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City of Dunedin Parks & Recreation Department presents... BALLROOM/LATIN DANCE CLASS, Mondays, 5:30-6:30pm Learn to dance the Cha-Cha, Rumba Salsa, Waltz, Swing and Tango while making friends and having fun! Please wear comfortable shoes and attire. All levels are welcome! Instructor Arielle was a professional dancer for Busch Gardens Moroccan Village. Monthly Fee: $36/ID Card; $54/No Card DULCIMER LESSONS - Thursdays, 11am-12pm (Oct. & Nov.) Classes begin with the assumption that students have never had a music lesson. A sense of rhythm is the only requirement. Instructor, Roxie Smith, has been playing for more than 15 years and has led dulcimer workshops in a variety of venues. Limited to 8 students. INSTRUMENTS ARE PROVIDED. Monthly Fee: $35/ID Card; $52/No Card. LINE DANCE CLASS - Wednesdays & Fridays, 10:30-11:30am Learn line dances to Kansas City, Electric Slide, Boot Scoot & Boogie, Elvira, Alley Cat, Bosanova, Spanish Eyes, New York New York, I Feel Lucky, Gypsy Rose and more! Exercise, have fun and make new friends. Fee: $3/ID Card; $4/No Card SING-ALONG SOCIALS - Thursdays, 10-11:00am Do you love to sing? This is your chance to sing-along, have fun and make new friends. No experience required to join this self-run group of folks with a common interest. Fee: $Free/ID Card; $1/No Card SNELL’S SQUARE DANCING - Thursdays, 6:30-9:00pm Come and enjoy a fun evening of Square Dancing with Allen and Rosie Snell. Allen is a professional caller. Beginners and experts are welcome! Fee: $6/person STARLIGHT DANCE SERIES - Mondays, 7:00-9:00pm Enjoy an evening of dancing and music with the sounds of the “Ellis Hale Band.” Come and join us for a carefree evening of fun and dancing. This program is co-sponsored by the “Mease Manor Re- tirement Community.” Fee: $5/person. Starting October 1st, fee is $6/person. Dr. William E. Hale Senior Activity Center 330 Douglas Avenue · Dunedin, FL 34698 Ph: (727) 298-3299 · www.dunedingov.com If you have a disability that requires accommodation, please call (727) 298-3199 forty-eight (48) hours prior to the scheduled event, and reasonable accommodation will be made..

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Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod.
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San Diego's Queen of the Boogie Woogie
by Put Kramer Sue Palmer Sun Diego's Qaeen of Boogie Woogie rflhirty years in lhe mustc Sue's first professional I indrrt.y is a long time band was in Tobacco Road, for any performer, particular- a band she formed with well ly for blues artists and espe- known jazz and swing bass cially for women blues per- player Preston Coleman. formers. For Sue Palmer, the Over the next 15 years, the "Queen of Boogie Woogie," band played regular gigs at it's been a star-studded blues the Belly Up Tavern in So- career with many rewards lano Beach. Of Coleman she and awards. The swing, blues says, "Working with Preston and boogie-woogie piano was like going to college to player has toured the world learn my craft. He was the and played music festivals real thing - a man who was throughout the U.S. and Eu- a fantastic performer and ar- rope as the pianist for blues ranger and was kind and gen- diva Candye Kane. But it's erous with us." her solo and band recording While fronting Tobacco as Sue Palmer and Her Mo- Road, Sue met Candye Kane tel Swing Orchestra that have and soon after the two be- generated the most awards. gan collaborating on music. Her fourth release, Sophisti- Later, Sue was invited to join cated Lady won an Interna- Kane's band as piano player tional Blues Challenge Award which led to world tours for "Best Self Produced CD" through the '90s playing club in 2008, her third release, dates and festivals in Canada, Live at Dizzy's won "Best Australia, France, Holland, Blues Album 200212003" the Netherlands and United and her solo piano album, States.
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The Rise of Guangchangwu in a Chinese Village
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Marcina Kasiny Oleśnica – 04
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The History of Square Dance
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Be Square Caller’S Handbook
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How Breakdancing Taught Me to Be a Technical Artist
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By Barb Berggoetz Photography by Shannon Zahnle
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Hip Hop Dance: Performance, Style, and Competition
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She's the Jazz: an Exploration of Dance and Society in the Age of the Flapper Jillian Terry Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 She's the Jazz: An Exploration of Dance and Society in the Age of the Flapper Jillian Terry Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Dance Commons, Performance Studies Commons, and the Women's Studies Commons Recommended Citation Terry, Jillian, "She's the Jazz: An Exploration of Dance and Society in the Age of the Flapper" (2019). Honors College Capstone Experience/Thesis Projects. Paper 811. https://digitalcommons.wku.edu/stu_hon_theses/811 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SHE’S THE JAZZ: AN EXPLORATION OF DANCE AND SOCIETY IN THE AGE OF THE FLAPPER A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky University By Jillian C. Terry May 2019 ***** CE/T Committee: Professor Amanda Clark, Chair Assistant Professor Anna Patsfall Copyright by Jillian C. Terry 2019 ii I dedicate this written thesis to my parents, Samuel Robert and Christy Terry, who have supported me wholly with unfailing love in every adventure along the way. iii ACKNOWLEDGEMENTS My work would not be
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