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Bromley Borough Guide the Drive for Excellence in Management
THE LONDON BOROUGH f floor central 1, library, high street, bromley br1 1ex answering arts »halls your sports • zoos leisure nature trails »parks information holiday activities needs museums »libraries Leisureline THE LONDON BOROUGH L A creative service that is designed to understand problems and provide lasting solutions. t o liter a to c o rp o rate i d e n t it y 1. e/ H I If I 4 0 1 r r l j m ¡têt* vdu WORKER creative consultants has the right idea Rushmore 55 Tweedy Road, Bromley, Kent BRI 3NH Telephone 081-464 6380/6389 Fax 081-290 1053 YOUNGS FENCING IS OUR BUSINESS! looking for new fencing?, or advice how to fix the old one?, ... perhaps a new shed!! “THEN COME TO THE REAL EXPERTS”, whatever the problem, we’re sure we can solve it. TRAINED & EXPERIENCED SALES S T A F F > ^ ^ WAITING TO HELP YOU! AND AS A BONUS Mon-Fri 8 am-12.30 pm With our new Celbronze plant we can now provide all our fencing 1.30 pm-5.30 pm and sheds in a rich walnut shade, with the added bonus of pressure Sat 8 am-5 pm treated wood guaranteed for long life and with the backing of Rentokil expertise. SHEDS 10 DESIGNS FENCING SIZES TO YOUR ALL TYPES SPECIFICATION SUPPLY ONLY: FREE AND PROMPT DELIVERY SUPPLY AND ERECT: INSPECTIONS AND ESTIMATES FREE SEVENOAKS WAY, ST PAULS CRAY (NEXT TO TEXAS HOMECARE) ORPINGTON (0689) 826641 (5 LINES) FAX (0689) 878343 2 The Bromley Borough Guide The Drive for Excellence in Management ia— Bntish TELECOM A«» u It,.......a ‘.A. -
Core Strategy Vision and Objectives
1. Introduction Your chance to help shape the future of Bromley We would like you to help us develop the long-term planning strategy for the London Borough of Bromley. This strategy needs to show roughly where any new development should go and, how much development there should be, over the next 20 years. We are starting with what is known as the “Core Strategy” - the top-level document where we set the general direction for the future of the borough - but once this is prepared we will produce other documents with policies to guide the detail of any development. So, is this the “Core Strategy”? No, this is just the first step towards a Core Strategy. This document presents a wide range of information about the Borough and its places and suggests some of the key issues for the future. We are asking everyone with an interest in Bromley to tell us what they think about the issues we have identified – are they the right issues? Are there any more issues that our planning strategy needs to consider? Once we have agreed on the main issues, it’s time to look at the ways of tackling them – again, we’ll be asking for everyone to get involved by telling us what they think and whether anything has been missed. After this we’ll be able to produce a draft Core Strategy which will contain policies that can be used to guide development – this is the document that will be submitted to the Government for checking. Overall, this process will take about two years. -
Black Dog Publishing Hello
SPRING 2013 BLACK DOG PUBLISHING HELLO Introducing Black Dog Publishing’s Spring 2013 list, we are pleased to announce a wide variety of new titles on an extensive range of engaging subjects. It is a pleasure to dedicate a large part of this catalogue to, more than ever, new art and design titles: the first, Colour in the Making: From Old Wisdom to New Brilliance (p. 6) is a visual survey of art and design told through the materials of colour, from the discovery and use of early earth pigments to organic chemistry and contemporary dyes. Following this, Design That Matters: The Challenge for Contemporary Design (p. 30) is an illustrated reader on ethical issues in twenty-first century design, from the challenges of consumerism to our ever pressing concerns for the environment and Arthouse (p. 10) explores how artists have used the form and concept of the house in disparate work over the twentieth and twenty-first centuries. Exploring more recent trends in art, Art and the Internet (p. 8) examines the legacy of the internet and illuminates how and why artists are using it, whilst Seeing is Believing: The Politics of the Visual (p. 20) investigates the politics of visual communication and the way we process information ‘streamed’ to us via various media. We also introduce the sixth title in our ARTWORLD series: Contemporary Art in Germany, Austria and Switzerland (p. 12), exploring the thriving contemporary art scene of each of these countries; with the series now available in paperback and at a reduced pricepoint. Continuing our commitment to producing visually appealing and expertly informed music titles, in this season we delve into underground music in the United States in the early 1980s and 90s, with the visual reader Late Century Dream: Movements in the US Indie Music Underground (p. -
The Crystal Palace
The Crystal Palace The Crystal Palace was a cast-iron and plate-glass structure originally The Crystal Palace built in Hyde Park, London, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in its 990,000-square-foot (92,000 m2) exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was 1,851 feet (564 m) long, with an interior height of 128 feet (39 m).[1] The invention of the cast plate glass method in 1848 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building and astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a The Crystal Palace at Sydenham (1854) piece penned by the playwright Douglas Jerrold, who in July 1850 General information wrote in the satirical magazine Punch about the forthcoming Great Status Destroyed Exhibition, referring to a "palace of very crystal".[2] Type Exhibition palace After the exhibition, it was decided to relocate the Palace to an area of Architectural style Victorian South London known as Penge Common. It was rebuilt at the top of Town or city London Penge Peak next to Sydenham Hill, an affluent suburb of large villas. It stood there from 1854 until its destruction by fire in 1936. The nearby Country United Kingdom residential area was renamed Crystal Palace after the famous landmark Coordinates 51.4226°N 0.0756°W including the park that surrounds the site, home of the Crystal Palace Destroyed 30 November 1936 National Sports Centre, which had previously been a football stadium Cost £2 million that hosted the FA Cup Final between 1895 and 1914. -
How the 'Seven Deadly Agents Of
Paper presented at the How the ‘Seven Deadly Agents of Destruction’ conference can help preserve the Crystal Palace Dinosaurs Liesa Brierley, Ellinor Michel, Anthony Lewis, Chris Aldhous and Lois Olmstead Introduction Compared to collections kept safe inside museums, outdoor sculpture is affected by additional risk factors. Sculpture in the public realm is exposed to the elements, pollution and direct sunshine. It is more vulnerable to vandalism and the proximity to nature can also take its toll. At the same time, the condition of outdoor sculpture is often not monitored as rigorously as that of museum collections. However, damage doesn’t go unnoticed by the public and, channelled in the right way, the public’s critical eye can be turned to positive pressure, increasing support for conservation work and helping to improve conditions for the displays. To conservation professionals, the Canadian Conservation Institute’s framework of Ten Agents of Deterioration is a familiar and well-established way of describing risk factors to cultural heritage. This paper describes an attempt to translate this framework into a short animated film about risks to outdoor sculpture, using the Crystal Palace Dinosaurs, a renowned Victorian sculpture park in south London, as the stage for the message. The film is aimed at a broad audience of non-professionals of all ages and it is hoped that it will deliver an increased sense of both understanding and ownership of the sculpture park. The Crystal Palace Dinosaurs The Crystal Palace Dinosaurs are the first life-sized sculptural reconstructions of extinct animals, built to engage and enlighten the public on the paradigm- shifting advances in science in the mid-19th century (Owen 1854, McCarthy and Gilbert 1994, Pigott 2004, Bramwell and Peck 2008). -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
Natsca News Issue 14.Pdf
NatSCA News Issue 14 Contents Editorial - Jan Freedman 2 Farewell from the chair - Vicki Papworth 3 NatSCA 2008 conference & AGM 15th and 16th May 2008 4 University of Glasgow, Hunterian Museum - details and agenda NatSCA Seminar at NHM. 8th Nov 2007 8 - David Waterhouse NatSCA Seminar at Lancashire Museums, Preston. 13th Feb 2007 13 - Patrick Campbell The Stockholm beetle [Trogoderma angustum] – a new record. 19 - David Pinniger Conservation of the ‘Great Bass Rock’ diorama—an ICON 20 internship. - Suzanne Hill Preserving waterlogged wood with sugar. 26 - Ed Jarzembowski A New Method for the Restoration of Palaeontological Specimens 28 Mounted in Canada balsam. - Lu Allington-Jones Collecting life: field collecting littoral marine animals for museum 33 collections. - Chris Ayre, Hayley Bishop, Helen Fothergill and Jan Freedman Dismantling, painting and re-erection of an historical cast of the 41 dinosaur Iguanodon in the Sedgwick Museum, Cambridge. - Leslie F. Noè and Sarah Finney Harnessing natural talent 49 - Jeanne Robinson The Nest Collections of the Natural History Museum & of the 51 Hunterian Museum, University of Glasgow: Developing a UK nest collection resource. - Maggie Reilly and Douglas Russell Notices, Adverts & Meetings 55 Book Review—The Echalaz Bird Collection by Adrian Sailor, 2007 57 1 NatSCA News Issue 14 Editorial At the very top of the Natural History Museum, London, conveniently situated a few feet away from the giant Sequoia tree, is the museums botany department. Inside an incon- spicuous door houses the curatorial staff and thousands of herbarium specimens. Looking down the long narrow room there are cabinets on either side and cabinets in the middle, running practically the full length of the room. -
The Palaeontology Newsletter
The Palaeontology Newsletter Contents 90 Editorial 2 Association Business 3 Association Meetings 11 News 14 From our correspondents Legends of Rock: Marie Stopes 22 Behind the scenes at the Museum 25 Kinds of Blue 29 R: Statistical tests Part 3 36 Rock Fossils 45 Adopt-A-Fossil 48 Ethics in Palaeontology 52 FossilBlitz 54 The Iguanodon Restaurant 56 Future meetings of other bodies 59 Meeting Reports 64 Obituary: David M. Raup 79 Grant and Bursary Reports 81 Book Reviews 103 Careering off course! 111 Palaeontology vol 58 parts 5 & 6 113–115 Papers in Palaeontology vol 1 parts 3 & 4 116 Virtual Palaeontology issues 4 & 5 117–118 Annual Meeting supplement >120 Reminder: The deadline for copy for Issue no. 91 is 8th February 2016. On the Web: <http://www.palass.org/> ISSN: 0954-9900 Newsletter 90 2 Editorial I watched the press conference for the publication on the new hominin, Homo naledi, with rising incredulity. The pomp and ceremony! The emotion! I wondered why all of these people were so invested just because it was a new fossil species of something related to us in the very recent past. What about all of the other new fossil species that are discovered every day? I can’t imagine an international media frenzy, led by deans and vice chancellors amidst a backdrop of flags and flashbulbs, over a new species of ammonite. Most other fossil discoveries and publications of taxonomy are not met with such fanfare. The Annual Meeting is a time for sharing these discoveries, many of which will not bring the scientists involved international fame, but will advance our science and push the boundaries of our knowledge and understanding. -
1 Buildings Yearbook 2020-21
Buildings Yearbook 2020-21 BUILDINGS YEARBOOK 2020-21 1 03 Introduction 04 Creating sustainable cities Cityringen Metro | Soho Place | A Sustainability Revolution | Axel Springer Campus | One Bank Street | ATRIO | Property Insight | London Data Centre 7 | Wheelabrator Kemsley Waste-to-Energy facility 26 Renovating our built environment 1 Triton Square | 388-396 Oxford Street | Museum of London | Embodying Refurbishment | Grosvenor House | St Martin's Digital Fusion | British Airways Maintenance Cardiff 44 Nurturing future generations Whittle School and Studios | Space Explorer | Unlocking the Power of Smart | CERN Science Gateway | UCL Marshgate I | Heartspace 60 Shaping people-centred spaces Chelsea Barracks Stage 3A | Ebury Bridge Renewal | Wellness – An Essential in Placemaking Design | Victory Plaza | Springfield University Hospital | Lush Spa – Lushroom Pi | Grange University Hospital | Royal National ENT and Eastman Dental Hospitals | Brentford Community Stadium | Crystal Palace Dinosaurs Bridge CERN SCIENCE GATEWAY Geneva, Switzerland 2 BUILDINGS YEARBOOK 2020-21 1 Creating beautiful, sustainable and connected places We believe buildings should respond to the social, environmental and economic needs of the city whilst complementing the infrastructure that supports our communities. As designers, engineers and advisors, we have a responsibility to build back better by developing more resilient, regenerative and responsible solutions for our clients. Our approach has to be as multifaceted as the challenges we face and it is our responsibility to create very low energy, net zero whole life carbon, high-functioning smart buildings that promote wellness and have a low environmental impact. At Arup we are building on 75 years of excellence, drawing on our experiences of the past but remaining unbound by convention. -
A Day of Celebration Love
VISability • 33/1 January/February/March 2017 satisfaction one feels when they celebrate the gifts of those they A Day of Celebration love. This particular morning, I celebrated the gift of the open hearts of the kindergartners and their toothless grins as well as the By Kathy Mullen, VIPS Director of Education gifts of love and understanding I receive from our VIPS children and families every day. On a cold Friday morning in January, one of those days that began and ended with temperatures in the single digits, I started Upon my return to the office, I tackled the task of developing my day in the company of 30+ kindergartners in a school in our an observation form to use when visiting our teachers in local community. The students were participating in a yearlong the classrooms in Kids Town Preschool at VIPS. One of “dialog” of meeting the unique needs of community members. our commitments to our Kids Town students is continuous January’s theme was “community members with special needs.” improvement; classroom observations help us to deliver on this My time with these excited, inquisitive open minds afforded the promise. Sometimes when I work on a job such as this, my mind perfect opportunity to talk about the abilities of children who learn goes to the dark side. I begin looking for the negative. In my differently because of their special needs. mind’s eye, I have already identified areas of improvement to be made. It didn’t take me long to recognize that my observation I started my presentation with pictures of 15 of our current instrument had taken on the same tone. -
Cabineta Quarterly of Art and Culture Issue 28 Bones Us $12 Canada $12
A QUARTERLY OF ART AND CULTURE ISSUE 28 BONES CABINET US $12 CANADA $12 UK £7 cabinet Cabinet is a non-profit 501 (c) (3) magazine published by Immaterial Incorpo- 181 Wyckoff Street rated. Our survival is dependent on support from foundations and generous Brooklyn NY 11217 USA individuals. Please consider supporting us at whatever level you can. Contribu- tel + 1 718 222 8434 tions to Cabinet are fully tax-deductible for those who pay taxes to Uncle Sam. fax + 1 718 222 3700 Donations of $25 or more will be acknowledged in the next possible issue, and email [email protected] those above $100 will be acknowledged for four consecutive issues. Checks www.cabinetmagazine.org should be made out to “Cabinet” and sent to our office address. Please mark the envelope, “See? Wishbones do work!” Winter 2007–2008, issue 28 Cabinet wishes to thank the following visionary foundations and individuals Editor-in-chief Sina Najafi for their support of our activities during 2007. Additionally, we will forever be Senior editor Jeffrey Kastner indebted to the extraordinary contribution of the Flora Family Foundation from Editor Christopher Turner 1999 to 2004; without their generous support, this publication would not exist. UK editor Brian Dillon We would also like to thank the Orphiflamme Foundation for a recent generous Managing editor Colby Chamberlain grant and David Walentas/Two Trees for their donation of an editorial office. Associate editor & graphic designer Ryo Manabe Art director Jessica Green Website directors Luke Murphy, Kristofer Widholm, Isaac Overcast, Ryan O’Toole $50,000 Editors-at-large Saul Anton, Mats Bigert, Brian Conley, Christoph Cox, The Andy Warhol Foundation for the $500 or under Jesse Lerner, Jennifer Liese, Frances Richard, Daniel Rosenberg, David Serlin, Visual Arts Monroe Denton, Hugh Raffles, James Debra Singer, Margaret Sundell, Allen S. -
Tfl Annual Report and Statement of Accounts 2016-17
Annual Report and Statement of Accounts 2016/17 Contents About Transport for London (TfL) projects, using transport to unlock growth. We are working with partners Part of the Greater London Authority on major projects like Crossrail 2 and the family led by Mayor of London Sadiq Khan, Bakerloo line extension that will deliver we are the integrated transport authority the new homes and jobs London and 4 Message from the Mayor 64 Exploiting technology responsible for delivering the Mayor's aims the UK need. We are in the final phases for transport. of completing the Elizabeth line which, 8 Commissioner’s foreword 70 Remuneration Report We have a key role in shaping what life when it opens, will add 10 per cent to is like in London, helping to realise the London's rail capacity. Mayor's vision for a 'City for All Londoners'. Supporting the delivery of high-density, 12 Year at a glance 104 Statement of Accounts We are committed to creating a fairer, mixed-use developments that are greener, healthier and more prosperous planned around active and sustainable 14 Creating a city for all Londoners 282 Annual Governance Statement city. The Mayor's Transport Strategy sets travel will ensure that London's growth is a target for 80 per cent of all journeys to good growth. We also use our own land be made on foot, by cycle or using public to provide thousands of new affordable 16 Operational performance 290 Executive Committee transport by 2041. To make this a reality, we homes and our own supply chain prioritise health and the quality of people's creates tens of thousands of jobs and experience in everything we do.