TELOS Book Club Selections 2012-2016

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TELOS Book Club Selections 2012-2016 Month Book Title Author 2016 January Euphoria Lily King February American Nations (2011) Colin Woodard March The Girl on the Train Paula Hawkins April The Meursault Investigation Kamel Daoud May Buckley & Mailer Kevin Schultz June Russian Tattoo Elena Gorokhova July Leaving Berlin-A Novel Joseph Canon August Deep Down Dark Hector Tobar September Book Selections 2016/17 October Purity Jonathan Franzen November To Be Selected in September December To Be Selected in September 2015 January The 100-Year-Old Man Who by Jonas Jonasson Climbed Out the Window and Disappeared February The Long Summer Bryan Fagan March The White Princess Philipa Gregory April Boys in the Boat Daniel James Brown May Lord of Misrule Jaimy Gordon June Far from the Madding Crowd Thomas Hardy July The Bartender’s Tale Ivan Doig August All Our Names Dinaw Mengestu September Selection of Books October Birds without Wings Louis De Bernieres November The Quartet Joseph Ellis December Nothing to Envy Barbara Demick 2014 January The Glass Castle Jeannette Walls February The Orchardist Amanda Copelin March Inferno Dan Brown April The Reluctant Moshin Hamid Fundamentalist May Salvage the Bones Jesmyn Ward June Ines of My Soul Isabelle Allende July Blood & Beauty Sarah Dunant August The White Queen Phillippa Gregory September 21, 2015 TELOS Book Club Selections 2012-2016 September Selection of Books October Steve Jobs Walter Isaacson Quiet Susan Cain November Ironweed William Kennedy December 2013 January Catherine the Great Robert Massie February Dr Zhivago Boris Pasternak Translation by Richard Peavear and Larissa Volokhonsky March The True Believer Eric Hoffer April All of It Jeanette Haien May Justice Michael Sandel June A Mountain of Crumbs Elena Gorohkova July Gone Girl Gillian Flynn August Rules of Civility Amor Towles September Selection of Books October, 2013 The Tiger’s Wife F Tea Obreht November, 2013 We Eugene Zamiatin December 2013 Capitalism for the People Luigi Zingales 2012 November, 2012 The Greater Journey David McCullough December 2012 Intruder in the Dust William Faulkner September 21, 2015 .

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2016 Fiction Longlist Release FINAL
RELEASE: SEPTEMBER 15, 2016 Contact: Sherrie Young 9:30 a.m. EDT National Book Foundation (212) 685-0261 [email protected] 2016 NATIONAL BOOK AWARDS LONGLIST FOR FICTION The ten contenders for the National Book Award for Fiction. New York, NY (September 15, 2016) – The National Book Foundation today announced the Longlist for the 2016 National Book Award for Fiction. Finalists will be revealed on October 13. (Please note that this date was originally set for October 12, but has been changed to acknowledge Yom Kippur.) The Fiction Longlist includes a former National Book Award Winner for Young People’s Literature and two titles by former National Book Award Finalists for Fiction. The list also includes three Pulitzer Prize finalists. One title is currently shortlisted for the 2016 Baileys Women’s Prize for Fiction and another was recently selected for Oprah’s Book Club. There is one debut novel on the list. The year’s Longlist is told from and about locations all around the world. Authors hail from and titles explore locations that range from Alaska, New Delhi, Bulgaria, and even a reimagined United States. Colson Whitehead’s Underground Railroad follows Cora, a fugitive slave, as she escapes the south on a literal underground railroad in a speculative historical fiction that reckons with the true legacy of liberation and escape. In a very different journey, former Pulitzer Prize finalist Lydia Millet’s Sweet Lamb of Heaven follows a mother as she traverses the country with her daughter, fleeing her powerful husband. What Belongs to You, a debut novel by Garth Greenwell, finds its American narrator in Sofia, Bulgaria attempting to reconcile the shame and desire bound up in his own sexuality.
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A R T Y K U Ł Y Affective Transmission and Haunted Landscape in Jesmyn Ward's Sing, Unburied, Sing
ARTYKUŁY ROCZNIKI HUMANISTYCZNE Tom LXVIII, zeszyt 11 – 2020 DOI: https://doi.org/10.18290/rh206811-1 PATRYCJA ANTOSZEK* AFFECTIVE TRANSMISSION AND HAUNTED LANDSCAPE IN JESMYN WARD’S SING, UNBURIED, SING A b s t r a c t. The essay discusses Jesmyn Ward’s novel Sing, Unburied, Sing (2017) through Nicolas Abraham’s and Maria Torok’s concept of “transgenerational phantom” and Teresa Brennan’s theory of the transmission of affect. While the novel focuses on poor blacks in the contemporary American South, and, therefore, on the experience of those marginalized and excluded from official discourse, the narrative seems to transgress racial, social, and generational boundaries to address the human predicament in ways that are both visceral and poetic, disturbing and magical. By employing the trope of haunting to talk about racial oppression, the author combines past and present to demonstrate how slavery and racism continue to take their toll, producing more individual and communal traumas. The essay argues that in Sing, Unburied, Sing Ward not only deconstructs such dominant Western categories as past and present, black and white, male and female, or life and death, but also indicates a way of dealing with and communicating traumatic realities that goes beyond the Symbolic patterns of making sense of the world. Keywords: affect; haunting; transgenerational phantom; slavery; trauma. In Sing, Unburied, Sing (2017) Jesmyn Ward tells a half-lyrical, half-poli- tical tale of modern-day Mississippi haunted by its horrific past and that past’s ongoing legacy. As all her fiction, including the debut novel Where the Line Bleeds (2008) and Salvage the Bones (2011), Sing is set in the fictional town of Bois Sauvage (Savage Woods), modeled on the small, Gulf Coast town of DeLisle, where the author grew up.
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An Exploration of Afro-Southern Speculative Fiction
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction Hilary Word Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Word, Hilary, "Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction" (2020). Electronic Theses and Dissertations. 1817. https://egrove.olemiss.edu/etd/1817 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. POST-SOUL SPECULATION: AN EXPLORATION OF AFRO-SOUTHERN SPECULATIVE FICTION A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by HILARY M. WORD May 2020 Copyright © Hilary M. Word 2020 ALL RIGHTS RESERVED. ABSTRACT This thesis is an examination of female authored, post-soul, Afro-Southern speculative fiction. The specific texts being examined are My Soul to Keep by Tananarive Due, Stigmata by Phyllis Alesia Perry, and Sing, Unburied, Sing by Jesmyn Ward. Through exploration of these texts, I posit two large arguments. First, I posit that this thesis as a collective work illustrates how women-authored Afro-Southern speculative fiction based in the post-soul era embodies and champions womanist politics and praxis critical for liberation through speculative elements. Second, I assert that this thesis is demonstrative of how this particular type of fiction showcases the importance of specificity of setting and reflects other, often erased facets of African American identity and realities by centering the experiences of contemporary Black Southerners.
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2021 Creative Writing Exam Reading Lists
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Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
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Award Winners
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By Jesmyn Ward Lesson Plan
Lesson Plan Sing Unburied Sing By Jesmyn Ward Developed by Krista Stevens, PhD Shared on behalf of the Anisfield-Wolf Book Awards 1 Lecture Plans / Ideas for Post-Secondary Students Jesmyn Ward Sing, Unburied, Sing Jesmyn Ward, Sing, Unburied, Sing (New York: Scribner, 2017). Cover Design: Hellen Yentus Cover Illustration: Jaya Miceli 2 Laying the Groundwork: Background and Introduction Jesmyn Ward (b. 1977) • Grew up in DeLisle, MS, a location that has heavily influenced her writing. • BA in English and MA in Media Studies and Communication from Stanford University. • MFA from University of Michigan. • Family displaced by Hurricane Katrina, an event that also has heavily influenced her writing and contributed to a three-year writing hiatus. • Only woman to win the National Book Award two times (2011, Salvage the Bones and 2017, Sing, Unburied, Sing) • Published works: Where the Line Bleeds (2008), Salvage the Bones (2011), Men We Reaped (2013), The Fire This Times (2016), Sing, Unburied Sing, (2017), Navigate Your Stars (2020). Background Reading on Ward: Alison Flood, “Hurricane Katrina novel wins National Book Award,” The Guardian (November 17, 2011), https://www.theguardian.com/books/2011/nov/17/hurricane-katrina-novel- national-book-award. Judy Johnson, “Jesmyn Ward,” Current Biography 75, no. 3 (March 2014). Boris Kachka, “The Rise and Return of Jesmyn Ward,” New York Magazine (August 24, 2017), https://www.vulture.com/2017/08/jesmyn-ward-sing-unburied-sing.html. Jesmyn Ward, “No Mercy in Motion,” Guernica (September 2, 2013), https://www.guernicamag.com/no-mercy-in-motion/. Paula Rogo, “Jesmyn Ward Wins Second National Book Award for ‘Sing, Unburied, Sing,’” Essence (November 18, 2017), https://www.essence.com/culture/jesmyn-ward-second- national-book-award-sing-unburied-sing/.
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Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’S the Underground Railroad and Jesmyn Ward’S Sing, Unburied, Sing
religions Article Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing James Mellis Guttman Community College, 50 West 40th St., New York, NY 10018, USA; [email protected] Received: 10 April 2019; Accepted: 23 June 2019; Published: 26 June 2019 Abstract: In 2016 and 2017, Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing both won the National Book Award for ﬁction, the ﬁrst time that two African-American writers have won the award in consecutive years. This article argues that both novels invoke African-based spirituality in order to create literary sites of resistance both within the narrative of the respective novels, but also within American culture at large. By drawing on a tradition of authors using African-based spiritual practices, particularly Voodoo, hoodoo, conjure and rootwork, Whitehead and Ward enter and engage in a tradition of African American protest literature based on African spiritual traditions, and use these traditions variously, both as a tie to an originary African identity, but also as protection and a locus of resistance to an oppressive society. That the characters within the novels engage in African spiritual traditions as a means of locating a sense of “home” within an oppressive white world, despite the novels being set centuries apart, shows that these traditions provide a possibility for empowerment and protest and can act as a means for contemporary readers to address their own political and social concerns. Keywords: voodoo; conjure; African-American literature; protest literature; African American culture; Whitehead; Ward; American literature; popular culture And we are walking together, cause we love one another There are ghosts at our table, they are feasting tonight.
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Toni Morrison's Beloved and Jesmyn Ward's Sing, Unburied, Sing
The Transgenerational Ghost of Slavery Haunting America: Toni Morrison’s Beloved and Jesmyn Ward’s Sing, Unburied, Sing Sanne Steele-Nicholson 4090446 MA Thesis - Literature Today Utrecht University Supervisor: Dr. Susanne Knittel Second reader: Dr. Paul Bijl 20 June 2019 Steele-Nicholson 2 TABLE OF CONTENTS ABSTRACT 3 INTRODUCTION 4 THEORIZING TRAUMA 9 CHAPTER 1: MORRISON’S BELOVED 17 MORRISON’S BELOVED: BABY SUGGS, SETHE AND THE MOTHERLY LOVE 23 MORRISON’S BELOVED: DENVER AS THE REPLACEMENT CHILD 27 CHAPTER 2: SING, UNBURIED, SING 33 WARD’S SING, UNBURIED, SING: PAST AND PRESENT GHOSTS 39 WARD’S SING, UNBURIED, SING: REPLACEMENT CHILDREN OR REMEMBRANCE? 45 CONCLUSION 48 WORKS CITED 52 Steele-Nicholson 3 Abstract This thesis explores the literary representation of transgenerational trauma in novels written by African-American authors. Trauma has often been represented in literature through the use of ghost stories. Since Toni Morrison’s award-winning novel Beloved (1987), many other authors have used the ghost as a vehicle to represent enduring (transgenerational) trauma in American society. In Beloved, the title character rises from the dead, representing the country’s past coming back to haunt it. More recently, Jesmyn Ward’s Sing, Unburied, Sing (2017) similarly deals with the collective trauma America suffered during – and after – slavery using ghosts to embody said trauma. This study aims to show different ways in which the figure of the ghost is used as a literary device to represent the trauma and disremembering that is woven into life and art in the United States. To do so, the study will engage with work in the academic field of trauma theory.
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PEN/Faulkner Award for Fiction Past Winners & Finalists 1981-Present
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Award Winning Books
More Man Booker winners: 1995: Sabbath’s Theater by Philip Roth Man Booker Prize 1990: Possession by A. S. Byatt 1994: A Frolic of His Own 1989: Remains of the Day by William Gaddis 2017: Lincoln in the Bardo by Kazuo Ishiguro 1993: The Shipping News by Annie Proulx by George Saunders 1985: The Bone People by Keri Hulme 1992: All the Pretty Horses 2016: The Sellout by Paul Beatty 1984: Hotel du Lac by Anita Brookner by Cormac McCarthy 2015: A Brief History of Seven Killings 1982: Schindler’s List by Thomas Keneally 1991: Mating by Norman Rush by Marlon James 1981: Midnight’s Children 1990: Middle Passage by Charles Johnson 2014: The Narrow Road to the Deep by Salman Rushdie More National Book winners: North by Richard Flanagan 1985: White Noise by Don DeLillo 2013: Luminaries by Eleanor Catton 1983: The Color Purple by Alice Walker 2012: Bring Up the Bodies by Hilary Mantel 1982: Rabbit Is Rich by John Updike 2011: The Sense of an Ending National Book Award 1980: Sophie’s Choice by William Styron by Julian Barnes 1974: Gravity’s Rainbow by Thomas Pynchon 2010: The Finkler Question 2016: Underground Railroad by Howard Jacobson by Colson Whitehead 2009: Wolf Hall by Hilary Mantel 2015: Fortune Smiles by Adam Johnson 2008: The White Tiger by Aravind Adiga 2014: Redeployment by Phil Klay 2007: The Gathering by Anne Enright 2013: Good Lord Bird by James McBride National Book Critics 2006: The Inheritance of Loss 2012: Round House by Louise Erdrich by Kiran Desai 2011: Salvage the Bones by Jesmyn Ward Circle Award 2005: The Sea by John Banville 2010: Lord of Misrule by Jaimy Gordon 2004: The Line of Beauty 2009: Let the Great World Spin 2016: LaRose by Louise Erdrich by Alan Hollinghurst by Colum McCann 2015: The Sellout by Paul Beatty 2003: Vernon God Little by D.B.C.
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Award-‐Winning Literature
Award-winning literature The Pulitzer Prize is a U.S. award for achievements in newspaper and online journalism, literature and musical composition. The National Book Awards are a set of annual U.S. literary awards: fiction, non-fiction, poetry, and young adult literature. The Man Booker Prize for Fiction is a literary prize awarded each year for the best original full-length novel, written in the English language, by a citizen of the Commonwealth of Nations, Ireland, or Zimbabwe. The National Book Critics Circle Awards are a set of annual American literary awards by the National Book Critics Circle to promote "the finest books and reviews published in English". The Carnegie Medal in Literature, or simply Carnegie Medal, is a British literary award that annually recognizes one outstanding new book for children or young adults. The Michael L. Printz Award is an American Library Association literary award that annually recognizes the "best book written for teens, based entirely on its literary merit". The Guardian Children's Fiction Prize or Guardian Award is a literary award that annually recognizes one fiction book, written for children by a British or Commonwealth author, published in the United Kingdom during the preceding year. FICTION Where Things Come Back by John Corey Whaley, Michael L. Printz Winner 2012 A Visit from the Goon Squad by Jennifer Egan, Pulitzer Prize 2011 Salvage the Bones by Jesmyn Ward, National Book Award 2011 The Sense of an Ending by Julian Barnes, Man Booker Prize 2011 Ship Breaker by Paolo Baciagalupi, Michael
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