DOCSLIB.ORG

April 1951 Square Dancing Is More Than

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
April 1951 Square Dancing Is More Than APRIL 1951 THE MAGAZINE OF FOLK AND SQUARE DANCING 25c SQUARE DANCING IS MORE THAN FUN - SEE PAGE 7 YILTIS Art & Metha's New LLOYD SHAW A folklore and lituanistica magazine RECORD CHEST Round Dance Records Subscriptions: Folk Dance Records 920 S. W. Broadway $2 per year $5 for 3 years witVi Fred Bergin at the Organ The Folk Dance Center of Editor: Vyts Beliajus Portland, Oregon 1028 E. 63rd St. Chicago 37, III. DANCE Of interest to all folk dancers. Contains Every Saturday Night Album No. 3 — CIRCLE MIXERS dance descriptions, costume information, with ART & METHA GIBBS pictures, reports on folk dance activities 117 CATTLE CALL WALTZ— a new mixer everywhere. You are guaranteed to re- Masonic Temple CIELITO LINDO (Mexican Mixer Waltz) ceive authentic material. WEST PARK AND MAIN STS. 119 SARI WALTZ (Spanish Circle) ALICE BLUE SOWN ( ProgressiveWaltz) See . PAUL ERFER . SCANDINAVIAN FOLK DANCE MUSIC 121 TUCKER WALTZ— a mixer "game" FIVE-FOOT-TWO (fairly fast) the man who supplies all correctly played on your folk dancing needs HARMONY MUSIC RECORDS 123 Complete teaching record, with oral Two new releases, by the famous instructions by Dr. Shaw RECORDS • BOOKS DANCE DESCRIPTIONS Armin Orchestra In this album, two organs vie with each Dovre Hambo/Sun Valley Schottische other in filling out the melody and in in- folk arts bazaar Beautiful Calif. Waltz/Hollywood Pollta troducing special effects. 625 Shatto Place, Los Angeles 5 Ask your local dealer, or write to us for a catalogue and descriptions of * * * Classes for Scandinavian dances. Advanced, Intermediate, Beginners Monday, Thursday, Friday. 8 to 10:30 p. m. Scandinavian Music Co. Album No. I — OLD FAVORITES Private lessons by appointment 1019 UNIVERSITY AVENUE 101 MERRY WIDOW WALTZ DU 8-5265 DU 7-3940 BERKELEY, CALIFORNIA SKATER'S WALTZ 103 VARSOUVIANNA BLACK HAWK WALTZ 105 LACES AND GRACES KISMET RECORD COMPANY GLOW WORM GAVOTTE 227 EAST 14TH STREET NEW YORK 3, NEW YORK 107 Complete teaching record One of the oldest established independent manufacturers of those gay, lilting, international folk dances. Album No. 2 — NEW FAVORITES Available on plastic and shellac. 109 IRISH WALTZ If your nearest dealer cannot supply you please communicate with WALTZ OF THE BELLS us or our West Coast distributor for information. I I I DOWN THE LANE CRUISING DOWN THE RIVER W. M. VAN DEREN (Swingola) 2806 San Pablo Avenue Berkeley, California I 13 GOODNIGHT IRENE SENTIMENTAL JOURNEY (Altai) 115 Complete teaching record Records may be purchased singly, with COOL .SIMPLE .. PFASANTY.. brief printed instructions—but the complete album is a wiser purchase! Purchase from your regular dealer, or order from Lloyd Shaw - Recordings, Inc., Box 203, Colorado Springs, Colorado. Al- bums are $4.95 each, single records $1.05, FOLK SHIRT Federal tax included. Postage will be pre- paid on orders of one album or more. On IN WHITE: BROADCLOTH orders for less, add 30 cents for postage and handling. FULL SLEEVES SPORT COLLAR SEND: WRIST,COLLAR,SLEEVE SU.E TERMS'. ChecK or M-Order plus 504 mailing change,or specify C.O.D. AODRe SS — S£T5 RECORDINGS, ING. OUR OT/f£"# AO CHARLES CGRETE CARPENTER COLORADO SPRINGS, COLORADO 8Z S. HAMILTON ST.,DEPTC-1 //v /sst/e*. POUGHKEEPSIE, NEW YORK CONTENTS FOR EDITOR'S NOTEBOOK APRIL 1951 fitom ^.cuvtott VOL.8 N O. 4 I AM THE FOLK DANCE The Magazine of Folk and Square Dancing I am a peculiar breed of the dance . Often called the lowest form of the dance ... I am timeless TELL IT TO DANNY 4 . My roots bed deep in the past ... I am elemental, CALENDAR OF EVENTS 5 MODERN DANISH FOLK COSTUMES by Marjorie Posner 6 springing from the everyday lives of nameless com- SQUARE DANCING IS MORE THAN FUN by Grace Kiely 7 mon people of every land . preserved, perpetuat- RECORD FINDER by Ed Kremers 9 ed, relatively unchanged since physiologically man REPORT FROM THE SOUTH by Paul Pritchard 10 has changed so little . yet I take on the characteris- FOLKS IN FOCUS 11 DANCE DESCRIPTION Baglaens Kontrasejre 13 tics of the race and condition through which I pass THE VALLEY OF THE SUN by Mildred R. Buhler 15 — partaking of their joys and of their sorrows . CALLER OF THE MONTH 16 expressing the deepest emotions of their lives. CALL OF THE MONTH 17 I am debtor to Greek and Barbarian ... to Jew NATIONAL PROMENADE by Mildred R. Buhler 17 AROUND THE SQUARE SET by Peg Allmond 18 and Gentile ... to Sinner and to Saint. AMERICA DANCES (continued) 18 I am you, as you seek to recapture the essence THE DANCER'S BOOKSHELF 19 of understanding of another race as tied up in its rhythm and melody of motion. LAWTON HARRIS, Editor I build ... I heal ... I ennoble ... I am that ASSOCIATE EDITORS within, which unites all mankind ... I am of the es- Mildred R. Buhler, Square Dancing George Posner, Photography Grace ferryman, Folk Craft Madelynne Greene, Dance Tech- sence of oneness. Marjorie Posner, Folk rood nique You can debauch and desecrate me . yet will Lucile Ciarnowslci, Books ... ., ., . r , CJ ., D i Virgil Morton, Features Ed Kremers, Records 3 I live. You can misuse and subvert me, yet will I Marjorie Posner, Costumes A- c- Smith, Features triumph. That which is elemental within me will Harold Pearson and Paul Pritchard, So. Calif. Rep- Charles Rich, Events resentative eventually permeate the whole and lift it. You can EXECUTIVE STAFF not keep me down. For a short time you can change Circulation Mgr., Ed Kremers Promotion Mgr., Walter Grothe me, yet I will break out of your bonds. Advtg. Mgr., Ed Kremers Publications Committee: Mildred Buhler, Lucile Czarnowski, Walter I am the spirit of Freedom ... I sing in the hearts Srothe, Lawton Harris, Ed Kremers, Miriam Lidster. of slaves ... I raise up to new strength, the fallen OFFICES ... I am the timeless urge of the nameless masses ADVERTISING—262 O'Farrell Street, Room 301, San Francisco, of men seeking expression. Phone SUtter 1-7294. I AM THE FOLK DANCE. EDITORIAL—1236 West Elm Street, Stockton. Phone Stockton 3-4329. CIRCULATION—262 O'Farrell St., San Francisco 2, Calif., Room 301. Picture from Here's to Phone SUtter 1-7294 or SUtter 1-8334. Square Dancing by Frank PUBLICATION—273 Broadway, Millbrae, Calif. Phone OXford 7-2605. Grundeen, published by Sets in Order, 1950. §1.50. (Used BUSINESS—731 Fulton Street, Redwood City, Calif. Phone EMerson by Permission) 8-1588. This delightful book of PROMOTION—390 Liberty St., San Francisco 14, Calif. Phone VAIen- cartoons on square dancers cia 4-5017. and square dancing is "from the inside" as you might guess TEACHERS' INSTITUTE COMMITTEE—Edna Spalding, 2511 Virginia from the above selection in Street, Berkeley. which Southern California points fun at itself. It is not RESEARCH COMMITTEE—Mildred R. Buhler, 180 Elwood Street, Red- a book of instructions, save wood City, EMerson 6-1219. that the cartoons are so self- revealing that many callers LET'S DANCE is published monthly by the Folk Donee Federation of and dancers will find the op- California. Northern Section: GEORGE MURTON, President, 731 Ful- portunity to "see themselves ton St., Redwood City, Calif.; FRAN LARKIN, Corresponding Secre- as others see them." It is a tary, Box 3678, Rincon Annex, San Francisco, Calif. Southern Section: fine book for gifts. We keep HAROLD G. COMSTOCK, President, 625 Shatto PI., Los Angeles 5. one on the coffee table in Calif.; BETTY HICKS, Secretary, P. O. Box 728, Wilmington, Calif. our front room and conversa- tion never lags. Subscription price: $2.50 per year. Entered as Second Class Matter at the Post Office at Millbrae, Cali- fornia, December 7, 1948, under Act of March 3, 1879. OUR COVER COVER AMD CONTENTS COPYRIGHTED 1951 BY shows "Dane" Axel Hansen, from the Scandinavian Club, THE FOLK DANCE FEDERATION OF CALIFORNIA San Francisco. (Photo by Posner.) APRIL, 1951 In Downtown Oakland Phil Maron's Folk Shop Folk and Square Dance Records Books and Accessories TELL IT TO DANNY* MAIL ORDERS TAKEN CARE OF By DAN MCDONALD 573 15th Street GLencourt 2-251 I Here they are folks—your candidates. They HENRY BAKER celebrated his 74th birth- OAKLAND 12, CALIFORNIA are all choice persons, so pay your dues and day t'other night at the CARROUSEL party take your choice: by bringing his 80-year-old sister—-and MR. President—Bill Castner, Berkeley; "Ace" CARLSON cut a cake, and capers, at the Smith, Salinas. FUN CLUB with his daughter, ANNA, for his DANCE DESCRIPTIONS Vice President—Charles Bassett, Marin Coun- 77th by doing not one, not two, but three "Hambos"! Whew! lOc plus 3c postage for each dance ty (Mill Valley); Helen Perry, Davis; Charles Markis, Hillsborough, San Mateo County. "THEY DANCE IN DEFIANCE OF POLIO." Ask for list of dances Recording Secretary—-Virginia Wilder, Wal- That's the column heading by PAT DANA, nut Creek. Tuesday, Feb. 13, 1951, S. F. EXAMINER. PAT FOLK DANCE GREETING CARDS Corresponding Secretary—Bess Redd, Sacra- was referring to the MAT T. MORRISON CEN- TER FOR REHABILITATION where our new Sample card to use—I5c plus postage mento; Loella Muller, Napa; Fjfan Larkin (In- "cumbent), San Francisco. honorary members, "THE SAN FRANCISCO Ask for price list Treasurer—Bill Curr, Albany; Bradley Son- POLIO WHEELERS," do their rolling around. derman, Millbrae; Thelma Dellahoyde, Napa. At this writing they are scheduled for "STOCK- FELT CLUB EMBLEMS Director of Publicity—-Lester Dunn (Incum- TON'S BENEFIT FESTIVAL" for crippled chil- bent), Castro Valley. dren Saturday, March 3, and again for the Rosemont Letter Shop Historian-—Annarnarie Steinbiss, Palo Alto; March II FEDERATION FESTIVAL in the SAN Edith Thompson, South San Francisco.
Load more

Recommended publications
  • The Rise of Guangchangwu in a Chinese Village
    International Journal of Communication 11(2017), 4499–4522 1932–8036/20170005 Reading Movement in the Everyday: The Rise of Guangchangwu in a Chinese Village MAGGIE CHAO Simon Fraser University, Canada Communication University of China, China Over recent years, the practice of guangchangwu has captured the Chinese public’s attention due to its increasing popularity and ubiquity across China’s landscapes. Translated to English as “public square dancing,” guangchangwu describes the practice of group dancing in outdoor spaces among mostly middle-aged and older women. This article examines the practice in the context of guangchangwu practitioners in Heyang Village, Zhejiang Province. Complicating popular understandings of the phenomenon as a manifestation of a nostalgic yearning for Maoist collectivity, it reads guangchangwu through the lens of “jumping scale” to contextualize the practice within the evolving politics of gender in post-Mao China. In doing so, this article points to how guangchangwu can embody novel and potentially transgressive movements into different spaces from home to park, inside to outside, and across different scales from rural to urban, local to national. Keywords: square dancing, popular culture, spatial practice, scale, gender politics, China The time is 7:15 p.m., April 23, 2015, and I am sitting adjacent to a small, empty square tucked away from the main thoroughfare of a university campus in Beijing. As if on cue, Ms. Wu appears, toting a small loudspeaker on her hip.1 She sets it down on the stairs, surveying the scene before her: a small flat space, wedged in between a number of buildings, surrounded by some trees, evidence of a meager attempt at beautifying the area.
    [Show full text]
  • The History of Square Dance
    The History of Square Dance Swing your partner and do-si-do—November 29 is Square Dance Day in the United States. Didn’t know this folksy form of entertainment had a holiday all its own? Then it’s probably time you learned a few things about square dancing, a tradition that blossomed in the United States but has roots that stretch back to 15th-century Europe. Square dance aficionados trace the activity back to several European ancestors. In England around 1600, teams of six trained performers—all male, for propriety’s sake, and wearing bells for extra oomph—began presenting choreographed sequences known as the morris dance. This fad is thought to have inspired English country dance, in which couples lined up on village greens to practice weaving, circling and swinging moves reminiscent of modern-day square dancing. Over on the continent, meanwhile, 18th- century French couples were arranging themselves in squares for social dances such as the quadrille and the cotillion. Folk dances in Scotland, Scandinavia and Spain are also thought to have influenced square dancing. When Europeans began settling England’s 13 North American colonies, they brought both folk and popular dance traditions with them. French dancing styles in particular came into favor in the years following the American Revolution, when many former colonists snubbed all things British. A number of the terms used in modern square dancing come from France, including “promenade,” “allemande” and the indispensable “do-si-do”—a corruption of “dos-à-dos,” meaning “back-to-back.” As the United States grew and diversified, new generations stopped practicing the social dances their grandparents had enjoyed across the Atlantic.
    [Show full text]
  • Be Square Caller’S Handbook
    TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there.
    [Show full text]
  • By Barb Berggoetz Photography by Shannon Zahnle
    Mary Hoedeman Caniaris and Tom Slater swing dance at a Panache Dance showcase. Photo by Annalese Poorman dAN e ero aNCE BY Barb Berggoetz PHOTOGRAPHY BY Shannon Zahnle The verve and exhilaration of dance attracts the fear of putting yourself out there, says people of all ages, as does the sense of Barbara Leininger, owner of Bloomington’s community, the sheer pleasure of moving to Arthur Murray Dance Studio. “That very first music, and the physical closeness. In the step of coming into the studio is sometimes a process, people learn more about themselves, frightening thing.” break down inhibitions, stimulate their Leininger has witnessed what learning to minds, and find new friends. dance can do for a bashful teenager; for a man This is what dance in Bloomington is who thinks he has two left feet; for empty all about. nesters searching for a new adventure. It is not about becoming Ginger Rogers or “It can change relationships,” she says. “It Fred Astaire. can help people overcome shyness and give “It’s getting out and enjoying dancing and people a new lease on life. People get healthier having a good time,” says Thuy Bogart, who physically, mentally, and emotionally. And teaches Argentine tango. “That’s so much they have a skill they can go out and have fun more important for us.” with and use for the rest of their lives.” The benefits of dancing on an individual level can be life altering — if you can get past 100 Bloom | April/May 2015 | magbloom.com magbloom.com | April/May 2015 | Bloom 101 Ballroom dancing “It’s really important to keep busy and keep the gears going,” says Meredith.
    [Show full text]
  • The Thought on Square Dancing Heat in China
    Frontiers in Art Research ISSN 2618-1568 Vol. 2, Issue 2: 28-32, DOI: 10.25236/FAR.2020.020208 The Thought on Square Dancing Heat in China Xia Li1, 2 1 School of Management, Shinawatra University, Bangkok 12160, Thailand 2 School of Engineering and Design, Hunan Normal University, Changsha 410081, China ABSTRACT. According to statistics, in 2017, there were about 100 million square dance enthusiasts in China. With the continuous development of the national fitness heat, square dance has become a social and cultural phenomenon and is becoming increasingly popular. It is loved by the majority of the elderly and spreads rapidly. The development of square dance is closely related to the social environment and cultural needs. It not only is beneficial to the physical fitness and entertainment, but also has a deeper meaning in maintaining social harmony and stability and improving the aesthetics of the entire people. This article attempts to elaborate on the square dance risen in the past ten years, and analyzes it from four levels, namely national policy support, the artistic feature of square dance, the impact on the physical and mental health of the elderly, and the impact on society. The author also gives advice on the current situation of square dance, and makes predictions to the development and changes of square dance. KEYWORDS: Square dance; Artistic feature; The elder dance 1. Introduction With the development of Chinese society, the government has given more space for the development of folk and community art activities, and the demand for cultural life has increased. Against this background, square dance has emerged as the times require, and the problems caused by the imperfect management of square dance are also emerging too.
    [Show full text]
  • FW May-June 03.Qxd
    IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age.
    [Show full text]
  • Dancergram 5/1/2017
    DANCERgram Square and round dance news for the west coast of Florida Volume 13, Issue 69 May 1, 2017 This entire newsletter is also posted at www.dancergram.com INDEX 1 Bow & Swing Submission Deadline 2 Deadline for Current Price of State Convention Ribbons 2 SCCA Membership Deadline 3 Health and Sympathy 4 How do I get in touch with… 6 Your Source 7 CALLERLAB Viewpoints Visit the 9 On the Record - Squares Past, Present, and Future 11 Welcoming New Dancers to Square of Square Dancing in Florida Dancing at 14 Breaking Records www.FloridaSquareDance.com 16 Mel’s Meanderings 17 My Thoughts 18 This Week 21 West Coast Classes and Workshops, May 5, 2017 – Deadline for National Caller & Cuer Colleges Submissions to Bow & Swing 26 Demos/One-Nighters 26 Looking Ahead for the June 2017 issue. For info: 27 Links [email protected]. Page 1 of 29 May 31, 2017 – Deadline to Purchase State Convention Ribbons at the First Price Level – See details below. There will be a price increase June 1st. For info: [email protected] or 321-537-2207. May 31, 2017 – Deadline to Pay Membership Dues to Suncoast Callers & Cuers Association (SCCA). If you have not paid your dues ($10 per person) by the first meeting in October, your name will be automatically removed from the membership list. For info: [email protected] or 863-912-5027. Time is running out! May 31, 2017 is the final date for reduced prices on ribbons for the 2018 Florida State Square and Round Dance Convention. Prices will increase as follows: Full Convention (All day Friday and all day Saturday) $40 Weekender (Friday night and all day Saturday) $32 Single Day (Friday or Saturday) $25 For the first time ever, credit cards accepted for ribbons only! Each ribbon comes with a Passport Inspirational Quotes (from the collection of Ed Foote) “Only he can be taught who is willing to learn,” …B.C.
    [Show full text]
  • Dance and Music
    City of Dunedin Parks & Recreation Department presents... BALLROOM/LATIN DANCE CLASS, Mondays, 5:30-6:30pm Learn to dance the Cha-Cha, Rumba Salsa, Waltz, Swing and Tango while making friends and having fun! Please wear comfortable shoes and attire. All levels are welcome! Instructor Arielle was a professional dancer for Busch Gardens Moroccan Village. Monthly Fee: $36/ID Card; $54/No Card DULCIMER LESSONS - Thursdays, 11am-12pm (Oct. & Nov.) Classes begin with the assumption that students have never had a music lesson. A sense of rhythm is the only requirement. Instructor, Roxie Smith, has been playing for more than 15 years and has led dulcimer workshops in a variety of venues. Limited to 8 students. INSTRUMENTS ARE PROVIDED. Monthly Fee: $35/ID Card; $52/No Card. LINE DANCE CLASS - Wednesdays & Fridays, 10:30-11:30am Learn line dances to Kansas City, Electric Slide, Boot Scoot & Boogie, Elvira, Alley Cat, Bosanova, Spanish Eyes, New York New York, I Feel Lucky, Gypsy Rose and more! Exercise, have fun and make new friends. Fee: $3/ID Card; $4/No Card SING-ALONG SOCIALS - Thursdays, 10-11:00am Do you love to sing? This is your chance to sing-along, have fun and make new friends. No experience required to join this self-run group of folks with a common interest. Fee: $Free/ID Card; $1/No Card SNELL’S SQUARE DANCING - Thursdays, 6:30-9:00pm Come and enjoy a fun evening of Square Dancing with Allen and Rosie Snell. Allen is a professional caller. Beginners and experts are welcome! Fee: $6/person STARLIGHT DANCE SERIES - Mondays, 7:00-9:00pm Enjoy an evening of dancing and music with the sounds of the “Ellis Hale Band.” Come and join us for a carefree evening of fun and dancing.
    [Show full text]
  • Til 9 O Ra C
    Vol. II, No* h i December, 19)46. Yearly $1.00, Copy 100 Charles Thomas, 3^ South Girard Street, Woodbury, N. Jersey Planners Frank. Lyman, West Jersey Hospital, Camden, New Jersey ifoodrow Morris, 3 82 Clinton Street, Camden, New Jersey Associate Editors Douglas Durant, Jr., 3900 Locust Street, Philadelphia., Pa, C. D. Foster, Box Sh0, Denver, 1, Colorado Paul Hunt, 136 Emery Street, Hempstead,. L. I., New lo'rk J. C. kocro, ?p5 So. Oakland.Blvd., Fort Worth, 35 Texas Elsie Morris, 117 North Tacoma Avenue, Tacoma, 3, Wash. ED DURIACH8R Til 9 O ra c. /e. by Jack Powelson RUNNING A SQUARE DANCE C0NTF3T If s one one should ask you, /here in Can you give me some information on this country do more people square dance Qconducting a square dance contest? than anywhere else?”, what would you re­ We- have a small group hero at the Y which ply? In the grange halls of New Hamp­ is interested in sponsoring some such shire? the dude ranches of Colorado? event in order to increase interest in the Tennessee mountains? Guess again.* square dancing here* Forrest Cockrell, The answer is on the Island of Manhattan peoria, 1 11. in the heart ox New York City. Your first problem is whether to have a If you’re at all acquainted with He?/ Acontest at all. I say this because York folk dance circles, the reason is Dr. Lloyd Shaw recommends demonstrations not hard to find. Of course it’s Ed Dur- to set a standard but not contests. He lacher, short and plump Freeport, Long feels that the disappointments suffered Islander, who Thursday nights at the YWCA .
    [Show full text]
  • The Sociological Research on Square Dancing in China
    International Conference on Arts, Design and Contemporary Education (ICADCE 2015) The Sociological Research on Square Dancing in China Jing Gao School of Physical Education Changzhou University Changzhou, China Abstract—The popularity of square dancing in the cities of elsewhere; their husbands are still active in their careers .At China is generated by many factors and results in many social the same time, the tedious routine works to look after their problems such as, environmental noise, the city appearance old parents and young grandsons as well as the feeling of and environmental sanitation, the competitive and exclusive uncertainty for their future lives induced their sense of crisis ownership of public spaces. Definitely, there exist that needed to be expressed. Furthermore, the human's social contradictory versions on square dancing, which might be attribute also requires an urgent need to communicate and sociological originated from culture conflict in the period of interact with others for these type of people. However, the social transformation in China. The possible revolution for city rapid development of urban scale and responding moving administration to the problem of square dancing are, residence does not supply good channel of communication respecting the individual right to enjoy public space, for them. With the presence of square dancing, these women constructing public space with humanistic feelings , increasing the ability and experience on social management and in middle-life crisis discover new lands. The noisy governance. excitement of pop music scene and perfect alignment greatly relieve the pressure of their deep crisis feeling, discontent, Keywords—Square dancing; Public space; Society degradation of the body, emotion assignment.
    [Show full text]
  • Alabama American Folk Dance the Square Dance Is Known Widely Throughout the United States
    Alabama American Folk Dance The square dance is known widely throughout the United States. It is a traditional dance that has been historically recorded since 1651. Following Oregon (1977), Washington (1979), and Tennessee (1980), Alabama became the fourth state to adopt an official state dance. It adopted the square dance as the "American folk dance of Alabama" in 1981 by Act no. 81-48. Leading this effort in Alabama was the Alabama Square & Round Dance Association, Inc. www.archives.state.al.us/emblems/st_dance.html Proudly Produced by Alabama Square and Round Dance Association, Inc. 1st Edition 2019 PRAYER FOR BEGINNERS May you dance as long as you want to and want to as long as you can. May your toes never stop tapping to the beat of the square dance band. I wish you a smile on your corner Thank Your and a partner that really can swing, and each hand a handclasp of friendship as you right and left grand the ring. May you never forget the struggle ‘til your lessons were finally through. May you always reach back with a helping hand that someone extended to you. May you never become a dancer who thinks he has no more to learn. In the midst of the muddle, come out of the huddle could be that you made the wrong turn? As long as you’re dancing, enjoy it, and the friends that you make ‘fore you’re done. With a smile and a song, promenade along, ‘CAUSE YOU SQUARE DANCE, MY FRIEND, FOR FUN’ www.cedar.net Caller & Cuer Organizations Your Club Caller(s) and Cuers belong to State and/or National associations that provide accredited caller training, licensing, and liability insurance for dance events.
    [Show full text]
  • What Is Square Dancing
    Modern Western Square Dancing Something Old, Something New Country Barns, haystacks, fiddle music, and farmers in overalls; that’s the image most people have of Square Dancing. Those people are always surprised when they see how our National Dance has come of age. Today’s dancers move to modern music, they meet in air-conditioned schools and recreation department halls, and they come from all walks of life. A pleasant mix of Classic Rock, Top 40, Country, Latin, and “Oldies” is used at most Square Dances today. Dancers might be promenading to “Pink Cadillac” one minute, and circling to “You Are My Sunshine” the next. In short, everyone can find their favorite music at a Square Dance today. Just as the music is a blend of styles, so are the dancers, with everyone from company presidents to unemployed, and from student to retired, all having a good time together. It doesn’t matter who you are or what you do, just that you like having a good time with friendly people. There are square dance clubs on many college campuses around the country, and on many military bases, here and abroad. Single dancers dance together at Single Square Dance clubs in many cities. Square Dancing is described as “Fun and Friendship Set to Music.” What better place for singles to meet each other for a relaxing evening of fun? No matter where you travel, here or abroad, you are never a stranger at a square dance club. Today’s Square Dancing is a combination, and evolution, of the folk dances of many parts of Europe.
    [Show full text]