{Dоwnlоаd/Rеаd PDF Bооk} Captured by Fairies : Folk Tales Of
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BEST in SHOW Mrs. P. Clarks, Cairn Terrier CONUNDRUM SWEETER
BEST IN SHOW Judge : Mr BARRY DAY (Risepark) Jagen Johny Aidlington - Ardencote Mia of Alne Also class 26 11. Smith Mr D.B. & Mrs B.E. TRAGUS LILY OF THE MOWHAWKS Hun W/H Viszla B 9.8.08, br Mr & Mrs Upton, Ragnolds Atalik - Tragus Ginger Rogers Also class 69 BEST IN SHOW 12. Walker Miss N. MINNIEBELL ANGEL EYES Havanese B 1.8.08, br Exh, Honeyponeys Mrs. P. Clarks, Cairn Terrier Demon at Newtonwood (imp,Bel) - Newtonwood Nicky’s Kiss 13. Ward Mrs L. DIANAIA SHADOW DANCER Havanese D 2.11.08, br Ms D. McCallam, CONUNDRUM SWEETER FOR ME FOR LENTRICA Sh CM Happy Friends What a Guy (imp,Swe) - Newtonwood Lucy Locket 1st 11 2nd 5 3rd 13 Res 4 RESERVE BEST IN SHOW CLASS 2 JUNIOR (4) 14. Beard Mrs P.A. WYNDLEE DESPERADO German Spitz (Mittel) D 18.2.08, br Exh, Miss S.J. Bird, Tibetan Terrier Wyndlee Oldcharm Prince Eugen - Wyndlee Finn Flying to Chandera Also class 188 15. Bird Miss S.J. JOYBERNA BLACK RUBY Tibetan Terrier B 3.5.08, br Exh, Kyang’s Ta-Ba JOYBERNA BLACK RUBY Mfo-Ba (imp,Swe) - Joyberna Pure-n-Simple 16. Green Mr D.A. ZANDAPLATZ PETIT PITRE FOR LENMAU French Bulldog D 2.2.08, br Ms C. Ash, Am Ch Fabelhaft Eybuls Xpelliamus for Zandaplatz - Zandaplatz Nuff Dreams Also class 188 BEST PUPPY IN SHOW 17. Mottram D. MYBEARDS GYPSY P.L.S. B 9.4.08, br Exh, Galant Z Gangu Dlugich - Ch Mybeards Shimmer Also class 102 Mrs. -
Light and Dark
Light and dark The Mortal Realm is lit by two celestial bodies, the sun by day and the moon by night, but the same is not true of all realms. Some have neither and exist in total darkness, but most have some form of illumination. In the folklore of the Tuatha there are two kinds of Folk, those who walk in the daylight, the Seelie, and those who haunt the darkness, the Unseelie. To them the Seelie are kindly and helpful whilst the Unseelie are malicious and treacherous. This is a false distinction which was spread by the Fae during their rise in the mortal world. In truth, there is no moral distinction between diurnal and nocturnal Folk it is simply a matter of comfort. Some prefer gentle starlight, some like the heat of the day in midsummer, some need the cold to regulate their body temperature or are unable to tolerate sunlight on their skin. The terms Seelie and Unseelie really refer to their attitude towards the Fae. Those Folk who were happy, or at least not rebellious in their servitude to the Fae were extolled as ‘good’ or Seelie. Those who sought to break free from their slavery or turned against their masters were demonised as Unseelie. Folk branded Unseelie were often hunted down and made examples of, so they frequently took to venturing out of hiding only at night. The Fae are mostly daylight Folk although the stars are important to their dances. Certainly the Fae would not go abroad on pitch black, starless nights and so the renegade Folk would be safe to travel abroad under the cloak of night. -
Wird Sikes Elfy Brytyjskie Gobliny, Walijski Folklor, Elfia
Wird Sikes Elfy Brytyjskie gobliny, walijski folklor, elfia mitologia, legendy i tradycje Przełożył Marek Skowerski Armoryka Sandomierz BIBLIOTEKA CELTYCKA, Nr 8 Redakcja serii: Andrzej Sarwa Redaktor tomu: Władysław Kot Projekt okładki i opracowanie graficzne: Juliusz Susak Ilustracja na okładce: John Anster Fitzgerald (1823-1906), Fairies Looking Through A Gothic Arch (XIX wiek), (licencja public domaine), źródło: http://commons.wikimedia.org/wiki/File:FairiesGothicArch.jpg Ilustracje w tekście autorstwa T. H. Thomasa (1839-1915) zaczerpnięto z książki British Goblins. Welsh Folk-lore, Fairy Mythology, Legends and Traditions, (licencja public domaine), źródło: http://www.sacred-texts.com/neu/celt/wfl/index.htm Tekst złożono czcionką IM FELL English.ttf - The Fell Types are digitally reproduced by Igino Marini. www.iginomarini.com,all rights reserved Ornament na okładce złożono czcionką Owen Jones Celtic Borders.ttf, której autorem i właścicielem jest Dave Nalle, The Scriptorium, www.fontcraft.com Autor: Wirt Sikes (1836-1883) Tytuł oryginału: British Goblins Welsh Folk-lore, Fairy Mythology, Legends and Traditions Podstawa przekładu: British Goblins Welsh Folk-lore, Fairy Mythology, Legends and Traditions by Wirt Sikes with illustrations by T. H. Thomas [1839-1915] London: S. Low, Marston, Searle & Rivington [1880] źródło tekstu: The Internet Sacred Text Archive: http://www.sacred-texts.com/neu/celt/wfl/index.htm (29.12.2009); licencja: This text is in the public domain worldwide. Copyright © 2009, 2013 for the Polish edition by Wydawnictwo „Armoryka” Copyright © 2009, 2013 by for the Polish translation by Marek Skowerski Wydawnictwo ARMORYKA ul. Krucza 16 27-600 Sandomierz tel (0-15) 833 21 41 e-mail: [email protected] http://www.armoryka.strefa.pl/ ISBN 978-83-64145-15-5 Konwersja: Rozdział I Opowieści o elfach1 i starożytnej mitologii A wieczorem, podążając ścieżką Mleczarka skraca sobie piosenką Swą samotną drogę; Widzi elfy i ich królową Jak tańczą w kole razem I słyszy jak śpiewają, o najróżniejszych porach, Swe urzekające pieśni. -
Carmina Gadelica Ortha Nan Gaidheal
f^ SoM- , (d SL. — m ! 1— ; ./ CARMINA GADELICA ORTHA NAN GAIDHEAL C ARMINA GADELIC A HYMNS AND INCANTATIONS WITH ILLUSTRATIVE NOTES ON WORDS, RITES, AND CUSTOMS, DYING AND OBSOLETE: ORALLY COLLECT- ED IN THE HIGHLANDS AND ISLANDS OF SCOTLAND AND TRANSLATED INTO ENGLISH, BY ALEXANDER CARMICHAEL VOLUME II EDINBURGH PRINTED FOR THE AUTHOR BY T. AND A. CONSTABLE, PRINTERS TO HER MAJESTY AND SOLD BY NORMAN MACLEOD 25 GEORGE IV. BRIDGE 1900 Three hundred copies printed ORTHA NAN GAIDHEAL URNAN AGUS UBAGAN LE SOLUS AIR FACLA GNATHA AGUS CLEACHDANA A CHAIDH AIR CHUL CNUASAICHTE BHO BHIALACHAS FEADH GAIDHEALTACHD NA H-ALBA AGUS TIONNDAICHTE BHO GHAIDHLIG GU BEURLA, LE ALASTAIR MACGILLEMHICHEIL CONTENTS UIBE INCANTATIONS Allt. 122. Eolas na Ruaidh Charm for Rose 3 Faie, a Mhic 's a Chriosda Behold, Son and Christ 123. Eolas na Ruaidh Charm for Rose 5 A ruadh ghaothar, atar, aogail Thou rose windy, swelling, deadly 124. Eolas na Ru Charm for Rose 7 A I'u eugail, aogail, atail Thou rose deathly, deadly, swollen 125. Eolas at Cioch Charm for swollen Breast 9 Eolas a rinn Gillecalum The charm made by Gillecalum 12G. Eolas an Deididh Toothache Charm 11 Ob a chuir Bride bhoidheacli The incantation put by lovely Bride 127. Eolas na Budha Charm for Jaundice 13 Air bhuidhe, air dhuibhe For the jaundice, for the spaul 128. Eolas sgiucha Feithe Charm for bursting Vein 15 Rami a riiiii ban-naomh Bride The rune made by the holy maiden 129. Eolas sgocha Feith Charm for bursting Vein 17 Paidir Moire a h-aou Rosary of Mary, one 130. -
The Creaft of the Wise the Page Witch Tradition
Sample file Sample file TABLE OF CONTENTS FOREWORD .................................................. 2 Halfling, Trow ............................................................... 116 Horned Women............................................................ 116 PART 1: INTRODUCTION ........................... 6 Initiate.............................................................................. 117 PART 2: THE WITCH CLASS ................... 10 Jackdaw ........................................................................... 118 Witch (Pagan Tradition) .............................................. 14 Kelpie ............................................................................... 118 Cowans ................................................................................ 16 Lithobolia ....................................................................... 119 Player Character Cowans ............................................ 17 Mud-Man......................................................................... 120 Familiars............................................................................. 17 Pyewacket ...................................................................... 120 List of Familiars (Pagan Witch) ................................ 19 Rabbit, Killer ................................................................. 121 PART 3: THE PAGAN TRADITION ........ 20 Scarecrow ....................................................................... 122 Tradition Description .................................................. -
The Pagan Religions of the Ancient British Isles
www.RodnoVery.ru www.RodnoVery.ru The Pagan Religions of the Ancient British Isles www.RodnoVery.ru Callanish Stone Circle Reproduced by kind permission of Fay Godwin www.RodnoVery.ru The Pagan Religions of the Ancient British Isles Their Nature and Legacy RONALD HUTTON BLACKWELL Oxford UK & Cambridge USA www.RodnoVery.ru Copyright © R. B. Hutton, 1991, 1993 First published 1991 First published in paperback 1993 Reprinted 1995, 1996, 1997, 1998 Blackwell Publishers Ltd 108 Cowley Road Oxford 0X4 1JF, UK Blackwell Publishers Inc. 350 Main Street Maiden, Massachusetts 02148, USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Hutton, Ronald The pagan religions of the ancient British Isles: their nature and legacy / Ronald Hutton p. cm. ISBN 0-631-18946-7 (pbk) 1. -
Julie Kagawa
2 - Não posso voltar para casa. – Sussurrei, sentindo o olhar de Ash sobre mim. – Não agora. Não posso trazer esta loucura para casa, para a minha família. – Olhei fixamente para a casa por um momento mais, então fechei meus olhos. – O falso rei não parará por aqui. Ele continuará mandando coisas atrás de mim, e minha família será pega no meio. Não posso deixar isto acontecer. Eu... eu tenho que ir embora. Agora. Abri meus olhos e olhei fixamente para o lugar onde as feéricas Iron tinham caído, as lascas de metal brilhando nas ervas daninhas. O pensamento de tais monstros movendo-se em segredo dentro do meu quarto, voltando os olhos assassinos deles sobre Ethan ou minha mãe, fez-me gelada de ira. Tudo bem , eu pensei, apertando meus punhos na camisa de Ash, o falso rei quer uma guerra? Darei uma a ele. Este e-book não pode ser vendido ou comercializado de qualquer forma. Todos os direitos pertencem à autora, e às respectivas editoras que detêm os direitos nacionais e internacionais. O objetivo deste e-book é divulgar a obra. Compre o exemplar se gostar deste livro. Rumores sobre a série “The Iron Fey”. “Cinco estrelas completas para A Filha de Ferro , de Julie Kagawa. Se você ama ação, romance e observar como personagens amadurecem através de experiências de apertar o coração, amará esta história tanto quanto eu”. —Mundie Moms blog Livros faery estão muito procurados agora, e este é um dos melhores. Esperamos que seja popular entre adolescentes que gostaram de Wicked Lovely , de Melissa Marr. -
The Peat-Fire Flame : Folk-Tales and Traditions of the Highlands & Islands
I ItlACGReGOR 0/^. 317 THIS is a comprehensive collection of the best folk-tales of the Highlands and Islands of Scotland. Many of these tales have been collected orally by the author and appear now in print for the first time. In the outlying parts of the Hebrides where only Gaelic is spoken by the older inhabitants these tales could only be collected by one who is familiar with the language, and the Author is well qualified for the task he has under- taken. He has been a collector all his life and. Highland born, familiar with Gaelic since he could speak. With the passing years the sources for oral col- lection of these old tales are becoming fewer and less accessible and as there has been a growing interest in Celtic literature and Celtic music in recent years the time would seem ripe for a new one-volume collection of folk-tales. The book is illustrated with reproduc- tions from the Author^s own photographs. THE PEAT-FIRE FLAME ! By the Same Author: SOMEWHERE IN SCOTLAND. THE HAUNTED ISLES. SEARCHING THE HEBRIDES WITH A CAMERA. OVER THE SEA TO SKYE. A LAST VOYAGE TO ST. KILDA. BEHOLD THE HEBRIDES WILD DRUMALBAIN : THE ROAD TO MEGGERNIE AND GLEN COE. SUMMER DAYS AMONG THE WESTERN ISLES. HEBRIDEAN SEA PIECES. ETC., ETC. THE PEAT-FIRE FLAME FOLK-TALES AND TRADITIONS OF THE HIGHLANDS & ISLANDS By Alasdair Alpin MacGregor (Author of Summer Days among the Western Isles; Somezvhere in Scotland; &c.) With 56 Illustrations from Photographs by the Author. THE MORAY PRESS EDINBURGH & LONDON FIRST PUBLISHF.D It THE MORAY TRESS 126 PRINCES STREET, EDtNEURGII 182 HIGH HOLBOKN, LONDON, W.C.I PRINTED IN SCOTLAND BY THE DUNEDIN PRESS LIMITED, EDINBURGH AND BOUND BY WILLIAM HUNTER & SONS, EDINBURGH FOR GRANT & MURRAY LIMITED 120 PRINCES STREET, EDINBURGH To THE Elusive KENNETH MACLEOD. -
Magick & Fairies Package
Magick & Fairies Package Magickal Lightworker Program This is a special program that teaches you the 12 Universal Laws, how to use them, and combines magic and lightwork! The Magical Lightwork Program can be life changing depending on if you apply the Universal Laws and work with them. Learning to manifest your desires for the highest good can help you on your spiritual path to ascension, and also empowers you in the physical plane as well. Learning to connect and work with your Higher Self, Angels, Fairies, Dragons, the Goddess, and your Guides helps keep you on track in this lifetime so that you can work toward completing your life's purpose on this Earth. This system greatly empowers you so that you can manifest abundance, great relationships, success, harmony, and more, improving your life, and raising your vibration for spiritual ascension. The Magickal Lightwork Program is unique, and channeled to empower you to stand in your own power, and be who you truly are meant to be. It teaches the 12 Universal Laws, connects you to the higher realms of light (higher self, angels, fairies, dragons, Goddess, and guides) so that you can receive guidance and apply the action necessary to raise your vibration and manifest abundance in all areas of your life for the highest good. This is a very special Program of six attunements and 7 manuals that combine magic and lightwork! The six attunements with the Magical Lightwork Program are: Magical Lightwork Program Manual/Initiation 37 pages of information to help you learn about the 12 Universal Laws and how to use them, as well as information on magic and lightwork. -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS -
Monster Manual III
Greater Siege Crab . 157 Siege Crab . 156 Greater Ssvaklor . 166 Skindancer . 158 Contents Grimweird . .75 Slaughterstone Behemoth . 159 Introduction . .4 Grisgol . .76 Slaughterstone Eviscerator . 160 Reading the Entries . .4 Gulgar . .78 Snowfl ake Ooze . .161 Statistics Block . .4 Hangman Golem . .69 Spellwarped Creature . .162 Monsters A to Z . .8 Harpoon Spider . .80 Spellwarped Ettin . .162 Alchemical Golem . .66 Harssaf . .82 Splinterwaif . 164 Ambush Drake . .8 Horrifi c Vasuthant . 183 Ssvaklor . 166 Ancient Night Twist . .111 Infernal Confl agration Ooze . .31 Stonesinger . 168 Ironclad Mauler . .84 Summoning Ooze . .169 Arcane Ooze . .9 CONTENTS Armand . .10 Justicator . .85 Susurrus . 170 OF TABLE Astral Stalker . .12 Kenku . .86 Swamp Strider Swarm . 171 Avalancher . .13 Knell Beetle . .88 Ten-Headed Terror . 155 Battlebriar . .14 Lesser Bonedrinker . .19 Thorn . 172 Bearhound . .16 Lesser Knell Beetle . .89 Topiary Guardian . 173 Boar Topiary Guardian . .174 Lhosk . .90 Alternative Topiary Guardians . .175 Boneclaw . .17 Lion Topiary Guardian . .174 Triceratops Topiary Guardian . .174 Bonedrinker . .18 Living Blasphemy . .93 Trilloch . .176 Brood Keeper . .20 Living Spell . .91 Troll, Cave . 177 Brood Keeper Larva Swarm . .21 Lizardfolk, Blackscale . .95 Troll, Crystalline . 178 Cadaver Collector . .22 Lizardfolk, Poison Dusk . .96 Troll, Forest . 179 Changeling . .24 Lumi . .98 Troll, Mountain . 180 Charnel Hound . .26 Lurking Strangler . 100 Troll, War . 181 Chelicera . .27 Mastodon . 101 Vasuthant . 182 Chilling Fog . .92 Mindshredder . 102 Vermin Lord . 184 Chraal . .28 Mindshredder Larva . 102 Visilight . 186 Chrysalis . 122 Mindshredder Warrior . 103 Voidmind Creature . 187 Cinder Swarm . .29 Mindshredder Zenthal . 104 Voidmind Grimlock . 187 Confl agration Ooze . .30 Mivilorn . 106 Warbound Impaler (Lesser Battlebriar) . .15 Deathshrieker . .32 Mud Golem . -
Storytelling in the Celtic Tradition: Introduction
Storytelling in the Celtic Tradition Storytelling in the Celtic Tradition: Introduction There have always been storytellers, because people enjoy stories. This is true of all races and periods of history. We know that Celtic people lived from around 600 BCE to 400 CE and their tribes were to be found spread out over great tracts of Northern Europe. Their livelihoods depended so much upon nature for the success of their hunting, fishing, farming, herding, building, and crafting. It is hard for us living our 21st century lives to truly appreciate how bonded their tribal societies were to the land, seas and animals around them. The ancient Celts were a pre-literate people: they did not keep written records, write books or leave notes on events or their beliefs. As such, storytellers and others gifted with the spoken word were vital to society. They memorised the stories of their ancestors and created new ones: creation myths, epic tales of supernatural heroes, and stories of pagan gods and goddesses, shape-changers and magical animals. First composed in Ireland, possibly as early as 300 BC, the Celtic stories were passed from generation to generation in the oral, druidic tradition until the 5th century AD, by which time the druidic priesthood had largely decayed. Bards and wandering minstrels picked up the stories, taking creative license in much the same way that Homer and others are thought to have done with the cycle of stories that eventually became the Iliad and the Odyssey. Archaeology and texts tell us that the Celts focused their spiritual beliefs and holy practices on environmental forces, the land, and the creatures they lived amongst.