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The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
PDF File Generated From
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] RESTltlCTED IP.III>/Sm.A/1061 26 SeptaltJer 1988 f 10b~-E aaGniU.: :oG.ISH URGENT ASSISTANCE 'l'O THE ARGENTIRE \IOOL INDUSTRY SI/ARG/86/836/11-03 THE ARGENTINE REPUBLIC -· Technical report: Finishing of wool and wool blends* Prepared for the Governaent of the Argentine Republic by the United N•tions Industrial Development Organization. -
Fashion Trends 2016
Fashion Trends 2016 U.S. & U.K. Report [email protected] Intro With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the population and gain insight into this population’s behavior. In our second iteration of the Google Fashion Trends Report, we are excited to introduce data from multiple markets. This report focuses on apparel trends from the United States and United Kingdom to enable a better understanding of how trends spread and behaviors emerge across the two markets. We are proud to share this iteration and look forward to hearing back from you. Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Methodology To compile a list of accurate trends within the fashion industry, we pulled top volume queries related to the apparel category and looked at their monthly volume from May 2014 to May 2016. We first removed any seasonal effect, and then measured the year-over-year growth, velocity, and acceleration for each search query. Based on these metrics, we were able to classify the queries into similar trend patterns. We then curated the most significant trends to illustrate interesting shifts in behavior. Query Deseasonalized Trend 2004 2006 2008 2010 2012 2014 Query 2016 Characteristics Part 1 Part 2 Part 3 Top Risers a Spotlight on an Extensive List and Decliners Top Trending of the Top Volume Themes Fashion Trends Trend Categories To identify top trends, we categorized past data into six different clusters based on Sustained Seasonal Rising similar behaviors. -
Continuous Indigo Rope Warp Dye Range Denim Fabric Finishing Range
Continuous indigo rope warp dye range denim fabric finishing range MEZZERA Worldwide MEZZERA textile machinery manufacturer and Italian reference into the Textile business since 1934, designed and developed all the kind of wet and dry finishing treatments, cooperating with major international partners. MEZZERA, known in the world of wet treatment thanks to their pre-treatment and after printing or dyeing lines, is the Italian leading Textile provider specialized in Dyeing and Finishing solutions. Since 2009 MEZZERA is part of REGGIANI GROUP which includes Reggiani Macchine, Jaeggli Meccanotessile, RPR and MTS. Today MEZZERA is the leader in the Italian market for the continuous washing, bleaching and mercerizing plants for any kind of fabrics. Since 2015 MEZZERA is part of EFI (Electronics for Imaging, Inc). 1934 MEZZERA established in 1934, had designed and developed all kind of wet and dry finishing treatments, cooperating with major international partners 2009 MEZZERA is part of REGGIANI GROUP which includes Reggiani Macchine, Jaeggli Meccanotessile, RPR and MTS 2015 MEZZERA is part of EFI (Electronics for Imaging, Inc) 2 INDIGO DYE Loop, Slasher or Rope? Introducing and Carrying a new customer into the indigo world the first and most important question is a must for us: “What does customer need and why he needs it?” WHY A ROPE DYEING RANGE? WHY A SLASHER DYEING RANGE? - HIGH PRODUCTION: dyed cotton in Kgs/h are more - HIGH FLEXIBILITY: in terms of final products yarn or less 2 to 3 times other ranges counts, chemicals and processes -
Brief History of Culottes
Meryl Salpeter Creative Technical Studio 1 9/7/15 A Brief History of Culottes Culottes, which is a french term to describe knee length britches for men, first appeared in the late 1500’s. They were primarily worn by aristocratic men across Europe, and were popularized during the reign of Henry III. Culottes were normally closed and fastened around the knee, either by buttons, straps or draw string. Military uniforms incorporated culottes, with the lower leg being covered by either stockings, leggings, or knee high boots. Since then, the word and garment have morphed in what is now known as a split skirt for women, which refers to any garment that hangs like a skirt, but is split in two, like a pant. The female version of the culotte first appeared in the early 20th century. While the design made it easier for women to take part in daily physical activities, it was paramount to uphold the illusion of the skirt, making it customary for culottes to have pleats of a wrap around skirt to disguise the pant element. The first woman to outwardly wear pant-inspired culottes was Elsa Schiaparelli in 1931. In contrast, the sans-culottes, which is French for “without knee breeches”, was a term applied to the lower classes in France during the French Revolution. These people wore trousers instead of culottes, which symbolized not just a financial divide, but a political divide, as well. Sans-culottism referred to an ideology that believed all men were equal, as well as personal ownership of land and other property. -
Western BCA Dress Code
Western BCA Dress Code You are part of the largest regional pool tournaments in the United States. Our events are literally seen world-wide and it is more important than ever that we put our best face forward so that we will be taken seriously in the Billiards World. Your cooperation in wearing the appropriate neat and clean apparel at all times during the event, whether practicing, warming up, playing in mini tournaments or just enjoying yourself, is appreciated. The Dress code is in effect each day of the tournament beginning when the referees arrive on the tournament floor in the morning and remains in effect until all matches have been played for the day. EXCEPTION: Fun Night. Clean and neat apparel is required at all times. Torn or dirty clothing will not be allowed. Clothing must cover torso - back and front - at all times. No bare midriffs, excessive cleavage or exposed underwear, please. Shirts and sweaters (men): must have sleeves and be of sufficient length to completely cover the torso when shooting. Collared casual dress shirts (button front), polo shirts and T-shirts may be worn. T-shirts cannot be stretched around the neck, transparent (excessively worn) or have inappropriate or objectionable graphics. Button front shirts may be worn unbuttoned if they are worn over a neat and tasteful garment. If the garment beneath is inappropriate in any way, you will be required to button your outer shirt. Shirts, blouses, tops, sweaters (women): must have sleeves and be of sufficient length to completely cover the torso when shooting. Collared blouses and polo shirts may be worn. -
Women in Pants: a Study of Female College Students Adoption Of
WOMEN IN PANTS: A STUDY OF FEMALE COLLEGE STUDENTS ADOPTION OF BIFURCATED GARMENTS AT THE UNIVERSITY OF GEORGIA FROM 1960 TO 1974 by CANDICE NICHOLE LURKER SAULS Under the direction of Patricia Hunt-Hurst ABSTRACT This research presented new information regarding the adoption of bifurcated garments by female students at the University of Georgia from1960 to 1974. The primary objectives were to examine photographs of female students at the University of Georgia in The Pandora yearbooks as well as to review written references alluding to university female dress codes as well as regulations and guidelines. The photographs revealed that prior to 1968 women at UGA wore bifurcated garments for private activities taking place in dorms or at sorority houses away from UGA property. The study also showed an increase in frequency from 1968 to 1974 due to the abolishment of the dress code regulations. In reference to the specific bifurcated garments worn by female students, the findings indicated the dominance of long pants. This study offers a sample of the changes in women’s dress during the tumultuous 1960s and 1970s, which then showed more specifically how college women dressed in their daily lives across America. INDEX WORDS: Dress Codes, Mid Twentieth Century, University of Georgia, Women’s Dress WOMEN IN PANTS: A STUDY OF FEMALE COLLEGE STUDENTS ADOPTION OF BIFURCATED GARMENTS AT THE UNIVERSITY OF GEORGIA FROM 1960 TO 1974 by CANDICE NICHOLE LURKER SAULS B.S.F.C.S., The University of Georgia, 2005 B.S.F.C.S., The University of Georgia, 2007 -
Dress Codes: an Analysis of Gender in High
UNDRESSING THE DRESS CODES: AN ANALYSIS OF GENDER IN HIGH SCHOOL DRESS CODE POLICIES A Thesis Presented to the faculty of Graduate and Professional Studies in Education California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Education (Behavioral Science Gender Equity Studies) by Jaymie Arns FALL 2017 © 2017 Jaymie Arns ALL RIGHTS RESERVED ii UNDRESSING THE DRESS CODE: AN ANALYSIS OF GENDER IN HIGH SCHOOL DRESS CODE POLICIES A Thesis by Jaymie Arns Approved by: _____________________________________, Committee Chair Sherrie Carinci, Ed.D. _____________________________________, Second Reader Riana Pella, M.Ed. ______________________________ Date iii Student: Jaymie Arns I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator _________________ Albert Lozano, Ph.D. Date Department of Graduate and Professional Studies in Education iv Abstract of UNDRESSING THE DRESS CODES: AN ANALYSIS OF GENDER IN HIGH SCHOOL DRESS CODE POLICIES by Jaymie Arns Statement of Problem Considered to be inherently sexual, the female body faces unique and disproportionate amounts of policing that their male peers do not (Whisner, 1982). In the educational setting, female students are required to take additional steps to ensure that they are not disrupting the learning environment at school (Glickman, 2016). These additional steps are laid out in educational policies like dress codes, which state the dress code rules, the rationales for those dress code rules, and the sanctions attached to dress code violations. -
Textiles As Material Gestalt: Cloth As a Catalyst in the Co-Designing Process
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham Trent Institutional Repository (IRep) Textiles as Material Gestalt: Cloth as a Catalyst in the Co-designing Process Katherine Townsend and Ania Sadkowska Katherine Townsend is an associate profes- ABSTRACT Textiles is the common language within sor in Fashion and Textile Crafts in the School Emotional Fit, a collaborative research project investigat- of Art and Design at Nottingham Trent Uni- versity. She has a background in the fashion ing a person-centred, sustainable approach to fashion and textile industry where she co-directed for an ageing female demographic (55+). Through the two independent labels based and worked as a freelance designer. Her current research co-designing of a collection of research tools, textiles projects, “Emotional Fit: Developing a new have acted as a material gestalt for exploring our research fashion methodology with mature women” and “The Electric Corset and Other Future participants’ identities by tracing their embodied knowl- Histories”, explore material and cultural edge of fashionable dress. The methodology merges issues in fashion, textiles and ageing and the Interpretative Phenomenological Analysis, co-design and use of costume archives to inform the design of e-textiles and wearables. Her research into a simultaneous approach to textile and garment design. the role of embodied knowledge in the digital Based on an enhanced understanding of our participants crafting of textiles was recently published in the chapter Closely Held Secrets, in Crafting textile preferences, particular fabric qualities have cat- Textiles in the Digital Age (Bloomsbury alysed silhouettes, through live draping and geometric 2016). -
T. IW. WINTER,S,M. D. Either by Cash Or Note by Nov
VOL. XXVL MASON, MICHIOAN, THURDSAY. OCTOBER 31, 1901. NO. 44: citizens' Entertainment Course. LOCAL AND GENERAL NEWS. YES OK NO. InKham County Covernment. Hiffh School Notes, Michigan (Tentrai Tiie sale of season reserved seat Below is a synopsis of the proceed The .S, 0. A. met Wednesday, Oct. 30, with Miss Marshall as leader. "lho Niagara Fallt Route," TonlRlit Is Hiillowe'cn, tickets for the Citizens' Entertain Ings of tlie board of supervisors since ment Course will take place at E. Cul Vote on the New School House Pro our last issue, the board adjourning The fifth grade has just linlshcd BOUTirWAUD. .Sliecp to let, IrKiuire of ,T. A. Mason,. I0:00a,in. l ;30 p. m. Oliil) p, in ver's at eight o'clock a. m., local time, Saturday afternoon: the study of Soutli America, B.arncs, .Jr,, Aurelius. *1 jcct Next Tuesday. Jackson lltoo 2;30 lOlDO on Nov, 15th, Tiie report uf tlie special committee Roy Adams returned to school last Detroit ... Bisop, m. Blaop.m,7!i5a.in Justice Ferguson is sliintrllnf? Ills Reserved seats for single entertain to look after needed repairs to the Monday, iiouse sltuvited on Mill street. In anotlier column will be found a Chlcano .,. 0;30p. ln. SAip. in. liiiiOa. m ments in the lecture course will be on county jail wasadopted. An estimate The eighth grade history class is. .Several Ma.sonites went to Lansinff sale at noon the day before eacli en call for a vote upon the new school Of the cost is placed at $S00. Fiv preparing for a test on the explora NOIlTinVAllI), last Tuesday evening toattcnd apliiy, house question. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
4-H Dog Project Exhibitor Dress Code
St. Joseph County 4-H Youth Program St. Joseph County, Michigan 4-H Dog Project Exhibitor Dress Code The following exhibitor dress code is for the 4-H Dog Show at the St. Joseph County Grange Fair. If at any time the judge feels your attire is not appropriate, this may reflect on your class placing and/or A,B,C rating. The judge’s decision is final. Junior Showmanship: Girls: Skirt, culottes or dress slacks with a dress blouse, shirt, turtleneck and/or sweater or vest. Skirt or culottes no shorter than exhibitor finger-tip length. Tie, jacket or suit optional. Boys: Dress slacks with a dress shirt, turtleneck and/or sweater or vest. Tie, jacket or suit optional. Obedience and Agility: Dress slacks or colored denim jeans (no blue jeans) with a dress blouse, shirt, turtleneck and/or sweater or vest. Footwear (all classes): Flat shoes such as tennis shoes or dress shoes, or dress boots/western boots. General (all classes): Long hair should be tied back. >>>>>>>>>><<<<<<<<<< Inappropriate Attire: Any clothing that draws undue attention to one's self, or clothing that may distract other handlers, spectators and/or the judge(s) is unacceptable. This includes but is not limited to: T-shirts, muscle shirts, sweatshirts, halter tops, low-cut blouses/shirts, low-cut sweaters, short-waist shirts/sweaters (no skin/bellybutton showing), shorts, mini-skirts and hats. Sandals, high-heeled shoes, flip flops, open-toed shoes. Unacceptable Attire (per St. Joseph County 4-H Participation/Conduct Policy): Medals/pins or any item of apparel which displays personal identification and/or a club name, kennel name or title/award won by the exhibitor, or which represents that the exhibitor is involved with and/or a member of a particular breed association.