Key Figures 2008 – 2012
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Seguimiento De Accesibilidad a La
SEGUIMIENTO DE ACCESIBILIDAD A LA TDT Informe de la CMT sobre accesibilidad de los contenidos televisivos Informe Económico Sectorial 2012 Comisión del Mercado de las Telecomunicaciones CMT Seguimiento de accesibilidad a la TDT ÍNDICE I. INTRODUCCIÓN ......................................................................................................................................................................................................................................................................... 4 Origen de los datos ....................................................................................................................................................................................................................................................................... 4 Operadores y canales incluidos en el informe ......................................................................................................................................................................................... 4 Porcentajes y valores de los servicios de accesibilidad en la programación de los canales según la LGCA 7/2010 ................................................................................................................................................... 5 Canales de programación de nueva emisión .............................................................................................................................................................................................. 6 Información solicitada a los -
Nov12 Presentation to Investors
GRUPO ANTENA 3 www.grupoantena3.com Presentation to investors Nov 2012 Presentation to investors_Nov 2012 1 Antena 3 Group at a glance New Antena 3 Group, a leading communication group ANTENA 3 GROUP TV RADIO OTHERS (*) ADVERTISING (*) Leased and operated by Imagina Presentation to investors_Nov 2012 2 Antena 3 Group at a glance One of the largest communication groups in Spain ANTENA 3 GROUP A3 Films A3 eventos Unipublic Others LA SEXTA XPLORA 6% LA SEXTA3 TODO CINE Onda Cero GOL T* Europa FM Radio Onda Melodía TV 11% 2011 Total revenues 83% ANTENA 3 805 M€ NEOX TV NOVA NITRO 2011 Total revenues 254 M€ Planeta-De Agostini: 41.7% RTL: 19.2% Shareh. La Sexta 7.0% Treasury stock: 7.0% Free-float: 25.1% (*) Leased and operated by Imagina Presentation to investors_Nov 2012 3 Antena 3 Group at a glance Solid market position in TV and Radio Antena 3’s market position TELEVISION RADIO 43% 17% Market share Source: Infoadex Presentation to investors_Nov 2012 4 1 SPANISH TV SECTOR Presentation to investors_Nov 2012 5 Advertising market in Spain Ad market maintains downward trend Total Ad & TV market evolution In € mill CAGR ≈+10% CAGR ≈-12% 7,985 5,459 5,505 Total Ad market 3,469 2,142 2,237 TV Ad market 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012e Source: Infoadex Presentation to investors_Nov 2012 6 Advertising market in Spain TV maintains its leadership among media Ad market by media 40.1% TV 40.6% 28.3% Press 17.6% 16.3% 10.9% Magaz 9.5% Radio 9.0% 1.3% Internet 6.9% 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: -
Annual Report 2019 Key Figures
ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020. -
Senderlisten
Senderlisten 1. Analoge TV-Sender Nr. Sendername Kanal Frequenz/MHz 1 1-2-3 tv S29 367,25 2 3Sat S11 231,25 3 Das Erste K6 182,25 4 arte S10 168,25 5 Bibel TV/Eurosport S12 238,25 6 Channel 21 K7 189,25 7 DMAX S21 303,25 8 HSE24 S23 319,25 9 Kabel 1 S20 294,25 Kinderkanal KIKA (06.00-21.00 Uhr)/ 10 S16 266,25 BBC World News (engl.) (21.00-06.00 Uhr) 11 N24 S26 343,25 12 NDR Schleswig-Holstein K5 175,25 13 Nickelodeon S22 311,25 14 n-tv S6 140,25 15 Phoenix S9 161,25 16 Pro Sieben K11 217,25 17 QVC S24 280,25 18 RTL SH/HH S18 303,25 19 RTL II K12 224,25 20 SAT.1 HH/SH K10 210,25 21 sixx K9 203,25 22 Sport1 S13 245,25 23 Super RTL S19 287,25 24 Tele5 S27 351,25 25 Comedy Central/VIVA S7 147,25 26 VOX S15 259,25 27 ZDF K8 196,25 Gültig ab 01.02.2018 Seite 1 von 15 NN_SDLPK_0218_1 nordischnet . Eine Marke der GVG Glasfaser GmbH . Sedanstraße 14b . 24116 Kiel . Tel. 0800/90 700 70 . Fax 0431/90 700 477 . E-Mail: [email protected] . www.nordischnet.de Handelsregister Amtsgericht Kiel HRB 12827 KI . Sitz der Gesellschaft Kiel . USt-IdNr. DE 281 030 825 . Steuernummer 20/298/08994 . Geschäftsführer Michael Gotowy . Jörg Knöller Senderlisten 2. Digitale TV-Sender Nr. Modulation Sendername Kanal Frequenz/MHz 1 QAM256 1-2-3.tv K47 682 2 QAM256 1-2-3.tv HD K40 626 3 QAM256 3sat S32 394 4 QAM256 3sat HD K24 498 5 QAM256 Al Jazeera Channel K51 714 6 QAM256 Algerie 3 K46 674 7 QAM256 Anixe HD K52 722 8 QAM256 ANIXE SD K47 682 9 QAM256 ARD-alpha K26 514 10 QAM256 arte K54 738 11 QAM256 arte HD D122 122 12 QAM256 Astro TV K48 690 13 QAM256 Bayerisches -
Awkwardness on Dutch Television
Awkwardness on Dutch television A research to identify the construction of on-screen awkward moments in nine contemporary Dutch reality-based television programs Author: Thomas de Boer University of Amsterdam Student number: 10764976 Master’s Thesis E-mail: [email protected] MA Television and Cross-media Culture Supervisor: Dhr. dr. J.W. Kooijman Professional track - documentary Second reader: Mw. dr. J.C. Hermes June 2017 2 ABSTRACT Awkwardness has become a very popular form of humour in our society. Not only in real life, but on-screen as well. In this thesis nine reality-based programs of the Dutch television landscape are analysed on the awkward moments they show and how these moments are constructed. The different positions of respectively the maker, the subject and the viewer are all examined in relation to the construction of awkward moments. Drawing upon genre theories and the book on awkwardness of Jason Middleton, this thesis identifies how awkwardness is constructed in contemporary reality-based media products. Awkwardness is a strong, affective narrative tool that is used commonly, either intended or unintended. Keywords: awkwardness – conventions – genre – reality TV – humour – ordinary – social norms – Dutch television 3 Foreword I am writing this foreword of my thesis, the day of Donald J. Trump’s inauguration as the next President of the United States. It is no joke, it really happened. Something totally unexpected happened. The orange clown, who had the most minimalistic argumentation ever during his campaign last year, became the President of the United States. Apparently a man who said “Grab ‘m by the pussy!”, who starred in Wrestlemania 231 and who denies climate change, is able to be elected as the most powerful leader in the world. -
¿Quién Ve La Televisión? Revisión Del Modelo Generalista En El Espacio Mediático Convergente1
Trípodos, número 40 | Barcelona 2017 | 31-54 Rebut / Received: 09/05/2017 ISSN: 1138-3305 Acceptat / Accepted: 12/06/2017 31 ¿Quién ve la televisión? Revisión del modelo generalista en el espacio mediático convergente1 Who Is Watching TV? A Revision of the Generalist Model in the Converging Media Landscape Scenario TRÍPODOS 2017 | 40 Jéssica Izquierdo Castillo Universitat Jaume I (España) La televisión actual busca un espacio Television seeks a space for relocation de reubicación dentro del panorama within the convergent media lands mediático convergente. En los últimos cape. In recent years, the multiplication años, la multiplicación de canales, la of channels, the consolidation of online consolidación de plataformas online, platforms, changes in audience habits, los cambios de hábitos del público, el the aging of the classical audience and envejecimiento de la audiencia y la the weak connection with young au débil conexión con el público joven dience have provoked transformations han provocado transformaciones que that have affected television content. han afectado a los contenidos televi This paper studies the evolution of ge sivos. neralist television during the period Este trabajo estudia la evolución de la from 2007 to 2016, when contex televisión generalista durante el perio tual and structural factors converged. do comprendido entre 2007 y 2016, These factors have determined the cu en que confluyen factores contextua rrent development of television, forming les y estructurales que han determina an oligopoly around the Atresmedia do su desarrollo actual, formando un and Mediaset groups. Together, they oligopolio en torno a los grupos Atres account for 86.4% of the advertising media y Mediaset. -
August 2017 Index
LAST UPDATE: AUGUST 2017 INDEX The twenties p.3 The thirties p.4 The forties p.6 The fiftiesp.7 The sixties p.8 The seventies p.9 The eighties p.10 The nineties p.11 The new century p.13 RTL GROUP – THE HISTORY 2/19 The twenties The world discovers a new method of immediate and far-reaching communication: the radio. 1924 1928 FIRST STEPS INCREASING POWER Enthralled by radio broadcasting, François and The transmitter’s power is boosted to 250W. Marcel Anen install a radiotelephone transmitter in the attic of their house, 28, Rue Beaumont in The same year, François Anen accepts the Luxembourg, in autumn 1923 and start their first outgoing 3kW transmitter from Radio Toulouse to experiments. use in Luxembourg. APRIL 1924 A French–Luxembourgish study syndicate is FROM AMATEUR RADIO created, with the aim of installing a powerful radio station in Luxembourg. Named Blue Star TO BROADCASTING Radio, it is represented by the Luxembourgish In April 1924, the Anen brothers take the step from sports journalist, Alphonse Steinès, and has amateur radio to broadcasting, sending out a regular the financial support of the Banque française et programme from Luxembourg, playing mainly music hollando-américaine. records. 1929 JULY 1925 BECOMING PROFESSIONAL TWO MORE COMPANIES The Anen brothers create the Association Radio The same aim is pursued by two more companies Luxembourg to run the station. created in 1929: On 27 May, the Société Luxembourgeoise d’Études 1926 Radiophoniques (SLER), led by the French ENTERTAINING Compagnie des Compteurs, is officialised. The station broadcasts records, sports results 29 July, sees the officialisation of the Compagnie on Saturdays, and live concerts performed by an Nationale de Radiodiffusion Luxembourgeoise orchestra from their attic studio, as well as from (CNRL), led by Jacques Trémoulet, Head of Radio outside. -
TV- Und Radiosender Basis Liste
TV- und Radiosender Basis Liste TV- und Radiosender Basis Liste Digitale TV-Sender (Free TV) 93 .................RTL HH SH .................................................... 650 46 ................NDR Info ........................................................ 514 94 .................RTL plus ......................................................... 650 47 ................NDR Info Spez. .............................................. 514 Nr. ................Sendername ...............................Frequenz/MHz 95 .................RTL Television ................................................ 650 49 ................NDR Kultur .................................................... 514 96 .................Russia 24 ........................................................ 530 49 ................NDR1WelleNord ............................................ 514 1 ...................1-2-3.tv ........................................................... 682 97 .................SAT.1 .............................................................. 618 50 ................N-JOY ............................................................ 514 2 ...................1-2-3.tv HD ..................................................... 626 98 .................SAT.1 Gold ...................................................... 618 51 ................Bremen Zwei ................................................. 514 3 ...................3sat ................................................................. 394 99 .................SAT.1 HH/SH ................................................. -
Compilation of Manuals, Guidelines, and Directories in the Area of Intellectual Property (Ip) Portfolio Management
DRAFT FOR DISCUSSION COMPILATION OF MANUALS, GUIDELINES, AND DIRECTORIES IN THE AREA OF INTELLECTUAL PROPERTY (IP) PORTFOLIO MANAGEMENT CUSTOMIZED FOR THE ASSOCIATION OF SOUTHEAST ASIAN NATIONS (ASEAN) MEMBER COUNTRIES TABLE OF CONTENTS page 1. Preface…………………………………………………………………. 4 2. Mission Report of Mr. Lee Yuke Chin, Regional Consultant………… 5 3. Overview of ASEAN Companies interviewed in the Study……...…… 22 4. ASEAN COUNTRIES 4. 1. Brunei Darussalam Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 39 Part II: Success Stories…………………………………………………. 53 4. 2. Cambodia Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 66 Part II: Success Stories…………………………………………………. 85 4. 3. Indonesia Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 96 Part II: Success Stories…………………………………………………. 113 4. 4. Lao PDR Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 127 Part II: Success Stories…………………………………………………. 144 4. 5. Malaysia Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 156 Part II: Success Stories…………………………………………………. 191 4. 6. Myanmar Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 213 Part II: Success Stories…………………………………………………. 232 4. 7. Philippines Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. 248 Part II: Success Stories…………………………………………………. 267 4. 8. Singapore Part I: Listing of Manuals, Guidelines and Directories in the Area of Intellectual Property (IP) Portfolio Management………………………. -
Bachelorarbeit
DEPARTMENT INFORMATION Bachelorarbeit Medienpädagogik in Hamburg seit 1945 - Ihre exemplarische Darstellung und Dokumentation in einer Datenbank vorgelegt von Stefanie Wiedner & Ellen Wolff Studiengang [Bibliotheks- und Informationsmanagement] erster Prüfer: Prof. Dr. Hans-Dieter Kübler zweite Prüferin: Prof. Frauke Schade Hamburg, September 2012 Kurzfassung Die vorliegende Arbeit beschäftigt sich mit der Entwicklung der Medienpädagogik in Hamburg von 1945 bis 1995. Im schriftlichen Teil der Arbeit wird untersucht, inwieweit Medien in diesem Kontext diskutiert, reflektiert und praktisch eingesetzt wurden. Der praktische Teil der Bachelorarbeit umfasst die Erstellung einer Datenbank, die einen elektronischen Zugriff auf die Untersuchungsergebnisse ermöglicht. Nachdem die Bedeutung der Medienkompetenz für das moderne Leben, herausgestellt wird, folgt Teil I mit einer theoretischen Abhandlung über die Medienpädagogik. Teil II beleuchtet die Entwicklung ausgewählter Medien in Hamburg und stellt exemplarisch innovative Medienprojekte aus der Hansestadt vor. Teil III präsentiert eine Übersicht medienpädagogisch wirkender Institutionen Hamburgs, die im Beobachtungszeitraum maßgeblich an der Förderung des kompetenten Medienumgangs beteiligt waren. Teil IV erläutert die Zielsetzung, Konzeption und Umsetzung der Datenbank. In dieser Arbeit werden Hamburger Aktivitäten im Bereich der Medienpädagogik von 1945 bis 1995 erstmalig systematisch aufbereitet. Schlagwörter Medienpädagogik, Medienkompetenz ,Hamburg, Medienkompetenz- förderung, Projektarbeit, -
Annual Report 2008 Annual Report the Leadingeuropeanentertainment Network
THE LEADING EUROPEAN ENTERTAINMENT NETWORK FIVE-YEAR SUMMARY 2008 2007 2006 2005 2004 €m €m €m €m €m Revenue 5,774 5,707 5,640 5,115 4,878 RTL Group – of which net advertising sales 3,656 3,615 3,418 3,149 3,016 Corporate Communications Other operating income 37 71 86 103 118 45, boulevard Pierre Frieden Consumption of current programme rights (2,053) (2,048) (1,968) (1,788) (1,607) L-1543 Luxembourg Depreciation, amortisation and impairment (203) (213) (217) (219) (233) T: +352 2486 5201 F: +352 2486 5139 Other operating expense (2,685) (2,689) (2,764) (2,518) (2,495) www.RTLGroup.com Amortisation and impairment of goodwill ANNUAL REPORT and fair value adjustments on acquisitions of subsidiaries and joint ventures (395) (142) (14) (16) (13) Gain/(Loss) from sale of subsidiaries, joint ventures and other investments (9) 76 207 1 (18) Profit from operating activities 466 762 970 678 630 Share of results of associates 34 60 72 63 42 Earnings before interest and taxes (“EBIT”) 500 822 1,042 741 672 Net interest income/(expense) 21 (4) 2 (11) (25) Financial results other than interest 7 26 33 2 (19) Profit before taxes 528 844 1,077 732 628 Income tax income/(expense) (232) (170) 34 (116) (196) Profit for the year 296 674 1,111 616 432 Attributable to: RTL Group shareholders 194 563 890 537 366 Minority interest 102 111 221 79 66 Profit for the year 296 674 1,111 616 432 EBITA 916 898 851 758 709 Amortisation and impairment of goodwill (including disposal group) and fair value adjustments on acquisitions of subsidiaries and joint ventures -
A SONY PICTURES CLASSICS RELEASE Www
A SONY PICTURES CLASSICS RELEASE www.itmightgetloudmovie.com Running time: 97 minutes *Official Selection: 2008 Toronto International Film Festival *Official Selection: 2009 Sundance Film Festival Publicity Distributor PMK/HBH Sony Pictures Classics Allen Eichhorn Carmelo Pirrone 622 Third Avenue Lindsay Macik 8th Floor 550 Madison Ave New York, NY 10017 New York, NY 10022 212-373-6115 Tel: 212-833-8833 [email protected] Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. It Might Get Loud isn't like any other rock'n roll documentary.