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Eva Braun Hitler's Odontological Identification-A Forensic Enigma?
J Forensic Sci, Apr. 1974, Vol. 19, No. 2 R. F. Sognnaes, ~ M.A., M.S., D.M.D., Ph.D. Eva Braun Hitler's Odontological Identification-A Forensic Enigma? Through generous cooperation by custodians of several museums, libraries, and govern- ment archive centers, the author has had occasion to explore various historical dental relics and reports covering the evolution of dental art and science over a period ranging from the time of George Washington to that of Adolf Hitler [1,2]. When the Berlin dentist, Dr. Hugo Johannes Blaschke, who cared for Germany's wartime leaders, was captured and interrogated by American army officers in 1945, he prepared descriptions and diagrams of the dental condition of Adolf Hitler, as well as of Martin Bormann and of Eva Braun, Hitler's longtime female companion whom he married just before the end of the war. By comparing American and Soviet reports it has been shown elsewhere that data attributed to a 1945 Russian autopsy report cited in 1968 by Bezymenski [3-5] are in harmony with Hitler's 1944 head and jaw X-rays which, after much search and research, were located through the cooperation of the Captured Record Branch of the U.S. Na- tional Archives and Records Service [2]. This discovery was followed by a detailed comparison with other dental data, as reported at the 6th International Conference on Forensic Sciences in Edinburgh in 1972 and subsequently published in early 1973 by Sognnaes and Str6m [6]. Similarly, the dental data elicited regarding Martin Bormann's dental condition, based on dental diagrams prepared by Dr. -
Echoes of Memory Volume 9
Echoes of Memory Volume 9 CONTENTS JACQUELINE MENDELS BIRN MICHEL MARGOSIS The Violins of Hope ...................................................2 In Transit, Spain ........................................................ 28 RUTH COHEN HARRY MARKOWICZ Life Is Good ....................................................................3 A Letter to the Late Mademoiselle Jeanne ..... 34 Sunday Lunch at Charlotte’s House ................... 36 GIDEON FRIEDER True Faith........................................................................5 ALFRED MÜNZER Days of Remembrance in Rymanow ..................40 ALBERT GARIH Reunion in Ebensee ................................................. 43 Flory ..................................................................................8 My Mother ..................................................................... 9 HALINA YASHAROFF PEABODY Lying ..............................................................................46 PETER GOROG A Gravestone for Those Who Have None .........12 ALFRED TRAUM A Three-Year-Old Saves His Mother ..................14 The S.S. Zion ...............................................................49 The Death Certificate That Saved Vienna, Chanukah 1938 ...........................................52 Our Lives ..................................................................................... 16 SUSAN WARSINGER JULIE KEEFER Bringing the Lessons Home ................................. 54 Did He Know I Was Jewish? ...................................18 Feeling Good ...............................................................55 -
THE POLISH POLICE Collaboration in the Holocaust
THE POLISH POLICE Collaboration in the Holocaust Jan Grabowski The Polish Police Collaboration in the Holocaust Jan Grabowski INA LEVINE ANNUAL LECTURE NOVEMBER 17, 2016 The assertions, opinions, and conclusions in this occasional paper are those of the author. They do not necessarily reflect those of the United States Holocaust Memorial Museum. First printing, April 2017 Copyright © 2017 by Jan Grabowski THE INA LEVINE ANNUAL LECTURE, endowed by the William S. and Ina Levine Foundation of Phoenix, Arizona, enables the Center to bring a distinguished scholar to the Museum each year to conduct innovative research on the Holocaust and to disseminate this work to the American public. Wrong Memory Codes? The Polish “Blue” Police and Collaboration in the Holocaust In 2016, seventy-one years after the end of World War II, the Polish Ministry of Foreign Affairs disseminated a long list of “wrong memory codes” (błędne kody pamięci), or expressions that “falsify the role of Poland during World War II” and that are to be reported to the nearest Polish diplomat for further action. Sadly—and not by chance—the list elaborated by the enterprising humanists at the Polish Foreign Ministry includes for the most part expressions linked to the Holocaust. On the long list of these “wrong memory codes,” which they aspire to expunge from historical narrative, one finds, among others: “Polish genocide,” “Polish war crimes,” “Polish mass murders,” “Polish internment camps,” “Polish work camps,” and—most important for the purposes of this text—“Polish participation in the Holocaust.” The issue of “wrong memory codes” will from time to time reappear in this study. -
Martin Moszkowicz Filmographie
FILMOGRAPHIE MARTIN MOSZKOWICZ FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2022 Liebesdings Anika Decker EXECUTIVE PRODUCER Der Nachname Sönke Wortmann EXECUTIVE PRODUCER 2021 Welcome to Raccoon City Johannes Roberts EXECUTIVE PRODUCER Contra Sönke Wortmann EXECUTIVE PRODUCER Caveman Laura Lackmann EXECUTIVE PRODUCER Tides Tim Fehlbaum EXECUTIVE PRODUCER Ostwind - Der große Orkan Lea Schmidbauer CO-PRODUZENT The Foundation Mike P. Nelson EXECUTIVE PRODUCER Monster Hunter Paul W.S. Anderson EXECUTIVE PRODUCER 2 020 Drachenreiter Tomer Eshed EXECUTIVE PRODUCER Black Beauty Ashley Avis EXECUTIVE PRODUCER Berlin, Berlin Franziska Meyer Price CO-PRODUZENT Das geheime Leben der Bäume Jörg Adolph EXECUTIVE PRODUCER 2019 Das perfekte Geheimnis Bora Dagtekin EXECUTIVE PRODUCER Eine ganz heiße Nummer 2.0 Rainer Kaufmann CO-PRODUZENT Die drei !!! Viviane Andereggen CO-PRODUZENT The Silence John R. Leonetti EXECUTIVE PRODUCER Der Fall Collini Marco Kreuzpaintner EXECUTIVE PRODUCER Ostwind – Aris Ankunft Theresa von Eltz CO-PRODUZENT Polar Jonas Akerlund EXECUTIVE PRODUCER FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2018 Der Vorname Sönke Wortmann EXECUTIVE PRODUCER Fünf Freunde und das Tal der Dinosaurier Mike Marzuk CO-PRODUZENT Asphaltgorillas Detlev Buck EXECUTIVE PRODUCER Verpiss Dich, Schneewittchen Cüneyt Kaya EXECUTIVE PRODUCER Nur Gott kann mich richten Özgur Yildrim CO-PRODUZENT 2017 Dieses bescheuerte Herz Marc Rothemund PRODUZENT Das Pubertier Leander Haußmann EXECUTIVE PRODUCER Tigermilch Ute Wieland EXECUTIVE PRODUCER Ostwind – Aufbruch nach Ora Katja von Garnier CO-PRODUZENT Axolotl Overkill Helene Hegemann EXECUTIVE PRODUCER Tiger Girl Jakob Lass EXECUTIVE PRODUCER Jugend ohne Gott Alain Gsponer EXECUTIVE PRODUCER Timm Thaler oder das verkaufte Lachen Andreas Dresen EXECUTIVE PRODUCER Shadowhunters (TV) McG u.a. PRODUZENT Resident Evil: The Final Chapter Paul W.S. -
„Für Rockmusiker Untypisch“ Hochglanzmagazinen
Szene Kultur FILM Corbijn: Alle wichtigen Fotos, die Joy Di- vision zeigen, sind schwarzweiß. Die Ar- tikel über sie erschienen nicht in bunten „Für Rockmusiker untypisch“ Hochglanzmagazinen. Die Band ist musik- geschichtlich wegweisend, doch kommer- Der niederländische Fo- keinen Ausweg mehr und nahm sich das ziell erfolgreich war sie nie, wohl auch, tograf und Regisseur Leben. Für einen Rockmusiker war er weil Curtis schon mit 23 Jahren starb. Anton Corbijn, 52, über untypisch, weil er sich nach geordneten SPIEGEL: Neben dem großartigen briti- Rock’n’Roll-Klischees, die Verhältnissen sehnte. schen Hauptdarsteller Sam Riley spielen britische Musiker-Legen- SPIEGEL: In einer Einstellung lassen Sie Alexandra Maria Lara und Herbert Grö- de Ian Curtis und seinen Curtis in einer Lederjacke mit der Auf- nemeyer mit. Haben Sie eine Vorliebe Film „Control“ schrift „Hate“ über die Straße gehen, … für deutsche Schauspieler? SPIEGEL: Herr Corbijn, in „Control“ erzählen Sie die Geschichte des 1980 verstorbenen Sängers Ian Curtis und seiner Band Joy HOLLAND.HOOGTE / LAIF HOLLAND.HOOGTE Division – ohne Drogen- exzesse oder Sexorgien. Haben Sie die Rock’n’Roll-Klischees be- wusst vermieden? Corbijn: Ja, die haben mich nicht interes- siert. Natürlich haben die Musiker da- mals Drogen genommen, und Sex mit ihren Groupies hatten sie auch. Doch ich wollte den Zuschauer an dem Drama eines Mannes teilnehmen lassen, der ein begnadeter Künstler war, aber an Epilep- sie litt und immer mehr zerrissen wurde von der Liebe zu zwei Frauen. Eine uni- versale Geschichte, die in der Musikwelt spielt. PICTURES CAPELIGHT SPIEGEL: Sie kannten Ian Curtis persön- Darsteller Riley, Lara in „Control“ lich, haben ihn Ende der siebziger Jah- re fotografiert. -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
HYPE-34-Genesis.Pdf
Exclusive benefits for Students and NSFs FREE Campus/Camp Calls Unlimited SMS Incoming Calls Data Bundle Visit www.singtel.com/youth for details. Copyright © 2012 SingTel Mobile Singapore Pte. Ltd. (CRN : 201012456C) and Telecom Equipment Pte. Ltd. (CRN: 198904636G). Standard SingTel Mobile terms and conditions apply. WHERE TO FIND HYPE COMPLIMENTARY COPIES OF HYPE ARE AVAILABLE AT THE FOLLOWING PLACES Timbre @ The Arts House Island Creamery Swirl Art 1 Old Parliament Lane #01-04 11 King Albert Park #01-02 417 River Valley Road Timbre @ The Substation Serene Centre #01-03 1 Liang Seah Street #01-13/14 45 Armenian Street Holland Village Shopping Mall #01-02 Timbre @ Old School The Reckless Shop 11A Mount Sophia #01-05 Sogurt Orchard Central #02-08/09 617 Bukit Timah Road VivoCity #02-201 Cold Rock Blk 87 Marine Parade Central #01-503 24A Lorong Mambong DEPRESSION 313 Somerset #02-50 Leftfoot Orchard Cineleisure #03-05A 2 Bayfront Avenue #B1-60 Far East Plaza #04-108 Millenia Walk Parco #P2-21 Orchard Cineleisure #02-07A BooksActually The Cathay #01-19 Beer Market No. 9 Yong Siak Street, Tiong Bahru 3B River Valley Road #01-17/02-02 Once Upon a Milkshake St Games Cafe 32 Maxwell Road #01-08 Strictly Pancakes The Cathay #04-18 120 Pasir Ris Central #01-09 44A Prinsep Street Frolick Victoria Jomo Ice Cream Chefs Lot One #B1-23 9 Haji Lane Ocean Park Building, #01-06 Hougang Mall #B1-K11 47 Haji Lane 12 Jalan Kuras (Upper Thomson) 4 Kensington Park Road Tampines 1 #B1-32 VOL.TA Marble Slab 241 Holland Avenue #01-02 The Cathay #02-09 Iluma -
Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika. -
William Russell Philp Collection
http://oac.cdlib.org/findaid/ark:/13030/tf6489n7zd No online items Inventory of the William Russell Philp collection Finding aid prepared by Hoover Institution Library and Archives Staff Hoover Institution Library and Archives © 2003, 2016 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Inventory of the William Russell 68007 1 Philp collection Title: William Russell Philp collection Date (inclusive): 1933-1952 Collection Number: 68007 Contributing Institution: Hoover Institution Library and Archives Language of Material: In English and German Physical Description: 8 manuscript boxes, 5 oversize boxes, 2 oversize folders, 3 folios(11.3 Linear Feet) Abstract: The William Russell Philp collection consists of intelligence reports, interrogation reports, maps, and photographs relating to Adolf Hitler, the German military structure, national socialism, various aspects of German society during and immediately after World War II, various military campaigns of World War II (particularly preparation for the invasion of Normandy), denazification, and post-war reconstruction in Germany. source: Philp, William Russell, 1892-1970 Hoover Institution Library & Archives Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Materials were acquired by the Hoover Institution Library & Archives in 1968. Preferred Citation [Identification of item], William Russell Philp collection, [Box no., Folder no. or title], Hoover Institution Library & Archives. Biographical Note 1892 Born, Whitby, Ontario, Canada August 24 1916 Graduated, University of Nebraska 1916-1917 Served on the Mexican border 1917 Commissioned Second Lieutenant of Field Artillery, Regular Army 1917-1919 Served in France during World War I with the 17th Field Artillery, Second U.S. -
Dental Identifications of Adolf Hitler and Eva Braun
Journal of Dental Problems and Solutions eertechz Xavier Riaud* Review Article DDS, PhD in Epistemology, History of Sciences and Techniques, Laureate and member of the National Academy of Dental Surgery, Free member of the Dental Identifications of Adolf Hitler National Academy of Surgery, France Dates: Received: 16 October, 2014; Accepted: 25 and Eva Braun October, 2014; Published: 27 October, 2014 *Corresponding author: Xavier Riaud, DDS, PhD in In the same time, the assistant identified the various elements Epistemology, History of Sciences and Techniques, of dental prosthesis that were being shown to her. Both of them Laureate and member of the National Academy of remembered well the red box in which Hitler’s remains were stored, Dental Surgery, Free member of the National Academy of Surgery, 145, route de Vannes, 44800 Saint Herblain, and of the tall blond interpreter who permitted discussions with the France, Tel: 02.40.76.64.88; E-mail: Russians. Those two statements were published and yet, doubts remained. www.peertechz.com The need of an official report without flaws and coming to an ISSN: 2394-8418 indisputable and irrefutable conclusion became obvious. First public revelations Really Bad Teeth In 1965, Yelena Rzevskaya, the blond interpreter whom Echtmann Hitler [1] had very bad teeth and a very bad breath. Before the and Heusermann mentioned, published a report entitled «Berlin, war, he asked Blaschke, his dentist, to immobilize his teeth with a May 1945» in a Soviet magazine. This work was published as a book dental bridge. He wanted that bridge to be placed for several years. and translated into numerous languages in 1967. -
List of Significant Historical Characters in Der Untergang / the Downfall
list of significant historical characters in Der Untergang / The Downfall Adolf Hitler (played by Bruno Ganz) Traudl Humps Junge (played by Alexandra Maria Lara): Hitler’s youngest personal secretary, 1942-1945. Released an autobiography in 2002 and appeared in the documentary Im toten Winkel / Blind Spot, also in 2002. She died in Munich that same year. Eva Braun (played by Juliane Köhler): Hitler’s girlfriend and, very briefly, his wife. Committed suicide together with Hitler in April 1945. Hermann Fegelein (played by Thomas Kretschmann): Obergruppenführer or General in SS. Part of Hitler’s inner circle, due in part to marriage to Eva Braun’s sister and service as Himmler’s adjutant starting 1943. Fled bunker in April 1945 but was caught. Circumstances of death uncertain, but most likely executed in April 1945. Alfred Jodl (played by Christian Redl): A top officer in the Wehrmacht High Command. Signed the unconditional surrender in May 1945. Hanged October 1946 after Nuremberg Trial. Magda Goebbels (played by Corinna Harfouch): Joseph Goebbels’s wife. Had some role in the murder of their six children in Hitler’s bunker. Died May 1, 1945 along with Joseph Goebbels. Joseph Goebbels (played by Ulrich Matthes): Propaganda Minister, architect of Kristallnacht, directed book burnings. Died May 1, 1945 outside the bunker in an unconfirmed manner. Albert Speer (played by Heino Ferch): Hitler’s architect, also Minister of Armaments and War Production. Known as “the Nazi who said sorry.” At Nuremberg, sentenced to 20 years at Spandau. Released 1966, published two autobiographies. Died 1981 in London. Wilhelm Mohnke (played by André Hennicke): High-ranking General in the SS.