THL 76 Literary Theory/Philosophy
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(Month 2015), No. 27 Christopher Fynsk, Last Steps: Maurice Blan
H-France Review Volume 15 (2015) Page 1 H-France Review Vol. 15 (Month 2015), No. 27 Christopher Fynsk, Last Steps: Maurice Blanchot’s Exilic Writing. New York: Fordham University Press, 2013. viii + 297 pp. Notes and index. $95.00 U.S. (hb). ISBN 9780823251025; $28.00 U.S. (pb). ISBN 9780823251032. Review by Jeffrey Mehlman, Boston University. The “last steps” that grace Christopher Fynsk’s engaging study of Maurice Blanchot with its title are in fact transposed from the title of Le pas au-delà, the maddeningly abstract series of prose fragments that Blanchot published in 1973. On the one hand, the “pace” (pas) or step beyond, an invitation to transgression; on the other, a veto of that very proposition: the negative pas declining to affirm any “beyond” or transgression at all. These are “steps” that seem to be canceling each other out, figuring a form of paralysis that might also be characterized as labyrinthine, essentially thwarted. And that thwartedness, canceling out every would-be advance or progress, figures in turn the exilic aspect of Blanchot’s writing alluded to in Fynsk’s subtitle. Writing is a journey or “exodus” into the wilderness, a protracted exercise in disorientation that sees Blanchot invoking the second book of the Bible, the epic of wandering or suffering Judaism, of Jews in sufferance, as a kind of core fantasy (or reality) of literature. The precision of that double inscription--the transgressive step (pas) beyond that which is simultaneously “not (pas) beyond”--as formula for a paralysis akin alternately to the disorientation of the wilderness and the experience of being at sea, will call to mind the dimension of dissemination or différance that became touchstones of deconstruction. -
Jean-Luc Nancy and the Deconstruction of Christianity By
Jean-Luc Nancy and the Deconstruction of Christianity by Tenzan Eaghll A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto ©Copyright by Tenzan Eaghll 2016 Jean-Luc Nancy and the Deconstruction of Christianity Tenzan Eaghll Doctor of Philosophy Department for the Study of Religion University of Toronto 2016 Abstract This dissertation is a study of the origins and development of the French philosopher Jean- Luc Nancy’s work on the “deconstruction of Christianity.” By situating Nancy's work in light of the broader Continental philosophical analysis of religion in the 20th Century, it argues that what Nancy calls the "deconstruction of Christianity" and the "exit from religion" is his unique intervention into the problem of metaphysical nihilism in Western thought. The author explains that Nancy’s work on religion does not provide a new “theory” for the study of religion or Christianity, but shows how Western metaphysical foundations are caught up in a process of decomposition that has been brought about by Christianity. For Nancy, the only way out of nihilism is to think of the world as an infinite opening unto itself, for this dis- encloses any transcendent principle of value or immanent notion of meaninglessness in the finite spacing of sense, and he finds the resources to think this opening within Christianity. By reading Christian notions like "God" and "creation ex nihilo" along deconstructive lines and connecting them with the rise and fall of this civilization that once called itself "Christendom," he attempts to expose "the sense of an absenting" that is both the condition of possibility for the West and what precedes, succeeds, and exceeds it. -
Paul De Man Papers MS.C.004
http://oac.cdlib.org/findaid/ark:/13030/tf6p30071t Online items available Guide to the Paul de Man papers MS.C.004 Finding aid prepared by Jeffrey Atteberry and updated by Laura Clark Brown, 1997; machine-readable finding aid created by Audrey Pearson; updated by Alexandra M. Bisio, 2015. Special Collections and Archives, University of California, Irvine Libraries (cc) 2015 The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine 92623-9557 [email protected] URL: http://special.lib.uci.edu Guide to the Paul de Man papers MS.C.004 1 MS.C.004 Contributing Institution: Special Collections and Archives, University of California, Irvine Libraries Title: Paul de Man papers Creator: De Man, Paul Identifier/Call Number: MS.C.004 Physical Description: 11.8 Linear Feet(25 boxes) Date (inclusive): 1948-1999 Abstract: This collection contains the personal and professional papers of Paul de Man documenting his career as a scholar and literary theorist in the field of comparative literature, and as an academic in the United States. Files primarily contain his manuscripts and typescripts related to literary criticism, rhetoric, and critical theory, and reflect his general interests in Romanticism. In particular, materials document his approach to literary texts that became known as deconstruction. His works focus on writers and philosophers such as Hegel, Hölderlin, Mallarmé, Nietzsche, Rousseau, Wordsworth, and Yeats. The collection also contains published and unpublished writings, student papers, notes, teaching notebooks, and related materials. Language of Material: English . Access The collection is open for research. Access to student record material is restricted for 75 years from the latest date of the materials in those files. -
The Question of Otherness in the Philosophy of Jean-Luc Nancy
GOLDSMITHS Research Online Thesis (PhD) Rugo, Daniele Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy You may cite this version as: Rugo, Daniele, 2010. Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy. Doctoral thesis, Goldsmiths. [Thesis]: Goldsmiths Research Online. Available at: http://eprints.gold.ac.uk/2643/ COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished document and the copyright is held by the author. All persons consulting this thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright and other relevant Intellectual Property Rights (IPR) of the above- described thesis rests with the author and/or other IPR holders and that no quotation from it or information derived from it may be published without the prior written consent of the author. ACCESS A non-exclusive, non-transferable licence is hereby granted to those using or reproducing, in whole or in part, the material for valid purposes, providing the copyright owners are acknowledged using the normal conventions. Where specific permission to use material is required, this is identified and such permission must be sought from the copyright holder or agency cited. REPRODUCTION All material supplied via Goldsmiths Library and Goldsmiths Research Online (GRO) is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the Data Collections is not permitted, except that material may be duplicated by you for your research use or for educational purposes in electronic or print form. -
Lingua Amissa: the Messianism of Commodity Language And
Notes Chapter 1. Two significant exceptions are Werner Hamacher’s “Lingua Amissa: The Messianism of Commodity Language and Derrida’s Specters of Marx” and Aijaz Ahmad’s “Reconciling Derrida: ‘Specters of Marx’ and Deconstructive Politics” although neither link this question to Derrida’s African heritage or political commitments. 2. The term “perverformative” is discussed in Derrida’s “Marx & Sons”; also, see Werner Hamacher’s “Lingua Amissa.” 3. See, for instance, the interview “Bonding in Difference” in Spivak Reader. 4. Nations listed were as follows: “China, Russia, Armenia, Poland, Romania, Mexico, Germany, France, the United States, and elsewhere” (Specters of Marx ix). 5. In opposition to Handleman, it must be said that Zeus, not Moses, seems to be the more fundamental target for Derrida. 6. See Pacéré’s “Saglego: or Drum Poem (For the Sahel).” 7. See Rouch’s La religion et la magie Songhay; Stoller’s Embodying Colonial Memories, The Taste of Things Ethnographic, and Sensuous Scholarship; and Hale’s Scribe, Griot, Novelist. Chapter 1. It is worth noting that, since Vatican II, Catholic woman are also no longer required to wear a veil during mass. Chapter 1. Evelyn Shakir, in her book Bint Arab: Arab and Arab American Women in the United States (1997), probes this question in her chapter enti- tled “Color and Religion.” “Arab Americans come in a range of col- ors,” Shakir states. “Some are nearly as dark as sub-Saharan Africans, a few are blond and blue-eyed, most—eyes brown, hair dark, skin tending to olive—occupy that middle ground shared by other Mediterranean peoples” (112). -
P O I E S I S a Journal of the Arts & Communication Volume 15, 2013 Editor: Stephen K
P O I E S I S A Journal of the Arts & Communication Volume 15, 2013 Editor: Stephen K. Levine Associate Editor: Jessica Moore • Art Director, Layout & Design: Kristin Briggs Poetry Editors: Elizabeth Gordon McKim and Shara Claire Art Curator: Lauren Schaffer • EGS Press Manager: Sarah Farr All Rights Reserved ©2013 EGS Press, except where otherwise indicated. 283 Danforth Avenue, #118 Toronto, Ontario, M4K 1N2 Canada [email protected] • www.egspress.com tel: (416) 829-8014 ISSN 1492-4986/2013 Cover Art: Writing the Moon by Chris Cran (2010), Ink and acrylic on foam core, 11” x 8.75”. Private Collection Other titles available from EGS Press: Minstrels of Soul: Intermodal Expressive Therapy (P. Knill et al) Tending the Fire: Studies in Art, Therapy and Creativity (E. G. Levine) Crossing Boundaries: Explorations in Therapy and the Arts– A Festschrift for Paolo Knill (S. Levine, Editor) To Day: Poems and Poetics (Margo Fuchs-Knill) Song the Only Victory: Poetry Against War (S. Levine) In Praise of Poiesis: The Arts and Human Existence– A Festschrift for Stephen K. Levine (E. G. Levine and P. Antze, Editors) Selected back issues of POIESIS are also available. POIESIS: A Journal of the Arts and Communication is an annual periodical which publishes research from the fields of Expressive Arts and Media & Communications. It is supported by the European Graduate School (EGS) in Switzerland, which offers Masters and Doctoral programs in these fields. Submissions for POIESIS XVI (2014), see “Call for Papers” on page 220. Printed in Canada articles Editor’s Introduction Stephen K. Levine 4 Poiesis and the Unworking of Art: A Conversation with Jean-Luc Nancy Stephen K. -
Medium, Messenger, Transmission
INTELLECTUAL AND POLITICAL HISTORY RECURSIONS Krämer This rich study provides a comprehensive introduction to media philosophy while offering a new perspective on the concept and function of transmission media in all systems of exchange. Krämer uses the figure of the messenger as a key metaphor, examining a diverse range of transmission events, including the circulation of money, translation of languages, angelic visitations, spread of infectious diseases, and processes of transference and counter-transference that occur during psychoanalysis. Sybille Krämer is professor of theoretical philosophy at the Freie Universität Berlin. Medium, Messenger, Transmission Medium, Messenger, Sybille Krämer Medium, Messenger, Transmission An Approach to Media Philosophy ISBN: 978-90-8964-741-2 AUP.nl 9 789089 647412 Medium, Messenger, Transmission The book series Recursions: Theories of Media, Materiality, and Cultural Techniques provides a platform for cuttingedge research in the field of media culture studies with a particular focus on the cultural impact of media technology and the materialities of communication. The series aims to be an internationally significant and exciting opening into emerging ideas in media theory ranging from media materialism and hardware-oriented studies to ecology, the post-human, the study of cultural techniques, and recent contributions to media archaeology. The series revolves around key themes: – The material underpinning of media theory – New advances in media archaeology and media philosophy – Studies in cultural techniques These themes resonate with some of the most interesting debates in interna- tional media studies, where non-representational thought, the technicity of knowledge formations and new materialities expressed through biological and technological developments are changing the vocabularies of cultural theory. -
Guide to the Paul De Man Papers
http://oac.cdlib.org/findaid/ark:/13030/tf6p30071t Online items available Guide to the Paul de Man Papers Processed by Jeffrey Atteberry in 1997 and Kurt Ozment in 2001. Preliminary processing by Eddie Yeghiayan, Andrzej Warminski, and Laura Clark Brown in 1993 and 1997. Guide compiled by Jeffrey Atteberry and edited by Laura Clark Brown; machine-readable finding aid created by Audrey Pearson Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine, California 92623-9557 Phone: (949) 824-7227 Fax: (949) 824-2472 Email: [email protected] URL: http://special.lib.uci.edu © 2007 The Regents of the University of California. All rights reserved. Guide to the Paul de Man Papers MS-C004 1 Descriptive Summary Title: Paul de Man papers Date: 1948-1984 Collection Number: MS-C004 Creator: De Man, Paul http://ucispace.lib.uci.edu/handle/10575/1090 Extent: 9.0 linear feet (22 boxes) Languages: The collection is in English and French. Repository: University of California, Irvine. Library. Special Collections and Archives. Irvine, California 92623-9557 Abstract: This collection contains the personal and professional papers of Paul de Man documenting his career as a scholar and literary theorist in the field of comparative literature, and as an academic in the United States. Files primarily contain his manuscripts and typescripts related to literary criticism, rhetoric, and critical theory, and reflect his general interests in Romanticism. In particular, materials document his approach to literary texts that became known as deconstruction. His works focus on writers and philosophers such as Hegel, Hölderlin, Mallarmé, Nietzsche, Rousseau, Wordsworth, and Yeats. -
Introduction: 'Deconstruction, If Such a Thing Exists .. .'
Notes Introduction: 'Deconstruction, if such a thing exists .. .' 1. This phrase is taken from a response by Jacques Derrida to a question from Colin MacCabe. The first epigraph of this introduction is taken from the same interview, 'Some questions and responses', in The Linguistics of Writing: Arguments between Language and Literature, ed. Nigel Fabb, Derek Attridge, Alan Durant and Colin MacCabe (1987), 252-64. All further references to this and other works by Derrida are given parenthetically in the text. Derrida's phrase is echoed elsewhere in this book, in the words of J. Hillis Miller, Peggy Kamuf, and in the title of Chapter 1, following this 'Introduction'. Together, and dispersed throughout the text, these phrases should disturb any certainty concerning received notions about the identity of deconstruction. 2. I am borrowing here from J. Hillis Miller, in The Ethics of Reading: Kant, de Man, Eliot, Trollope, James, and Benjamin (1987), 9, 43. Miller's work will be further discussed in Chapter 5, below. For more on Miller and his work as a critic in relation to narratology, see Mark Currie's volume in this series, Postmodern Narrative Theory (1998). 3. The title, its structure, function and operation, is discussed below in Chapter 1. The concept of the title is discussed in Chapter 3 4. I have chosen the French verb entamer for the multiple meanings which it puts into play. The verb can mean: to initiate, to enter into, to start (an activity or journey), to open, to undermine, to shake or to test, to eat into, to cut into, to take a bite. -
Un-Common Sociality: Thinking Sociality with Levinas
UN-COMMON SOCIALITY Thinking sociality with Levinas Ramona Rat SÖDERTÖRN PHILOSOPHICAL STUDIES Södertörn Philosophical Studies is a book series published under the direction of the Department of Philosophy at Södertörn University. The series consists of monographs and anthologies in philosophy, with a special focus on the Continental-European tradition. It seeks to provide a platform for innovative contemporary philosophical research. The volumes are published mainly in English and Swedish. The series is edited by Marcia Sá Cavalcante Schuback and Hans Ruin. Cover image: le film oscille entre archives de spectacle et prononciation, anagramme et synonyme (56 x 81 cm), Irina & Silviu Szekely, 2012. UN-COMMON SOCIALITY SÖDERTÖRN PHILOSOPHICAL STUDIES 2016 Un-common Sociality Thinking sociality with Levinas Ramona Rat SÖDERTÖRN PHILOSOPHICAL STUDIES Södertörn University The Library SE-141 89 Huddinge www.sh.se/publications © The author Cover image: le film oscille entre archives de spectacle et prononciation, anagramme et synonyme (56 x 81 cm), Irina & Silviu Szekely, 2012. Graphic Form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2016 Södertörn Philosophical Studies 19 ISSN 1651–6834 Södertörn Doctoral Dissertations 124 ISSN 1652–7399 ISBN 978–91–87843–60–0 (print) ISBN 978–91–87843–61–7 (digital) Acknowledgements First and foremost I would like to sincerely thank my supervisors Fredrika Spindler and Marcia Sá Cavalcante Schuback for their guidance and endless support throughout my doctoral years. Their vast knowledge and insightful advice, along with their countless careful readings of my text in its different stages, helped me develop this thesis and bring clarity to my thoughts. Thank you for your tireless help and infinite patience! I would also like to express my gratitude to the School of Culture and Education from Södertörn University and especially the Philosophy Depart- ment, for the highly professional and friendly environment that I had the privilege to enjoy during my studies.