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Grammatica Et Verba Glamor and Verve
“GippertOVprint” — 2014/4/24 — 22:14 — page 81 —#1 Grammatica et verba Glamor and verve Studies in South Asian, historical, and Indo-European linguistics in honor of Hans Henrich Hock on the occasion of his seventy-fifth birthday edited by Shu-Fen Chen and Benjamin Slade Beech Stave Press Ann Arbor New York • “GippertOVprint” — 2014/4/24 — 22:14 — page 82 —#2 © Beech Stave Press, Inc. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Typeset with LATEX using the Galliard typeface designed by Matthew Carter and Greek Old Face by Ralph Hancock. The typeface on the cover is Post Hock by Steve Peter. Library of Congress Cataloging-in-Publication Data Grammatica et verba : glamor and verve : studies in South Asian, historical, and Indo- European linguistics in honor of Hans Henrich Hock on the occasion of his seventy- fifth birthday / edited by Shu-Fen Chen and Benjamin Slade. pages cm Includes bibliographical references. ISBN ---- (alk. paper) . Indo-European languages. Lexicography. Historical linguistics. I. Hock, Hans Henrich, - honoree. II. Chen, Shu-Fen, editor of compilation. III. Slade, Ben- jamin, editor of compilation. –dc Printed in the United States of America “GippertOVprint” — 2014/4/24 — 22:14 — page 83 —#3 TableHHHHHH ofHHHHHHHHHHHHHHH ContentsHHHHHHHHHHHH Preface . vii Bibliography of Hans Henrich Hock . ix List of Contributors . xxi , Traces of Archaic Human Language Structure Anvita Abbi in the Great Andamanese Language. , A Study of Punctuation Errors in the Chinese Diamond Sutra Shu-Fen Chen Based on Sanskrit Texts . -
Finite-State Script Normalization and Processing Utilities: the Nisaba Brahmic Library
Finite-state script normalization and processing utilities: The Nisaba Brahmic library Cibu Johny† Lawrence Wolf-Sonkin‡ Alexander Gutkin† Brian Roark‡ Google Research †United Kingdom and ‡United States {cibu,wolfsonkin,agutkin,roark}@google.com Abstract In addition to such normalization issues, some scripts also have well-formedness constraints, i.e., This paper presents an open-source library for efficient low-level processing of ten ma- not all strings of Unicode characters from a single jor South Asian Brahmic scripts. The library script correspond to a valid (i.e., legible) grapheme provides a flexible and extensible framework sequence in the script. Such constraints do not ap- for supporting crucial operations on Brahmic ply in the basic Latin alphabet, where any permuta- scripts, such as NFC, visual normalization, tion of letters can be rendered as a valid string (e.g., reversible transliteration, and validity checks, for use as an acronym). The Brahmic family of implemented in Python within a finite-state scripts, however, including the Devanagari script transducer formalism. We survey some com- mon Brahmic script issues that may adversely used to write Hindi, Marathi and many other South affect the performance of downstream NLP Asian languages, do have such constraints. These tasks, and provide the rationale for finite-state scripts are alphasyllabaries, meaning that they are design and system implementation details. structured around orthographic syllables (aksara)̣ as the basic unit.1 One or more Unicode characters 1 Introduction combine when rendering one of thousands of leg- The Unicode Standard separates the representation ible aksara,̣ but many combinations do not corre- of text from its specific graphical rendering: text spond to any aksara.̣ Given a token in these scripts, is encoded as a sequence of characters, which, at one may want to (a) normalize it to a canonical presentation time are then collectively rendered form; and (b) check whether it is a well-formed into the appropriate sequence of glyphs for display. -
16-Sanskrit-In-JAPAN.Pdf
A rich literary treasure of Sanskrit literature consisting of dharanis, tantras, sutras and other texts has been kept in Japan for nearly 1400 years. Entry of Sanskrit Buddhist scriptures into Japan was their identification with the central axis of human advance. Buddhism opened up unfathomed spheres of thought as soon as it reached Japan officially in AD 552. Prince Shotoku Taishi himself wrote commentaries and lectured on Saddharmapundarika-sutra, Srimala- devi-simhanada-sutra and Vimala-kirt-nirdesa-sutra. They can be heard in the daily recitation of the Japanese up to the day. Palmleaf manuscripts kept at different temples since olden times comprise of texts which carry immeasurable importance from the viewpoint of Sanskrit philology although some of them are incomplete Sanskrit manuscripts crossed the boundaries of India along with the expansion of Buddhist philosophy, art and thought and reached Japan via Central Asia and China. Thousands of Sanskrit texts were translated into Khotanese, Tokharian, Uigur and Sogdian in Central Asia, on their way to China. With destruction of monastic libraries, most of the Sanskrit literature perished leaving behind a large number of fragments which are discovered by the great explorers who went from Germany, Russia, British India, Sweden and Japan. These excavations have uncovered vast quantities of manuscripts in Sanskrit. Only those manuscripts and texts have survived which were taken to Nepal and Tibet or other parts of Asia. Their translations into Tibetan, Chinese and Mongolian fill the gap, but partly. A number of ancient Sanskrit manuscripts are strewn in the monasteries nestling among high mountains and waterless deserts. -
Relation Between Harappan and Brahmi Scripts
Relation Between Harappan And Brahmi Scripts Subhajit Ganguly Email: [email protected] Copyright © Subhajit Ganguly, 2012 Abstract: Around 45 odd signs out of the total number of Harappan signs found make up almost 100 percent of the inscriptions, in some form or other, as said earlier. Out of these 45 signs, around 40 are readily distinguishable. These form an almost exclusive and unique set. The primary signs are seen to have many variants, as in Brahmi. Many of these provide us with quite a vivid picture of their evolution, depending upon the factors of time, place and usefulness. Even minor adjustments in such signs, depending upon these factors, are noteworthy. Many of the signs in this list are the same as or are very similar to the corresponding Brahmi signs. These are similarities that simply cannot arise from mere chance. It is also to be noted that the most frequently used signs in the Brahmi look so similar to the most frequent Harappan symbols. The Harappan script transformed naturally into the Brahmi, depending upon the factors channelizing evolution of scripts. Brahmi Signs: hough a few variants of the Brahmi alphabet system have been known to exist, with the evolution of Brahmi characters, the core signs are seen to be quite consistent over T time. The syntax of their usage has also been found to be roughly consistent throughout this evolution process. Lists of Brahmi numerals, vowels and consonants are provided here in fig. 2and fig. 3 , respectively: 1 Fig. 2 : Brahmi numerals from 1-9. 2 Fig. 3 : Brahmi vowels and consonants. -
The Origin of the Alphabet: an Examination of the Goldwasser Hypothesis
Colless, Brian E. The origin of the alphabet: an examination of the Goldwasser hypothesis Antiguo Oriente: Cuadernos del Centro de Estudios de Historia del Antiguo Oriente Vol. 12, 2014 Este documento está disponible en la Biblioteca Digital de la Universidad Católica Argentina, repositorio institucional desarrollado por la Biblioteca Central “San Benito Abad”. Su objetivo es difundir y preservar la producción intelectual de la Institución. La Biblioteca posee la autorización del autor para su divulgación en línea. Cómo citar el documento: Colless, Brian E. “The origin of the alphabet : an examination of the Goldwasser hypothesis” [en línea], Antiguo Oriente : Cuadernos del Centro de Estudios de Historia del Antiguo Oriente 12 (2014). Disponible en: http://bibliotecadigital.uca.edu.ar/repositorio/revistas/origin-alphabet-goldwasser-hypothesis.pdf [Fecha de consulta:..........] . 03 Colless - Alphabet_Antiguo Oriente 09/06/2015 10:22 a.m. Página 71 THE ORIGIN OF THE ALPHABET: AN EXAMINATION OF THE GOLDWASSER HYPOTHESIS BRIAN E. COLLESS [email protected] Massey University Palmerston North, New Zealand Summary: The Origin of the Alphabet Since 2006 the discussion of the origin of the Semitic alphabet has been given an impetus through a hypothesis propagated by Orly Goldwasser: the alphabet was allegedly invented in the 19th century BCE by illiterate Semitic workers in the Egyptian turquoise mines of Sinai; they saw the picturesque Egyptian inscriptions on the site and borrowed a number of the hieroglyphs to write their own language, using a supposedly new method which is now known by the technical term acrophony. The main weakness of the theory is that it ignores the West Semitic acrophonic syllabary, which already existed, and contained most of the letters of the alphabet. -
Title: Exploring Historical Letterforms to Design Unique Assamese Typeface for Digital Devices: Experimenting Possibilities
Experimental Typography http://www.typoday.in Title: Exploring historical letterforms to design unique Assamese typeface for digital devices: Experimenting possibilities. Abhijit Padun, Central Institute of Technology Kokrajhar, Assam, India, [email protected] Prof. Amarendra Kumar Das, Indian Institute of Technology Guwahati, India, [email protected] Abstract: Assamese script has a long history of evolution. In its path to modernization from the early printing era to current digital era, a considerable numbers of typefaces were developed. But all these typefaces have their root from Bengali typeface design due to its similarity in structure and availability of resources for Bengali typeface. However historical evidences claimed that both Assamese and Bengali scripts possess differences in writing styles which is still unexplored. This article discusses about designing a typeface for Assamese script which could show a clear connection with historical Assamese writing style. An experimentation has been carried out to study the possibility of this connection by taking a medieval Assamese writing style called “Garhgaya” as reference. As Garhgaya style was initiated and extensively implemented by Ahom dynasty who ruled Assam for six hundred years, hence this style has been considered for reference apart from having characteristics like simplicity, legibility and symmetry in letter formation. The objective of doing this experiment is to design a typeface which could be recognized as a unique Assamese typeface created for digital devices, that has a trace from historical Assamese writing style. Key words: Experimental typeface design, Assamese digital typeface, Assamese typeface for digital devices, Assamese script, Assamese letterform design. Typography Day 2019 1 1. -
Korean Hankul and the Þp'ags-Pa Script
Writine in the Altaic World studia orientalia 87, Helsinki 1999, pp. 79-t00 Korean Hankul and the þP'ags-pa script Roger Finch From the annals of the reign period of King Sejong of Korea, the fourth king of the Yi Dynasty, who ruled from 1418 to 1450, we learn that in the l2th month of the 25th year of his reign (1443), the king invented the Korean alphabet. This alphabet, now known as Hankul, was called Hunmin Ceng'im,'Right Sounds for Instructing the People'l at the time it was introduced, and later simply En-mun'Vernacular Script'. According to popular tradition, the shapes of the letters, most of which are rectilinear or angular, were inspired by the shapes in the fretwork on Korean windows. This writing system is a true alphabet, and not a syllabary, though signs for discrete sounds are organized into single blocks of signs, each representing a syllable in the way that Chinese characters are complexes made up of various strokes organized into single blocks, each of which represent.s a syllable; a syllabary is a writing system in which each combination of consonants with a syllabic core is repre- sented by a unique sign as, for example, the Japanese Kana (Hiragana and Katakana). Almost a century earlier, in 1260, in the year of his election to the position of Great Khan of the Mongols and Emperor of China,2 Khubilai Khan appointed National Preceptor a Tibetan monk named hP'ags-pa he had met seven years earlier, when hP'ags-pa was only nineteen, and commissioned him to create a new Mongolian script. -
The Cretan Script Family Includes the Carian Alphabet
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln CSE Journal Articles Computer Science and Engineering, Department of 2017 The rC etan Script Family Includes the Carian Alphabet Peter Z. Revesz University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/csearticles Revesz, Peter Z., "The rC etan Script Family Includes the Carian Alphabet" (2017). CSE Journal Articles. 196. https://digitalcommons.unl.edu/csearticles/196 This Article is brought to you for free and open access by the Computer Science and Engineering, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in CSE Journal Articles by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. MATEC Web of Conferences 125, 05019 (2017) DOI: 10.1051/ matecconf/201712505019 CSCC 2017 The Cretan Script Family Includes the Carian Alphabet Peter Z. Revesz1,a 1 Department of Computer Science, University of Nebraska-Lincoln, Lincoln, NE, 68588, USA Abstract. The Cretan Script Family is a set of related writing systems that have a putative origin in Crete. Recently, Revesz [11] identified the Cretan Hieroglyphs, Linear A, Linear B, the Cypriot syllabary, and the Greek, Old Hungarian, Phoenician, South Arabic and Tifinagh alphabets as members of this script family and using bioinformatics algorithms gave a hypothetical evolutionary tree for their development and presented a map for their likely spread in the Mediterranean and Black Sea areas. The evolutionary tree and the map indicated some unknown writing system in western Anatolia to be the common origin of the Cypriot syllabary and the Old Hungarian alphabet. -
(RSEP) Request October 16, 2017 Registry Operator INFIBEAM INCORPORATION LIMITED 9Th Floor
Registry Services Evaluation Policy (RSEP) Request October 16, 2017 Registry Operator INFIBEAM INCORPORATION LIMITED 9th Floor, A-Wing Gopal Palace, NehruNagar Ahmedabad, Gujarat 380015 Request Details Case Number: 00874461 This service request should be used to submit a Registry Services Evaluation Policy (RSEP) request. An RSEP is required to add, modify or remove Registry Services for a TLD. More information about the process is available at https://www.icann.org/resources/pages/rsep-2014- 02-19-en Complete the information requested below. All answers marked with a red asterisk are required. Click the Save button to save your work and click the Submit button to submit to ICANN. PROPOSED SERVICE 1. Name of Proposed Service Removal of IDN Languages for .OOO 2. Technical description of Proposed Service. If additional information needs to be considered, attach one PDF file Infibeam Incorporation Limited (“infibeam”) the Registry Operator for the .OOO TLD, intends to change its Registry Service Provider for the .OOO TLD to CentralNic Limited. Accordingly, Infibeam seeks to remove the following IDN languages from Exhibit A of the .OOO New gTLD Registry Agreement: - Armenian script - Avestan script - Azerbaijani language - Balinese script - Bamum script - Batak script - Belarusian language - Bengali script - Bopomofo script - Brahmi script - Buginese script - Buhid script - Bulgarian language - Canadian Aboriginal script - Carian script - Cham script - Cherokee script - Coptic script - Croatian language - Cuneiform script - Devanagari script -
Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. & Dr. K. Muniratnam Director i/c, Epigraphy, ASI, Mysore Dr. Sayantani Pal Dept. of AIHC, University of Calcutta. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Indian Epigraphy Module Name/Title Kharosthi Script Module Id IC / IEP / 15 Pre requisites Kharosthi Script – Characteristics – Origin – Objectives Different Theories – Distribution and its End Keywords E-text (Quadrant-I) : 1. Introduction Kharosthi was one of the major scripts of the Indian subcontinent in the early period. In the list of 64 scripts occurring in the Lalitavistara (3rd century CE), a text in Buddhist Hybrid Sanskrit, Kharosthi comes second after Brahmi. Thus both of them were considered to be two major scripts of the Indian subcontinent. Both Kharosthi and Brahmi are first encountered in the edicts of Asoka in the 3rd century BCE. 2. Discovery of the script and its Decipherment The script was first discovered on one side of a large number of coins bearing Greek legends on the other side from the north western part of the Indian subcontinent in the first quarter of the 19th century. Later in 1830 to 1834 two full inscriptions of the time of Kanishka bearing the same script were found at Manikiyala in Pakistan. After this discovery James Prinsep named the script as ‘Bactrian Pehelevi’ since it occurred on a number of so called ‘Bactrian’ coins. To James Prinsep the characters first looked similar to Pahlavi (Semitic) characters. -
World Writing Systems Other European and Middle Eastern Scripts a Large
Contemporary Linguistics: An Introduction, 5th edition, Chapter 16: World writing systems, 1 World writing systems Other European and Middle Eastern Scripts A large number of alphabetic systems other than those of Greece and Rome evolved and flourished in Europe and the Middle East. In this Web site, we briefly present some of the ones that are of historical significance or interest. Runic writing Germanic tribes occupying the north of Italy developed an early offshoot of the Greek/Etruscan tradition of writing into a script known as Runic writing. This system emerged shortly after the beginning of the Christian era, and its developments were eventually found as far north as Scandinavia. Runic writing persisted until the sixteenth century in some areas before giving way to the Roman alphabet. Figure 1 illustrates some signs from one of the oldest known Runic inscriptions, which dates from about the third century A.D. The angular style of the letters arose because the alphabet was carved in wood or stone, the former especially not readily lending itself to curved lines. The script is read from right to left. Cyrillic script Another offshoot of the Greek script was created for the Slavic peoples in the ninth century A.D. The Greek missionary brothers Constantine (Cyril) and Methodius introduced a writing system for the translation of the Bible that is now known as Glagolitic script. A later development, which combined adaptations of Glagolitic letters with Greek and Hebrew characters, has come to be known as the Cyrillic alphabet. The current Russian, Byelorussian, Ukrainian, Serbian, Macedonian, and Bulgarian alphabets, as well as those used to represent many non-Slavic languages spoken in the former Soviet Union, have evolved from this early Cyrillic script. -
14 South and Central Asia-III 14 Ancient Scripts
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1.