DEFINITION of a TOURIST GUIDE Tom Hooper on the European Standard Use of Phrase ‘Tourist Guide’
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Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
Tag Fine Arts Presents
TAG FINE ARTS PRESENTS Peter Dean’s inspired re-creation of the circus poster behind one of the Beatles’ most memorable songs. Sergeant Pepper. Side One. Track Seven. Being for the Benefit of Mr Kite “And of course, Henry the Horse dances the waltz...” On an album of psychedelia and surreality, Being for the Benefit of Mr Kite still manages to stand out. Initially banned by the BBC for what it perceived as drug references, in fact much of the song’s ornate language was taken directly from a circus poster John Lennon had bought in an antique shop in 1967. Pablo Fanque’s Circus Royal promised dancing horses and legendary contortionists which appealed to Lennon’s sense of the ridiculous. “I had all the words staring me in the face one day when I was looking for a song,” he said. “I hardly made up a word.” Peter Dean, a London designer and lifelong Beatles fan, has painstakingly recreated this poster, using the traditional printing methods used to create the original poster in 1843. He explains, “I’ always longed to own a copy of the Mr. Kite poster, but as a designer, I couldn’t accept the poor imitations that were available. So I decided to do it properly.” Dean called on renowned wood-engraving artist Andy English to recreate the two circus characters on the poster, while Graham Bignell, who runs New North Press in Shoreditch, London, matched the Victorian metal and wooden typefaces on the original using his extensive collection of Victorian type. Dean says, “I feel privileged to have worked with Andy and Graham. -
Bromley Borough Guide the Drive for Excellence in Management
THE LONDON BOROUGH f floor central 1, library, high street, bromley br1 1ex answering arts »halls your sports • zoos leisure nature trails »parks information holiday activities needs museums »libraries Leisureline THE LONDON BOROUGH L A creative service that is designed to understand problems and provide lasting solutions. t o liter a to c o rp o rate i d e n t it y 1. e/ H I If I 4 0 1 r r l j m ¡têt* vdu WORKER creative consultants has the right idea Rushmore 55 Tweedy Road, Bromley, Kent BRI 3NH Telephone 081-464 6380/6389 Fax 081-290 1053 YOUNGS FENCING IS OUR BUSINESS! looking for new fencing?, or advice how to fix the old one?, ... perhaps a new shed!! “THEN COME TO THE REAL EXPERTS”, whatever the problem, we’re sure we can solve it. TRAINED & EXPERIENCED SALES S T A F F > ^ ^ WAITING TO HELP YOU! AND AS A BONUS Mon-Fri 8 am-12.30 pm With our new Celbronze plant we can now provide all our fencing 1.30 pm-5.30 pm and sheds in a rich walnut shade, with the added bonus of pressure Sat 8 am-5 pm treated wood guaranteed for long life and with the backing of Rentokil expertise. SHEDS 10 DESIGNS FENCING SIZES TO YOUR ALL TYPES SPECIFICATION SUPPLY ONLY: FREE AND PROMPT DELIVERY SUPPLY AND ERECT: INSPECTIONS AND ESTIMATES FREE SEVENOAKS WAY, ST PAULS CRAY (NEXT TO TEXAS HOMECARE) ORPINGTON (0689) 826641 (5 LINES) FAX (0689) 878343 2 The Bromley Borough Guide The Drive for Excellence in Management ia— Bntish TELECOM A«» u It,.......a ‘.A. -
Core Strategy Vision and Objectives
1. Introduction Your chance to help shape the future of Bromley We would like you to help us develop the long-term planning strategy for the London Borough of Bromley. This strategy needs to show roughly where any new development should go and, how much development there should be, over the next 20 years. We are starting with what is known as the “Core Strategy” - the top-level document where we set the general direction for the future of the borough - but once this is prepared we will produce other documents with policies to guide the detail of any development. So, is this the “Core Strategy”? No, this is just the first step towards a Core Strategy. This document presents a wide range of information about the Borough and its places and suggests some of the key issues for the future. We are asking everyone with an interest in Bromley to tell us what they think about the issues we have identified – are they the right issues? Are there any more issues that our planning strategy needs to consider? Once we have agreed on the main issues, it’s time to look at the ways of tackling them – again, we’ll be asking for everyone to get involved by telling us what they think and whether anything has been missed. After this we’ll be able to produce a draft Core Strategy which will contain policies that can be used to guide development – this is the document that will be submitted to the Government for checking. Overall, this process will take about two years. -
Black Dog Publishing Hello
SPRING 2013 BLACK DOG PUBLISHING HELLO Introducing Black Dog Publishing’s Spring 2013 list, we are pleased to announce a wide variety of new titles on an extensive range of engaging subjects. It is a pleasure to dedicate a large part of this catalogue to, more than ever, new art and design titles: the first, Colour in the Making: From Old Wisdom to New Brilliance (p. 6) is a visual survey of art and design told through the materials of colour, from the discovery and use of early earth pigments to organic chemistry and contemporary dyes. Following this, Design That Matters: The Challenge for Contemporary Design (p. 30) is an illustrated reader on ethical issues in twenty-first century design, from the challenges of consumerism to our ever pressing concerns for the environment and Arthouse (p. 10) explores how artists have used the form and concept of the house in disparate work over the twentieth and twenty-first centuries. Exploring more recent trends in art, Art and the Internet (p. 8) examines the legacy of the internet and illuminates how and why artists are using it, whilst Seeing is Believing: The Politics of the Visual (p. 20) investigates the politics of visual communication and the way we process information ‘streamed’ to us via various media. We also introduce the sixth title in our ARTWORLD series: Contemporary Art in Germany, Austria and Switzerland (p. 12), exploring the thriving contemporary art scene of each of these countries; with the series now available in paperback and at a reduced pricepoint. Continuing our commitment to producing visually appealing and expertly informed music titles, in this season we delve into underground music in the United States in the early 1980s and 90s, with the visual reader Late Century Dream: Movements in the US Indie Music Underground (p. -
The Crystal Palace
The Crystal Palace The Crystal Palace was a cast-iron and plate-glass structure originally The Crystal Palace built in Hyde Park, London, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in its 990,000-square-foot (92,000 m2) exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was 1,851 feet (564 m) long, with an interior height of 128 feet (39 m).[1] The invention of the cast plate glass method in 1848 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building and astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a The Crystal Palace at Sydenham (1854) piece penned by the playwright Douglas Jerrold, who in July 1850 General information wrote in the satirical magazine Punch about the forthcoming Great Status Destroyed Exhibition, referring to a "palace of very crystal".[2] Type Exhibition palace After the exhibition, it was decided to relocate the Palace to an area of Architectural style Victorian South London known as Penge Common. It was rebuilt at the top of Town or city London Penge Peak next to Sydenham Hill, an affluent suburb of large villas. It stood there from 1854 until its destruction by fire in 1936. The nearby Country United Kingdom residential area was renamed Crystal Palace after the famous landmark Coordinates 51.4226°N 0.0756°W including the park that surrounds the site, home of the Crystal Palace Destroyed 30 November 1936 National Sports Centre, which had previously been a football stadium Cost £2 million that hosted the FA Cup Final between 1895 and 1914. -
What Is Circus Today? Explorations Through 250 Years of British Circus by Professor Vanessa Toulmin in the Beginning
What is Circus Today? Explorations through 250 Years of British Circus by Professor Vanessa Toulmin In the Beginning In 1768 a uniquely British invention created from entertainment popular in late Georgian London was born. The innovator was Philip Astley who with his wife Patty, a gifted equestrienne, and his horse Gibraltar, gave riding displays at Glover’s ‘Halfpenny Hatch’ between Neptune and Angel Streets in April 1768. On this site Mr and Mrs Astley developed scenes of horsemanship and later incorporated older forms of entertainment such as acrobatics, performers from the street and clowns to draw the crowds. It was this combination of speciality skills that developed into the circus entertainment we recognise today.1 As we celebrate 250 years from when modern circus combination of performance genres within a ring was created, the narratives and histories that are of a set diameter quickly became global and being revealed, especially in the United Kingdom, by the early nineteenth century circus could be demonstrate the complex and global history of the found in thirteen different countries including the genre that is circus; an evolving language of visual United States in 1793, Canada in 1797, Mexico in and physical performance.2 The Astleys settled at 1802, Russia in 1816. Within the European and Westminster Bridge Road where initially they used an North American traditions evolutions in popular open-air circular arena, then built a partially covered entertainment from the music hall to the menagerie ‘amphitheatre’ styled ‘Astley’s British Riding School‘ tradition of previous centuries played a key part which opened in 1770. -
War Circus Life Cards
YOUR WAR CIRCUS STORY YOUR WAR CIRCUS STORY Name : Nationality: Name: Nationality: FRED BRADNA Alsatian/German/ ROMAN PROSKE Austrian American Date of birth: Born: Date of Birth: Born: 21/9/1898 Vienna 28/5/1871 Strasbourg Alsace, France In the ring: At the age of 14 run away from home to work with animals Married: BRADNA, ELLA in Africa. You become a Lion Tamer in East Africa. In the Ring: Show director & agent for Ringling Brothers Circus, USA 1914: Aged 16, set off to Europe to join the Army 1913: Seeing the war on the horizon, went to Europe to scout for acts 1915: there is no news of you - you are making your way to fight. to bring over to America, inc. the Konyot family from Hungary 1916: Arrived in Austria joined the Austrian Infantry in September. 1915: Many of the best acts have gone to Europe, called to fight. Fought Russians in Poland. 1916: It’s a difficult task keeping peace among the 18 nationalities that 1917 ish: Found Russian’s under your bed whils slacking off on a works in the Circus, rivalry & discontent. march to battle. Later in an abandoned farm house you found a dead 1917: American Army spurned you, as had been a German soldier. woman in a wooden chest, then the Cossacks arrived on horsebox and 1918: Ringling’s folded their Big Top a month before the end of the you hid in a dung heap. season and sent everything to Bridgeport, home of Barnum and Bailey. 1918: Wounded and discharged, returned to Circus. -
How the 'Seven Deadly Agents Of
Paper presented at the How the ‘Seven Deadly Agents of Destruction’ conference can help preserve the Crystal Palace Dinosaurs Liesa Brierley, Ellinor Michel, Anthony Lewis, Chris Aldhous and Lois Olmstead Introduction Compared to collections kept safe inside museums, outdoor sculpture is affected by additional risk factors. Sculpture in the public realm is exposed to the elements, pollution and direct sunshine. It is more vulnerable to vandalism and the proximity to nature can also take its toll. At the same time, the condition of outdoor sculpture is often not monitored as rigorously as that of museum collections. However, damage doesn’t go unnoticed by the public and, channelled in the right way, the public’s critical eye can be turned to positive pressure, increasing support for conservation work and helping to improve conditions for the displays. To conservation professionals, the Canadian Conservation Institute’s framework of Ten Agents of Deterioration is a familiar and well-established way of describing risk factors to cultural heritage. This paper describes an attempt to translate this framework into a short animated film about risks to outdoor sculpture, using the Crystal Palace Dinosaurs, a renowned Victorian sculpture park in south London, as the stage for the message. The film is aimed at a broad audience of non-professionals of all ages and it is hoped that it will deliver an increased sense of both understanding and ownership of the sculpture park. The Crystal Palace Dinosaurs The Crystal Palace Dinosaurs are the first life-sized sculptural reconstructions of extinct animals, built to engage and enlighten the public on the paradigm- shifting advances in science in the mid-19th century (Owen 1854, McCarthy and Gilbert 1994, Pigott 2004, Bramwell and Peck 2008). -
Sgt. Pepper's Lonely Hearts Club Band: Lyrics
MUSC-21600 Freeze Sgt. Pepper’s Lonely Hearts Club Band: Lyrics 1. Sgt. Pepper’s Lonely Hearts Club Band It was twenty years ago today, Sergeant Pepper taught the band to play. They’ve been going in and out of style, But they’re guaranteed to raise a smile. So may I introduce to you the act you’ve known for all these years? Sergeant Pepper’s Lonely Hearts Club Band. We’re Sergeant Pepper’s Lonely Hearts Club Band, We hope you will enjoy the show, We’re Sergeant Pepper’s Lonely Hearts Club Band, Sit back and let the evening go. Sergeant Pepper’s lonely, Sgt. Pepper’s lonely, Sergeant Pepper’s Lonely Hearts Club Band. It’s wonderful to be here. It’s certainly a thrill. You’re such a lovely audience, We’d like to take you home with us. We’d love to take you home. I don’t really want to stop the show, But I thought you might like to know That the singer’s gonna sing a song And he wants you all to sing along. So let me introduce to you, The one and only Billy Shears, And Sergeant Pepper’s Lonely Hearts Club Band, yeah. 2. With a Little Help from My Friends What would you do if I sang out of tune? Would you stand up and walk out on me? Lend me your ears and I’ll sing you a song, And I’ll try not to sing out of key. Oh, I get by with a little help from my friends. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
Natsca News Issue 14.Pdf
NatSCA News Issue 14 Contents Editorial - Jan Freedman 2 Farewell from the chair - Vicki Papworth 3 NatSCA 2008 conference & AGM 15th and 16th May 2008 4 University of Glasgow, Hunterian Museum - details and agenda NatSCA Seminar at NHM. 8th Nov 2007 8 - David Waterhouse NatSCA Seminar at Lancashire Museums, Preston. 13th Feb 2007 13 - Patrick Campbell The Stockholm beetle [Trogoderma angustum] – a new record. 19 - David Pinniger Conservation of the ‘Great Bass Rock’ diorama—an ICON 20 internship. - Suzanne Hill Preserving waterlogged wood with sugar. 26 - Ed Jarzembowski A New Method for the Restoration of Palaeontological Specimens 28 Mounted in Canada balsam. - Lu Allington-Jones Collecting life: field collecting littoral marine animals for museum 33 collections. - Chris Ayre, Hayley Bishop, Helen Fothergill and Jan Freedman Dismantling, painting and re-erection of an historical cast of the 41 dinosaur Iguanodon in the Sedgwick Museum, Cambridge. - Leslie F. Noè and Sarah Finney Harnessing natural talent 49 - Jeanne Robinson The Nest Collections of the Natural History Museum & of the 51 Hunterian Museum, University of Glasgow: Developing a UK nest collection resource. - Maggie Reilly and Douglas Russell Notices, Adverts & Meetings 55 Book Review—The Echalaz Bird Collection by Adrian Sailor, 2007 57 1 NatSCA News Issue 14 Editorial At the very top of the Natural History Museum, London, conveniently situated a few feet away from the giant Sequoia tree, is the museums botany department. Inside an incon- spicuous door houses the curatorial staff and thousands of herbarium specimens. Looking down the long narrow room there are cabinets on either side and cabinets in the middle, running practically the full length of the room.