Echoes of the Sumptuary Impulse
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
(QTR) Apparel Program Supercharges Licensing in Complementary Categories Across Isaac Mizrahi, H Halston, and Judith Ripka Brands
November 9, 2016 Xcel Brands, Inc. Quick Time Response (QTR) Apparel Program Supercharges Licensing in Complementary Categories Across Isaac Mizrahi, H Halston, and Judith Ripka Brands NEW YORK, Nov. 09, 2016 (GLOBE NEWSWIRE) -- Xcel Brands, Inc. (NASDAQ:XELB) is pleased to announce multiple new licenses across its owned brands as licensees look to pursue growth in categories complementary to Xcel's successful quick time response (QTR) apparel programs at Lord & Taylor and Hudson's Bay stores. CEO and Chairman of Xcel Brands, Inc. Robert W. D'Loren remarked, "With the rise of a ‘see-now-buy-now' consumer shopping mentality and the need to respond to trends as they happen, Xcel created an innovative solution to bring exclusive brands to our department store partners in a quick time response format. The rapid growth of these apparel programs has generated excitement within the licensing community across numerous complementary categories. With these new partnerships we will continue to build meaningful lifestyle brands under the IMNYC Isaac Mizrahi and H Halston labels." New licensees under the Isaac Mizrahi brand include tech accessories and luggage, with product set to retail in Spring 2017. Xcel Brands, Inc. entered into a licensing agreement with Bytech NY Inc. for tech accessories for smartphones, PCs, tablets, and personal audio across the Isaac Mizrahi New York, IMNYC Isaac Mizrahi, and Isaac Mizrahi Live! labels. Xcel also entered into a licensing agreement with Longlat Inc. for a collection of hard and soft luggage under the Isaac Mizrahi New York and Isaac Mizrahi Live! labels. New licensees under the H Halston brand include sleepwear and intimates, legwear and slippers, and non-optical sunglasses and readers. -
Calm Down NEW YORK — East Met West at Tiffany on Sunday Morning in a Smart, Chic Collection by Behnaz Sarafpour
WINSTON MINES GROWTH/10 GUCCI’S GIANNINI TALKS TEAM/22 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 13, 2004 • $2.00 Accessories/Innerwear/Legwear Calm Down NEW YORK — East met West at Tiffany on Sunday morning in a smart, chic collection by Behnaz Sarafpour. And in the midst of the cross-cultural current inspired by the designer’s recent trip to Japan, she gave ample play to the new calm percolating through fashion, one likely to gain momentum as the season progresses. Here, Sarafpour’s sleek dress secured with an obi sash. For more on the season, see pages 12 to 18. Hip-Hop’s Rising Heat: As Firms Chase Deals, Is Rocawear in Play? By Lauren DeCarlo NEW YORK — The bling-bling world of hip- hop is clearly more than a flash in the pan, with more conglomerates than ever eager to get a piece of it. The latest brand J.Lo Plans Show for Sweetface, Sells $15,000 Of Fragrance at Macy’s Appearance. Page 2. said to be entertaining suitors is none other than one that helped pioneer the sector: Rocawear. Sources said Rocawear may be ready to consider offers for a sale of the company, which is said to generate more than $125 million in wholesale volume. See Rocawear, Page4 PHOTO BY GEORGE CHINSEE PHOTO BY 2 WWD, MONDAY, SEPTEMBER 13, 2004 WWW.WWD.COM WWDMONDAY J.Lo Talks Scents, Shows at Macy’s Accessories/Innerwear/Legwear By Julie Naughton and Pete Born FASHION The spring collections kicked into high gear over the weekend with shows Jennifer Lopez in Jennifer Lopez in from Behnaz Sarafpour, DKNY, Baby Phat and Zac Posen. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Making and Breaking Order Via Clothing
Making and breaking order via clothing Clothing regulation, cross-dressing, and the ordering mentality in later medieval and early modern England Brett Seymour A Thesis submitted in Partial Fulfilment of the Requirements for the Degree of B.A. (Hons) in History University of Sydney 2012 Abstract Following the events which disrupted social stability in fourteenth and fifteenth-century England, individuals from a variety of social contexts demonstrated a particular necessity to see order visibly displayed in society. This thesis examines sumptuary regulations and cross- dressing side by side to demonstrate clothing's relationship to both making and breaking order. In the act of revealing this relationship, this thesis will argue that the two cases demonstrate clothing‘s importance in creating a visible confirmation of social order which ultimately brings to the surface an underlying collective ordering mentality that equated a sense of security with arranging everyone in society in their rightful place. Key words: order, mentality, sumptuary regulation, cross-dressing, clothing, early modern England, medieval England. Contents Chapter I Introduction: Order, disorder, and clothing in medieval English society .......................... 1 Order, disorder, and the response ........................................................................................... 4 Clothing and order .................................................................................................................. 8 Chapter II Making order via clothing: Clothing -
Jewish-And-Asian-Pacific-Heritage
In May 2021, We celebrated Jewish American and Asian American Heritage! Click the buttons to the right to explore more about Jewish American and Asian Pacific American history. Today, America is home to around 7 million Jewish Americans. Click the buttons below for more! Click the button below to return to the main menu Learn Jewish Americans may identify as Jewish based on religion, ethnic upbringing, or both. The Jewish population in America is diverse and includes all races and ethnicities. Did you know? • Hall of Famer Sandy Koufax, one of the most famous Jewish athletes in American sports, made national headlines when he refused to pitch in the first game of the 1965 World Series because it fell on Yom Kippur. • Hanukkah is not the most popular holiday in Jewish heritage. Passover is the most celebrated of all Jewish holidays with more than 70% of Jewish Americans taking part in a seder, its ritual meal. Hanukkah may be the best known Jewish holiday in the United States. But despite its popularity in the U.S., Hanukkah is ranked one of Judaism’s minor festivals, and nowhere else does it garner such attention. The holiday is mostly a domestic celebration, although special holiday prayers also expand synagogue worship. Explore Hanukkah The Menorah Hanukkah may be the most well The Hanukkah menorah (or chanukiah) is known Jewish holiday in the United a nine-branched candelabrum lit during the States. But despite its popularity in eight-day holiday of Hanukkah, as opposed the U.S., Hanukkah is ranked one to the seven-branched menorah used in of Judaism’s minor festivals, and the ancient Temple or as a symbol. -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
Catwalk Copycats: Why Congress Should Adopt a Modified Version of the Design Piracy Prohibition Act, 14 J
Journal of Intellectual Property Law Volume 14 | Issue 2 Article 4 April 2007 Catwalk Copycats: Why Congress Should Adopt a Modified eV rsion of the Design Piracy Prohibition Act Laura C. Marshall University of Georgia School of Law Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Laura C. Marshall, Catwalk Copycats: Why Congress Should Adopt a Modified Version of the Design Piracy Prohibition Act, 14 J. Intell. Prop. L. 305 (2007). Available at: https://digitalcommons.law.uga.edu/jipl/vol14/iss2/4 This Notes is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Marshall: Catwalk Copycats: Why Congress Should Adopt a Modified Version of CATWALK COPYCATS: WHY CONGRESS SHOULD ADOPT A MODIFIED VERSION OF THE DESIGN PIRACY PROHIBITION ACT TABLE OF CONTENTS 1. INTRODUCTION ........................................... 307 II. BACKGROUND ............................................ 308 A. THE DESIGN PIRACY PROHIBITION ACT AND THE U.S. FASHION INDUSTRY ..................................... 309 1. ProposedFederal Legislation to Extend Intellectual Propen) Protection to Fashion Works ........................ 309 2. The Fashion Industty and the Prevalence of Knockoffs ............................................ 310 B. HISTORY OF INTELLECTUAL PROPERTY PROTECTION FOR FASHION WORKS AND CURRENT STATE OF THE LAW ........... 311 1. Design Patent ......................................... 311 2. Trademark and Trade Dress .............................. 313 3. Copyright ............................................ 314 C. INTELLECTUAL PROPERTY PROTECTION FOR FASHION DESIGNS IN EUROPE .................................... -
Kleidung / Mode / Couture / Kostümdesign Im Film: Eine Erste Bibliographie 2011
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie 2011 https://doi.org/10.25969/mediarep/12753 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 122). DOI: https://doi.org/10.25969/mediarep/12753. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0122_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 122, 2011: Mode im Film. Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek, Hans J. Wulff. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0122_11.html Letzte Änderung: 20.2.2011. Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Zusammengest. v. Hans J. Wulff u. Ludger Kaczmarek Inhalt: da, wo die Hobos sind, er riecht wie einer: Also ist er Einleitung einer. Warum sollte man jemanden für einen anderen Bibliographien halten als den, der er zu sein scheint? In Nichols’ Direktoria Working Girl (1988) nimmt eine Sekretärin heimlich Texte für eine Zeit die Rolle ihrer Chefin an, und sie be- nutzt auch deren Garderobe und deren Parfüm. -
Tudor Sumptuary Laws and Academical Dress: an Act Against Wearing of Costly Apparel 1509 and an Act for Reformation of Excess in Apparel 1533
Transactions of the Burgon Society Volume 6 Article 2 1-1-2006 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 Noel Cox Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Cox, Noel (2006) "Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533," Transactions of the Burgon Society: Vol. 6. https://doi.org/10.4148/2475-7799.1047 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 6 (2006), pages 15–43 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 by Noel Cox In the United Kingdom, as in other modern liberal democracies, there are few, if any, restrictions upon one’s choice of habiliment.1 There have in the past, however, been repeated attempts in most countries and civilizations—from the Romans (and indeed earlier civilizations) onwards—to strictly control aspects of apparel, by legislation.2 They were motivated by political, moral or economic considerations. However, these sumptuary laws, as they were known,3 were generally a failure, for many reasons. Those who wished to ignore them often could do so with impunity.4 The frequency of such legislation is a sign both of the perceived importance of The author would like to acknowledge the assistance of Professor Bruce Christianson and Ms Susan North in the preparation of this paper. -
NYC Fashion Giants Featured in Exhibit Curated by Two Israelis | the Times of Israel
9/18/2019 NYC fashion giants featured in exhibit curated by two Israelis | The Times of Israel RUNWAY STORY NYC fashion giants featured in exhibit curated by two Israelis ‘New York Fashion Rediscovered’ spotlights treasure trove of photographs of designers and supermodels discovered on a New York City sidewalk By JESSICA STEINBERG Today, 3:55 pm Fashion models and their muses at 'New York Fashion Rediscovered,' a new exhibit created by two Israelis in New York City's Time Square, just in time for 2019 Fashion Week (Courtesy ZAZ10TS) It took two Israelis in New York City — one gallery owner and one curator — to put together an exhibit of historic fashion photographs that had been discovered on a city sidewalk. The exhibit, “New York Fashion Rediscovered 1982-1997,” opened September 5, at 10 Times Square, coinciding with New York Fashion Week. The exhibit brings to life a vivid period in the New York City fashion industry, when designers began creating high- end day and evening wear, as well as power dressing for women in the workforce. Fashion designers and supermodels achieved celebrity status, and the celebrated moments of the runway shows were their finales, when designers would walk down the runway, arm-in-arm with the leading supermodels of the day. Those joyous moments are what was preserved in the fashion-loving photographs of the collection. The fashion stars featured in the photographs included designers Anna Sui, Donna Karan, Liz Claiborne, Ralph Lauren, Marc Jacobs, Perry Ellis, Isaac Mizrahi, Alber Elbaz, Anne Klein, Geoffrey Beene, Rebecca Moses, BCBG Max Azria, Linda Allard for Ellen Tracy, Adrienne Vittadini, and Gemma Kahng, and models Kate Moss, Cindy Crawford, https://www.timesofisrael.com/nyc-fashion-giants-featured-in-historic-exhibit-curated-by-two-israelis/ 1/3 9/18/2019 NYC fashion giants featured in exhibit curated by two Israelis | The Times of Israel Naomi Campbell, Linda Evangelista, Christy Turlington, Helena Christensen, and Kristen McMenamy. -
14Th Century English Sumptuary Laws THL Sarai Tindall [email protected]
14th century English Sumptuary Laws THL Sarai Tindall [email protected] http://clothingthepast.wordpress.com The stated reason for enactment of the 1363 English sumptuary law is because of “the Outragious and Excessive Apparel of divers People, against their Estate and Degree, to the great Destruction and Impoverishment of all the Land.” 1 The king, or his councilors and parliament, felt that people were spending too much on their clothing. The law lays out what fabrics, furs, and accessories people of each specific social group of the middle classes could purchase and wear for clothing. It is notable that this law does not mention anyone of the upper nobility or those of the lowest classes. The 1363 law seems to be mostly concerned with the creating of “an absolute social standing,” in which wealth, occupation, and rank are all combined to create one’s social standing. 2 The law breaks down the social classes based on a combination of rank and occupation. Knights were the highest social class, by rank, and Merchants were the highest by occupation, but still below knights. Some of the social classes, Knights, Esquires, and Merchants are further divided by their wealth, with some being afforded more expensive cloth for their clothing based on wealth. In this way money is used to allow a more privileged style of dress to those within a social class, but without overlapping into the lowest income of the social class above them. This would help to create a visual separation between classes, and a marketability of status through the use of income as a factor in determining final social status.3 However, even attempts at using multiple factors for determining a final social status were not always accurate since any one of those factors could change, as suggested by Sponsler.4 The factors should only be used to determine social status at a particular point in time, since anyone could easily gain or lose money very quickly thus altering their social status.