Berlin, at the first of three concerts given by Men- delssohn for the benefit of the fund for widows of orchestral play- ers. The composer conducted. The first performance in England was led by August Manns at the Crystal Palace on November 30, 1868. The first performance in the United States was at the first Trien- nial Festival of the Handel and Haydn Society in the Boston Music Hall on May 9, 1868. Mr. Zerrahn conducted. The overtures to Spohr's "Jessonda" and Rossini's "William Tell" ; "Voi, che sapete" was sung by Adelaide Phillipps, and Alide Topp gave the first per- formance in Boston of Liszt's concerto in E-flat major for the pianoforte. * The score and the orchestral parts were not published until March, 1868. It has been said that Mendelssohn was averse to publication during his lifetime; did not wish to have it published after his death; did not like to hear about performances of it. It has also been said that Mendelssohn held it back, thinking that Meyerbeer had anticipated him in "The Huguenots" ; but this opera was not produced at the Paris Opera until 1836. The score calls for two flutes, two oboes, two clarinets, two bassoons, double-bassoon, serpent, two horns, two trumpets, three trombones, kettledrums, and the usual strings. ESTABLISHED 1838 520 NORTH CHARLES STREET BALTIMORE, MD. 1857 1919-20 (E. F. DROOP & SONS CO.) A record of 62 years in the Music Business in Washington is at our back. During all this time we have maintained our prestige in the musical circles of Washington because of our policy of selling reliable merchandise only and giving prompt and capable service. Everything purchased here bears the hall-mark of our guarantee and quality. We fulfill our promises. Mendelssohn was for some time undecided about a title for this symphony; he mentioned in a letter (1830) to his sister Fanny, "Reformation Symphony/' "Confession Symphony," "Symphony for a Church Festival." On the programme of the first performance in Berlin this title stood : "Symphony for the Festival of the Reforma- tion of the Church." The title "Confession" referred to the Augs- burg Confession. In September, 1829, Mendelssohn was busy with composition in London. The "Reformation" and "Scotch" symphonies, the "Hebrides" overture, the String Quartet, Op. 12, and some vocal music were shaping themselves, with an organ piece for his sister Fanny's wedding, and an operetta for the silver wedding of his parents. His plans came to nought. On account of an accident he was thrown out of a cabriolet—which kept him in bed for a couple of months. In Paris where he sojourned from December, 1831, to April, 1832, he met musicians, heard some of his music played, but was disap- pointed; for his "Reformation" Symphony, although it was re- hearsed for a Conservatory concert by his friend Habeneck, was not AWOMAN can drive the Cadillac in ease and comfort without worrying about what's going on under the hood. That the wives and daughters of Cadillac owners appreci- ate this, is evidenced every day on our city streets and country roads. WASHINGTON CADILLAC COMPANY 1138-1140 CONN. AVE. N. W., WASHINGTON, D. C. Telephone, Franklin 3900-01 — —— — — —— —— AND THE Saltan The wonderful, rich tone of the Baldwin Piano is the very conception of beauty. Le\>itzki. It has that refined quality, that warm and luscious tone which resembles the human voice in its individual appeal.
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  • Franz Liszt: the Ons Ata in B Minor As Spiritual Autobiography Jonathan David Keener James Madison University

    Franz Liszt: the Ons Ata in B Minor As Spiritual Autobiography Jonathan David Keener James Madison University

    James Madison University JMU Scholarly Commons Dissertations The Graduate School Spring 2011 Franz Liszt: The onS ata in B Minor as spiritual autobiography Jonathan David Keener James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Social and Behavioral Sciences Commons Recommended Citation Keener, Jonathan David, "Franz Liszt: The onS ata in B Minor as spiritual autobiography" (2011). Dissertations. 168. https://commons.lib.jmu.edu/diss201019/168 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Franz Liszt: The Sonata in B Minor as Spiritual Autobiography Jonathan David Keener A document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music May 2011 Table of Contents List of Examples………………………………………………………………………………………….………iii Abstract……………………………………………………………………………………………………………….v Introduction and Background….……………………………………………………………………………1 Form Considerations and Thematic Transformation in the Sonata…..……………………..6 Schumann’s Fantasie and Alkan’s Grande Sonate…………………………………………………14 The Legend of Faust……………………………………………………………………………………...……21 Liszt and the Church…………………………………………………………………………..………………28
  • Vol. 6. Rd...L ~1======--:J- +

    Vol. 6. Rd...L ~1======--:J- +

    PRICE, 25 CENTS. $3.50 WORTH OF MUSIC IN THIS NUMBER. Yearly Subscription, Including Valuable Premiu:n, $ 2 .00. See Pages 3 I 2 and 3 i a. 1 11:\ Vol. 6. rD...l ~1==============--:J- +. .. +--·ri===ll ====N 0=====. ====s . ==171 + READING. MUSIC. PAGE. PAGE. EDITORIAL-The Music of the Hebrews­ "HAND IN HAND," (Polka-Caprice)-Julie Pianos and Organs on Trial-Paragraphs. 312 Rive-King ..... ... ........ ..... ... ... .... 31() MUSICAL AND MfSCELLANEOUS-Mme. "ALLEGRO." (From Mozart's) Symphony in E Julie Rive-King (with portrait)-Influence of Music on Manners-The Song of the flat.)-C:a1·l Sidus . .... .... ...... .. .. .. 32G Zephyrs. (Poetry)-Music in Speech-Por· traits-Advice to .an Expectant Tenor­ "MERRY WAR," (Fantasia)-CaTl Si dus .. .. 328 Tht• Voice-Piano-Violin Experiments­ German Opera Singers-More about the "So MUCH BE rWEES Us, " (Song)-E. R . "Gregorian Hymn "-The Invisible Flute­ K1·oegeT . ll31 Player-Injurious Advertisements of Artists -Oratorio Singin15-Unexpected Effects­ STUDIES, (From Duvernoy's Ecole du Mecan­ Music· in St. Loms-Book Notices-Long­ isme) revised and annotated by Cha?'les fellow Storie~-Qnestions Pertinent and Im­ pertinent-Our Music-Auswers to Corres­ Kunkel . .... .. .. .. 336 pontlPnts- Comical Chords- Major and Minor-Smith and Jones, etc., etc. 311 to 352 ''THE PENITENT'S PRAYER" (Sacred Song)- Charles Kunkel . ........ ... .. ... ..... 33() CORRESPONDENCE- Boston- Cillcinnati­ Washington-Chicago-Philadelphia.343 to 344 STUDY, (Annotated, etc., by CharlP.s Ktmkel .. 342 SMITH & OwE~s. PRrNTERS, 20i N. Third Street, St. Louis, Mo. (20) Entered at the St. Louis Post Office as Mail Matter of the Second Class. '' "BEHNING" Nos. 149-155 Iast Fourteenth St., NEW YORK.