William S. Hart Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

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William S. Hart ç”µå½± ä¸²è¡Œ (å¤§å…¨) The Gringo https://zh.listvote.com/lists/film/movies/the-gringo-21648725/actors The Devil's Double https://zh.listvote.com/lists/film/movies/the-devil%27s-double-3520595/actors The Scourge of the https://zh.listvote.com/lists/film/movies/the-scourge-of-the-desert-7762656/actors Desert Pinto Ben https://zh.listvote.com/lists/film/movies/pinto-ben-17636730/actors The Grudge https://zh.listvote.com/lists/film/movies/the-grudge-17639870/actors Wolves of the Rail https://zh.listvote.com/lists/film/movies/wolves-of-the-rail-17066676/actors Knight of the Trail https://zh.listvote.com/lists/film/movies/knight-of-the-trail-17620856/actors Bad Buck of Santa Ynez https://zh.listvote.com/lists/film/movies/bad-buck-of-santa-ynez-17621733/actors In the Sage Brush https://zh.listvote.com/lists/film/movies/in-the-sage-brush-country-17630340/actors Country The Roughneck https://zh.listvote.com/lists/film/movies/the-roughneck-17639947/actors Selfish Yates https://zh.listvote.com/lists/film/movies/selfish-yates-18709071/actors 'Blue Blazes' Rawden https://zh.listvote.com/lists/film/movies/%27blue-blazes%27-rawden-18914876/actors The Cradle of Courage https://zh.listvote.com/lists/film/movies/the-cradle-of-courage-18914920/actors The Money Corral https://zh.listvote.com/lists/film/movies/the-money-corral-18915113/actors The Narrow Trail https://zh.listvote.com/lists/film/movies/the-narrow-trail-18915122/actors The Poppy Girl's Husband https://zh.listvote.com/lists/film/movies/the-poppy-girl%27s-husband-19363763/actors Shark Monroe https://zh.listvote.com/lists/film/movies/shark-monroe-19363822/actors The Silent Man https://zh.listvote.com/lists/film/movies/the-silent-man-19363830/actors Square Deal Sanderson https://zh.listvote.com/lists/film/movies/square-deal-sanderson-19363860/actors The Tiger Man https://zh.listvote.com/lists/film/movies/the-tiger-man-19363930/actors The Cold Deck https://zh.listvote.com/lists/film/movies/the-cold-deck-19571315/actors The Desert Man https://zh.listvote.com/lists/film/movies/the-desert-man-19868004/actors Wolf Lowry https://zh.listvote.com/lists/film/movies/wolf-lowry-19881893/actors The Darkening Trail https://zh.listvote.com/lists/film/movies/the-darkening-trail-22000185/actors The Primal Lure https://zh.listvote.com/lists/film/movies/the-primal-lure-2425214/actors Mr. 'Silent' Haskins https://zh.listvote.com/lists/film/movies/mr.-%27silent%27-haskins-24951584/actors The Aryan https://zh.listvote.com/lists/film/movies/the-aryan-3627505/actors Hell's Hinges https://zh.listvote.com/lists/film/movies/hell%27s-hinges-3784599/actors The Border Wireless https://zh.listvote.com/lists/film/movies/the-border-wireless-3986064/actors The Dawn Maker https://zh.listvote.com/lists/film/movies/the-dawn-maker-3986530/actors The Disciple https://zh.listvote.com/lists/film/movies/the-disciple-3986627/actors The Gunfighter https://zh.listvote.com/lists/film/movies/the-gunfighter-3987435/actors The Return of Draw Egan https://zh.listvote.com/lists/film/movies/the-return-of-draw-egan-3988992/actors The Ruse https://zh.listvote.com/lists/film/movies/the-ruse-3989111/actors The Square Deal Man https://zh.listvote.com/lists/film/movies/the-square-deal-man-43303306/actors Truthful Tulliver https://zh.listvote.com/lists/film/movies/truthful-tulliver-43303351/actors The Patriot https://zh.listvote.com/lists/film/movies/the-patriot-48836611/actors Branding Broadway https://zh.listvote.com/lists/film/movies/branding-broadway-4956701/actors The Apostle of https://zh.listvote.com/lists/film/movies/the-apostle-of-vengeance-63119073/actors Vengeance Riddle Gawne https://zh.listvote.com/lists/film/movies/riddle-gawne-7332431/actors Tumbleweeds https://zh.listvote.com/lists/film/movies/tumbleweeds-7852578/actors Between Men https://zh.listvote.com/lists/film/movies/between-men-88958200/actors.

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Two-Gun Bill: the Story of William S. Hart, 1987
TWO-GUN BILL The Story of Williatn S. Hart by KATHERINE H. CHILD illiam S. Hart not only got "While playing in Cle. veland [in 1913], I attended that chance to make West a picture show. I saw a Western picture. W ern motion pictures, he It was awful! I talked with the manager of made the best of it. In spite of their early popularity, Western films were, as Hart the theater and he told me it was one of the best had seen, exercises in mediocrity. When Hart came to California in 1914, he Westerns he had ever had. Npne of the impossibilities brought with him a fresh approach to or libels on the West meant anything to him-it was Western film making. He added authen tic costumes and locales to a heretofore drawing the crowds .... I was so sure that I had made popular, highly idealized image of the West to create a truly original style for a big discovery that I was frightened that some one his films. Much as the work of Frederic would read my mind and find it out. Remington and Charles Russell has come to be emblematic of the West in the Here were reproductions of the Old West being art world, so does the work of William seriously presented to the public-in almost a bur S. Hart symbolize the West on film. Though he was not the first Western lesque manner-and they were successful. It made me actor/ film maker nor the last, he was surely one of the most important, tremble to think of it.
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Papéis Normativos E Práticas Sociais
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Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
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WESTERN FILMS Page 1 of 20
WESTERN FILMS Page 1 of 20 WESTERN FILMS Western Films or Westerns are the major defining genre of the American film industry, a nostaligic eulogy to the early days of the expansive, untamed American frontier (the borderline between civilization and the wilderness). They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins. [The popularity of westerns has waxed and waned over the years. Their most prolific era was in the 1930s to the 1960s, and most recently in the 90s, there was a resurgence of the genre. This indigenous American art form focuses on the frontier West that existed in North America. Westerns are often set on the American frontier during the last part of the 19th century (1865-1900) following the Civil War, in a geographically western (trans-Mississippi) setting with romantic, sweeping frontier landscapes or rugged rural terrain. However, Westerns may extend back to the time of America's colonial period or forward to the mid-20th century, or as far geographically as Mexico. A number of westerns use the Civil War, the Battle of the Alamo (1836) or the Mexican Revolution (1910) as a backdrop. The western film genre often portrays the conquest of the wilderness and the subordination of nature, in the name of civilization, or the confiscation of the territorial rights of the original inhabitants of the frontier. Specific settings include lonely isolated forts, ranch houses, the isolated homestead, the saloon, the jail, the livery stable, the small-town main street, or small frontier towns that are forming at the edges of civilization.
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1 Ver Eet ( Wa.Merican Legion Edition)
• e 1 Ver eet ( wA.merican Legion Edition) J WITHDRAW 'FOR EXCH - iiLIBRARt OE Q.ONGRESS ~omaf}{ !/nCtS" ki n .Deep" 1 " I 1 .,.,n b\:? is (. ... , © Cl A6 89 0 6 1 , l ~ , ... I SILVER SliEEI' QIf) £ JRllt£riran Jl rU10lt NATI ONAL HEADQUARTERS I NDIANAPOLIS. INDIANA Mr:. 'Thomas H. Ince, G5uLvee G5ity, G5alifomia. My Dear: Mc. l nce: 'The appeal you haVe made in your: splendid pictur:e, "Skin D eep ",/ for: fOemee ser:vice men ofilnwr:ica cec·tainly uJillgo a Long uJay touJacd auJak ening a &ll appeeciation of tJ1.e obligation to those LVho ser:ved. 'TJ1.is is especially tcue of disabled men. We uJant to thank you not onLy fOe this appeaL, but fOr: the spLendid co-oper:ation you J1.ave given the Legion in its campaign fOe pr:oduction of motion pictur:es that uJilL inspim good citizenship and geeater: faith in our: gover:nment and our: people. Since ee ly, (Signed) H anfoL·d MacNider:. H IT ~ Bun In each hand, a ci~arette in hi$' mouth 1 and all three S'mokin6~ IJ ~ • (Pen Portrait of 'nomas H . Incc Above) CThe SILVER SHEET Pa ge FOllr :: U D DOYLE got off the transport with the wasn't made for a hero. McQuarg snee red and C roix de G uerre on his breas t and a feel said: "We go t to get Bud Doyle back here. H e's in g of exaltation in his heart. H e had left got nerve." ..-"-'I.... ~ H oboken a crook; he had come back a Sadie shook her head.
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Cinecon Film List: Alphabetical
CINECON FILM LIST: ALPHABETICAL Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES $20 A Week 1924 Distinctive-Selznick 50 2014 $64,000 Challenge - Sonny Fox Kinecon At Cinecon 55 2019 A Salute To Game Shows 100 To 1 Shot, The 1906 Vitagraph 31 1995 15 Maiden Lane 1936 20th Century-Fox 48 2012 21st Academy Awards 1949 30 1994 3-D Hollywood 38 2002 NOTE: slide show 36 Hours To Kill 1936 20th Century Fox 43 2007 365 Nights In Hollywood 1934 Fox 28 1992 49th Parallel, The 1941 Ortus General 25 1989 50 Miles From Broadway 1929 Pathé 47 2011 Short Subject 7 Faces Of Dr. Lao, The 1964 M-G-M 11 1975 70,000 Witnesses 1932 Paramount 16 1980 Abie Kabibble Outwitted His Rival 1917 International 44 2008 Academy Awards, 22nd Annual 1949 31 1995 Accusing Finger, The 1936 Paramount Pictures 53 2017 Ache In Every Stake, An 1941 Columbia Pictures 51 2015 Acquitted 1929 Columbia 44 2008 Act Of Violence 1949 M-G-M 31 1995 Active Life of Dolly Of The Dailies, The Short Subject Chapter 5: The Chinese Fan 1914 Edison 47 2011 Actress, The 1953 M-G-M 39 2003 Adam's Apple 1928 38 2002 Adam's Rib 1923 Paramount 34 1998 Advance Base 1945 41 2005 Adventure In Sahara 1938 Columbia 45 2009 Adventurer, The 1917 Lone Star-Mutual 50 2014 Short Subject Adventures Of Captain Marvel 1940 Republic 26 1990 Adventures Of Trazan, The - Great Western-Numa Pictures-Weiss Short Subject Chapter 11: The Hidden Foe 1921 Brothers Artclass 51 2015 Adventures With D.W.
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A History of Transportation in Nineteenth Century Umatilla County, Oregon
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 4-26-1996 A History of Transportation in Nineteenth Century Umatilla County, Oregon Gary Kenneth Miller Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons Let us know how access to this document benefits ou.y Recommended Citation Miller, Gary Kenneth, "A History of Transportation in Nineteenth Century Umatilla County, Oregon" (1996). Dissertations and Theses. Paper 5159. https://doi.org/10.15760/etd.7035 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Gary Kenneth Miller for the Master of Arts in History were presented April 26, 1996, and accepted by the thesis committee and the department. COMMITTEE APPROVALS: Friedrich Schuler Candice L. Gou Representative ~f the Office of Graduate Stu dies DEPARTMENT APPROVAL: David A(Johnson, Chair Department of History ******************************************************************* ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY B on /6.7/:?a<r /99~ AN ABSTRACT OF THE THESIS OF Gary Kenneth Miller for the Master of Arts in History presented April 26, 1996. Title: A History of Transportation in Nineteenth Century Umatilla County, Oregon. An examination of the history of transportation in Umatilla County, Oregon, will provide an understanding of its role in the colonization and economic development of this remote and arid reg10n. This study begins with a description of the movement of Umatilla, Walla Walla, and Cayuse Indians in the Umatilla Country to establish the patterns of transportation at the beginning of the nineteenth century.
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Photoplay142chic
b U? 1 .i i \r\l\ /I m of Modern Art Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from David Sorochty Digitized by the Internet Archive in 2013 http://archive.org/details/photoplay142chic zMary Thur-inan Photoplay Magazine—Advkrtisino Section 3 1 I Th,The worlds best guide book ! totO the enjoyment of music Entertaining Instructive Convenient Are you familiar with the story of the opera of Rigoletto? Of Faust? Of Pagliacci? Do you know the national airs of Denmark and China? Do you know which Kipling ballads have been set to music? Did you know that Chopin was pronounced a genius at eight years of age? Information on all these subjects is to be found within the 510 pages of the Victor Record catalog. It presents in alphabetical order, cross indexed, the thou- sands of Victor Records which comprise the greatest library of music in all the world. But besides that it abounds with interesting musical knowledge which "HIS MASTER'S VOICE" bco- o s p*t orr. adds greatly to your enjoyment of all music. It is a This trademark ami the tradeniarked word every music-lover will and there is "Victrola" identify all our products. Look under book want, a copy the lid! Look on the label' for you at your Victor dealer's. Or write to us and we VICTOR TALKING MACHINE CO. Camden, N. J. will gladly mail a copy to you. Victor Talking Machine Company, Camden,N.j.
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Cinecon Films
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The STORY of the Famous Players-Lasky Corporation L
. ^^r -".«*»». FAMOUS P1AYERS-LASKY CORPORATION ADOLPM ZUKOR mm. JESSE t.LASKY H»Aw CECIt B.OE MILLE IWrti'C«i««l I TUWYOMl, LIBRARY Brigham Young University RARE BOOK COLLECTION Rare Quarto PN ^r1999 1919 I The STORY of the Famous Players-Lasky Corporation l : i ll ! . .; ,i i i i i)i ! ]il lll) llll l l l lllllll l [|||||IHl H MiilMii 3ES ==?r .:;.Mii !llll li im 3E 1 I i I Walter E. Greene /''ice-President ! Frank A. Garbott Vice-President t I 'l|i"l|!l||||ii 2Z^ ^^ illillllllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllHlllllllllllllllllll 2ff 3C JZ The Story of the Famous Players-Lasky Corporation (paramount~Qricra£t ^Motion (pictures -...or ..»«*» FAMOUS PLAYERS-LASKY CORPORATION <L ADOLPH ZUKOR Pres JESSE L.LASKY VkxPrms. CECIL B DE M1LLE Director Cenerol. "NEW YORIC Copyright, IQIQ, by the Famous Players-Lasky Corporation ~ZL M : 1 TTT- I'liiiiiiii'iiiiiiiiMiiiiiiii, 1 1 1 1 1 1 1 1 1 1 t < 1 iii 35 i : ; 1 1 i 1 1 > 1 . 1 W=] s: .^sm: '":;iii!!'i'i:'iniiiii""!"i. ! ":"''.t iiinu'lM u m 3 i i S i 5 1 i im :=^ !l!l!llllllll!lllllli^ 3T Adolph Zukor, President ^t^-Q INTRODUCTION 1 HIS is the complete story of the Famous Players-Lasky Corporation, the world's greatest motion picture enterprise. The story of the Famous Players-Lasky Corporation is the story of the motion picture. For it is this organization which has made the motion picture. Seven years ago, Adolph Zukor saw in the motion picture, then only an amusing toy, amazing and tremendous possibilities.
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Open Original .Pdf
, WM. S. HART'S THE INGREDIENTS MAKING MOVIES COMPLETE CAREER OF A GOOD TITLE OUT OF NOTHING THE PROBLEMS OF CARL DREYER April 1955 TV FILM EDITING ON COLOR FILM 40c APRIL 1955 VOLUME VI FILMS ·· NUMBER 4 EDITED BY HENRY HART Cover Glenn Ford and Eleanor Parker in "Interrupted Melody" Articles WILLIAM S. HART, by George Mitchell -------------------------------- 145 MOVIE GROSSES, by Dore Schary -------------------------- -- ------------ 155 EDITING TV FILMS, by Louis Harris -------------------------- ------------ 158 COLOR AND COLOR FILMS, by Carl Th. Dreyer --------- ------ ----- 165 TITLES, by Leonard Spinrad -------------------------------------- -- -- ---------- 168 MOVIES OUT OF THIN AIR, by William K. Everson _____ _______ 171 LONDON'S ITALIAN FESTIVAL, by Christopher Brunel ___ _____ 18 1 HORS D'OEUVRES -------------------------------------------------------------------- 183 MOVIE MEMORY TEST: 10, by John Springer ______________________ 196 Film Reviews A MAN CALLED PETER, by Arthur Gratz ____________ __ _______________ 187 BLACKBOARD JUNGLE, by Richard Ginensky ___ __ ___ ______________ 188 JEAN EPSTEIN, by Henrietta Lehman ---------------------------------- 189 HIT THE DECK, by Edward Jablonski ---------- -------- ------------------ 190 MARTY, by Diana Willing ------------------------------------------------------ 191 LIST OF RECOMMENDED MOVIES --------------------------------- --------- 208 The Sound Track, by Edward Connor ------------------------- --- ---------------- 193 Recorded Filmusic, by Gerald Pratley ----------------------------------
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William S. Hart
William S. Hart: An Inventory of His Collection of Photographs at the Harry Ransom Center Descriptive Summary Creator: Hart, William Surrey, 1864-1946 Title: William S. Hart Collection of Photographs Dates: 1917-1921 Extent: 9 boxes (1,604 items; 3.78 linear feet) Abstract: The collection, assembled by movie producer LeRoy Stone, consists of photographs documenting Hart's professional life as both an actor and a director in Hollywood from 1917 to 1921. It includes portraits, production stills, credits, sketches, and background photos. Language: English Access: Open for research Administrative Information Acquisition: Purchase, 1973 (R5931) Processed by: Teresa J. Bogar, 1997 Repository: The University of Texas at Austin, Harry Ransom Center Hart, William Surrey, 1864-1946 Scope and Contents The William S. Hart Collection consists of nine boxes of photographs documenting Hart's professional life as both an actor and a director in Hollywood from 1917 to 1921. The images include portraits, production stills, credits, sketches, and background photos. The collection was assembled by LeRoy Stone, who produced many of Hart's features. Arrangement is by accession number as assigned by the Ransom Center. The folders reflect Stone's organization of the items by portraits, individual and company production stills, and miscellaneous photos. The photographs document Hart's personal and dramatic vision of the American West and reveal his stature as man and artist. During his brief, successful career in silent films (1914-1925), Hart made about 20 short films and nearly 50 feature films. The bulk of the collection provides stills for 22 of these features (see alphabetical list of film titles at the end of this inventory).
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