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Two-Gun Bill: the Story of William S. Hart, 1987
TWO-GUN BILL The Story of Williatn S. Hart by KATHERINE H. CHILD illiam S. Hart not only got "While playing in Cle. veland [in 1913], I attended that chance to make West a picture show. I saw a Western picture. W ern motion pictures, he It was awful! I talked with the manager of made the best of it. In spite of their early popularity, Western films were, as Hart the theater and he told me it was one of the best had seen, exercises in mediocrity. When Hart came to California in 1914, he Westerns he had ever had. Npne of the impossibilities brought with him a fresh approach to or libels on the West meant anything to him-it was Western film making. He added authen tic costumes and locales to a heretofore drawing the crowds .... I was so sure that I had made popular, highly idealized image of the West to create a truly original style for a big discovery that I was frightened that some one his films. Much as the work of Frederic would read my mind and find it out. Remington and Charles Russell has come to be emblematic of the West in the Here were reproductions of the Old West being art world, so does the work of William seriously presented to the public-in almost a bur S. Hart symbolize the West on film. Though he was not the first Western lesque manner-and they were successful. It made me actor/ film maker nor the last, he was surely one of the most important, tremble to think of it. -
Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Hollywood.Pdf
HOLLYWOOD TULEE SUOMEEN YHDYSVALTALAISTEN ELOKUVIEN MAAHANTUONTI JA VASTAANOTTO KAKSIKYMMENTÄLUVUN SUOMESSA Jaakko Seppälä VÄITÖSKIRJA Esitetään Helsingin yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi auditoriumissa XIV torstaina 7. kesäkuuta 2012 kello 12. ISBN 978-952-10-8042-5 (nid.) ISBN 978-952-10-8043-2 (PDF) Helsingin yliopisto Unigrafia Helsinki 2012 SISÄLLYSLUETTELO KIITOKSET 4 JOHDANTO 5 HOLLYWOOD JA MAAILMAN ELOKUVAMARKKINAT 6 TUTKIMUSKOHDE JA -KYSYMYKSET 12 TUTKIMUKSEN VIITEKEHYKSET 15 TUTKIMUKSEN LÄHDEAINEISTO 22 HOLLYWOOD-ELOKUVIEN MAAHANTUONTIMÄÄRÄT 1918–1929 25 ELOKUVA JA KANSAINVÄLISYYS 25 ELOKUVAKARTOITUKSEN LAATIMISEN HAASTEISTA 28 AMERIKKALAISTUVA ELOKUVATARJONTA 33 AMERIKKALAISTUMISEN PARTAALLA (1918–1922) 45 ENSILUOKKAISIA JA TAVANOMAISIA HOLLYWOOD-ELOKUVIA 45 SARJAELOKUVAT SAAVAT KATSOJAT KOUKKUUN 59 AMERIKKALAISEN HUUMORIN TUOTTEET 75 ELOKUVAYHTIÖT JA TIETYNLAINEN TUOTANTO 101 HARVASSA OVAT MERKITTÄVÄT AMERIKKALAISET OHJAAJAT 109 TÄHTIKUUME VIRIÄÄ SUOMESSA 120 HOLLYWOOD-ELOKUVAT ALEMPANA TOISENA 139 KESKUSTELU SUOMALAISESTA KANSALLISESTA ELOKUVASTA 147 HOLLYWOODIN ARVOSTUS KOHOAA (1923–1926) 160 HOLLYWOODIN VOITTOKULKU 160 ”ELÄMME REKLAAMIN AIKAA” 166 VÄKIVALTAA JA MUUTA JOUTAVAA AJANVIETETTÄ 173 SALONKIELOKUVAT JA KULUTUKSEN LOISTE 184 YHDYSVALTALAISET SUURELOKUVAT ELI ”NÄYTÄNTÖKAUDEN TAPAUKSET” 194 CHARLES CHAPLININ PERILLISET 209 TÄHTIBUUMIT JA TÄHTEYDEN KIROT 223 ”AMERIKKALAINEN MUSTEKALA” 239 SUOMALAINEN ELOKUVA JA KANSAINVÄLISYYDEN ONGELMA 247 VIHA-RAKKAUS-SUHDE VAKIINTUU -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
Theology in Silent Films, 1902 to 1927
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Skin and Redemption: Theology in Silent Films, 1902 to 1927 Susan Craig Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1794 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Skin and Redemption: Theology in Silent Films, 1902 to 1927 by Susan Craig A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 Susan Jean Craig All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Martin J. Burke Date Chair of Examining Committee Prof. Helena Rosenblatt Date Executive Officer Prof. Donald Scott Prof. Jonathan Sassi Prof. Marc Dolan THE CITY UNIVERSITY OF NEW YORK Prof. Richard Koszarski RUTGERS UNIVERSITY Supervisory Committee iv Abstract Theology in Silent Films by Susan Craig Adviser: Prof. Martin J. Burke This dissertation analyzes theological concepts in silent moving pictures made for commercial distribution from 1902 to 1927, and examines how directors and scenarists sorted through competing belief systems to select what they anticipated would be palatable theological references for their films. A fundamental assumption of this study is that, the artistic and aesthetic pretensions of many silent-era filmmakers notwithstanding, directors generally made decisions in the conception, production and marketing of films primarily to maximize profits in a ruthlessly competitive environment. -
WESTERN FILMS Page 1 of 20
WESTERN FILMS Page 1 of 20 WESTERN FILMS Western Films or Westerns are the major defining genre of the American film industry, a nostaligic eulogy to the early days of the expansive, untamed American frontier (the borderline between civilization and the wilderness). They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins. [The popularity of westerns has waxed and waned over the years. Their most prolific era was in the 1930s to the 1960s, and most recently in the 90s, there was a resurgence of the genre. This indigenous American art form focuses on the frontier West that existed in North America. Westerns are often set on the American frontier during the last part of the 19th century (1865-1900) following the Civil War, in a geographically western (trans-Mississippi) setting with romantic, sweeping frontier landscapes or rugged rural terrain. However, Westerns may extend back to the time of America's colonial period or forward to the mid-20th century, or as far geographically as Mexico. A number of westerns use the Civil War, the Battle of the Alamo (1836) or the Mexican Revolution (1910) as a backdrop. The western film genre often portrays the conquest of the wilderness and the subordination of nature, in the name of civilization, or the confiscation of the territorial rights of the original inhabitants of the frontier. Specific settings include lonely isolated forts, ranch houses, the isolated homestead, the saloon, the jail, the livery stable, the small-town main street, or small frontier towns that are forming at the edges of civilization. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
William S. Hart Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
William S. Hart 电影 串行 (大全) The Gringo https://zh.listvote.com/lists/film/movies/the-gringo-21648725/actors The Devil's Double https://zh.listvote.com/lists/film/movies/the-devil%27s-double-3520595/actors The Scourge of the https://zh.listvote.com/lists/film/movies/the-scourge-of-the-desert-7762656/actors Desert Pinto Ben https://zh.listvote.com/lists/film/movies/pinto-ben-17636730/actors The Grudge https://zh.listvote.com/lists/film/movies/the-grudge-17639870/actors Wolves of the Rail https://zh.listvote.com/lists/film/movies/wolves-of-the-rail-17066676/actors Knight of the Trail https://zh.listvote.com/lists/film/movies/knight-of-the-trail-17620856/actors Bad Buck of Santa Ynez https://zh.listvote.com/lists/film/movies/bad-buck-of-santa-ynez-17621733/actors In the Sage Brush https://zh.listvote.com/lists/film/movies/in-the-sage-brush-country-17630340/actors Country The Roughneck https://zh.listvote.com/lists/film/movies/the-roughneck-17639947/actors Selfish Yates https://zh.listvote.com/lists/film/movies/selfish-yates-18709071/actors 'Blue Blazes' Rawden https://zh.listvote.com/lists/film/movies/%27blue-blazes%27-rawden-18914876/actors The Cradle of Courage https://zh.listvote.com/lists/film/movies/the-cradle-of-courage-18914920/actors The Money Corral https://zh.listvote.com/lists/film/movies/the-money-corral-18915113/actors The Narrow Trail https://zh.listvote.com/lists/film/movies/the-narrow-trail-18915122/actors The Poppy Girl's Husband https://zh.listvote.com/lists/film/movies/the-poppy-girl%27s-husband-19363763/actors -
An Environmental Reading of Contemporary Superhero Cinema
Bowdoin College Bowdoin Digital Commons Honors Projects Student Scholarship and Creative Work 2019 Superhero Ecologies: An Environmental Reading of Contemporary Superhero Cinema Andrew McGowan Bowdoin College, [email protected] Follow this and additional works at: https://digitalcommons.bowdoin.edu/honorsprojects Part of the Film and Media Studies Commons Recommended Citation McGowan, Andrew, "Superhero Ecologies: An Environmental Reading of Contemporary Superhero Cinema" (2019). Honors Projects. 110. https://digitalcommons.bowdoin.edu/honorsprojects/110 This Open Access Thesis is brought to you for free and open access by the Student Scholarship and Creative Work at Bowdoin Digital Commons. It has been accepted for inclusion in Honors Projects by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. Superhero Ecologies: An Environmental Reading of Contemporary Superhero Cinema An Honors Paper for the Department of English By: Andrew McGowan Bowdoin College, 2019 ©Andrew McGowan ! 1! Acknowledgements Writing this thesis took the better portion of an entire year. It involved reading well over a thousand pages of research, watching nearly a hundred films, and immersing myself in some unfamiliar areas of both pop-culture and academia. Piecing it all together was oftentimes humbling, exhausting, and challenging, but in the grand scheme of things, I am incredibly grateful for the chance to have done this project. I have learned far more than I ever anticipated, and I am very proud of what it has become. Of course, none of it would be possible without the help of many. First, I thank the entire English and Cinema Studies departments at Bowdoin College. -
Lambert Hillyer Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Lambert Hillyer Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Batman https://bg.listvote.com/lists/film/movies/batman-205575/actors The Pinto Kid https://bg.listvote.com/lists/film/movies/the-pinto-kid-63934788/actors The Unguarded Hour https://bg.listvote.com/lists/film/movies/the-unguarded-hour-65043040/actors Outlaw Brand https://bg.listvote.com/lists/film/movies/outlaw-brand-65032614/actors Eyes of the Forest https://bg.listvote.com/lists/film/movies/eyes-of-the-forest-61450846/actors Mile-a-Minute Romeo https://bg.listvote.com/lists/film/movies/mile-a-minute-romeo-62075992/actors Gun Runner https://bg.listvote.com/lists/film/movies/gun-runner-15706503/actors Idle Tongues https://bg.listvote.com/lists/film/movies/idle-tongues-2548599/actors Fleetwing https://bg.listvote.com/lists/film/movies/fleetwing-39071186/actors White Hands https://bg.listvote.com/lists/film/movies/white-hands-4019524/actors Girl from Rio https://bg.listvote.com/lists/film/movies/girl-from-rio-104026196/actors One Man Law https://bg.listvote.com/lists/film/movies/one-man-law-105095071/actors White Eagle https://bg.listvote.com/lists/film/movies/white-eagle-105333788/actors The Deadline https://bg.listvote.com/lists/film/movies/the-deadline-105409887/actors Hello Trouble https://bg.listvote.com/lists/film/movies/hello-trouble-105409895/actors Roaring Frontiers https://bg.listvote.com/lists/film/movies/roaring-frontiers-106866607/actors Flame of the West https://bg.listvote.com/lists/film/movies/flame-of-the-west-107174846/actors Girls Can Play https://bg.listvote.com/lists/film/movies/girls-can-play-1526797/actors