PLACES of ENTERTAINMENT in EDINBURGH Part 1 the SOUTH SIDE
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THE UNIVERSITY of EDINBURGH
UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University............................................... -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
Tag Fine Arts Presents
TAG FINE ARTS PRESENTS Peter Dean’s inspired re-creation of the circus poster behind one of the Beatles’ most memorable songs. Sergeant Pepper. Side One. Track Seven. Being for the Benefit of Mr Kite “And of course, Henry the Horse dances the waltz...” On an album of psychedelia and surreality, Being for the Benefit of Mr Kite still manages to stand out. Initially banned by the BBC for what it perceived as drug references, in fact much of the song’s ornate language was taken directly from a circus poster John Lennon had bought in an antique shop in 1967. Pablo Fanque’s Circus Royal promised dancing horses and legendary contortionists which appealed to Lennon’s sense of the ridiculous. “I had all the words staring me in the face one day when I was looking for a song,” he said. “I hardly made up a word.” Peter Dean, a London designer and lifelong Beatles fan, has painstakingly recreated this poster, using the traditional printing methods used to create the original poster in 1843. He explains, “I’ always longed to own a copy of the Mr. Kite poster, but as a designer, I couldn’t accept the poor imitations that were available. So I decided to do it properly.” Dean called on renowned wood-engraving artist Andy English to recreate the two circus characters on the poster, while Graham Bignell, who runs New North Press in Shoreditch, London, matched the Victorian metal and wooden typefaces on the original using his extensive collection of Victorian type. Dean says, “I feel privileged to have worked with Andy and Graham. -
What Is Circus Today? Explorations Through 250 Years of British Circus by Professor Vanessa Toulmin in the Beginning
What is Circus Today? Explorations through 250 Years of British Circus by Professor Vanessa Toulmin In the Beginning In 1768 a uniquely British invention created from entertainment popular in late Georgian London was born. The innovator was Philip Astley who with his wife Patty, a gifted equestrienne, and his horse Gibraltar, gave riding displays at Glover’s ‘Halfpenny Hatch’ between Neptune and Angel Streets in April 1768. On this site Mr and Mrs Astley developed scenes of horsemanship and later incorporated older forms of entertainment such as acrobatics, performers from the street and clowns to draw the crowds. It was this combination of speciality skills that developed into the circus entertainment we recognise today.1 As we celebrate 250 years from when modern circus combination of performance genres within a ring was created, the narratives and histories that are of a set diameter quickly became global and being revealed, especially in the United Kingdom, by the early nineteenth century circus could be demonstrate the complex and global history of the found in thirteen different countries including the genre that is circus; an evolving language of visual United States in 1793, Canada in 1797, Mexico in and physical performance.2 The Astleys settled at 1802, Russia in 1816. Within the European and Westminster Bridge Road where initially they used an North American traditions evolutions in popular open-air circular arena, then built a partially covered entertainment from the music hall to the menagerie ‘amphitheatre’ styled ‘Astley’s British Riding School‘ tradition of previous centuries played a key part which opened in 1770. -
War Circus Life Cards
YOUR WAR CIRCUS STORY YOUR WAR CIRCUS STORY Name : Nationality: Name: Nationality: FRED BRADNA Alsatian/German/ ROMAN PROSKE Austrian American Date of birth: Born: Date of Birth: Born: 21/9/1898 Vienna 28/5/1871 Strasbourg Alsace, France In the ring: At the age of 14 run away from home to work with animals Married: BRADNA, ELLA in Africa. You become a Lion Tamer in East Africa. In the Ring: Show director & agent for Ringling Brothers Circus, USA 1914: Aged 16, set off to Europe to join the Army 1913: Seeing the war on the horizon, went to Europe to scout for acts 1915: there is no news of you - you are making your way to fight. to bring over to America, inc. the Konyot family from Hungary 1916: Arrived in Austria joined the Austrian Infantry in September. 1915: Many of the best acts have gone to Europe, called to fight. Fought Russians in Poland. 1916: It’s a difficult task keeping peace among the 18 nationalities that 1917 ish: Found Russian’s under your bed whils slacking off on a works in the Circus, rivalry & discontent. march to battle. Later in an abandoned farm house you found a dead 1917: American Army spurned you, as had been a German soldier. woman in a wooden chest, then the Cossacks arrived on horsebox and 1918: Ringling’s folded their Big Top a month before the end of the you hid in a dung heap. season and sent everything to Bridgeport, home of Barnum and Bailey. 1918: Wounded and discharged, returned to Circus. -
Sgt. Pepper's Lonely Hearts Club Band: Lyrics
MUSC-21600 Freeze Sgt. Pepper’s Lonely Hearts Club Band: Lyrics 1. Sgt. Pepper’s Lonely Hearts Club Band It was twenty years ago today, Sergeant Pepper taught the band to play. They’ve been going in and out of style, But they’re guaranteed to raise a smile. So may I introduce to you the act you’ve known for all these years? Sergeant Pepper’s Lonely Hearts Club Band. We’re Sergeant Pepper’s Lonely Hearts Club Band, We hope you will enjoy the show, We’re Sergeant Pepper’s Lonely Hearts Club Band, Sit back and let the evening go. Sergeant Pepper’s lonely, Sgt. Pepper’s lonely, Sergeant Pepper’s Lonely Hearts Club Band. It’s wonderful to be here. It’s certainly a thrill. You’re such a lovely audience, We’d like to take you home with us. We’d love to take you home. I don’t really want to stop the show, But I thought you might like to know That the singer’s gonna sing a song And he wants you all to sing along. So let me introduce to you, The one and only Billy Shears, And Sergeant Pepper’s Lonely Hearts Club Band, yeah. 2. With a Little Help from My Friends What would you do if I sang out of tune? Would you stand up and walk out on me? Lend me your ears and I’ll sing you a song, And I’ll try not to sing out of key. Oh, I get by with a little help from my friends. -
Easter Bush Campus Edinburgh Bioquarter the University in the City
The University in the city Easter Bush Campus Edinburgh BioQuarter 14 Arcadia Nursery 12 Greenwood Building, including the 4 Anne Rowling Regenerative Neurology Clinic Aquaculture Facility 15 Bumstead Building 3 Chancellor’s Building Hospital for Small Animals 13 Campus Service Centre 2 1 Edinburgh Imaging Facility QMRI R(D)SVS William Dick Building 10 Charnock Bradley Building, including 1 5 Edinburgh Imaging Facility RIE (entrance) Riddell-Swan Veterinary Cancer Centre the Roslin Innovation Centre 3 2 Queen’s Medical Research Institute Roslin Institute Building 7 Equine Diagnostic, Surgical and 11 6 Scottish Centre for Regenerative Medicine Critical Care Unit 5 Scintigraphy and Exotic Animal Unit 6 Equine Hospital 8 Sir Alexander Robertson Building Public bus 4 Farm Animal Hospital DP Disabled permit parking P Public parking 9 Farm Animal Practice and Middle Wing P Permit parking Public bus The University Central Area The University of Edinburgh is a charitable body, registered in Scotland, with registration number SC005336. in Scotland, with registration registered The University of Edinburgh is a charitable body, ). 44 Adam House 48 ECCI 25 Hope Park Square 3 N-E Studio Building 74 Richard Verney Health Centre 38 Alison House 5 Edinburgh Dental 16 Hugh Robson Building 65 New College Institute 1–7 Roxburgh Street 31 Appleton Tower 4 Hunter Building 41 Old College and 52 Evolution House Talbot Rice Gallery Simon Laurie House 67 Argyle House 1 46 9 Infirmary Street 61 5 Forrest Hill Old Infirmary Building St Cecilia’s Hall 72 Bayes Centre -
The Last Days of John Lennon
Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 -
John Turner Collection Items Published
John Turner Collection Items published: Historical Hengler's circus Pt. 1-5, 1780 to 1856 by John M. Turner History of Ginnett's circus by John M. Turner James Newsome: genius of the ring / by John M. Turner. Twentieth century circus people: a dictionary of British circus biography / by John M. Turner. Vol.1-4, 1901-1950 Wombwell's travelling menagerie / by John M. Turner Black Victorians / Black Victoriana / edited by Gretchen Holbrook Gerzina Volume 1 and Volume 11 Victorian Arena – The Performers Box One 1. Collection of photocopies from Cooke’s handbills 2. MSS Diary of Mrs Henry Cooke’s Diary 1857 3. MSS Diary of Mrs Henry Cooke’s Diary 1859 4. Envelope of research: Cookes and Ducrow Huline Family Berringtons Obituaries-Pul Ruppert and The Great Alzano Indian Circus Performers The Great Sequah (Rowley) 5. Copy of ‘Victorian Arena: The Performers. A Dictionary of British Circus Biography Volume One’ by John Turner. 6. 5 volumes of 20th Century Circus Performers by John Turner. 7. 2 lists of corrections and updates 8. Arthur Fenwick research 9. Notes and research no Liverpool 1890-1918, History of leaving Liverpool maps and leaving Liverpool items. 10. Liverpool Packet number 2: Liverpool set in its context of Merseyside and Deeside. 11. Notebook, diary and research on Astley 12. Scrapbook containing newspaper cuttings mainly from the 60s and mostly variety and music Hall. 13. Envelope containing 19 Postcards, 2 Blackpool Tower Circus Programmes, 2001 and Billy Smart Programme 1998 14. Photocopies of circus playbills: Zoological Gardens, Hull with the Female Blondin Edwin G- OVESTE’S Scarborough Circus. -
Contrasts in the Lived Experience of Race in the Nineteenth
Gretchen Holbrook Gerzina, ed.. Black Victorians/Black Victoriana. New Brunswick and London: Rutgers University Press, 2003. x + 222 pp. $62.00, cloth, ISBN 978-0-8135-3214-1. Reviewed by Norman A. Etherington Published on H-SAfrica (January, 2004) Contrasts in the Lived Experience of Race in Black Victoriana, scholars who go in search of a the Nineteenth-Century United States and Victori‐ collective black experience in the nineteenth cen‐ an Britain tury "colonize the Victorians" (p. 187). They are Any attempt to recover the "black experience" made "to stand for the racist Other in binary op‐ of Victorian Britain faces formidable obstacles. position to our implicit nonracist Self." As no self- Who was "black" in the nineteenth century? To identified black communities emerge from what extent can such a racial identification be as‐ archival records, scholars who look for blacks in signed to people from diverse cultures and na‐ Victorian Britain inevitably end up studying indi‐ tionalities? Racial epithets such as "nigger" cer‐ viduals. tainly existed in the nineteenth century but were David Killingray's quest for "persons of applied to a much larger portion of humanity African descent and origin in Victorian Kent" fo‐ than those who had African ancestors. The term cuses on newspapers and photographs. People "black" had a wide currency in the Victorian era identified as "Negro" in newspaper reports get in‐ but carried little of the intellectual resonance the cluded in his survey; people who may have word acquired when certain Americans cast aside African ancestors but who cannot be specifically self-identification as "Negroes" in the 1960s in fa‐ identified are inevitably ignored. -
Winter Events 2014
ISTITUTO ITALIANO DI CULTURA Winter Events 2014 82 Nicolson Street, Edinburgh EH8 9EW tel: 0131-668 2232 fax: 0131-668 2777 [email protected] www.iicedimburgo.esteri.it Cinema / Cinema Italian Cinema Italian Cultural Institute, 82 Nicolson Street, Edinburgh I soliti ignoti (Big Deal on Madonna Street) Mario Monicelli, 1958, 106 mins Thursday 16 January 2014, 6.30pm La ragazza con la valigia (The Girl with the Suitcase) Valerio Zurlini, 1961, 121 mins Thursday 30 January 2014, 6.30pm Quattro mosche di velluto grigio (Four Flies on Grey Velvet) Dario Argento, 1971,100 mins Thursday 13 February 2014, 6.30pm E la nave va... (And the Ship Sails on…) Federico Fellini, 1983,132 mins Thursday 27 February 2014, 6.30pm The first in a regular programme of specially-curated films showcasing the brilliant diversity of Italian cinema. Stretching across twenty-five years, this first programme includes a hugely influential heist comedy, a tender romantic drama, a dazzlingly inventive giallo and an underrated late classic from il maestro Fellini. All screenings will be introduced by season curator Dr. Pasquale Iannone. For more information please visit: www.iicedimburgo.esteri.it Left: E la nave va… (And the Ship Sails on…) 2 3 Art / Arte Ravenna Mosaico: a contemporary craft rooted in history Joanna Kessel MA RCA of Edinburgh Mosaic Studio and Dr Claudia Bolgia, Lecturer in History of Art at the University of Edinburgh Thursday 6 February 2014, 6 – 8pm Italian Cultural Institute, 82 Nicolson Street, Edinburgh Joanna Kessel MA RCA will present an illustrated talk celebrating contemporary mosaic inspired by Ravenna Mosaico – the international mosaic biennale held in Ravenna. -
University of Edinburgh
The University in the City The University of Edinburgh Information Centre provides publications, maps and LONDON ROAD A1 Route to to the South Western General a wide range of information on the University. Hospital Calton Hill A90 Route to Forth Bridge Visit the Centre at: & North City Observatory St Andrew’s 7-11 Nicolson Street QUEEN STREET Bus Station LEITH ST (next to Old College) Wav erley Station Entrance Te l: +44 (0)131 650 2252 GEORGE STREET NO Q U R Holyrood E E TH BRID Palace Email: [email protected] N Airport TE SFERR bus stop NGA Art CANO A8 route to PRINCES STREET Galleries Y G ST AD Glasgow, the E O West and New College D R OO SOUTH BRIDGE R Edinburgh Airport LY HO LO HIGH ST THIAN RO SHANDWICK PLACE Castle COWGATE Old College .MAITLAND AD Mylnes Court W STREET APPROACH CHAMBERS ST PLEASANCE Holyrood Park ROAD WEST NICOLSON MORR ISON STREE T Festival Theatre ST University George Central Area Square The University of Edinburgh AINBRIDGE Centre (Information) FOUNT Recruitment & Admissions CLERK ST Commonwealth PLACE Liaison Service Pool RD IELD F ARK Meadows P TS N MELVILLE DRIVE ARGYLE PL ARGYLE RU B YROOD W HITEHO E PRESTON MELVILLE TERR W PRESTON ST HOL Pollock Halls ST R (MAIN ENTRANCE) R PARK D USE LOAN M SCIENNES ROAD ARRENDE C A702 W ARCHMO A SALISBURY South U RD Royal Hospital S for Sick Children EW A NT RD Y Nursery ROAD SIDE GRANGE D M ALKEITH ROAD IN Veterinary TO THEARN Medicine STR STRA (SUMMERHALL) THEARN STRA ROAD KILGRASTON RD EET PLACE COLINTON ROAD CHURCH HILL MA A7 N YFIELD GDNS Peffermill Sports