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Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
Ancient Egyptian Herbal Wines
Ancient Egyptian herbal wines Patrick E. McGoverna,1, Armen Mirzoianb, and Gretchen R. Halla aMuseum Applied Science Center for Archaeology, University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA 19104; and bScientific Services Division, Alcohol and Tobacco Tax and Trade Bureau, U.S. Treasury, Beltsville, MD 20705 Edited by Ofer Bar-Yosef, Harvard University, Cambridge, MA, and approved February 23, 2009 (received for review November 17, 2008) Chemical analyses of ancient organics absorbed into pottery jars these properties by preparing ‘‘medicinal wines’’ and external salves in from the beginning of advanced ancient Egyptian culture, ca. 3150 which the plant products were dissolved or decocted in alcoholic media. B.C., and continuing for millennia have revealed that a range of At present, the earliest biomolecular archaeological evidence for natural products—specifically, herbs and tree resins—were dis- plant additives in fermented beverages dates from the early Neo- pensed by grape wine. These findings provide chemical evidence lithic period in China (8) and the Middle East (9), when the first for ancient Egyptian organic medicinal remedies, previously only plants and animals were taken into domestication and provided the ambiguously documented in medical papyri dating back to ca. 1850 basis for complex society and permanent settlement. Possibilities B.C. They illustrate how humans around the world, probably for for extending the evidential base back into the Paleolithic period are millions of years, have exploited their natural environments for limited by the lack of containers, which were probably made from effective plant remedies, whose active compounds have recently perishable materials, such as wood, leather, or woven textiles. -
The Crown of Lower Egypt the Crown of Upper Egypt
1 A further development of recent texts by Josef Kemény, 2009 I have recently finished my latest theme concerning “Pyramid of Cheops and its Secrets” in which the third and fourth dynasties were particularly interesting and exciting concerning the construction of pyramids. But the construction of pyramids was more scientific than that. When Cheops’s pyramid was built, Egypt was at the summit of science. There ought to be more sources pointing in that direction, confirming that Egypt underwent a scientific explosion/revolution directly after the global flood. A general clue can usually be found in a nation’s coat of arms. Egypt had a coat of arms as early as 3,500 BC, shaped as a royal crown. At first Egypt was divided into two areas, Lower and Upper Egypt. They each had a royal crown. The Crown of Lower Egypt The Red Crown The Crown of Upper Egypt The White Crown Symbolic value? – Knowledge and power 2 The Red Crown/Lower Egypt The Crown had a wire which had a “spiral” end. The Crown had a wire which had a “spiral” end. T he spiral wire attached to the c rown symbolized a galaxy, a ” spiral galaxy.” Our Milky W ay is a spiral galaxy. Thus, t he crown of Lower Egypt r epresented our galaxy, the M ilky Way. The coat of arms of this empire was a symbol of extensive astronomy science around 5,000 years ago. To have a royal crown as the empire’s coat of arms was a great start for Lower Egypt. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig -
Before the Pyramids Oi.Uchicago.Edu
oi.uchicago.edu Before the pyramids oi.uchicago.edu before the pyramids baked clay, squat, round-bottomed, ledge rim jar. 12.3 x 14.9 cm. Naqada iiC. oim e26239 (photo by anna ressman) 2 oi.uchicago.edu Before the pyramids the origins of egyptian civilization edited by emily teeter oriental institute museum puBlications 33 the oriental institute of the university of chicago oi.uchicago.edu Library of Congress Control Number: 2011922920 ISBN-10: 1-885923-82-1 ISBN-13: 978-1-885923-82-0 © 2011 by The University of Chicago. All rights reserved. Published 2011. Printed in the United States of America. The Oriental Institute, Chicago This volume has been published in conjunction with the exhibition Before the Pyramids: The Origins of Egyptian Civilization March 28–December 31, 2011 Oriental Institute Museum Publications 33 Series Editors Leslie Schramer and Thomas G. Urban Rebecca Cain and Michael Lavoie assisted in the production of this volume. Published by The Oriental Institute of the University of Chicago 1155 East 58th Street Chicago, Illinois 60637 USA oi.uchicago.edu For Tom and Linda Illustration Credits Front cover illustration: Painted vessel (Catalog No. 2). Cover design by Brian Zimerle Catalog Nos. 1–79, 82–129: Photos by Anna Ressman Catalog Nos. 80–81: Courtesy of the Ashmolean Museum, Oxford Printed by M&G Graphics, Chicago, Illinois. The paper used in this publication meets the minimum requirements of American National Standard for Information Service — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984 ∞ oi.uchicago.edu book title TABLE OF CONTENTS Foreword. Gil J. -
Making, Remaking and Unmaking Early 'Writing'
“It Is Written”?: Making, remaking and unmaking early ‘writing’ in the lower Nile Valley Kathryn E. Piquette Freie Universität Berlin Introduction Analysis and interpretation of inscribed objects often focus on their written meanings and thus their status as products of completed action. Attention is less commonly directed to the ways in which past actors intermingled and transformed material substances via particular tools and embodied behaviours — the material practices which give rise to graphical expres- sion and anchor subsequent acts of symbolic meaning (re-)construction. Building on research into the materiality of early writing and related image making (see Piquette 2007; 2008), this chapter focusses on one aspect of written object ‘life histories’ — the processes of remaking and unmaking. I explore below the dynamic unfolding and reformulation of ‘writing’ and related imagery as artefact within the context of a selection of early inscribed objects from the lower Nile Valley (Figure 1). The more portable writing surfaces include over 4000 objects, including small labels, ceramic and stone vessels, stelae, seals and seal impressions, imple- ments, and personal items (Regulski 2010: 6, 242). The geographically- and temporally-related marks on fixed stone surfaces (variously referred to as ‘petroglyphs’, ‘rock art’, ‘rock inscrip- tions’ or ‘graffiti’, e.g. Redford and Redford 1989; Storemyr 2009) also constitute a crucial dataset for questions of early writing and image-making practices in north-east Africa, but fall outside the scope of this chapter. For its basis, this inquiry examines comparatively three inscribed find types: small perforated plaques or ‘labels’ of bone, ivory and wood; stone ves- sels; and stone stelae. -
EXPERIENCING POWER, GENERATING AUTHORITY Cosmos, Politics, and the Ideology of Kingship in Ancient Egypt and Mesopotamia
EXPERIENCING POWER, GENERATING AUTHORITY Cosmos, Politics, and the Ideology of Kingship in Ancient Egypt and Mesopotamia edited by Jane A. Hill, Philip Jones, and Antonio J. Morales University of Pennsylvania Museum of Archaeology and Anthropology Philadelphia Library of Congress Cataloging-in-Publication Data © 2013 by the University of Pennsylvania Museum of Archaeology and Anthropology Philadelphia, PA All rights reserved. Published 2013 Published for the University of Pennsylvania Museum of Archaeology and Anthropology by the University of Pennsylvania Press. Printed in the United States of America on acid-free paper. 1 Propaganda and Performance at the Dawn of the State ellen f. morris ccording to pharaonic ideology, the maintenance of cosmic, political, Aand natural order was unthinkable without the king, who served as the crucial lynchpin that held together not only Upper and Lower Egypt, but also the disparate worlds of gods and men. Because of his efforts, soci- ety functioned smoothly and the Nile floods brought forth abundance. This ideology, held as gospel for millennia, was concocted. The king had no su- pernatural power to influence the Nile’s flood and the institution of divine kingship was made to be able to function with only a child or a senile old man at its helm. This chapter focuses on five foundational tenets of phara- onic ideology, observable in the earliest monuments of protodynastic kings, and examines how these tenets were transformed into accepted truths via the power of repeated theatrical performance. Careful choreography and stagecraft drew upon scent, pose, metaphor, abject foils, and numerous other ploys to naturalize a political order that had nothing natural about it. -
The Royal Funerary Stelae of the First Two Dynasties in Abydos. the "Stela" of King Den Reconsidered (RMAH, Brussels, Inv
The Royal Funerary Stelae of the First Two Dynasties in Abydos. The "stela" of King Den reconsidered (RMAH, Brussels, inv. E.562)∗ Cet article est la traduction anglaise d’une étude publiée en 2013 : VANHULLE (D.), « Les stèles funéraires royales des deux premières dynasties à Abydos. À propos de la “stèle” de Den des Musées royaux d’Art et d’Histoire de Bruxelles », in Chronique d’Égypte, vol. 88, n°176, 2013, pp. 203-229). Il est important de noter que cette version, revue et augmentée, n’est pas en tout point identique à son modèle et qu’elle doit être considérée comme la version la plus aboutie. 1. Introduction. A number of Early Dynastic (3100-2600 BC) royal funerary stelae were discovered by É. Amélineau at Abydos at the end of the 19th century. They were later distributed to several museums’ collections around the world, but have not been the focus of a detailed study. At least one funerary stela survives for most pharaohs of the first two dynasties. Following W.M.Fl. Petrie’s interpretation, it has generally been assumed that the stelae were produced in pairs and that they flanked the main entrance of each royal tomb1. However, a comprehensive analysis of the data at our disposal demonstrates that such general assumptions should be considered with caution. The so-called "stela of King Den"2 (fig.1), has been on display for over a century in the Royal Museums of Art and History in Brussels (inv. E.562)3. In its current form, it is mostly a modern reconstruction based on better preserved royal stelae. -
"Royal Statuary," Egyptian Art in the Age of the Pyramids
EGYPTIAN ART IN THE AGE OF THE PYRAMIDS THE METROPOLITAN MUSEUM OF ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK This volume has been published in ulIljunction 1\\1 ri~brs reserwd. No pari 01 Ibis pnhli":II;on 'I'Llnsl:lli,,,,, Iwnl tbe I:relll·b hy .I:III1l·S p. Allen with the exhibition «Egyptian Art in the Age of Illay he reproduced or 'T:lIlSlllilled hy any Ill"ans, of essays hy Nadine CIl<'rpion and .Iean-Philipl'" the Pyramids," organized by The Metropolitan electronic or mechanical, indllding phorocopyin~, I.ann; hy .Iobn McDonald of essays by Niu,las Museum of Art, New York; the Reunion des recording, or information retrieval system, with Crilllal, I\ndran I.abrollsse, .Ie'lIl I.edant, and musees nationaux, Paris; and the Royal Ontario out permission from the publishers. Christiane Ziegler; by Jane Marie Todd and Museum, Toronto, and held at the Gaieries Catharine H. Roehrig of entries nationales du Grand Palais, Paris, from April 6 John P. O'Neill, Editor in Chief to July 12, 1999; The Metropolitan Museum of Carol Fuerstein, Editor, with the assistance of Maps adapted by Emsworth Design, Inc., from Art, New York, from September 16, 1999, to Ellyn Childs Allison, Margaret Donovan, and Ziegler 1997a, PI'. 18, 19 January 9, 2000; and the Royal Ontario Museum, Kathleen Howard Toronto, from February 13 to May 22, 2000. Patrick Seymour, Designer, after an original con Jacket/cover illustration: Detail, cat. no. 67, cept by Bruce Campbell King Menkaure and a Queen Gwen Roginsky and Hsiao-ning Tu, Production Frontispiece: Detail, cat. -
Sunken Cities: Egypt's Lost Worlds Audio Guide Transcript
Audio Guide Transcript Sunken Cities: Egypt’s Lost Worlds March 25–September 9, 2018 Main Exhibition Galleries Introduction to Sunken Cities: Egypt’s Lost Worlds Speaker: Brent Benjamin Barbara B. Taylor Director Saint Louis Art Museum Hello, I’m Brent Benjamin, The Barbara B. Taylor Director of the Saint Louis Art Museum. I’d like to welcome you to our exhibition Sunken Cities: Egypt’s Lost Worlds. Many of the objects you are about to see were lost for more than 1,200 years under the waters of the Mediterranean Sea. In 1996, the European Institute of Underwater Archaeology initiated a search for two cities, whose histories were only known through ancient accounts. The research team, led by underwater archaeologist Franck Goddio, has since discovered a variety of incredible objects from these underwater excavations and confirmed the two cities’ names: Thonis-Heracleion and Canopus. In this exhibition you will find exceptionally preserved artifacts, which offer us a better understanding of life in Egypt in the first millennium. The Museum’s presentation is the first time many of these works of art will be seen in the United States. The recently discovered colossal statues, votive offerings, and jewelry are also supplemented by works of art from museums across Egypt. These treasures help tell the story of cities and cultures that flourished together in the ancient world. Your journey begins in the 7th century BC in the ancient Egyptian port of Thonis-Heracleion. As you continue through the exhibition, you will learn about the religious customs of the city. Subsequent galleries will highlight Osiris, the Egyptian god of underworld, whose family and legend shaped the Mysteries of Osiris, one of the most important ceremonies celebrated throughout ancient Egypt. -
Egypt in the Eastern Mediterranean During the Old Kingdom: an Archaeological Perspective
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2009 Egypt in the Eastern Mediterranean during the Old Kingdom: An Archaeological Perspective Sowada, Karin N. Abstract: This study presents a revised view of Egyptian foreign relations in the eastern Mediterranean during the Old Kingdom (3rd-6th Dynasties) based on an extensive analysis of old and new archaeological data, and its relationship to the well-known textual sources. The material demonstrates that while Egypt’s most important relationships were with Byblos and the Lebanese coast generally, it was an active participant in the geo-political and economic affairs of the Levant throughout much of the third millennium BC. The archaeological data shows that the foundation of these relationships was established at the beginning of the Early Dynastic Period and essentially continued until the end of the 6th Dynasty with ebbs, flows and changes of geographical and political emphasis. It is argued that, despite thepaucity of textual data, the 4th Dynasty represents the apogee of Egypt’s engagement in the region, a time when the centralised state was at the height of its power and control of human and economic capital. More broadly, this study shows that Egyptian interaction in the eastern Mediterranean fits the pattern of state-to-state contact between ruling elites which was underpinned by official expeditions engaged in gift and commodity exchange, diplomatic endeavours and military incursions. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-143040 Monograph Published Version Originally published at: Sowada, Karin N. -
Before the Pyramids Oi.Ucicago.Edu
oi.ucicago.edu Before the pyramids oi.ucicago.edu before the pyramids baked clay, squat, round-bottomed, ledge rim jar. 12.3 x 14.9 cm. Naqada iiC. oim e26239 (photo by anna ressman) 2 oi.ucicago.edu Before the pyramids the origins of egyptian civilization edited by emily teeter oriental institute museum puBlications 33 the oriental institute of the university of chicago oi.ucicago.edu Library of Congress Control Number: 2011922920 ISBN-10: 1-885923-82-1 ISBN-13: 978-1-885923-82-0 © 2011 by The University of Chicago. All rights reserved. Published 2011. Printed in the United States of America. The Oriental Institute, Chicago This volume has been published in conjunction with the exhibition Before the Pyramids: The Origins of Egyptian Civilization March 28–December 31, 2011 Oriental Institute Museum Publications 33 Series Editors Leslie Schramer and Thomas G. Urban Rebecca Cain and Michael Lavoie assisted in the production of this volume. Published by The Oriental Institute of the University of Chicago 1155 East 58th Street Chicago, Illinois 60637 USA oi.uchicago.edu For Tom and Linda Illustration Credits Front cover illustration: Painted vessel (Catalog No. 2). Cover design by Brian Zimerle Catalog Nos. 1–79, 82–129: Photos by Anna Ressman Catalog Nos. 80–81: Courtesy of the Ashmolean Museum, Oxford Printed by M&G Graphics, Chicago, Illinois. The paper used in this publication meets the minimum requirements of American National Standard for Information Service — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984 ∞ oi.ucicago.edu book title TABLE OF CONTENTS Foreword. Gil J.