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Forty Years of Cultural Change Among the Inuit in Alaska, Canada and Greenland: Some Reflections MARIANNE STENBAEK’
ARCTIC VOL. 40, NO. 4 (DECEMBER 1987) P. 300-309 Forty Years of Cultural Change among the Inuit in Alaska, Canada and Greenland: Some Reflections MARIANNE STENBAEK’ (Received 27 August 1987; accepted in revised form I October 1987) ABSTRACT. The peoples in the arctic regions have experienced unprecedented cultural change in the last 40 years. The Dene, Metis, Samis, Athapaskans, Inuit and other aboriginal peoplein these regions have all seen their traditionallifestyles altered dramatically with the increasedinflux of southern peoples, withtheir baggage of modemtechnology, bureaucracy and assortedeconomic/political/soial/cultural systems. This paper focuses on the Inuit regions of Alaska, northern Canada and Greenland, for the Inuit have experienced more cultural changes since 1945 than in any other concentrated time span before. Although the changes have often resulted in great human tragedies, such as suicide epidemics and alcoholism, many positive changes have also occurred, as shownby major events in the three Inuit regions examined, as well as the establishment of somecultural and educational institutions. The paper drawson interviews with contemporaryInuit leaders. It concludesthat the Inuitculture is now in the process of being re-affirmed and will indeed be of increasing worldwide importance as the Arctic emerges as a new international and transnational region. Key words: Alaska, northern Canada, Greenland, Inuit, cultural change RÉSUMÉ. Les peuples des régionsarctiques ont subi des mutationsculturelles sans prkcédentdepuis quarante ans. Les Dene, les Métis, les Samis, les Athapaskans, les Inuit et d’autres peuples aborigbnes de ces régions ont tous subi une modification spectaculaire de leurs modes de vie traditionnels devant l’afflux de gens du Suddébarqués avec leur bagage de techniques modernes, de bureaucratie et de systbmes économiques/politiques/sociaux/ culturels assortis. -
Atanarjuat Als Werk Indigenen Filmschaffens in Kanada – Eine Analyse Der Filmischen Gestaltung“
DIPLOMARBEIT Titel der Diplomarbeit „From Inuit Point of View: Zacharias Kunuks Spielfilm Atanarjuat als Werk indigenen Filmschaffens in Kanada – eine Analyse der filmischen Gestaltung“ Verfasser Christoph Johannes Jahn angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, November 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Elisabeth Büttner, M.A. Danksagung: Mein Dank gilt meiner Betreuerin Univ.-Prof. Dr. Elisabeth Büttner, Prof. Thomas Waugh, der meine Recherchearbeiten in Kanada betreut hat, Dr. Britta Hartmann, Chris Crilly, Marion Delaronde und Marie-Hélène Cousineau, meinen Eltern, die mich in allen Phasen meines Studiums unterstützt haben, und den indigenen Filmschaffenden, welchen diese Arbeit gewidmet ist. Inhaltsverzeichnis Seite: 1. Einleitung 3 2. Indigenes Filmschaffen in Kanada 6 3. Das Medium Film im Bezug zum kulturellen Hintergrund der Inuit 15 3.1. Von der Erzähltradition zum Erzählkino 15 3.2. Autonome indigene Filmproduktion im Norden Kanadas 20 3.2.1. Igloolik Isuma Productions 20 3.2.2. Zacharias Kunuk 22 3.2.3. Kunuks frühe Videoproduktionen 23 4. Die filmische Gestaltung des Werkes ATANARJUAT 31 4.1. Filmhandlung und Entstehungsprozess 31 4.2. Erinnerungsbilder: Verschmelzung von Vergangenheit und Gegenwart 36 4.3. Visualisierung einer Legende: Zu den filmischen Gestaltungsmitteln 38 4.3.1. „Frozen but always in motion“: Kameraführung und Bildgestaltung 38 4.3.2. „Long takes, slow pace“: Montage 48 4.3.3. „Natural light and real locations“: Erzählräume und Lichtgebung 53 4.3.4. „Music of the south for a film of the north“: Zur Tonebene 56 4.4. Einzigartigkeit und Konventionalität 59 4.5. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Ottawa Report FINAL
University of Washington Henry M. Jackson School of International Studies SIS 495 A – Arctic Governance Task Force Faculty: Nadine Fabbi, Canadian Studies Center Vincent Gallucci, School of Aquatic and Fishery Sciences Ottawa FactFinding Mission January 30th – February 5th 2011 Trip Report Editor: Zeina Hamed Photography by Kim Selling Cover photo by Nadine Fabbi The Members of the Arctic Governance Task Force give great thanks to the following organiZations: Foreign Affairs and International Trade Canada, the Canadian and Global Studies Title VI grants, International Education Programs Service, U.S. Department of Education, the Hellmann Fund for Innovation and Excellence, the Maxwell M. and Julia Fisher Endowment, The Interna tional Studies Program Discretionary Fund, the Henry M. Jackson School of International Studies, the Wilburforce Foundation: Seattle, and the Makivik Corporation. The Task Force would also like to extend a special thank you to: Nadine Fabbi and Vincent Gallucci, for their tireless efforts in organizing the Ottawa trip; Donat Savoie, President, Arctic and Circumpolar Affairs Consulting Firm, for serving as the advisor to the trip; Luke Henderson, Foreign Affairs and International Trade Canada, for his efforts in organizing our visit at DFAIT; Cecilia Sithembile Silundika, Indian and Northern Affairs Canada, for organizing our meetings with her colleagues at INAC; Sophie Thériault, University of Ottawa, for organizing the symposium at her institution; And last, but not least, thank you to every office, organization, and individual who took time from their busy schedule to meet with us and share their knowledge of the Arctic. Hello! Bonjour! Qanuippit! Each year, students from the University of Washington’s Henry M. -
Proceedings of the Arctic Indigenous Languages Symposium
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Canada's Arctic Marine Atlas
Lincoln Sea Hall Basin MARINE ATLAS ARCTIC CANADA’S GREENLAND Ellesmere Island Kane Basin Nares Strait N nd ansen Sou s d Axel n Sve Heiberg rdr a up Island l Ch ann North CANADA’S s el I Pea Water ry Ch a h nnel Massey t Sou Baffin e Amund nd ISR Boundary b Ringnes Bay Ellef Norwegian Coburg Island Grise Fiord a Ringnes Bay Island ARCTIC MARINE z Island EEZ Boundary Prince i Borden ARCTIC l Island Gustaf E Adolf Sea Maclea Jones n Str OCEAN n ait Sound ATLANTIC e Mackenzie Pe Ball nn antyn King Island y S e trait e S u trait it Devon Wel ATLAS Stra OCEAN Q Prince l Island Clyde River Queens in Bylot Patrick Hazen Byam gt Channel o Island Martin n Island Ch tr. Channel an Pond Inlet S Bathurst nel Qikiqtarjuaq liam A Island Eclipse ust Lancaster Sound in Cornwallis Sound Hecla Ch Fitzwil Island and an Griper nel ait Bay r Resolute t Melville Barrow Strait Arctic Bay S et P l Island r i Kel l n e c n e n Somerset Pangnirtung EEZ Boundary a R M'Clure Strait h Island e C g Baffin Island Brodeur y e r r n Peninsula t a P I Cumberland n Peel Sound l e Sound Viscount Stefansson t Melville Island Sound Prince Labrador of Wales Igloolik Prince Sea it Island Charles ra Hadley Bay Banks St s Island le a Island W Hall Beach f Beaufort o M'Clintock Gulf of Iqaluit e c n Frobisher Bay i Channel Resolution r Boothia Boothia Sea P Island Sachs Franklin Peninsula Committee Foxe Harbour Strait Bay Melville Peninsula Basin Kimmirut Taloyoak N UNAT Minto Inlet Victoria SIA VUT Makkovik Ulukhaktok Kugaaruk Foxe Island Hopedale Liverpool Amundsen Victoria King -
Marie-Hélène Cousineau and Madeline Piujuq Ivalu
A FILM BY MARIE-HÉLÈNE COUSINEau and MadELINE PIUJUQ IvaLU Uvanga (Myself) is the second feature film from the Arnait Video Collective, the same team that won Best Canadian First Feature Film at the 2008 Toronto International Film Festival. Directed by Marie-Hélène Cousineau and Madeline Piujuq Ivalu, the film was shot entirely on location in Nunavut. Anna is nervous when she and her son, Tomas, STORY | arrive in the small, close-knit community of Igloolik in the Canadian Arctic. SYNOPSIS Anna had a short-lived affair with Tomas’s Inuk father when she worked in Igloolik. But Tomas, now 14 years old, was born and raised in his mother’s native city of Montreal and never knew much about his origins. Tomas is bright, strong, and curious about his father’s culture, but his father is no longer around to show him the way. For Tomas’s mother and Inuit family, the joy of his homecoming is mixed with memories of a brief and painful chapter in their shared history. Over the course of two weeks that seem to blend into one long day under the midnight sun, Anna and Thomas strive to reconnect with the family they can no longer ignore. For more information please write to: [email protected] The characters of Anna and Tomas were not DIRECTOR'S inspired by anyone in particular, but there are many families like theirs in the world today: NOTE | separated, mixed-blood children discovering their roots and shaping their identities; grandparents connecting with newly found grandchildren; and adults trying to mend broken relationships. -
Nunavut, a Creation Story. the Inuit Movement in Canada's Newest Territory
Syracuse University SURFACE Dissertations - ALL SURFACE August 2019 Nunavut, A Creation Story. The Inuit Movement in Canada's Newest Territory Holly Ann Dobbins Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Dobbins, Holly Ann, "Nunavut, A Creation Story. The Inuit Movement in Canada's Newest Territory" (2019). Dissertations - ALL. 1097. https://surface.syr.edu/etd/1097 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract This is a qualitative study of the 30-year land claim negotiation process (1963-1993) through which the Inuit of Nunavut transformed themselves from being a marginalized population with few recognized rights in Canada to becoming the overwhelmingly dominant voice in a territorial government, with strong rights over their own lands and waters. In this study I view this negotiation process and all of the activities that supported it as part of a larger Inuit Movement and argue that it meets the criteria for a social movement. This study bridges several social sciences disciplines, including newly emerging areas of study in social movements, conflict resolution, and Indigenous studies, and offers important lessons about the conditions for a successful mobilization for Indigenous rights in other states. In this research I examine the extent to which Inuit values and worldviews directly informed movement emergence and continuity, leadership development and, to some extent, negotiation strategies. -
Canada's Northern Strategies: from Trudeau To
Lackenbauer Documents on Canadian Arctic Sovereignty and Security No. 17 Canada’s Northern Strategies: From Trudeau to Trudeay, 1970-2020 1970-2020 to Trudeay, Northern Strategies: From Trudeau Canada’s Canada’s Northern Strategies From Trudeau to Trudeau, 1970-2020 Compiled and introduced by P. Whitney Lackenbauer DCASS 17 Canada’s Northern Strategies From Trudeau to Trudeau, 1970-2020 Compiled and introduced by P. Whitney Lackenbauer, Ph.D. Documents on Canadian Arctic Sovereignty and Security (DCASS) ISSN 2368-4569 Series Editors: P. Whitney Lackenbauer Adam Lajeunesse Managing Editor: Ryan Dean Canada’s Northern Strategies: From Trudeau to Trudeau, 1970-2020 P. Whitney Lackenbauer DCASS Number 17, 2020 Front Cover: Indian and Northern Affairs Canada, Canada’s North 1970-1980. Back Cover: Prime Minister’s Office; Library and Archives Canada; Indian and Northern Affairs Canada, Canada’s North 1970-1980. Centre for Military, Security and School for the Study of Canada Strategic Studies Trent University University of Calgary 1600 West Bank Dr. 2500 University Dr. N.W. Peterborough, ON K9L 0G2 Calgary, AB T2N 1N4 Tel: 705.748.1011 x7390 Tel: 403.220.4030 www.trentu.ca www.cmss.ucalgary.ca Arctic Institute of North America University of Calgary 2500 University Drive NW, ES-1040 Calgary, AB T2N 1N4 Tel: 403-220-7515 http://arctic.ucalgary.ca/ Copyright © the authors/editors, 2020 Permission policies are outlined on our website http://cmss.ucalgary.ca/research/arctic-document-series Contents Acknowledgements .................................................................................................. ii Canada’s Northern Strategies, 1970-2020: An Introduction .................................... iii Background .....................................................................................................iii The 1970s and 1980s ....................................................................................... v The End of the Cold War and a New Circumpolar Focus............................. -
Indigenous-Film-Programme-2020-21
1 REEL CANADA Uniting our Nations through Film WHO WE ARE REEL CANADA is a charitable organization whose mission is to introduce new audiences to the power and diversity of Canadian film and engage them in a conversation about identity and culture. Showcasing works by Indigenous filmmakers from Canada is an integral part of that mission. Our travelling film festival has reached over a million students – and it just keeps growing! WHAT WE DO LESSON PLANS AND Now entering our 16th season, we offer several programmes for students. And, through National RESOURCES Canadian Film Day (NCFD), we also bring an annual With a track record of thousands of successful school celebration of film to all Canadians. screenings, we can give you effective tools to get your colleagues and students excited about your Our Educational Programmes serve anywhere from event, and work with you to create a festival that will a single class to a whole school. They all incorporate resonate with your community. incredible work made by Indigenous filmmakers, and all of them are absolutely free of charge. We offer: • Film-specific lesson plans orf all feature-length Our Films in Our Schools: for more than 14 years, films in this programme we have helped teachers and students organize over 3,000 screenings of Canadian films • Lesson plans for Indigenous and Native studies courses Welcome to Canada: introducing new Canadians to Canadian film and culture through festival events • Lesson plans about Canadian film and torytellings designed specifically for English-language -
Full-Version-Multilingual-With-Images
ᐃᓄᐃᑦ ᑕᐱᕇᑦ ᑲᓇᑕᒥ Inuit Tapiriit Kanatami ᑲᑎᒪᔨᖏᑦ Nunatsiavut Government P.O. Box 70 ᒥᐊᓕ ᓴᐃᒪᓐ, ᐊᖓᔪᖅᑳᖅ Nain, Labrador A0P 1L0 ᔨᒻ ᓚᐃᐊᓪ, ᓄᓇᑦᓯᐊᕗᑦ ᒐᕙᒪᖓ t. 709-922-2942 ᓇᓕ ᑯᐊᓄᐊᔭᐃ, ᐃᓄᕕᐊᓗᐃᑦ ᓄᓇᓕᖃᑎᖠᕆᑦ ᑯᐊᐳᕋᐃᓴᓐ f. 709-922-2931 ᐲᑕ ᐋᑕᒥ, ᒪᑭᕕᑦ www.nunatsiavut.com ᐹᓪ ᖃᓗᔾᔭᖅ, ᓄᓇᕗᑦ ᑐᖓᕕᒃ ᑐᐊᐃᓐ ᓯᒥᑦ, ᐊᖓᔪᖅᑳᖅ ᓯᓚᕐᔪᐊᕐᒥ ᐃᓄᐃᑦ ᑲᑐᔾᔨᖃᑎᖠᕆᖏᑦ (ᑲᓇᑕᒥ) Inuvialuit Regional Corporation ᔭᓇᑕᓐ ᐄᐳ, ᑲᓇᑕᒥ ᐃᓄᐃ ᒪᒃᑯᒃᑐᑦ ᑲᑎᒪᔨᖏᑦ P.O. Box 2120 Inuvik, NT XOE 0T0 t. 867-777-2737 f. 867-777-2135 Board of Directors/ www.irc.inuvialuit.com Conseil d’administration Nunavut Tunngavik Ms. Mary Simon, President Incorporated Mr. Jim Lyall, Nunatsiavut Government Igluvut Building #921 Ms. Nellie Cournoyea, Inuvialuit Regional Corporation P.O. Box 638 Mr. Pita Aatami, Makivik Corporation Iqaluit, NU. X0A 0H0 Mr. Paul Kaludjak, Nunavut Tunngavik Inc. t. 1-888-646-0006 (867-975-4900) Mr. Duane Smith, President Inuit Circumpolar f. 867-975-4949 Council (Canada) www.tunngavik.com Mr. Jonathan Epoo, National Inuit Youth Council Inuit Circumpolar Council 504-170 Laurier Ave. W., Ottawa, ON, K1P 5V5 t. (613) 563-2642 f. (613) 565-3089 www.inuitcircumpolar.com ᖁᕐᓗᒃᑑᒥ ᒪᒃᑯᑦᑐᑦ ᖁᕕᐊᓱᖃᑎᒌᑦᑐᑦ 66%,ᓗᐊᒥᒃ ᓵᓚᒃᓴᓚᐅᕐᑎᓪᓗᒋᑦ ᓂᕈᐊᕐᑐᑦ ᐃᒥᐊᓗᒻᒥᒃ ᐊᑐᕐᑕᐅᖁᔨᓇᒍᓐᓇᐃᕐᑐᑦ. Kugluktuk youth celebrate after 66% of the community voted in favor of a local plebiscite to restrict the use of alcohol. Qurluktuumi makkuttut quviasuqatigiittut 66%,luamik saalaksalaurtillugit niruartut imialummik aturtauqujinagunnairtut. Les jeunes de Kugluktuk célèbrent après un vote où 66 % des membres de la communauté ont opté en faveur d’un plébiscite local en vue de restreindre -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R.